A Man Who Eats Alone Quotes

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It’s loneliness. Even though I’m surrounded by loved ones who care about me and want only the best, it’s possible they try to help only because they feel the same thing—loneliness—and why, in a gesture of solidarity, you’ll find the phrase “I am useful, even if alone” carved in stone. Though the brain says all is well, the soul is lost, confused, doesn’t know why life is being unfair to it. But we still wake up in the morning and take care of our children, our husband, our lover, our boss, our employees, our students, those dozens of people who make an ordinary day come to life. And we often have a smile on our face and a word of encouragement, because no one can explain their loneliness to others, especially when we are always in good company. But this loneliness exists and eats away at the best parts of us because we must use all our energy to appear happy, even though we will never be able to deceive ourselves. But we insist, every morning, on showing only the rose that blooms, and keep the thorny stem that hurts us and makes us bleed hidden within. Even knowing that everyone, at some point, has felt completely and utterly alone, it is humiliating to say, “I’m lonely, I need company. I need to kill this monster that everyone thinks is as imaginary as a fairy-tale dragon, but isn’t.” But it isn’t. I wait for a pure and virtuous knight, in all his glory, to come defeat it and push it into the abyss for good, but that knight never comes. Yet we cannot lose hope. We start doing things we don’t usually do, daring to go beyond what is fair and necessary. The thorns inside us will grow larger and more overwhelming, yet we cannot give up halfway. Everyone is looking to see the final outcome, as though life were a huge game of chess. We pretend it doesn’t matter whether we win or lose, the important thing is to compete. We root for our true feelings to stay opaque and hidden, but then … … instead of looking for companionship, we isolate ourselves even more in order to lick our wounds in silence. Or we go out for dinner or lunch with people who have nothing to do with our lives and spend the whole time talking about things that are of no importance. We even manage to distract ourselves for a while with drink and celebration, but the dragon lives on until the people who are close to us see that something is wrong and begin to blame themselves for not making us happy. They ask what the problem is. We say that everything is fine, but it’s not … Everything is awful. Please, leave me alone, because I have no more tears to cry or heart left to suffer. All I have is insomnia, emptiness, and apathy, and, if you just ask yourselves, you’re feeling the same thing. But they insist that this is just a rough patch or depression because they are afraid to use the real and damning word: loneliness. Meanwhile, we continue to relentlessly pursue the only thing that would make us happy: the knight in shining armor who will slay the dragon, pick the rose, and clip the thorns. Many claim that life is unfair. Others are happy because they believe that this is exactly what we deserve: loneliness, unhappiness. Because we have everything and they don’t. But one day those who are blind begin to see. Those who are sad are comforted. Those who suffer are saved. The knight arrives to rescue us, and life is vindicated once again. Still, you have to lie and cheat, because this time the circumstances are different. Who hasn’t felt the urge to drop everything and go in search of their dream? A dream is always risky, for there is a price to pay. That price is death by stoning in some countries, and in others it could be social ostracism or indifference. But there is always a price to pay. You keep lying and people pretend they still believe, but secretly they are jealous, make comments behind your back, say you’re the very worst, most threatening thing there is. You are not an adulterous man, tolerated and often even admired, but an adulterous woman, one who is ...
Paulo Coelho (Adultery)
To be incapable of taking one's enemies, one's accidents, even one's misdeeds seriously for very long—that is the sign of strong, full natures in whom there is an excess of the power to form, to mold, to recuperate and to forget (a good example of this in modem times is Mirabeau, who had no memory for insults and vile actions done him and was unable to forgive simply because he—forgot). Such a man shakes off with a single shrug many vermin that eat deep into others; here alone genuine 'love of one's enemies' is possible—supposing it to be possible at all on earth. How much reverence has a noble man for his enemies!—and such reverence is a bridge to love.—For he desires his enemy for himself, as his mark of distinction; he can endure no other enemy than one in whom there is nothing to despise and very much to honor! In contrast to this, picture 'the enemy' as the man of ressentiment conceives him—and here precisely is his deed, his creation: he has conceived 'the evil enemy,' 'the Evil One,' and this in fact is his basic concept, from which he then evolves, as an afterthought and pendant, a 'good one'—himself!
Friedrich Nietzsche (On the Genealogy of Morals / Ecce Homo)
What would you have me do? Seek for the patronage of some great man, And like a creeping vine on a tall tree Crawl upward, where I cannot stand alone? No thank you! Dedicate, as others do, Poems to pawnbrokers? Be a buffoon In the vile hope of teasing out a smile On some cold face? No thank you! Eat a toad For breakfast every morning? Make my knees Callous, and cultivate a supple spine,- Wear out my belly grovelling in the dust? No thank you! Scratch the back of any swine That roots up gold for me? Tickle the horns Of Mammon with my left hand, while my right Too proud to know his partner's business, Takes in the fee? No thank you! Use the fire God gave me to burn incense all day long Under the nose of wood and stone? No thank you! Shall I go leaping into ladies' laps And licking fingers?-or-to change the form- Navigating with madrigals for oars, My sails full of the sighs of dowagers? No thank you! Publish verses at my own Expense? No thank you! Be the patron saint Of a small group of literary souls Who dine together every Tuesday? No I thank you! Shall I labor night and day To build a reputation on one song, And never write another? Shall I find True genius only among Geniuses, Palpitate over little paragraphs, And struggle to insinuate my name In the columns of the Mercury? No thank you! Calculate, scheme, be afraid, Love more to make a visit than a poem, Seek introductions, favors, influences?- No thank you! No, I thank you! And again I thank you!-But... To sing, to laugh, to dream To walk in my own way and be alone, Free, with a voice that means manhood-to cock my hat Where I choose-At a word, a Yes, a No, To fight-or write.To travel any road Under the sun, under the stars, nor doubt If fame or fortune lie beyond the bourne- Never to make a line I have not heard In my own heart; yet, with all modesty To say:"My soul, be satisfied with flowers, With fruit, with weeds even; but gather them In the one garden you may call your own." So, when I win some triumph, by some chance, Render no share to Caesar-in a word, I am too proud to be a parasite, And if my nature wants the germ that grows Towering to heaven like the mountain pine, Or like the oak, sheltering multitudes- I stand, not high it may be-but alone!
Edmond Rostand (Cyrano de Bergerac)
don't feel sorry for me. I am a competent, satisfied human being. be sorry for the others who fidget complain who constantly rearrange their lives like furniture. juggling mates and attitudes their confusion is constant and it will touch whoever they deal with. beware of them: one of their key words is "love." and beware those who only take instructions from their God for they have failed completely to live their own lives. don't feel sorry for me because I am alone for even at the most terrible moments humor is my companion. I am a dog walking backwards I am a broken banjo I am a telephone wire strung up in Toledo, Ohio I am a man eating a meal this night in the month of September. put your sympathy aside. they say water held up Christ: to come through you better be nearly as lucky.
Charles Bukowski (The Night Torn Mad With Footsteps)
There is evidence that the honoree [Leonard Cohen] might be privy to the secret of the universe, which, in case you're wondering, is simply this: everything is connected. Everything. Many, if not most, of the links are difficult to determine. The instrument, the apparatus, the focused ray that can uncover and illuminate those connections is language. And just as a sudden infatuation often will light up a person's biochemical atmosphere more pyrotechnically than any deep, abiding attachment, so an unlikely, unexpected burst of linguistic imagination will usually reveal greater truths than the most exacting scholarship. In fact. The poetic image may be the only device remotely capable of dissecting romantic passion, let alone disclosing the inherent mystical qualities of the material world. Cohen is a master of the quasi-surrealistic phrase, of the "illogical" line that speaks so directly to the unconscious that surface ambiguity is transformed into ultimate, if fleeting, comprehension: comprehension of the bewitching nuances of sex and bewildering assaults of culture. Undoubtedly, it is to his lyrical mastery that his prestigious colleagues now pay tribute. Yet, there may be something else. As various, as distinct, as rewarding as each of their expressions are, there can still be heard in their individual interpretations the distant echo of Cohen's own voice, for it is his singing voice as well as his writing pen that has spawned these songs. It is a voice raked by the claws of Cupid, a voice rubbed raw by the philosopher's stone. A voice marinated in kirschwasser, sulfur, deer musk and snow; bandaged with sackcloth from a ruined monastery; warmed by the embers left down near the river after the gypsies have gone. It is a penitent's voice, a rabbinical voice, a crust of unleavened vocal toasts -- spread with smoke and subversive wit. He has a voice like a carpet in an old hotel, like a bad itch on the hunchback of love. It is a voice meant for pronouncing the names of women -- and cataloging their sometimes hazardous charms. Nobody can say the word "naked" as nakedly as Cohen. He makes us see the markings where the pantyhose have been. Finally, the actual persona of their creator may be said to haunt these songs, although details of his private lifestyle can be only surmised. A decade ago, a teacher who called himself Shree Bhagwan Rajneesh came up with the name "Zorba the Buddha" to describe the ideal modern man: A contemplative man who maintains a strict devotional bond with cosmic energies, yet is completely at home in the physical realm. Such a man knows the value of the dharma and the value of the deutschmark, knows how much to tip a waiter in a Paris nightclub and how many times to bow in a Kyoto shrine, a man who can do business when business is necessary, allow his mind to enter a pine cone, or dance in wild abandon if moved by the tune. Refusing to shun beauty, this Zorba the Buddha finds in ripe pleasures not a contradiction but an affirmation of the spiritual self. Doesn't he sound a lot like Leonard Cohen? We have been led to picture Cohen spending his mornings meditating in Armani suits, his afternoons wrestling the muse, his evenings sitting in cafes were he eats, drinks and speaks soulfully but flirtatiously with the pretty larks of the street. Quite possibly this is a distorted portrait. The apocryphal, however, has a special kind of truth. It doesn't really matter. What matters here is that after thirty years, L. Cohen is holding court in the lobby of the whirlwind, and that giants have gathered to pay him homage. To him -- and to us -- they bring the offerings they have hammered from his iron, his lead, his nitrogen, his gold.
Tom Robbins
A voice from the creature, smooth as buttered oil. "He-llo," is said. "Ding-dong. You look remarkably like dinner." I'm Charlie Nancy," said Charlie Nancy. "Who are you?" I am Dragon," said the dragon. "And I shall devour you in one slow mouthful, little man in a hat." Charlie blinked. What would my father do? He wondered. What would Spider have done?... Er. You’re bored with talking to me now, and you’re going to let me pass unhindered,” he told the dragon, with as much conviction as he was able to muster. Gosh. Good try. But I’m afraid I’m not,” said the dragon, enthusiastically. Actually, I’m going to eat you.” You aren’t scared of limes, are you?” asked Charlie, before remembering that he’d given the lime to Daisy. The creature laughed, scornfully. “I,” it said, “am frightened of nothing.” Nothing?” Nothing,” it said. Charlie said “Are you extremely frightened of nothing?” Absolutely terrified of it,” admitted the Dragon. You know,” said Charlie, “Have nothing in my pockets. Would you like to see it?” No,” said the dragon, uncomfortably, “I most definitely would not.” There was a flapping of wings like sails, and Charlie was alone on the beach. “That,” he said, “was much too easy.
Neil Gaiman (Anansi Boys)
Charlie Brown: I think lunchtime is about the worst time of day for me. Always having to sit here alone. Of course, sometimes, mornings aren't so pleasant either. Waking up and wondering if anyone would really miss me if I never got out of bed. Then there's the night, too. Lying there and thinking about all the stupid things I've done during the day. And all those hours in between when I do all those stupid things. Well, lunchtime is among the worst times of the day for me. Well, I guess I'd better see what I've got. Peanut butter. Some psychiatrists say that people who eat peanut butter sandwiches are lonely...I guess they're right. And when you're really lonely, the peanut butter sticks to the roof of your mouth. There's that cute little red-headed girl eating her lunch over there. I wonder what she would do if I went over and asked her if I could sit and have lunch with her?...She'd probably laugh right in my face...it's hard on a face when it gets laughed in. There's an empty place next to her on the bench. There's no reason why I couldn't just go over and sit there. I could do that right now. All I have to do is stand up...I'm standing up!...I'm sitting down. I'm a coward. I'm so much of a coward, she wouldn't even think of looking at me. She hardly ever does look at me. In fact, I can't remember her ever looking at me. Why shouldn't she look at me? Is there any reason in the world why she shouldn't look at me? Is she so great, and I'm so small, that she can't spare one little moment?...SHE'S LOOKING AT ME!! SHE'S LOOKING AT ME!! (he puts his lunchbag over his head.) ...Lunchtime is among the worst times of the day for me. If that little red-headed girl is looking at me with this stupid bag over my head she must think I'm the biggest fool alive. But, if she isn't looking at me, then maybe I could take it off quickly and she'd never notice it. On the other hand...I can't tell if she's looking, until I take it off! Then again, if I never take it off I'll never have to know if she was looking or not. On the other hand...it's very hard to breathe in here. (he removes his sack) Whew! She's not looking at me! I wonder why she never looks at me? Oh well, another lunch hour over with...only 2,863 to go.
Clark Gesner (You're a Good Man, Charlie Brown: Based on the Comic Strip "Peanuts")
Christopher Carrion is me. Christopher Carrion is a man who has had love in his life and that love has not always been good with him. Christopher Carrion is a man who has nightmares but eats them. Christopher Carrion is a man who is very lonely a lot of the time. Christopher Carrion is a man who people look at very strangely sometimes and they are very quiet around him... Christopher Carrion is intimidating, Christopher Carrion is frightening, but, as you very well know, behind closed doors, Christopher Carrion is sad and alone and Christopher Carrion wants very much to be redeemed, he just doesn't know how to be redeemed.
