A Molecule Away From Madness Quotes

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Alma came to admire sailors. She could not imagine how they endured such long periods of time away from the comforts of land. How did they not go mad? The ocean both stunned and disturbed her. Nothing had ever put more of an impression upon her being. It seemed to her the very distillation of matter, the very masterpiece of mysteries. One night they sailed through a diamond field of liquid phosphorescence. The ship churned up strange molecules of green and purple light as it moved, until it appeared that the Elliot was dragging a long glowing veil behind herself, wide across the sea. It was so beautiful that Alma wondered how the men did not throw themselves into the water, drawn down to their deaths by this intoxicating magic.
Elizabeth Gilbert (The Signature of All Things)
PCP intoxicates by causing the limbic system, which processes emotions, to function independently from perceptions of the outside world.
Sara Manning Peskin (A Molecule Away from Madness: Tales of the Hijacked Brain)
Molecule is a daunting word that turns out to have a simple meaning: a molecule is a group of atoms bound together. You are probably already familiar with atoms, like oxygen, carbon, and hydrogen. When atoms are linked together, we call the resulting structure a molecule.
Sara Manning Peskin (A Molecule Away from Madness: Tales of the Hijacked Brain)
The syndrome acquired the name Creutzfeldt-Jakob disease after Jakob incorrectly gave credit to a fellow German scientist, Hans Creutzfeldt, who Jakob felt had described a similar case a few years earlier. Creutzfeldt’s case turned out to be a different disease—and the pairing ended up being particularly unfortunate, since Jakob was Jewish and Creutzfeldt likely had ties to the Nazi regime—but the name stuck.
Sara Manning Peskin (A Molecule Away from Madness: Tales of the Hijacked Brain)
I HAVEN’T HAD the Dream in a long time. But it’s back. And it’s changed. It does not begin as it always has, with the chase. The woods. The mad swooping of the griffins and the charge of the hose-beaked vromaski. The volcano about to erupt. The woman calling my name. The rift that opens in the ground before me. The fall into the void. The fall, where it always ends. Not this time. This time, these things are behind me. This time, it begins at the bottom. I am outside my own body. I am in a nanosecond frozen in time. I feel no pain. I feel nothing. I see someone below, twisted and motionless. The person is Jack. Jack of the Dream. But being outside it, I see that the body is not mine. Not the same face. As if, in these Dreams, I have been dwelling inside a stranger. I see small woodland creatures, fallen and motionless, strewn around the body. The earth shakes. High above, griffins cackle. Water trickles beneath the body now. It pools around the head and hips. And the nanosecond ends. The scene changes. I am no longer outside the body but in. Deep in. The shock of reentry is white-hot. It paralyzes every molecule, short-circuiting my senses. Sight, touch, hearing—all of them join in one huge barbaric scream of STOP. The water fills my ear, trickles down my neck and chest. It freezes and pricks. It soothes and heals. It is taking hold of the pain, drawing it away. Drawing out death and bringing life. I breathe. My flattened body inflates. I see. Smell. Hear. I am aware of the soil ground into my skin, the carcasses all around, the black clouds lowering overhead. The thunder and shaking of the earth. I blink the grit from my eyes and struggle to rise. I have fallen into a crevice. The cracked earth is a vertical wall before me. And the wall contains a hole, a kind of door into the earth. I see dim light within. I stand on shaking legs. I feel the snap of shattered bones knitting themselves together. One step. Two. With each it becomes easier. Entering the hole, I hear music. The Song of the Heptakiklos. The sound that seems to play my soul like a guitar. I draw near the light. It is inside a vast, round room, an underground chamber. I enter, lifted on a column of air. At the other side I see someone hunched over. The white lambda in his hair flashes in the reflected torch fire. I call to him and he turns. He looks like me. Beside him is an enormous satchel, full to bursting. Behind him is the Heptakiklos. Seven round indentations in the earth. All empty.
Peter Lerangis (Lost in Babylon (Seven Wonders, #2))