Clive Barker (Beneath The Surface of Clive Barker's Abarat)
I circled the site before I came in. If there's anyone within five kilometers, I'll eat my quiver." Halt regarded him, eyebrow arched once more. "Anyone?" "Anyone other than Crowley," Will amended, making a dismissive gesture. "I saw him watching me from that hide he always uses about two kilometers out. I assumed he'd be back in here by now." Halt cleared his throat loudly. "Oh, you saw him, did you?" he said. "I imagine he'll be overjoyed to hear that." Secretly, he was pleased with his former pupil. In spite of his curiosity and obvious excitement, he hadn't forgotten to take the precautions that had been drilled into him. THat augured well for what lay ahead, Halt thought, a sudden grimness settling onto his manner. Will didn't notice the momentary change of mood. He was loosening Tug saddle girth. As he spoke, his voice was muffled against the horses's flank. "he's becoming too much a creature of habit," he said. "he's used that hide for the last three Gatherings. It's time he tried something new. Everyone must be onto it by now." Rangers constantly competed with each other to see before being seen and each year's Gathering was a time of heightened competition. Halt nodded thoughtfully. Crowley had constructed teh virtually invisible observation post some four years previously. Alone among the younger Rangers, Will had tumbled to it after one year. Halt had never mentioned to him that he was the only one who knew of Crowley's hide. The concealed post was the Ranger Commandant's pride and joy. "Well, perhaps not everyone," he said. Will emerged from behind his horse, grinning at the thought of the head of the Ranger Corps thinking he had remained hidden from sight as he watched Will's approach. "All the same, perhaps he's getting a bit long in the tooth to be skulking around hiding in the bushes, don't you think?" he said cheerfully. Halt considered the question for a moment. "Long in the tooth? Well, that's one opinion. Mind you, his silent movement skills are still as good as ever," he said meaningfully. The grin on Will's face slowly faded. He resisted the temptation to look over his shoulder. "He's standing behind me, isn't he?" he asked Halt. THe older Ranger nodded. "He's standing behind me, isn't he?" Will continued and Halt nodded once more. "Is he...close enough to have heard what I said?" Will finally managed to ask, fearin teh worst. This time, Halt didn't have to answer. "Oh, good grief no," came a familiar voice from behind him. "he's so old and decrepit these days he's as deaf as a post." Will's shoulders sagged and he turned to see the sandy-haired Commandant standing a few meters away. The younger man's eyes dropped. "Hullo, Crowley," he said, then mumbled, "Ahhh...I'm sorry about that." Crowley glared at teh young Ranger for a few more seconds, then he couldn't help teh grin breaking out on his face. "No harm done," he said, adding with a small note of triumph, "It's not often these days I amange to get the better of one of you young ones." Secretly, he was impressed at teh news that Will had spotted his hiding place. Only the sarpest eyes could have picked it. Crowley had been in the business of seeing without being seen for thirty years or more, and despite what Will believed, he was still an absolute master of camouflage and unseen movement.
John Flanagan (The Sorcerer in the North (Ranger's Apprentice, #5))
In the Month of May" In the month of May when all leaves open, I see when I walk how well all things lean on each other, how the bees work, the fish make their living the first day. Monarchs fly high; then I understand I love you with what in me is unfinished. I love you with what in me is still changing, what has no head or arms or legs, what has not found its body. And why shouldn't the miraculous, caught on this earth, visit the old man alone in his hut? And why shouldn't Gabriel, who loves honey, be fed with our own radishes and walnuts? And lovers, tough ones, how many there are whose holy bodies are not yet born. Along the roads, I see so many places I would like us to spend the night.
Robert Bly (Eating the Honey of Words: New and Selected Poems – Five Decades of Powerful American Poetry with Timeless Classics)
It’s the mornings after the spider-and-heights dreams that are the most painful, that it takes sometimes three coffees and two showers and sometimes a run to loosen the grip on his soul’s throat; and these post-dream mornings are even worse if he wakes unalone, if the previous night’s Subject is still there, wanting to twitter, or to cuddle and, like, spoon, asking what exactly is the story with the foggy inverted tumblers on the bathroom floor, commenting on his night-sweats, clattering around in the kitchen, making kippers or bacon or something more hideous and unhoneyed he’s supposed to eat with post-coital male gusto, the ones who have this thing about they call it Feeding My Man, wanting a man who can barely keep down A.M. honey-toast to east with male gusto, elbows out and sovelling, making little noises. Even when alone, unable to uncurl alone and sit slowly up and wing out the sheet and go to the bathroom, these darkest mornings start days that Orin can’t even bring himself for hours to think about how he’ll get through the day. These worst mornings with cold floors and hot windows and merciless light — the soul’s certainty that the day will have to be not traversed but sort of climbed, vertically, and then that going to sleep again at the end of it will be like falling, again, off something tall and sheer.
David Foster Wallace (Infinite Jest)
You work that you may keep pace with the earth and the soul of the earth. For to be idle is to become a stranger unto the seasons, and to step out of life's procession, that marches in majesty and proud submission towards the infinite. When you work you are a flute through whose heart the whispering of the hours turns to music. Which of you would be a reed, dumb and silent, when all else sings together in unison? Always you have been told that work is a curse and labour a misfortune. But I say to you that when you work you fulfil a part of earth's furthest dream, assigned to you when that dream was born, And in keeping yourself with labour you are in truth loving life, And to love life through labour is to be intimate with life's inmost secret. But if you in your pain call birth an affliction and the support of the flesh a curse written upon your brow, then I answer that naught but the sweat of your brow shall wash away that which is written. You have been told also that life is darkness, and in your weariness you echo what was said by the weary. And I say that life is indeed darkness save when there is urge, And all urge is blind save when there is knowledge, And all knowledge is vain save when there is work, And all work is empty save when there is love; And when you work with love you bind yourself to yourself, and to one another, and to God. And what is it to work with love? It is to weave the cloth with threads drawn from your heart, even as if your beloved were to wear that cloth. It is to build a house with affection, even as if your beloved were to dwell in that house. It is to sow seeds with tenderness and reap the harvest with joy, even as if your beloved were to eat the fruit. It is to charge all things you fashion with a breath of your own spirit, And to know that all the blessed dead are standing about you and watching. Often have I heard you say, as if speaking in sleep, "He who works in marble, and finds the shape of his own soul in the stone, is nobler than he who ploughs the soil. And he who seizes the rainbow to lay it on a cloth in the likeness of man, is more than he who makes the sandals for our feet." But I say, not in sleep but in the overwakefulness of noontide, that the wind speaks not more sweetly to the giant oaks than to the least of all the blades of grass; And he alone is great who turns the voice of the wind into a song made sweeter by his own loving. Work is love made visible. And if you cannot work with love but only with distaste, it is better that you should leave your work and sit at the gate of the temple and take alms of those who work with joy. For if you bake bread with indifference, you bake a bitter bread that feeds but half man's hunger. And if you grudge the crushing of the grapes, your grudge distils a poison in the wine. And if you sing though as angels, and love not the singing, you muffle man's ears to the voices of the day and the voices of the night.
Kahlil Gibran (The Prophet)
The Yogic path is about disentangling the built-in glitches of the human condition, which I'm going to over-simply define here as the heartbreaking inability to sustain contentment. Different schools of thought over the centuries have found different explanation for man's apparently inherently flawed state. Taoists call it imbalance, Buddism calls it ignorance, Islam blames our misery on rebellion against God, and the Judeo-Christian tradition attributes all our suffering to original sin. Freudians say that unhappiness is the inevitable result of the clash between our natural drives and civilization's needs. (As my friend Deborah the psychologist explains it: "Desire is the design flaw.") The Yogis, however, say that human discontentment is a simple case of mistaken identity. We're miserable because we think that we are mere individuals, alone with our fears and flaws and resentments and mortality. We wrongly believe that our limited little egos constitute our whole entire nature. We have failed to recognize our deeper divine character. We don't realize that, somewhere within us all, there does exist a supreme Self who is eternally at peace. That supreme Self is our true identity, universal and divine. Before you realize this truth, say the Yogis, you will always be in despair, a notion nicely expressed in this exasperated line from the Greek stoic philosopher Epictetus: "You bear God within you, poor wretch, and know it not.
Elizabeth Gilbert (Eat, Pray, Love)
Since I am in this pain, the pain of having what is special taken from me, I look inside myself and I don’t like what I see: a man who is broken and alone. I think of all the time Lily and I spent together, just the two of us—the talks about boys, the Monopoly, the movies, the pizza nights—and I wonder how much of it was real. Dogs don’t eat pizza; dogs don’t play Monopoly. I know this on some level, but everything feels so true. How much of it was an elaborate construct to mask my own loneliness? How much of it was built to convince myself the attempts I made at real life—therapy, dating—were not just that: attempts?
Steven Rowley (Lily and the Octopus)
The hills below crouched on all fours under the weight of the rainforest where liana grew and soldier ants marched in formation. Straight ahead they marched, shamelessly single-minded, for soldier ants have no time for dreaming. Almost all of them are women and there is so much to do - the work is literally endless. So many to be born and fed, then found and buried. There is no time for dreaming. The life of their world requires organization so tight and sacrifice so complete there is little need for males and they are seldom produced. When they are needed, it is deliberately done by the queen who surmises, by some four-million-year-old magic she is heiress to, that it is time. So she urges a sperm from the private womb where they were placed when she had her one, first and last copulation. Once in life, this little Amazon trembled in the air waiting for a male to mount her. And when he did, when he joined a cloud of others one evening just before a summer storm, joined colonies from all over the world gathered fro the marriage flight, he knew at last what his wings were for. Frenzied, he flied into the humming cloud to fight gravity and time in order to do, just once, the single thing he was born for. Then he drops dead, having emptied his sperm into his lady-love. Sperm which she keeps in a special place to use at her own discretion when there is need for another dark and singing cloud of ant folk mating in the air. Once the lady has collected the sperm, she too falls to the ground, but unless she breaks her back or neck or is eaten by one of a thousand things, she staggers to her legs and looks for a stone to rub on, cracking and shedding the wings she will never need again. Then she begins her journey searching for a suitable place to build her kingdom. She crawls into the hollow of a tree, examines its walls and corners. She seals herself off from all society and eats her own wing muscles until she bears her eggs. When the first larvae appear, there is nothing to feed them, so she gives them their unhatched sisters until they are old enough and strong enough to hunt and bring their prey back to the kingdom. That is all. Bearing, hunting, eating, fighting, burying. No time for dreaming, although sometimes, late in life, somewhere between the thirtieth and fortieth generation she might get wind of a summer storm one day. The scent of it will invade her palace and she will recall the rush of wind on her belly - the stretch of fresh wings, the blinding anticipation and herself, there, airborne, suspended, open, trusting, frightened, determined, vulnerable - girlish, even, for and entire second and then another and another. She may lift her head then, and point her wands toward the place where the summer storm is entering her palace and in the weariness that ruling queens alone know, she may wonder whether his death was sudden. Or did he languish? And if so, if there was a bit of time left, did he think how mean the world was, or did he fill that space of time thinking of her? But soldier ants do not have time for dreaming. They are women and have much to do. Still it would be hard. So very hard to forget the man who fucked like a star.
Toni Morrison (Tar baby)
During the descent, she gave the doily to the man across the aisle, worried about his ailing son, and the needlework was so elegant it made him feel better just to hold it. That’s the thing with handmade items. They still have the person’s mark on them, and when you hold them, you feel less alone. This is why everyone who eats a Whopper leaves a little more depressed than they were when they came in.
Aimee Bender (The Color Master: Stories)
Naturally society cherished itself alone; it prized what everyone agreed was precious, despised what everyone agreed was despicable, and ignored what no one mentioned-all to it's own enhancement, and with the loud view that these bubbles and vapors were eternal and universal. If June had stressed to Mabel that she was going to die, would she have learned to eat with a fork? Society's loyal members, having sacrificed their only lives to it's caprices, hastened to entrap the next generation into agreement, so their follies would not have been in vain and they could all go down together, blind and well turned out. The company, the club, and the party had offered him a position like bait, and he bit. He had embedded himself in the company like a man bricked into a wall, and whirled with the building's maps, files, and desks,senselessly, as the planet spun and death pooled on the cold basement floors. Who could blame him?- when people have always lived so. Now , however, he saw the city lifted away, and the bricks and files vaporized; he saw the preenings of men laid low, and the comforts of family scattered. He was free and loosed on the black beach.
Annie Dillard (The Living)
The man who comes to fix the cable approaches her when she is alone in the house. 'Is there anything to eat?' he asks. 'There are some chapatis,' she replies. 'Can I get something to eat?' he repeats.
Suketu Mehta (Maximum City: Bombay Lost and Found)
in such moments I have formulated my creed, wherein all is clear and holy to me. This creed is extremely simple; here it is: I believe that there is nothing lovelier, deeper, more sympathetic, more rational, more manly, and more perfect than the Saviour; I say to myself with jealous love that not only is there no one else like Him, but that there could be no one. I would even say more: If anyone could prove to me that Christ is outside the truth, and if the truth really did exclude Christ, I should prefer to stay with Christ and not with truth. I would rather not say anything more about it. And yet I don't know why certain topics may never be touched on in society, and why, if anyone does introduce them, it makes the others uncomfortable. Still, enough of it. I heard that you were desirous of travelling somewhere in the South. God grant that you may succeed in obtaining permission to do so. But will you please tell me when we shall be quite free, or at any rate as free as other people ? Perhaps only when we no longer need freedom ? For my part, I want all or nothing. In my soldier's uniform I am the same prisoner as before. I rejoice greatly that I find there is patience in my soul for quite a long time yet, that I desire no earthly possessions, and need nothing but books, the possibility of writing, and of being daily for a few hours alone. The last troubles me most. For almost five years I have been constantly under surveillance, or with several other people, and not one hour alone with myself. To be alone is a natural need, like eating and drinking ; for in that kind of concentrated communism one becomes a whole-hearted enemy of mankind. The constant companionship of others works like poison or plague; and from that unendurable martyrdom I most suffered in the last four years. There were moments in which I hated every man, whether good or evil, and regarded him as a thief who, unpunished, was robbing me of life. The most unbearable part is when one grows unjust, malignant, and evil, is aware of it, even reproves one's-self, and yet has not the power to control one's-self. I have experienced that. I am convinced that God will keep you from it. I believe that you, as a woman, have more power to forgive and to endure. Do
Fyodor Dostoevsky (Letters of Fyodor Michailovitch Dostoyevsky to his family and friends)
When I got home, I seemed in a dream. My windows looked upon hers; I remained all the day looking at them, and all the day they were closed and dark. I forgot everything for this woman; I slept not, I eat nothing. That evening I fell into a fever, the next morning I was delirious, and the next evening I was DEAD!' 'Dead!' cried his hearers. 'Dead!' answered the narrator, with a conviction in his voice which words alone cannot give; 'dead as Fabian, the cast of whose dead face hangs from that wall!' 'Go on,' whispered the others, holding their breath. The hail still rattled against the windows, and the fire had so nearly died out, that they threw more wood on the feeble flame which penetrated the darkness of the studio and cast a faint light upon the pale face of him who told the story. ("The Dead Man's Story
James Hain Friswell
Then he placed his hands in his pockets and stood in the middle of the street alone, giving the silent roaring rage inside him time to ease down and out, and after several long minutes he once again became who he was, a solitary middle-aged man in the August of life looking for a few more Aprils, an aging bachelor in a floppy suit standing on a tired, worn Brooklyn street in the shadow of a giant housing project built by a Jewish reformer named Robert Moses who forgot he was a reformer, building projects like this all over, which destroyed neighborhoods, chasing out the working Italians, Irish, and Jews, gutting all the pretty things from them, displacing them with Negroes and Spanish and other desperate souls clambering to climb into the attic of New York life, hoping that the bedroom and kitchen below would open up so they could drop in, and at minimum join the club that to them included this man, an overweight bachelor in an ill-fitting suit, watching a shiny car roaring away, the car driven by a handsome young man who was pretty and drove away as if he were barreling into a bright future, while the dowdy heavyset man watched him jealously, believing the man so pretty and handsome had places to go and women to meet and things to do, and the older heavyset man standing behind eating his fumes on a sorry, dreary, crowded old Brooklyn street of storefronts and tired brownstones had nothing left but the fumes of the pretty sports car in his face.
James McBride (Deacon King Kong)
Adam wet his dry lips and tried to ask and failed and tried again. "Why do they have to do it?" he said. "Why is it?" Cyrus was deeply moved and he spoke as he had never spoken before. "I don't know," he said. "I've studied and maybe learned how things are, but I"m not even close to why they are. And you must not expect to find that people understand what they do. So many things are done instinctively, the way a bee makes honey or a fox dips his paws into a stream to fool dogs. A fox can't say why he does it, and what bee remembers winter or expects it to come again? When I knew you had to go I thought to leave the future open so you could dig out your own findings, and then it seemed better if I could protect you with the little I know. You'll go in soon now--you've come to the age." "I don't want to," said Adam quickly. "You'll go in soon," his father went on, not hearing. "And I want to tell you so you won't be surprised. They'll first strip off your clothes, but they'll go deeper than that. They'll shuck off any little dignity you have--you'll lose what you think of as your decent right to live and be let alone to live. They'll make you live and eat and sleep and shit close to other men. And when they dress you up again you'll not be able to tell yourself from the others. You can't even wear a scrap or pin a note on your breast to say, 'This is me--separate from the rest.'" "I don't want to do it," said Adam. "After a while," said Cyrus, "you'll think no thought the others do not think. You'll know no word the others can't say. And you'll do things because the others do them. You'll feel the danger in any difference whatever-- a danger to the whole crowd of like-thinking, like-acting men." "What if I don't?" Adam demanded. "Yes," said Cyrus, "sometimes that happens. Once in a while there is a man who won't do what is demanded of him, and do you know what happens? The whole machine devotes itself coldly to the destruction of his difference. They'll beat your spirit and your nerves, your body and your mind, with iron rods until the dangerous difference goes out of you. And if you can't finally give in, they'll vomit you up and leave you stinking outside--neither part of themselves nor yet free. It's better to fall in with them. They only do it to protect themselves [...]
John Steinbeck (East of Eden)
Duroy, who felt light hearted that evening, said with a smile: "You are gloomy to-day, dear master." The poet replied: "I am always so, young man, so will you be in a few years. Life is a hill. As long as one is climbing up one looks towards the summit and is happy, but when one reaches the top one suddenly perceives the descent before one, and its bottom, which is death. One climbs up slowly, but one goes down quickly. At your age a man is happy. He hopes for many things, which, by the way, never come to pass. At mine, one no longer expects anything - but death." Duroy began to laugh: "You make me shudder all over." Norbert de Varenne went on: "No, you do not understand me now, but later on you will remember what I am saying to you at this moment. A day comes, and it comes early for many, when there is an end to mirth, for behind everything one looks at one sees death. You do not even understand the word. At your age it means nothing; at mine it is terrible. Yes, one understands it all at once, one does not know how or why, and then everything in life changes its aspect. For fifteen years I have felt death assail me as if I bore within me some gnawing beast. I have felt myself decaying little by little, month by month, hour by hour, like a house crumbling to ruin. Death has disfigured me so completely that I do not recognize myself. I have no longer anything about me of myself - of the fresh, strong man I was at thirty. I have seen death whiten my black hairs, and with what skillful and spiteful slowness. Death has taken my firm skin, my muscles, my teeth, my whole body of old, only leaving me a despairing soul, soon to be taken too. Every step brings me nearer to death, every movemebt, every breath hastens his odious work. To breathe, sleep, drink, eat, work, dream, everything we do is to die. To live, in short, is to die. Oh, you will realize this. If you stop and think for a moment you will understand. What do you expect? Love? A few more kisses and you will be impotent. Then money? For what? Women? Much fun that will be! In order to eat a lot and grow fat and lie awake at night suffering from gout? And after that? Glory? What use is that when it does not take the form of love? And after that? Death is always the end. I now see death so near that I often want to stretch my arms to push it back. It covers the earth and fills the universe. I see it everywhere. The insects crushed on the path, the falling leaves, the white hair in a friend's head, rend my heart and cry to me, 'Behold it!' It spoils for me all I do, all I see, all that I eat and drink, all that I love; the bright moonlight, the sunrise, the broad ocean, the noble rivers, and the soft summer evening air so sweet to breath." He walked on slowly, dreaming aloud, almost forgetting that he had a listener: "And no one ever returns - never. The model of a statue may be preserved, but my body, my face, my thoughts, my desires will never reappear again. And yet millions of beings will be born with a nose, eyes, forehead, cheeks, and mouth like me, and also a soul like me, without my ever returning, without even anything recognizable of me appearing in these countless different beings. What can we cling to? What can we believe in? All religions are stupid, with their puerile morality and their egotistical promises, monstrously absurd. Death alone is certain." "Think of that, young man. Think of it for days, and months and years, and life will seem different to you. Try to get away from all the things that shut you in. Make a superhuman effort to emerge alive from your own body, from your own interests, from your thoughts, from humanity in general, so that your eyes may be turned in the opposite direction. Then you understand how unimportant is the quarrel between Romanticism and Realism, or the Budget debates.
Guy de Maupassant
Note the significant fact that we always hear of the "fall of man," not the fall of woman, showing that the consensus of human thought has been more unerring than masculine interpretation. Reading this narrative carefully, it is amazing that any set of men ever claimed that the dogma of the inferiority of woman is here set forth. The conduct of Eve from the beginning to the end is so superior to that of Adam. The command not to eat of the fruit of the tree of Knowledge was given to the man alone before woman was formed. Genesis ii, 17. Therefore the injunction was not brought to Eve with the impressive solemnity of a Divine Voice, but whispered to her by her husband and equal. It was a serpent supernaturally endowed, a seraphim as Scott and other commentators have claimed, who talked with Eve, and whose words might reasonably seem superior to the second-hand story of her
Elizabeth Cady Stanton (The Woman's Bible)
My Fellow Non-American Blacks: In America, You Are Black, Baby Dear Non-American Black, when you make the choice to come to America, you become black. Stop arguing. Stop saying I’m Jamaican or I’m Ghanaian. America doesn’t care. So what if you weren’t “black” in your country? You’re in America now. We all have our moments of initiation into the Society of Former Negroes. Mine was in a class in undergrad when I was asked to give the black perspective, only I had no idea what that was. So I just made something up. And admit it—you say “I’m not black” only because you know black is at the bottom of America’s race ladder. And you want none of that. Don’t deny now. What if being black had all the privileges of being white? Would you still say “Don’t call me black, I’m from Trinidad”? I didn’t think so. So you’re black, baby. And here’s the deal with becoming black: You must show that you are offended when such words as “watermelon” or “tar baby” are used in jokes, even if you don’t know what the hell is being talked about—and since you are a Non-American Black, the chances are that you won’t know. (In undergrad a white classmate asks if I like watermelon, I say yes, and another classmate says, Oh my God that is so racist, and I’m confused. “Wait, how?”) You must nod back when a black person nods at you in a heavily white area. It is called the black nod. It is a way for black people to say “You are not alone, I am here too.” In describing black women you admire, always use the word “STRONG” because that is what black women are supposed to be in America. If you are a woman, please do not speak your mind as you are used to doing in your country. Because in America, strong-minded black women are SCARY. And if you are a man, be hyper-mellow, never get too excited, or somebody will worry that you’re about to pull a gun. When you watch television and hear that a “racist slur” was used, you must immediately become offended. Even though you are thinking “But why won’t they tell me exactly what was said?” Even though you would like to be able to decide for yourself how offended to be, or whether to be offended at all, you must nevertheless be very offended. When a crime is reported, pray that it was not committed by a black person, and if it turns out to have been committed by a black person, stay well away from the crime area for weeks, or you might be stopped for fitting the profile. If a black cashier gives poor service to the non-black person in front of you, compliment that person’s shoes or something, to make up for the bad service, because you’re just as guilty for the cashier’s crimes. If you are in an Ivy League college and a Young Republican tells you that you got in only because of Affirmative Action, do not whip out your perfect grades from high school. Instead, gently point out that the biggest beneficiaries of Affirmative Action are white women. If you go to eat in a restaurant, please tip generously. Otherwise the next black person who comes in will get awful service, because waiters groan when they get a black table. You see, black people have a gene that makes them not tip, so please overpower that gene. If you’re telling a non-black person about something racist that happened to you, make sure you are not bitter. Don’t complain. Be forgiving. If possible, make it funny. Most of all, do not be angry. Black people are not supposed to be angry about racism. Otherwise you get no sympathy. This applies only for white liberals, by the way. Don’t even bother telling a white conservative about anything racist that happened to you. Because the conservative will tell you that YOU are the real racist and your mouth will hang open in confusion.
Chimamanda Ngozi Adichie (Americanah)
Needless to say, cooking for a man with such a delicate palate can be challenging and every once in a while I like to make something that isn't served with a glass of milk and a side of applesauce. This can be difficult with a husband with such discriminating taste buds. Difficult, but not impossible, if you're willing to lie. Which I am.   During the winter months I love to make soups and one of my favorites is taco soup. It has all of the basic food groups in one bowl; meat, veggies, beans, and Fritos. It's perfection. I've been warming bodies and cleaning colons with this recipe for years. However, when I met my husband he advised he didn't like beans, so he couldn't eat taco soup. This was not the response I hoped for.   I decided to make it for him anyway. The first time I did I debated whether to add beans. I knew he wouldn't eat it if I did, but I also knew the beans were what gave it the strong flavor. I decided the only way to maintain the integrity of the soup was to sacrifice mine. I lied to him about the ingredients. Because my husband is not only picky but also observant, I knew I couldn't just dump the beans into the soup undetected. Rather, I had to go incognito. For that, I implored the use of the food processor, who was happy to accommodate after sitting in the cabinet untouched for years.   I dumped the cans of beans in the processor and pureed them into a paste. I then dumped the paste into the taco soup mixture, returning the food processor to the cabinet where it would sit untouched for another six months.   When it came time to eat, I dished out a heaping bowl of soup and handed it to my husband. We sat down to eat and I anxiously awaited his verdict, knowing he was eating a heaping bowl of deceit.   “This is delicious. What's in it?” he asked, in between mouthfuls of soup.   “It's just a mixture of taco ingredients,” I innocently replied, focusing on the layer of Fritos covering my bowl.   “Whatever it is, it's amazing,” he responded, quickly devouring each bite.   At that moment I wanted nothing more than to slap the spoon out of his hand and yell “That's beans, bitch!” However, I refrained because I'm classy (and because I didn't want to clean up the mess).
Jen Mann (I Just Want to Be Alone (I Just Want to Pee Alone Book 2))
Now I knew what it was, and knew even more: that man is indispensable for the completion of creation; that, in fact, he himself is the second creator of the world, who alone has given to the world its objective existence – without which, unheard, unseen, silently eating, giving birth, dying, heads nodding through hundreds of millions of years, it would have gone on in the profoundest night of non-being down to its unknown end. Human consciousness created objective existence and meaning, and man found his indispensable place in the great process of being.
Anthony Stevens (Jung: A Very Short Introduction (Very Short Introductions Book 40))
t was a nasty knock, and the fact that I had been expecting it didn't make it any better. Oddly enough, I felt no animosity towards Cook, holding Plank the bloke responsible for this awkward situation. Roaming through Africa knee-deep in poisonous snakes of every description and with more man-eating pumas around than you could shake a stick at, he could so easily have passed away, regretted by all. Instead of which, he survived and went about making life tough for harmless typical young men about town who simply wanted to be left alone to restore their delicate health.
P.G. Wodehouse (Aunts Aren't Gentlemen (Jeeves, #15))
They had not been long there before Lord Dumbello did group himself. 'Fine day,' he said, coming up and occupying the vacant position by Miss Grantly's elbow. 'We were driving to-day and we thought it rather cold,' said Griselda. 'Deuced cold,' said Lord Dumbello, and then he adjusted his white cravat and touched up his whiskers. Having got so far, he did not proceed to any other immediate conversational efforts; nor did Griselda. But he grouped himself again as became a marquis, and gave very intense satisfaction to Mrs. Proudie. 'This is so kind of you, Lord Dumbello,' said that lady, coming up to him and shaking his hand warmly; 'so very kind of you to come to my poor little tea-party.' 'Uncommonly pleasant, I call it,' said his lordship. 'I like this sort of thing--no trouble, you know.' 'No; that is the charm of it: isn't it? no trouble or fuss, or parade. That's what I always say. According to my ideas, society consists in giving people facility for an interchange of thoughts--what we call conversation.' 'Aw, yes, exactly.' 'Not in eating and drinking together--eh, Lord Dumbello? And yet the practice of our lives would seem to show that the indulgence of those animal propensities can alone suffice to bring people together. The world in this has surely made a great mistake.' 'I like a good dinner all the same,' said Lord Dumbello. 'Oh, yes, of course--of course. I am by no means one of those who would pretend to preach that our tastes have not been given to us for our enjoyment. Why should things be nice if we are not to like them?' 'A man who can really give a good dinner has learned a great deal,' said Lord Dumbello, with unusual animation. 'An immense deal. It is quite an art in itself; and one which I, at any rate, by no means despise. But we cannot always be eating -- can we?' 'No,' said Lord Dumbello, 'not always.' And he looked as though he lamented that his powers should be so circumscribed.
Anthony Trollope (Framley Parsonage (Chronicles of Barsetshire, #4))
In the end, there is cruelty and death alone over the land. Not in a single ray of light or grain of sand will you find solace, for all is dark, and the cold gaze of God’s indifferent, heavy-lidded eyes falls on all with equal disdain. Only in your inner strength is there salvation; you must live just as a tree must live, or the cockroaches and fleas that flourish in the land and ruin of Earth. And so you live, and feel the sting of knowing you live. You eat whatever comes to hand, and if what you eat was once a brother or sister, so be it; God does not care. Nobody cares. You whore, and if you whore with man or woman, nobody cares; for when all are hungry, all are whores, even those who use the whores. And disease flourishes when all are whores, for germs must live, and spread across the land and ruin of Earth.
Greg Bear (Eternity (The Way, #2))
And the old man groaned, and beat his head With his hands, and stretched out his arms To his beloved son, Hector, who had Taken his stand before the Western Gate, Determined to meet Achilles in combat. Priam's voice cracked as he pleaded: "Hector, my boy, you can't face Achilles Alone like that, without any support— You'll go down in a minute. He's too much For you, son, he won't stop at anything! O, if only the gods loved him as I do: Vultures and dogs would be gnawing his corpse. Then some grief might pass from my heart. So many fine sons he's taken from me, Killed or sold them as slaves in the islands. Two of them now, Lycaon and Polydorus, I can't see with the Trojans safe in town, Laothoë's boys. If the Greeks have them We'll ransom them with the gold and silver Old Altes gave us. But if they're dead And gone down to Hades, there will be grief For myself and the mother who bore them. The rest of the people won't mourn so much Unless you go down at Achilles' hands. So come inside the wall, my boy. Live to save the men and women of Troy. Don't just hand Achilles the glory And throw your life away. Show some pity for me Before I go out of my mind with grief And Zeus finally destroys me in my old age, After I have seen all the horrors of war— My sons butchered, my daughters dragged off, Raped, bedchambers plundered, infants Dashed to the ground in this terrible war, My sons' wives abused by murderous Greeks. And one day some Greek soldier will stick me With cold bronze and draw the life from my limbs, And the dogs that I fed at my table, My watchdogs, will drag me outside and eat My flesh raw, crouched in my doorway, lapping My blood. When a young man is killed in war, Even though his body is slashed with bronze, He lies there beautiful in death, noble. But when the dogs maraud an old man's head, Griming his white hair and beard and private parts, There's no human fate more pitiable." And the old man pulled the white hair from his head, But did not persuade Hector.
Homer (The Iliad)
The monstrous thing is not that men have created roses out of this dung heap, but that, for some reason or other, they should want roses. For some reason or other man looks for the miracle, and to accomplish it he will wade through blood. He will debauch himself with ideas, he will reduce himself to a shadow if for only one second of his life he can close his eyes to the hideousness of reality. Everything is endured – disgrace, humiliation, poverty, war, crime, ennui – in the belief that overnight something will occur, a miracle, which will render life tolerable. And all the while a meter is running inside and there is no hand that can reach in there and shut it off. All the while someone is eating the bread of life and drinking the wine, some dirty fat cockroach of a priest who hides away in the cellar guzzling it, while up above in the light of the street a phantom host touches the lips and the blood is pale as water. And out of the endless torment and misery no miracle comes forth, no microscopic vestige of relief. Only ideas, pale, attenuated ideas which have to be fattened by slaughter; ideas which come forth like bile, like the guts of a pig when the carcass is ripped open. And so I think what a miracle it would be if this miracle which man attends eternally should turn out to be nothing more than these two enormous turds which the faithful disciple dropped in the bidet. What if at the last moment, when the banquet table is set and the cymbals clash, there should appear suddenly, and wholly without warning, a silver platter on which even the blind could see that there is nothing more, and nothing less, than two enormous lumps of shit. That, I believe would be more miraculous than anything which man has looked forward to. It would be miraculous because it would be undreamed of. It would be more miraculous than even the wildest dream because anybody could imagine the possibility but nobody ever has, and probably nobody ever again will. Somehow the realization that nothing was to be hoped for had a salutary effect upon me. For weeks and months, for years, in fact, all my life I had been looking forward to something happening, some intrinsic event that would alter my life, and now suddenly, inspired by the absolute hopelessness of everything, I felt relieved, felt as though a great burden had been lifted from my shoulders. At dawn I parted company with the young Hindu, after touching him for a few francs, enough for a room. Walking toward Montparnasse I decided to let myself drift with the tide, to make not the least resistance to fate, no matter in what form it presented itself. Nothing that had happened to me thus far had been sufficient to destroy me; nothing had been destroyed except my illusions. I myself was intact. The world was intact. Tomorrow there might be a revolution, a plague, an earthquake; tomorrow there might not be left a single soul to whom one could turn for sympathy, for aid, for faith. It seemed to me that the great calamity had already manifested itself, that I could be no more truly alone than at this very moment.
Henry Miller (Tropic of Cancer (Tropic, #1))
somewhere there is a women in China holding a black umbrella so she won’t taste the salt of the rain when the sky begins to weep, there is a 17 year old girl who smells like pomegranates and has summer air tight on her naked skin, wrapping around her scars like veins in a bloody garden, who won’t make it past tomorrow, there is a young man, who buys yellow flowers for the woman in apartment 84B, who learned braille when he realized she couldn’t read his poetry about her white neck and mint eyes there are people watching films, making love for the first time, opening mail with the heading of ‘i miss you’, cooking noodles with organic spices and red sauces, buying lemon detergent, ignoring ‘do not smoke’ signs, painting murals of his lips in abandoned warehouses, chewing the words ‘i love you’ over and over again, swallowing phone numbers and forgotten birthdays, eating strawberry pies, drinking white wine off of each others open mouths, ignoring the telephone, reading this poem somewhere someone is thinking i’m alone somewhere someone finally understands they never really were
Anonymous
To be incapable of taking one’s enemies, one’s accidents, even one’s misdeeds seriously for very long—that is the sign of strong, full natures in whom there is an excess of the power to form, to mold, to recuperate and to forget (a good example of this in modern times is Mirabeau, who had no memory for insults and vile actions done him and was unable to forgive simply because he—forgot). Such a man shakes off with a single shrug many vermin that eat deep into others; here alone genuine “love of one’s enemies” is possible—supposing it to be possible at all on earth. How much reverence has a noble man for his enemies!—and such reverence is a bridge to love.—For he desires his enemy for himself, as his mark of distinction; he can endure no other enemy than one in whom there is nothing to despise and very much to honor! In contrast to this, picture “the enemy” as the man of ressentiment conceives him—and here precisely is his deed, his creation: he has conceived “the evil enemy,” “the Evil One,” and this in fact is his basic concept, from which he then evolves, as an afterthought and pendant, a “good one”—himself!
Friedrich Nietzsche (On the Genealogy of Morals)
On the train I had a lot of time to think. I thought how in the thirty years of my life I had seldom gotten on a train in America without being conscious of my color. In the South, there are Jim Crow cars and Negroes must ride separate from the whites, usually in a filthy antiquated coach next to the engine, getting all the smoke and bumps and dirt. In the South, we cannot buy sleeping car tickets. Such comforts are only for white folks. And in the North where segregated travel is not the law, colored people have, nevertheless, many difficulties. In auto buses they must take the seats in the rear, over the wheels. On the boats they must occupy the worst cabins. The ticket agents always say that all other accommodations are sold. On trains, if one sits down by a white person, the white person will sometimes get up, flinging back an insult at the Negro who has dared to take a seat beside him. Thus it is that in America, if you are yellow, brown, or black, you can never travel anywhere without being reminded of your color, and oft-times suffering great inconveniences. I sat in the comfortable sleeping car on my first day out of Moscow and remembered many things about trips I had taken in America. I remembered how, once as a youngster going alone to see my father who was working in Mexico, I went into the dining car of the train to eat. I sat down at a table with a white man. The man looked at me and said, "You're a nigger, ain't you?" and left the table. It was beneath his dignity to eat with a Negro child. At St. Louis I went onto the station platform to buy a glass of milk. The clerk behind the counter said, “We don't serve niggers," and refused to sell me anything. As I grew older I learned to expect this often when traveling. So when I went South to lecture on my poetry at Negro universities, I carried my own food because I knew I could not go into the dining cars. Once from Washington to New Orleans, I lived all the way on the train on cold food. I remembered this miserable trip as I sat eating a hot dinner on the diner of the Moscow-Tashkent express. Traveling South from New York, at Washington, the capital of our country, the official Jim Crow begins. There the conductor comes through the train and, if you are a Negro, touches you on the shoulder and says, "The last coach forward is the car for colored people." Then you must move your baggage and yourself up near the engine, because when the train crosses the Potomac River into Virginia, and the dome of the Capitol disappears, it is illegal any longer for white people and colored people to ride together. (Or to eat together, or sleep together, or in some places even to work together.) Now I am riding South from Moscow and am not Jim-Crowed, and none of the darker people on the train with me are Jim-Crowed, so I make a happy mental note in the back of my mind to write home to the Negro papers: "There is no Jim Crow on the trains of the Soviet Union.
Langston Hughes (Good Morning, Revolution: Uncollected Social Protest Writings)
OLYMPAS: There is one doubt. When souls attain Such an unimagined gain Shall not others mark them, wise Beyond mere mortal destinies? MARSYAS: Such are not the perfect saints. While the imagination faints Before their truth, they veil it close As amid the utmost snows The tallest peaks most straitly hide With clouds their lofty heads. Divide The planes! Be ever as you can A simple honest gentleman! Body and manners be at ease. Not bloat with blazoned sanctities! Who fights as fights the soldier-saint? And see the artist-adept paint! Weak are those souls that fear the stress Of earth upon their holiness! The fast, they eat fantastic food, They prate of beans and brotherhood, Wear sandals, and long hair, and spats, And think that makes them Arhats! How shall man still his spirit-storm? Rational Dress and Food Reform! OLYMPAS: I know such saints. MARSYAS:                     An easy vice: So wondrous well they advertise! O their mean souls are satisfied With wind of spiritual pride. They're all negation. "Do not eat; What poison to the soul is meat! Drink not; smoke not; deny the will! Wine and tobacco make us ill." Magic is life; the Will to Live Is one supreme Affirmative. These things that flinch from Life are worth No more to Heaven than to Earth. Affirm the everlasting Yes! OLYMPAS: Those saints at least score one success: Perfection of their priggishness! MARSYAS: Enough. The soul is subtlier fed With meditation's wine and bread. Forget their failings and our own; Fix all our thoughts on Love alone!
Aleister Crowley (Aha!)
A week is a long time to go without bedding someone?” Marcus interrupted, one brow arching. “Are you going to claim that it’s not?” “St. Vincent, if a man has time to bed a woman more than once a week, he clearly doesn’t have enough to do. There are any number of responsibilities that should keep you sufficiently occupied in lieu of…” Marcus paused, considering the exact phrase he wanted. “Sexual congress.” A pronounced silence greeted his words. Glancing at Shaw, Marcus noticed his brother-in-law’s sudden preoccupation with knocking just the right amount of ash from his cigar into a crystal dish, and he frowned. “You’re a busy man, Shaw, with business concerns on two continents. Obviously you agree with my statement.” Shaw smiled slightly. “My lord, since my ‘sexual congress’ is limited exclusively to my wife, who happens to be your sister, I believe I’ll have the good sense to keep my mouth shut.” St. Vincent smiled lazily. “It’s a shame for a thing like good sense to get in the way of an interesting conversation.” His gaze switched to Simon Hunt, who wore a slight frown. “Hunt, you may as well render your opinion. How often should a man make love to a woman? Is more than once a week a case for unpardonable gluttony?” Hunt threw Marcus a vaguely apologetic glance. “Much as I hesitate to agree with St. Vincent…” Marcus scowled as he insisted, “It is a well-known fact that sexual over-indulgence is bad for the health, just as with excessive eating and drinking—” “You’ve just described my perfect evening, Westcliff,” St. Vincent murmured with a grin, and returned his attention to Hunt. “How often do you and your wife—” “The goings-on in my bedroom are not open for discussion,” Hunt said firmly. “But you lie with her more than once a week?” St. Vincent pressed. “Hell, yes,” Hunt muttered. “And well you should, with a woman as beautiful as Mrs. Hunt,” St. Vincent said smoothly, and laughed at the warning glance that Hunt flashed him. “Oh, don’t glower—your wife is the last woman on earth whom I would have any designs on. I have no desire to be pummeled to a fare-thee-well beneath the weight of your ham-sized fists. And happily married women have never held any appeal for me—not when unhappily married ones are so much easier.” He looked back at Marcus. “It seems that you are alone in your opinion, Westcliff. The values of hard work and self-discipline are no match for a warm female body in one’s bed.” Marcus frowned. “There are more important things.” “Such as?” St. Vincent inquired with the exaggerated patience of a rebellious lad being subjected to an unwanted lecture from his decrepit grandfather. “I suppose you’ll say something like ‘social progress’? Tell me, Westcliff…” His gaze turned sly. “If the devil proposed a bargain to you that all the starving orphans in England would be well-fed from now on, but in return you would never be able to lie with a woman again, which would you choose? The orphans, or your own gratification?” “I never answer hypothetical questions.” St. Vincent laughed. “As I thought. Bad luck for the orphans, it seems.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
In a physician's office in Kearny Street three men sat about a table, drinking punch and smoking. It was late in the evening, almost midnight, indeed, and there had been no lack of punch. The gravest of the three, Dr. Helberson, was the host—it was in his rooms they sat. He was about thirty years of age; the others were even younger; all were physicians. "The superstitious awe with which the living regard the dead," said Dr. Helberson, "is hereditary and incurable. One needs no more be ashamed of it than of the fact that he inherits, for example, an incapacity for mathematics, or a tendency to lie." The others laughed. "Oughtn't a man to be ashamed to lie?" asked the youngest of the three, who was in fact a medical student not yet graduated. "My dear Harper, I said nothing about that. The tendency to lie is one thing; lying is another." "But do you think," said the third man, "that this superstitious feeling, this fear of the dead, reasonless as we know it to be, is universal? I am myself not conscious of it." "Oh, but it is 'in your system' for all that," replied Helberson; "it needs only the right conditions—what Shakespeare calls the 'confederate season'—to manifest itself in some very disagreeable way that will open your eyes. Physicians and soldiers are of course more nearly free from it than others." "Physicians and soldiers!—why don't you add hangmen and headsmen? Let us have in all the assassin classes." "No, my dear Mancher; the juries will not let the public executioners acquire sufficient familiarity with death to be altogether unmoved by it." Young Harper, who had been helping himself to a fresh cigar at the sideboard, resumed his seat. "What would you consider conditions under which any man of woman born would become insupportably conscious of his share of our common weakness in this regard?" he asked, rather verbosely. "Well, I should say that if a man were locked up all night with a corpse—alone—in a dark room—of a vacant house—with no bed covers to pull over his head—and lived through it without going altogether mad, he might justly boast himself not of woman born, nor yet, like Macduff, a product of Cæsarean section." "I thought you never would finish piling up conditions," said Harper, "but I know a man who is neither a physician nor a soldier who will accept them all, for any stake you like to name." "Who is he?" "His name is Jarette—a stranger here; comes from my town in New York. I have no money to back him, but he will back himself with loads of it." "How do you know that?" "He would rather bet than eat. As for fear—I dare say he thinks it some cutaneous disorder, or possibly a particular kind of religious heresy." "What does he look like?" Helberson was evidently becoming interested. "Like Mancher, here—might be his twin brother." "I accept the challenge," said Helberson, promptly. "Awfully obliged to you for the compliment, I'm sure," drawled Mancher, who was growing sleepy. "Can't I get into this?" "Not against me," Helberson said. "I don't want your money." "All right," said Mancher; "I'll be the corpse." The others laughed. The outcome of this crazy conversation we have seen.
Ambrose Bierce (The Collected Works of Ambrose Bierce Volume 2: In the Midst of Life: Tales of Soldiers and Civilians)
Don’t Run on Emptiness Elijah was a man with a nature like ours. —JAMES 5:17 NASB     Have you ever been to a large concert or a speaking event with thousands of others around you talking or clapping or singing and still felt alone or empty? That feeling is very common to those of us who are living in a merry-go-round world. So much noise, but so little caring. Elijah of the Bible felt just like that—empty with no purpose in life. In 1 Kings 19:1-18 we find him: • v. 2—being threatened to have his life taken; • v. 3—afraid; • v. 4—praying that he might die; • v. 5—touched by an angel who said, “Arise, eat.”; • v. 9—asked by the Lord, “What are you doing here?”; • v. 11—being told to go stand on the mountain before the LORD; • vv. 11-12—confronted by strong winds, an earthquake, a fire, and a sound of gentle blowing (or a gentle whisper); • v. 14—telling the LORD he had done all the LORD had asked and that he alone was left. Yes, Elijah was as human as we are. He was threatened, he was alone, he wanted to die, he was confused, he wanted to give in and call it quits. But he didn’t, he went on top of the mountain. In verses 11-12 he heard the sound of a gentle whisper. He could have ignored the message, but he didn’t. By wise counsel from the Lord, Elijah was assured that he wasn’t done (vv. 15-16); he wasn’t alone (v. 16); he wasn’t a failure (v. 18). If you find yourself in that empty state like Elijah, you, too, can be assured that you are not done, not alone, and not a failure. Listen to that gentle whisper and get back on track. How does one get back on the right track? Scripture gives us four ways to get away so we can hear the whisper of God’s voice: 1. Go to a quiet spot.
Emilie Barnes (Walk with Me Today, Lord: Inspiring Devotions for Women)
A pair of shots rang out from outside, near the front of the house, followed by shouting. A sudden flood of adrenaline doused my fatigue and political confusion. Jean’s posture straightened, and he rose quickly. “That is Dominique, whose men were watching the transport. Something is amiss.” Ya think? I ran for my bag and pulled out the staff. Jean slipped a triangular-bladed dagger from beneath his tunic, wrenched open the door to the study, and strode out ahead of me. As always where the pirate was concerned, I trailed along, a step behind. I edged around Jean in time to see his older half-brother and fellow pirate captain Dominique Youx dragging a stumbling, bleeding man into the front hallway from outside and shoving him to the floor. I breathed a sigh of relief that it wasn’t Alex, followed by a chaser of disappointment that it wasn’t Alex, topped by a dollop of concern that our friend Ken Hachette had been shot. Ken, a human NOPD detective who’d recently been clued in about the big bad world surrounding him, had missed all the recent events due to a family emergency that had taken him out of town. Why would he be coming to Old Barataria alone via Jean Lafitte’s private transport unless Alex sent him? My adrenaline jump-started my heart to another race, this one fueled by worry. Something bad had happened; it was the only explanation. Jean and Dominique exchanged a rapid-fire torrent of French that went way past my abilities to interpret. “He claims to be a friend to her,” Dominique finally spat out, and I could tell by the way he said her, much as one might say flesh-eating maggot, that he referred to me. He’d never liked me; he considered me a bad influence on his baby brother the immortal pirate. As if.
Suzanne Johnson (Belle Chasse (Sentinels of New Orleans #5))
The dispersion of the daimonic by means of impersonality has serious and destructive effects. In New York City, it is not regarded as strange that the anonymous human beings secluded in single-room occupancies are so often connected with violent crime and drug addiction. Not that the anonymous individual in New York is alone: he sees thousands of other people every day, and he knows all the famous personalities as they come, via TV, into his single room. He knows their names, their smiles, their idiosyncrasies; they bandy about in a “we're-all-friends-together” mood on the screen which invites him to join them and subtly assumes that he does join them. He knows them all. But he himself is never known. His smile is unseen; his idiosyncrasies are important to no-body; his name is unknown. He remains a foreigner pushed on and off the subway by tens of thousands of other anonymous foreigners. There is a deeply depersonalizing tragedy involved in this. The most severe punishment Yahweh could inflict on his people was to blot out their name. “Their names,” Yahweh proclaims, “shall be wiped out of the book of the living.” This anonymous man's never being known, this aloneness, is transformed into loneliness, which may then become daimonic possession. For his self-doubts—“I don't really exist since I can't affect anyone” —eat away at his innards; he lives and breathes and walks in a loneliness which is subtle and insidious. It is not surprising that he gets a gun and trains it on some passer-by—also anonymous to him. And it is not surprising that the young men in the streets, who are only anonymous digits in their society, should gang together in violent attacks to make sure their assertion is felt. Loneliness and its stepchild, alienation, can become forms of demon possession. Surrendering ourselves to the impersonal daimonic pushes us into an anonymity which is also impersonal; we serve nature’s gross purposes on the lowest common denominator, which often means with violence.
Rollo May (Love and Will)
We had a second date that night, then a third, and then a fourth. And after each date, my new romance novel protagonist called me, just to seal the date with a sweet word. For date five, he invited me to his house on the ranch. We were clearly on some kind of a roll, and now he wanted me to see where he lived. I was in no position to say no. Since I knew his ranch was somewhat remote and likely didn’t have many restaurants nearby, I offered to bring groceries and cook him dinner. I agonized for hours over what I could possibly cook for this strapping new man in my life; clearly, no mediocre cuisine would do. I reviewed all the dishes in my sophisticated, city-girl arsenal, many of which I’d picked up during my years in Los Angeles. I finally settled on a non-vegetarian winner: Linguine with Clam Sauce--a favorite from our family vacations in Hilton Head. I made the delicious, aromatic masterpiece of butter, garlic, clams, lemon, wine, and cream in Marlboro Man’s kitchen in the country, which was lined with old pine cabinetry. And as I stood there, sipping some of the leftover white wine and admiring the fruits of my culinary labor, I was utterly confident it would be a hit. I had no idea who I was dealing with. I had no idea that this fourth-generation cattle rancher doesn’t eat minced-up little clams, let alone minced-up little clams bathed in wine and cream and tossed with long, unwieldy noodles that are difficult to negotiate. Still, he ate it. And lucky for him, his phone rang when he was more than halfway through our meal together. He’d been expecting an important call, he said, and excused himself for a good ten minutes. I didn’t want him to go away hungry--big, strong rancher and all--so when I sensed he was close to getting off the phone, I took his plate to the stove and heaped another steaming pile of fishy noodles onto his plate. And when Marlboro Man returned to the table he smiled politely, sat down, and polished off over half of his second helping before finally pushing away from the table and announcing, “Boy, am I stuffed!” I didn’t realize at the time just how romantic a gesture that had been.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Our deepest insights must — and should — appear as follies, and under certain circumstances as crimes, when they come unauthorizedly to the ears of those who are not disposed and predestined for them. The exoteric and the esoteric, as they were formerly distinguished by philosophers — among the Indians, as among the Greeks, Persians, and Mussulmans, in short, wherever people believed in gradations of rank and NOT in equality and equal rights — are not so much in contradistinction to one another in respect to the exoteric class, standing without, and viewing, estimating, measuring, and judging from the outside, and not from the inside; the more essential distinction is that the class in question views things from below upwards — while the esoteric class views things FROM ABOVE DOWNWARDS. There are heights of the soul from which tragedy itself no longer appears to operate tragically; and if all the woe in the world were taken together, who would dare to decide whether the sight of it would NECESSARILY seduce and constrain to sympathy, and thus to a doubling of the woe?... That which serves the higher class of men for nourishment or refreshment, must be almost poison to an entirely different and lower order of human beings. The virtues of the common man would perhaps mean vice and weakness in a philosopher; it might be possible for a highly developed man, supposing him to degenerate and go to ruin, to acquire qualities thereby alone, for the sake of which he would have to be honoured as a saint in the lower world into which he had sunk. There are books which have an inverse value for the soul and the health according as the inferior soul and the lower vitality, or the higher and more powerful, make use of them. In the former case they are dangerous, disturbing, unsettling books, in the latter case they are herald-calls which summon the bravest to THEIR bravery. Books for the general reader are always ill-smelling books, the odour of paltry people clings to them. Where the populace eat and drink, and even where they reverence, it is accustomed to stink. One should not go into churches if one wishes to breathe PURE air.
Friedrich Nietzsche (Beyond Good and Evil)
a guitar. A hammock is swung near the table. It is three o'clock in the afternoon of a cloudy day. MARINA, a quiet, grey-haired, little old woman, is sitting at the table knitting a stocking. ASTROFF is walking up and down near her. MARINA. [Pouring some tea into a glass] Take a little tea, my son. ASTROFF. [Takes the glass from her unwillingly] Somehow, I don't seem to want any. MARINA. Then will you have a little vodka instead? ASTROFF. No, I don't drink vodka every day, and besides, it is too hot now. [A pause] Tell me, nurse, how long have we known each other? MARINA. [Thoughtfully] Let me see, how long is it? Lord—help me to remember. You first came here, into our parts—let me think—when was it? Sonia's mother was still alive—it was two winters before she died; that was eleven years ago—[thoughtfully] perhaps more. ASTROFF. Have I changed much since then? MARINA. Oh, yes. You were handsome and young then, and now you are an old man and not handsome any more. You drink, too. ASTROFF. Yes, ten years have made me another man. And why? Because I am overworked. Nurse, I am on my feet from dawn till dusk. I know no rest; at night I tremble under my blankets for fear of being dragged out to visit some one who is sick; I have toiled without repose or a day's freedom since I have known you; could I help growing old? And then, existence is tedious, anyway; it is a senseless, dirty business, this life, and goes heavily. Every one about here is silly, and after living with them for two or three years one grows silly oneself. It is inevitable. [Twisting his moustache] See what a long moustache I have grown. A foolish, long moustache. Yes, I am as silly as the rest, nurse, but not as stupid; no, I have not grown stupid. Thank God, my brain is not addled yet, though my feelings have grown numb. I ask nothing, I need nothing, I love no one, unless it is yourself alone. [He kisses her head] I had a nurse just like you when I was a child. MARINA. Don't you want a bite of something to eat? ASTROFF. No. During the third week of Lent I went to the epidemic at Malitskoi. It was eruptive typhoid. The peasants were all lying side by side in their huts, and the calves and pigs were running about the floor among the sick. Such dirt there was, and smoke! Unspeakable! I slaved among those people all day, not a crumb passed my lips, but when I got home there was still no rest for me; a switchman was carried in from the railroad; I laid him on the operating table and he went and died in my arms under chloroform, and then my feelings that should have been deadened awoke
Anton Chekhov (Uncle Vanya)
The four women came to see them at the house later in the afternoon. Alexander and Tatiana were playing soccer. Actually Tatiana had just gotten the ball away from him and, squealing, was trying to hold on to it, while he was behind her, trying to kick it from under her. He had lifted her off the ground and was pressing himself hard into her while she was shrieking. All he was wearing was his skivvies, and all she was wearing was his ribbed top and her underwear. Flummoxed, Tatiana stood in front of Alexander, trying to shield his near-naked body from four pairs of wide eyes. He stood behind her, his arms on her shoulders, and Tatiana heard him say, “Tell them—No, forget it, I will,” and before she could utter a sound, he came forward, walked up to them, twice their size, bare and unrelentingly himself, and said, “Ladies, in the future you might want to wait for us to come and see you.” “Shura,” Tatiana muttered, “go and get dressed.” “Soccer is probably the least of what you’ll see,” Alexander said into the women’s stunned faces before going inside the house. When he came back out, suitably covered, he told Tatiana he was going to the village to get a couple of things they needed, like ice and an ax. “What an odd combination,” she remarked. “Where are you going to get ice from?” “The fish plant. They have to refrigerate their fish, don’t they?” “Ax?” “From that nice man Igor,” Alexander yelled, walking up the clearing, blowing her a kiss. She gazed after him. “Hurry back,” she called. Naira Mikhailovna apologized hastily. Dusia was mouthing a prayer. Raisa shook. Axinya beamed at Tatiana, who invited them all for a bit of kvas. “Come inside. See how nicely Alexander cleaned the house. And look, he repaired the door. Remember, the top hinge was broken?” The four women looked around for a place to sit. “Tanechka,” said Naira nervously, “there is no furniture in here.” Axinya whooped. Dusia crossed herself. “I know, Naira Mikhailovna. We don’t need much.” She looked down on the floor. “We have some things, we have my trunk. Alexander said he will make us a bench. I’ll bring my desk with the sewing machine…we’ll be fine.” “But how—” “Oh, Naira,” said Axinya, “leave the girl alone, will you?” Dusia glared at the rumpled bedsheets on top of the stove. A flustered Tatiana smiled. Alexander was right. It was better to go and visit them. She asked when would be a good time to come for dinner. Naira said, “Come tonight, of course. We’ll celebrate. But you come every night. Look, you won’t be able to eat here at all. There’s nowhere even to sit or cook. You’ll starve. Come every night. That’s not too much to ask, is it?
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
And the ladies dressed in red for my pain and with my pain latched onto my breath, clinging like the fetuses of scorpions in the deepest crook of my neck, the mothers in red who sucked out the last bit of heat that my barely beating heart could give me — I always had to learn on my own the steps you take to drink and eat and breathe, I was never taught to cry and now will never learn to do this, least of all from the great ladies latched onto the lining of my breath with reddish spit and floating veils of blood, my blood, mine alone, which I drew myself and which they drink from now after murdering the king whose body is listing in the river and who moves his eyes and smiles, though he’s dead and when you’re dead, you’re dead, for all the smiling you do, and the great ladies, the tragic ladies in red have murdered the one who is floating down the river and I stay behind like a hostage in their eternal custody. I want to die to the letter of the law of the commonplace, where we are assured that dying is the same as dreaming. The light, the forbidden wine, the vertigo. Who is it you write for? The ruins of an abandoned temple. If only celebration were possible. A mournful vision, splintered, of a garden of broken statues. Numb time, time like a glove upon a drum. The three who compete in me remain on a shifting point and we neither are nor is. My eyes used to find rest in humiliated, forsaken things. Nowadays I see with them; I’ve seen and approved of nothing. Seated at the bottom of a lake. She has lost her shadow, but not the desire to be, to lose. She is alone with her images. Dressed in red, and unseeing. Who has reached this place that no one ever reaches? The lord of those dead who are dressed in red. The man who is masked in a faceless face. The one who came for her takes her without him. Dressed in black, and seeing. The one who didn’t know how to die of love and so couldn’t learn a thing. She is sad because she is not there. There are words with hands; barely written, they search my heart. There are words condemned like the lilac in a tempest. There are words resembling some among the dead, and from these I prefer the ones that evoke the doll of some unhappy girl. Ward 18 when I think of occupational therapy I think of poking out my eyes in a house in ruin then eating them while thinking of all my years of continuous writing, 15 or 20 hours writing without a break, whetted by the demon of analogies, trying to configure my terrible wandering verbal matter, because — oh dear old Sigmund Freud — psychoanalytic science forgot its key somewhere: to open it opens but how to close the wound? for other imponderables lovelier than the smile of the Virgin of the Rocks the shadows strike blows the black shadows of the dead nothing but blows and there were cries nothing but blows
Alejandra Pizarnik
there are continually turning up in life moral and rational persons, sages and lovers of human- ity who make it their object to live all their lives as morally and rationally as possible, to be, so to speak, a light to their neighbours simply in order to show them that it is possible to live morally and rationally in this world. And yet we all know that those very people sooner or later have been false to themselves, playing some queer trick, o en a most un- seemly one. Now I ask you: what can be expected of man since he is a being endowed with strange qualities? Show- er upon him every earthly blessing, drown him in a sea of happiness, so that nothing but bubbles of bliss can be seen Free eBooks at Planet eBook.com on the surface; give him economic prosperity, such that he should have nothing else to do but sleep, eat cakes and busy himself with the continuation of his species, and even then out of sheer ingratitude, sheer spite, man would play you some nasty trick. He would even risk his cakes and would deliberately desire the most fatal rubbish, the most uneco- nomical absurdity, simply to introduce into all this positive good sense his fatal fantastic element. It is just his fantastic dreams, his vulgar folly that he will desire to retain, simply in order to prove to himself—as though that were so neces- sary— that men still are men and not the keys of a piano, which the laws of nature threaten to control so completely that soon one will be able to desire nothing but by the cal- endar. And that is not all: even if man really were nothing but a piano-key, even if this were proved to him by natural science and mathematics, even then he would not become reasonable, but would purposely do something perverse out of simple ingratitude, simply to gain his point. And if he does not nd means he will contrive destruction and chaos, will contrive su erings of all sorts, only to gain his point! He will launch a curse upon the world, and as only man can curse (it is his privilege, the primary distinction be- tween him and other animals), may be by his curse alone he will attain his object—that is, convince himself that he is a man and not a piano-key! If you say that all this, too, can be calculated and tabulated—chaos and darkness and curses, so that the mere possibility of calculating it all be- forehand would stop it all, and reason would reassert itself, then man would purposely go mad in order to be rid of rea- 0 Notes from the Underground son and gain his point! I believe in it, I answer for it, for the whole work of man really seems to consist in nothing but proving to himself every minute that he is a man and not a piano-key! It may be at the cost of his skin, it may be by can- nibalism! And this being so, can one help being tempted to rejoice that it has not yet come o , and that desire still de- pends on something we don’t know?
Fyodor Dostoevsky
One morning, a farmer knocked loudly on the door of a monastery. When Brother Porter opened the door, the farmer held out to him a magnificent bunch of grapes. “Dear Brother Porter, these are the finest grapes from my vineyard. Please accept them as a gift from me.” “Why, thank you! I’ll take them straight to the Abbot, who will be thrilled with such a gift.” “No, no. I brought them for you.” “For me? But I don’t deserve such a beautiful gift from nature.” “Whenever I knocked on the door, you opened it. When the harvest had been ruined by drought, you gave me a piece of bread and a glass of wine every day. I want this bunch of grapes to bring you a little of the sun’s love, the rain’s beauty and God’s miraculous power.” Brother Porter put the grapes down where he could see them and spent the whole morning admiring them: they really were lovely. Because of this, he decided to give the present to the Abbot, whose words of wisdom had always been such a boon to him. The Abbot was very pleased with the grapes, but then he remembered that one of the other monks was ill and thought: “I’ll give him the grapes. Who knows, they might bring a little joy into his life.” But the grapes did not remain for very long in the room of the ailing monk, for he in turn thought: “Brother Cook has taken such good care of me, giving me only the very best food to eat. I’m sure these grapes will bring him great happiness.” And when Brother Cook brought him his lunch, the monk gave him the grapes. “These are for you. You are in close touch with the gifts Nature gives us and will know what to do with this, God’s produce.” Brother Cook was amazed at the beauty of the grapes and drew his assistant’s attention to their perfection. They were so perfect that no one could possibly appreciate them more than Brother Sacristan, who had charge of the Holy Sacrament, and whom many in the monastery considered to be a truly saintly man. Brother Sacristan, in turn, gave the grapes to the youngest of the novices in order to help him understand that God’s work is to be found in the smallest details of the Creation. When the novice received them, his heart was filled with the Glory of God, because he had never before seen such a beautiful bunch of grapes. At the same time, he remembered the day he had arrived at the monastery and the person who had opened the door to him; that gesture of opening the door had allowed him to be there now in that community of people who knew the value of miracles. Shortly before dark, he took the bunch of grapes to Brother Porter. “Eat and enjoy. You spend most of your time here all alone, and these grapes will do you good.” Brother Porter understood then that the gift really was intended for him; he savoured every grape and went to sleep a happy man. In this way, the circle was closed; the circle of happiness and joy which always wraps around those who are in contact with the energy of love.
Paulo Coelho (The Zahir)
offered me new perspectives: the works of Ken Blanchard, of Tom Friedman and of Seth Godin, The Starfish and the Spider by Ori Brafman and Rod Beckstrom, First, Break All the Rules by Marcus Buckingham, Good to Great by Jim Collins, The 7 Habits of Highly Effective People by Stephen Covey, The 4-Hour Workweek by Tim Ferriss, Never Eat Alone by Keith Ferrazzi, E-Myth by Michael Gerber, The Tipping Point and Outliers by Malcolm Gladwell, Chaos by James Gleick, Emotional Intelligence by Daniel Goleman, Made to Stick by Chip and Dan Heath, Who Moved My Cheese? by Spencer Johnson, M.D., The Monk and the Riddle by Randy Komisar, The Five Dysfunctions of a Team by Patrick Lencioni, Freakonomics by Steven D. Levitt and Stephen J. Dubner, FISH! By Stephen Lundin, Harry Paul, John Christensen and Ken Blanchard, The Naked Brain by Richard Restack, Authentic Happiness by Martin Seligman, The Wisdom of Crowds by James Surowiecki, The Black Swan by Nicholas Taleb, American Mania by Peter Whybrow, M.D., and the single most important book everyone should read, the book that teaches us that we cannot control the circumstances around us, all we can control is our attitude—Man’s Search for Meaning by Viktor Frankl. I
Simon Sinek (Start with Why: How Great Leaders Inspire Everyone to Take Action)
In a staff meeting, I was discussing a new project with two coworkers. The meeting was winding down, and I realized that it wasn’t clear to the other two that I was the one who had come up with the idea of the project. I immediately thought of a remedy: I would say something like, “When I first came up with the idea for this project . . .” I wouldn’t directly boast, I’d just “clarify” something that would show it was my idea. (In other words, I was going to boast.) But I didn’t. I was quiet because it dawned on me that boasting was like asking Jesus to make breakfast. My food would have been trying to get them to like me. To want their approval was to work for food that spoils. It would leave me still hungry. My two coworkers left the room, and the meeting ended without me saying anything. As I sat there alone, I felt an overwhelming sense of emptiness and pointlessness. Life didn’t seem worth living. I was surprised at how strong the feeling was. I mean, all I did was not boast. Why the feeling? I was feeling my heart, what life is like without God. Boasting gives us a false sense of “really living.” Letting other people know how good we are is a not-so-subtle way of stealing love. When I stopped stealing (by not boasting), I felt my emptiness. As I sat there, I became hungry for God. For real life. For food that sticks to the ribs. Nothing dramatic happened. But I walked out of that room full. I had a real meal instead of my junk-food boasting. I thought about Jesus’ words to the crowd that Saturday morning: “Very truly I tell you, unless you eat the flesh of the Son of Man and drink his blood, you have no life in you” (John 6:53).
Paul E. Miller (Love Walked among Us: Learning to Love Like Jesus)
Come here; let me look at you.” Mum gestured imperiously, and after a moment’s hesitation, Shinobu bent down so that she could cup his face in her small, delicate fingers. She stared up at him, dark gaze piercing. He stayed still, but behind his back I saw his hands find each other and his fingers lace together, as if it was an effort not to fidget. I didn’t blame him.   “Rachel also says that you helped save her and did a lot of other heroic things. I think you must have a great deal of character to have survived everything that’s happened to you, Shinobu, and I’m very grateful for all that you’ve done for my family. But I’m fully aware that you’ve been hanging out in my house with my underage daughter completely unsupervised the whole time I’ve been gone. I will be keeping my eye on you from now on.”   Shinobu nodded respectfully, not moving out of my mother’s grasp. I couldn’t stand it.   “Mum! Shinobu’s been a − a perfect gentleman!”   “And I was there at least some of the time,” my father put in.   “There is no such thing as a perfect gentleman, Mio. And you don’t count, Takashi. You can never tell when Mio’s lying about anything.” She fixed her eyes back on Shinobu. “I’m not saying that I don't approve. But if you’re the sort of young man that I want for my daughter – and I think you are – you won’t have a problem with me looking out for her. When this mess is sorted out, we can get to know each other properly.”   Shinobu nodded again. Mum smiled at him and slid her hands down to pat his shoulders, and he smiled back, his expression a little dazed. Damn. Dazzled by Mum Power.   “‘This mess’ being … the imminent apocalypse?” my dad asked, apparently unable to leave well enough alone.   Mum ignored his tone magnificently. “Yes, that. Now, could anyone else murder a sandwich and a cup of tea? Because I’ve had a heck of a day.”   Jack and Hikaru, who’d retreated to the till area with Ebisu during the family drama, crept out. Jack raised her hand. “I’m starving.”   “Me too,” Hikaru said.   “Ah, the appetites of the young,” Ebisu said, smiling serenely as he limped towards my mother and offered her his hand. “It is a pleasure to meet you, Mrs Yamato. You are almost exactly as I had imagined. Let’s go upstairs to my flat and see what we can find to eat, yes?”   “You might want to put me in charge of that,” my dad said, hurrying after them. “She’s a terrible cook.”   “Stuff it,” my mum retorted as Ebisu led her away. “I’m still not talking to you.”   And just like that, our motley crew had another member. My mum.   Sweet baby Jebus, how did this happen?
Zoë Marriott (Frail Human Heart (The Name of the Blade, #3))
The humanistic beliefs, then, of most secular people should be recognized as exactly that—beliefs. They cannot be deduced logically or empirically from the natural, material world alone. If there is no transcendent reality beyond this life, then there is no value or meaning for anything.64 To hold that human beings are the product of nothing but the evolutionary process of the strong eating the weak, but then to insist that nonetheless every person has a human dignity to be honored—is an enormous leap of faith against all evidence to the contrary. Even Nietzsche, however, cannot escape his own scalpel. He blasted secular liberals for being inconsistent and cowardly. He believed that calls for social bonding and benevolence for the poor and weak meant “herd-like uniformity, the ruin of the noble spirit, and the ascendency of the masses.”65 He wanted to turn from the “banal creed” of modern liberalism to the tragic, warrior culture (the “Ubermensch” or “Superman”) of ancient times. He believed the new “Man of the Future” would have the courage to look into the bleakness of a universe without God and take no religious consolation. He would have the “noble spirit” to be “superbly self-fashioning” and not beholden to anyone else’s imposed moral standards.66 All of these declarations by Nietzsche compose, of course, a profoundly moral narrative. Why is the “noble spirit” noble? Why is it good to be courageous, and who says so? Why is it bad to be inconsistent? Where did such moral values come from, and what right does Nietzsche have, by his own philosophy, to label one way of living noble or good and other ways bad?67 In short, he can’t stop doing what he tells everyone else to stop doing. Thus, Eagleton observes, Nietzsche’s “Man of the Future” has not abolished God at all. “Like the Almighty, he rests upon nothing but himself.” We see that there is no truly irreligious human being. Nietzsche is calling people to worship themselves, to grant the same faith and authority to themselves that they once put in God. Even Nietzsche believes. “The autonomous, self-determining Superman is yet another piece of counterfeit theology.”68 We have seen that the secular humanism Nietzsche despised lacks a good grounding for its moral values.69 However, the even greater dangers of Nietzsche’s antihumanism are a matter of historical record. Peter Watson details how Nietzsche’s views were important inspirations in the twentieth century to totalitarian figures of both the Left and Right, of both Nazism and Stalinism.70
Timothy J. Keller (Making Sense of God: Finding God in the Modern World)
Why not start butchering and eating primates, too? Once accepted, the logic of the factory farm knows no limits. Indeed, every argument we have heard in defense of other cruelties is just as easily applied here. This will help us to conserve" primates, to keep up the stock. We need an "incentive" to keep primates alive, a little bonus for all our good works. Primates, too, must "pay their own way." Throughout Africa, chimpanzees, orangutans, and even gorillas are picked off anyway by poachers and hunters - who illegally ship at least a thousand tons of primate meat every year to Britain alone. Why not make the whole thing more orderly, systematic, and profitable with primate farms?
Matthew Scully (Dominion: The Power of Man, the Suffering of Animals, and the Call to Mercy)
You have never accepted anything in your life,” Rowan snarled, shooting to his feet and bracing his hands on the table. “And now you are suddenly willing to do so?” “What am I supposed to do, Rowan?” “You damn it all to hell!” He slammed his fist on the table, rattling the dishes. “You say to hell with their plans, their prophecies, and fates, and you make your own! You do anything but accept this!” “The people of Erilea have spoken.” “To hell with that, too,” he growled. “You can start your free world after this war. Let them vote for their own damned kings and queens, if they want to.” She let out a growl of her own. “I do not want this burden for one second longer. I do not want to choose and learn I made the wrong choice in delaying it.” “So you would have voted against it, then. You would have gone to Terrasen.” “Does it matter?” She shot to her feet. “The votes weren’t in my favor anyway. Hearing that I wanted to go to Orynth, to fight one last time, would have only swayed them.” “You’re the one who’s about to die. I’d say you get to have a voice in it.” She bared her teeth. “This is my fate. Elena tried to get me out of it. And look where it landed her—with a cabal of vengeful gods swearing to end her eternal soul. When the Lock is forged, when I close the gate, I will be destroying another life alongside my own.” “Elena had a thousand years of existence, either living or as a spirit. Forgive me if I don’t give a shit that her time has now come to an end, when you only received twenty years.” “I got to twenty years because of her.” Rowan began pacing, his stalking steps eating up the carpet. “This mess is because of her, too. Why should you bear its weight alone?” “Because it was always mine to begin with.” “Bullshit. It could have as easily been Dorian. He’s willing to do it.” Aelin blinked. “Elena and Nehemia said Dorian wasn’t ready.” “Dorian walked into and out of Morath, went toe to toe with Maeve, and brought the whole damn place crashing down. I’d say he’s as ready as you are.” “I won’t allow him to sacrifice himself in my stead.” “Why?” “Because he is my friend. Because I won’t be able to live with myself from the honors he endured.” “And you aren’t?” Rowan challenged, wholly unfazed. “He’s a grown man. He can make his own choices—we can make choices without you lording over them.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
Why also did it not prefer to make its attack upon the man instead of the woman? And if thou sayest that it attacked her as being the weaker of the two, [I reply that], on the contrary, she was the stronger, since she appears to have been the helper of the man in the transgression of the commandment. For she did by herself alone resist the serpent, and it was after holding out for a while and making opposition that she ate of the tree, being circumvented by craft; whereas Adam, making no fight whatever, nor refusal, partook of the fruit handed to him by the woman, which is an indication of the utmost imbecility and effeminacy of mind. And the woman indeed, having been vanquished in the contest by a demon, is deserving of pardon; but Adam shall deserve none, for he was worsted by a woman,—he who, in his own person, had received the command from God. But the woman, having heard of the command from Adam, treated it with contempt, either because she deemed it unworthy of God to speak by means of it, or because she had her doubts, perhaps even held the opinion that the command was given to her by Adam of his own accord. The serpent found her working alone, so that he was enabled to confer with her apart. Observing her then either eating or not eating from the trees, he put before her the fruit of the [forbidden] tree. And if he saw her eating, it is manifest that she was partaker of a body subject to corruption. “For
The Church Fathers (The Complete Ante-Nicene & Nicene and Post-Nicene Church Fathers Collection)
My SOUTH sign stopped working on an entrance ramp in a sleepy farm town called Kittitas in the state of Washington. A man who introduced himself as Juan Hernandez—a Mexican immigrant with a contracting business in Yakima—saw me and decided to pull over, even though he wasn’t heading in my direction. He took me to a Wendy’s and, despite my objections, bought me a hamburger and fries, which he watched me eat. He spoke in broken, hard-to-understand English, but his passion for his god and his America was palpable. He spoke with no hint of cynicism, of sarcasm, of guile. He only spoke of how happy he was to raise his baby girl, Genesis, here in America and to be able to buy nice clothes for his family. When he dropped me off, I sat down on my pack and covered my eyes with my hands to hide the tears streaming down my cheeks. This was neither the first nor the last time I had difficulty bearing other people’s generosity. Even though I had liked to think I was a solo adventurer, I realized that I was never really alone. I walked a tightwire above a net of compassion, stretched out by the hands of strangers
Ken Ilgunas (Walden on Wheels: On the Open Road from Debt to Freedom)
On the evening of the 24th, Lady Emily recorded that K had a presentiment that it was going to be ‘an exciting night’, and sure enough the Lord Maitreya came and remained with K for a long time and left a message for the whole party. This message was read aloud to them by Nitya the next morning: Learn to serve Me, for along that path alone will you find me Forget yourself, for then only am I to be found Do not look for the Great Ones when they may be very near you You are like the blind man who seeks sunshine You are like the hungry man who is offered food and will not eat The happiness you seek is not far off; it lies in every common stone I am there if you will only see. I am the Helper if you will let Me help. These could well have been K’s own words; they were very much in the vein of the poems he would soon be writing. Or it could, of course, be argued that it was the Lord Maitreya who was to inspire K’s poems. At any rate this message was very different in style from the other messages that had been brought through.
Mary Lutyens (Krishnamurti: The Years of Awakening)
Oh, would that I had died the way the Sikh did! I can not go forward. I shall not submit to being made to see more clearly than I do. Yet, if I turn back I am self-confessed coward! Furthermore, how can I turn back! How shall I reach India, alone, alive? As a corpse I should no longer interest myself. And if I should succeed in reaching India, I should despise myself, because you and Jimgrim treated me as fellow man and yet I failed you. On the other hand, if I go forward they will teach me the reality of things, of which already I know much too much! It has been bad enough as failed B.A. to stick my tongue into my cheek and flatter blind men-- pompous Englishmen and supine Indians--for a living. I have had to eat dust from the wheels of what the politicians think is progress; and I have had to be polite when I was patronized by men whom I should pity if I had the heart to do it! And I could endure it, Rammy sahib, because I only knew more than was good for me and not all of it by any means! I do not wish to know more. If I saw more clearly I should have to join the revolutionaries-- who are worse than those they revolute against! It is already bad enough to have to toady to the snobs on top. To have to agree with the snobs underneath, who seek to level all men to a common meanness since they can not admire any sort of superiority--that would be living death! I would rather pretend to admire the Englishman whose snobbery exasperates me, than repeat the lies of Indians whose only object is to do dishonestly and badly but much more cleverly what the English do honestly and with all the stupidity of which they are capable!
Talbot Mundy (The Devil's Guard)
The New Dog I. “I’m intensely afraid of almost everything. Grocery bags, potted poinsettias, bunches of uprooted weeds wilting on a hot sidewalk, clothes hangers, deflated rubber balls, being looked in the eye, crutches, an overcoat tossed across the back of a chair (everybody knows empty overcoats house ghosts), children, doorways, music, human hands and the newspaper rustling as my owner, in striped pajamas, drinks coffee and turns its pages. He wants to find out where there’ll be war in the mid-east this week. Afraid even of eating, if someone burps or clinks a glass with a fork, or if my owner turns the kitchen faucet on to wash his hands during my meal I go rigid with fear, my legs buckle, then I slink from the room. I pee copiously if my food bowl is placed on the floor before the other dogs’. I have to be served last or the natural order of things - in which every moment I am about to be sacrificed - (have my heart ripped from my chest by the priest wielding his stone knife or get run out of the pack by snarling, snapping alphas) - the most sacred hierarchy, that fated arrangement, the glue of the universe, will unstick. The evolution will never itself, and life as we know it will subside entirely, until only the simplest animal form remain - jellyfish headless globs of cells, with only microscopic whips for legs and tails. Great swirling arms of gas will arm wrestle for eons to win cosmic dominance. Starless, undifferentiated chaos will reign. II. I alone of little escaped a hell of beating, neglect, and snuffling dumpsters for sustenance before this gullible man adopted me. Now my new owner would like me to walk nicely by his side on a leash (without cowering or pulling) and to lie down on a towel when he asks, regardless of whether he has a piece of bologna in his pocket or not. I’m growing fond of that optimistic young man in spite of myself. If only he would heed my warnings I’d pour out my thoughts to him: When panic strikes you like a squall wind and disaster falls on you like a gale, when you are hunted and scorned, wisdom shouts aloud in the streets: What is consciousness? What is sensation? What is mind? What is pain? What about the sorrows of unwatered houseplants? What indoor cloudburst will slake their thirst? What of my littler brothers and sisters, dead at the hands of dirty two legged brutes? Who’s the ghost in the universe behind its existence, necessary to everything that happens? Is it the pajama-clad man offering a strip of bacon in his frightening hand (who’ll take me to the park to play ball if he ever gets dressed)? Is it his quiet, wet-eyed, egg-frying wife? Dear Lord, Is it me?
Amy Gerstler (Ghost Girl)
As long as I can remember, male candy eaters have been ill-used, misunderstood, and denigrated, in films and on television, as weak, self-indulgent, soft, effeminate, undisciplined, and venal. Most of us have been driven underground. We eat our candy alone and on the sly. We never experience the intimacy of sharing candy with others—unless we have chosen our mates wisely.
Jeffrey Steingarten (It Must've Been Something I Ate: The Return of the Man Who Ate Everything)
You know the story about the writer and the pauper? A writer is a writer, and he will not spoil only what he has not written. Well, one day the writer meets a pauper who is all alone in the world; he's in the street, blowing into his hands, with no place to go. The writer offers him a place in one of his stories. He offers to let him live there, at least temporarily, because, he says, he's got a large room and plenty of food in his story; he says: Of course, it's snowing there now and it's cold, but there's a stove and wood, you can warm yourself, he says, to your heart's content. The writer says his piece, his glasses trembling with emotion. The pauper says nothing, his beard merely glowing. It is red and ablaze; he could light a pipe on it. With no place to go or nothing to do, the pauper jumps at even this: to a poor man, he says, even lunch in a dream is a godsend. And so he moves. On his first day in the story all he does is sleep. On the second day all he does is eat, and on the third day he starts calling on the other tenants, the heroes of the story. They see that he doesn't quite belong there, but he hangs around as if he were the main character. On the fourth day he begins asking for loans of money; otherwise, he says, he'll ruin the whole train of events. And they begin to give him a penny here, two there, just to get the wretch off their backs. He doesn't return the money, and on the fifth day he starts pestering and blackmailing the women in the story. His evil eye on them, he paws and ogles them with a gaze that ferments like potatoes. And bit by bit he becomes emboldened. On the sixth day he makes babies, and on the seventh, as soon as he sees that he has grown rich in the story, he immediately moves out, drops in the right places a few words about the heroine, quickly prospers, becomes mayor, bans the story, accuses the writer of having dreamed such-and-such gad dream (recorded in the report), and takes him to court.
Milorad Pavić (Landscape Painted with Tea)
(Describing a stop at a village cafe in Italy while filming Taming of the Shrew) It was a perfect choice, the kind of place where chickens brood under the table, though there were none here There was the usual arbour of vines. Two men there intrigued Elizabeth. One was a distinguished oldish man, well dressed, who sat alone at a terraced table and neither ate nor drank nor moved. The other looked like a mendicant monk of some obscure order. He read from a parchment and ate bread. He didn't look up at all. He had a large beard. At seven-thirty just at dusk a Mass began at the church on the hill the other side of the road The Church of the Madonna of the Divine Love. The voices of the choir drifted on the air like an invisible mist, like unseen tumbleweed, like a dream. we stopped eating our fave (raw kidney beans) and rough cheese and we stopped drinking the vin de pays to listen. It was one of those moments which are nostalgic before they're over. The two men had gone, the tramp monk maybe to the Mass and the other who knows where. we drove home feeling holy and clean while the moon bright as I've ever seen her and with a wisp of chiffon cloud around her throat (E's image not mine) shone on us from the cloudless night.
Richard Burton (The Richard Burton Diaries)
The brutality of language conceals the banality of thought and, with certain major exceptions, is indistinguishable from a kind of conformism. Cities, once the initial euphoria of discovery had worn off, were beginning to provoke in her a kind of unease. in New York, there was nothing, deep down, that appealed to her in the mixture of puritanism and megalomania that typified this people without a civilization. What helps you live, in times of helplessness or horror? The necessity of earning or kneading, the bread that you eat, sleeping, loving, putting on clean clothes, rereading an old book, the smell of ripe cranberries and the memory of the Parthenon. All that was good during times of delight is exquisite in times of distress. The atomic bomb does not bring us anything new, for nothing is more ancient than death. It is atrocious that these cosmic forces, barely mastered, should immediately be used for murder, but the first man who took it into his head to roll a boulder for the purpose of crushing his enemy used gravity to kill someone. She was very courteous, but inflexible regarding her decisions. When she had finished with her classes, she wanted above all to devote herself to her personal work and her reading. She did not mix with her colleagues and held herself aloof from university life. No one really got to know her. Yourcenar was a singular an exotic personage. She dressed in an eccentric but very attractive way, always cloaked in capes, in shawls, wrapped up in her dresses. You saw very little of her skin or her body. She made you think of a monk. She liked browns, purple, black, she had a great sense of what colors went well together. There was something mysterious about her that made her exciting. She read very quickly and intensely, as do those who have refused to submit to the passivity and laziness of the image, for whom the only real means of communication is the written word. During the last catastrophe, WWII, the US enjoyed certain immunities: we were neither cold nor hungry; these are great gifts. On the other hand, certain pleasures of Mediterranean life, so familiar we are hardly aware of them - leisure time, strolling about, friendly conversation - do not exist. Hadrian. This Roman emperor of the second century, was a great individualist, who, for that very reason, was a great legist and a great reformer; a great sensualist and also a citizen, a lover obsessed by his memories, variously bound to several beings, but at the same time and up until the end, one of the most controlled minds that have been. Just when the gods had ceased to be, and the Christ had not yet come, there was a unique moment in history, between Cicero and Marcus Aurelius, when man stood alone. We know Yourcenar's strengths: a perfect style that is supple and mobile, in the service of an immense learnedness and a disabused, decorative philosophy. We also know her weakness: the absence of dramatic pitch, of a fictional progression, the absence of effects. Writers of books to which the work ( Memoirs of Hadrian ) or the author can be likened: Walter Pater, Ernest Renan. Composition: harmonious. Style: perfect. Literary value: certain. Degree of interest of the work: moderate. Public: a cultivated elite. Cannot be placed in everyone's hands. Commercial value: weak. People who, like her, have a prodigious capacity for intellectual work are always exasperated by those who can't keep us with them. Despite her acquired nationality, she would never be totally autonomous in the US because she feared being part of a community in which she risked losing her mastery of what was so essential to her work; the French language. Their modus vivendi could only be shaped around travel, accepted by Frick, required by Yourcenar.
Josyane Savigneau (Marguerite Yourcenar, l'invention d'une vie)
Because there is a growing belief among the community of thinking beings that by 2050 men and women will be marrying human like robots. At that point, how Craig Raine will describe his experiences will be fascinating to know. And in my imagination I have already travelled with the Green Man into the future called 2075 and witnessed How humans will experience love in 2075. Because this science fiction novel navigates through the possibility of men and women falling in love with machines, without knowing they are robots imitating human emotions. Will you still dare to fall in love in 2075 or will you strive to tell the difference between a human lover and a robotic lover? Now it is your turn to join the Green Man on this exciting journey into 2075, where he will reveal to you what the world would look like in 2075, and take you on an excitingly epic journey with the protagonist, Saabir, who criss crosses the highways and all by ways of emotional trajectory in the midst of synthetic emotions and feelings that engulf him. To know more, travel with the Green Man via the science fiction titled, They Loved in 2075. With this anticipation I shall dream of you tonight and hope that you will be able to unlock the alien imagination within you, to realise the part of you that is from Heaven. If you have any doubts, here is the poem by ​​Craig Raine to make you a dreamer who while asleep is always awake in his/her subconscious state too. Because he/she has learned the art of having a rendezvous with the light that radiates through the universe, to eventually settle in a dreamer's eyes who dares to dream beyond the ordinary and the 3 dimensional reality. "A Martian Sends A Postcard Home” Caxtons are mechanical birds with many wings and some are treasured for their markings-- they cause the eyes to melt or the body to shriek without pain. I have never seen one fly, but sometimes they perch on the hand. Mist is when the sky is tired of flight and rests its soft machine on the ground: then the world is dim and bookish like engravings under tissue paper Rain is when the earth is television. It has the properites of making colours darker. Model T is a room with the lock inside -- a key is turned to free the world for movement, so quick there is a film to watch for anything missed. But time is tied to the wrist or kept in a box, ticking with impatience. In homes, a haunted apparatus sleeps, that snores when you pick it up. If the ghost cries, they carry it to their lips and soothe it to sleep with sounds. And yet, they wake it up deliberately, by tickling with a finger. Only the young are allowed to suffer openly. Adults go to a punishment room with water but nothing to eat. They lock the door and suffer the noises alone. No one is exempt and everyone's pain has a different smell. At night, when all the colours die, they hide in pairs and read about themselves -- in colour, with their eyelids shut. Dedicated to you, the Green Man and Saabir who hails from 2075 and dares to love a real woman in 2075 because he loves her a lot!
Javid Ahmad Tak and Craig Raine
As I continued to stare at the portrait of myself, though, it hit me that despite the fact that I felt my life was a mess, this stranger had found something artworthy in me. By simply being and enjoying the present moment, I had inspired him somehow. I stared at the picture some more. The longer I looked at it, the less I saw the lost girl eating bread and the more I saw the independent woman. One who’d just found and lost her mother, yet who persevered anyway—and despite being in love with a man she could never have. She survived anyway. Eating cheese. Maybe this was a lesson that I’m okay just as I am—alone and experiencing whatever life throws my way. Maybe I am enough. I am enough. In that moment, I realized that while it might take some time, I would really be okay no matter what happened between Reed and me—because I would have myself. And I was strong—perfectly imperfect.
Vi Keeland
I thought the horses would run over me, that any moment their feet would crush my back and head. Something struck me, and I fell and landed on my face; dust filled my eyes. I heard the sound of a man landing from his horse and some shuffling. Then I was in the air. I had been lifted by the man, whose hand was gripping my ribs, the other hand my legs. ... He had put me on his saddle and he tied me onto it. I felt a rope against my back, digging into my skin. He was tying me to the horse. ... Two days later I was thrown onto the ground and told that that was where I would be sleeping. I awoke to the smell of something burning. It smelled like flesh on fire... the Arab was putting a burning metal rod to my head. He was branding me. In my ear he branded the number 8, turned on its side. Moses turned to show me. It was a very rough marking, the symbol raised and purple, scarred into the flesh behind his ear. —Now you will always know who owns you, this man said to me. The pain was so intense that I passed out. I woke when I was being lifted. I was thrown on the saddle again and he tied me down again, this time tighter than before. We rode for two more days. ... It was some kind of military camp. Hundreds “of boys like me were there, all under twelve, Dinka and Nuer boys. I was put in a huge barn with all of these boys, and we were locked inside. There was no food. The barn was full of rats; everyone was being bitten by them. ... Every time there was a battle, the boys would be brought out from the barn and made to give blood. ... I was put on a horse again and we rode for many days. We stopped at a house, a very well-built house. It was the house of an important man, Captain Adil Muhammad Hassan. I learned that I was being given as a gift. Hassan was very thankful and the two of them went inside to eat. I was still tied to the horse outside. They were gone inside all evening and I stayed on the horse. ... The man had two wives, and three children, all the children very young. I thought that the kids would be decent to me, but they were crueler than their parents. The kids were taught to beat me and spit on me. “The kids especially liked to whip me. The oldest boy, when he was left alone with me, would whip me without pause. ... I squatted in the yard like a frog, and he brought his children out and told them to jump on me. They sat on my back and pretended that I was a donkey, and they laughed, and Hassan laughed. They called me a stupid donkey. And the kids fed me garbage. They said I had to eat it, so I ate it—anything they gave me. Animal fat, tea bags, rotten vegetables. ... “There was another Sudanese there, a girl named Akol. She worked in the kitchen, mostly, but she was pregnant with Hassan’s baby so his wife hated her. The wife would find Akol crying for her mother and she would scream at her, threatening to slit her throat with a knife. She called her bitch and slave and animal.
Dave Eggers (What Is the What)
Dinner? Oooh. I do so love a man who likes to eat.” She winked. He fought a blush. Him. A blush. What the hell? “Shouldn’t you return to your friends?” Before he did something crazy like invite her back to his place for dessert. “They can wait while I have dinner with my Pookie. I mean, I wouldn’t want to be rude on our first date.” “This is not a date.” “And yet, there’s you, me, and food!” She clapped as she exclaimed the last word, probably because the server arrived bearing a massive platter laden with a ridiculously large steak and all the fixings. Before he’d finished saying thank you to Claude for being so prompt with his meal, she’d sawed off a piece of his porterhouse and popped it in her mouth. As she chewed, eyes closed, she made happy noises. Noises that should not be allowed in public. Noise she should make only while he touched her. Noises that made him snap, “Do you mind? This is my supper.” “Sorry, Pookie. That was so rude of me. Here, have a bite.” The next piece of steak she cut she offered on the tines of her fork, a fork that had touched her lips. Refuse. We don’t share. We— He devoured it, the bite an absolute delight. Juicy, a slight hint of salt and garlic, butter-soft to chew. His turn to sigh. “Damn, that’s good.” “Make that noise again,” she growled. He glanced at her and noticed she stared at his mouth, avidly. Hungrily… It was both flattering and disturbing. He needed to stop this. Right now. “If you don’t mind, I would prefer to eat alone.” “Alone?” “Yes, alone. While I am complimented by your interest in me, I’m afraid you’re mistaken about everything else. We are not on a date. We are not mates. We are nothing. Zilch. Nada.” No point in sugarcoating it. Best to lay it all out now before she got any further with this crazy idea they belonged together. But we do belong to her. Leo ignored his inner feline as he waited for her outburst. Women never took rejection well. Either they resorted to tears and wailing, or they resorted to screaming and ranting. But honesty was best. However, Meena didn’t react as expected. Her lips stretched into a full grin, her eyes sparkled, and she leaned forward— pressing her breasts together, causing her neckline to droop and give him a peek at the shadowy valley they created. “Resistance is futile. But cute. Think of me later when you’re masturbating, I know I’ll be thinking of you.” With a last stolen bite of his dinner, she popped up from her seat and sashayed to the bar. Don’t look. Don’t look. Pfft. He was a cat. Of course he looked, and admired the hypnotic swish of her ass.
Eve Langlais (When an Omega Snaps (A Lion's Pride, #3))
seen. I only speak when I am spoken to. What am I? There are six children and three dogs, and none of them were under the umbrella. So, why didn’t they get wet?                    There was a man who owned a fox, a goose, and a barrel of corn. He needed to cross the river but his boat only had enough space for himself and one other object. So, he had to take each thing across one at a time, but he could not leave the fox alone with the goose or the goose alone with the corn. How does he get everyone over to the other side? What never gets wetter no matter how hard or how long it rains? I have a mouth, but I do not eat. I have a bank but I have no money. I have a bed but I never sleep, and I wave yet I have no hands. What am I?
Annabelle Erikson (The Little Big Book of Brain Games for Smart Kids: Creative Mind Games, Riddles, Jokes, and Brain Teasers for Kids Aged 5 to 15 (And the family too!))
As the modern scholar Alan Cameron has put it: ‘In 529 the philosophers of Athens were threatened with the destruction of their entire way of life.’ The Christians were behind this – yet you will search almost in vain for the word ‘Christian’ in most of the writings of the philosophers. That is not to say that evidence of them is not there. It is. The miasmatic presence of the religion is keenly felt on countless pages: it is Christians who are driving persecutions, torturing their colleagues, pushing philosophers into exile. Damascius and his fellow scholars loathed the religion and its uncompromising leaders. Even Damascius’s famously mild and gentle teacher, Isidore, ‘found them absolutely repulsive’; he considered them ‘irreparably polluted, and nothing whatever could constrain him to accept their company’. But the actual word Christian is missing. As if the very syllables were too distasteful for them to pronounce, the philosophers resorted to elaborate circumlocutions. At times, the names they gave them were muted. With a masterful understatement, the present system of Christian rule, with its torture, murder and persecution, was referred to as ‘the present situation’ or ‘the prevailing circumstances’. At another time the Christians became – perhaps a reference to those stolen and desecrated statues – ‘the people who move the immovable’. At other times the names were blunter: the Christians were ‘the vultures’ or, more simply still, ‘the tyrant’. Other phrases carried a contemptuous intellectual sneer. Greek literature is awash with hideously rebarbative creatures, and the philosophers turned to these to convey the horror of their situation: the Christians started to be referred to as ‘the Giants’ and the ‘Cyclops’. These particular names seem, at first sight, an odd choice. These are not the most repellent monsters in the Greek canon; Homer alone could have offered the man-eating monster Scylla as a more obvious insult. That would have missed the point. The Giants and the Cyclops of Greek myth aren’t terrible because they are not like men – they are terrible because they are. They belong to the uncanny valley of Greek monsters: they look, at first glance, like civilized humans yet they lack all the attributes of civilization. They are boorish, base, ill-educated, thuggish. They are almost men, but not quite – and all the more hideous for that. It was, for these philosophers, the perfect analogy. When that philosopher had been beaten till the blood ran down his back, the precise insult that he hurled at the judge had been: ‘There, Cyclops. Drink the wine, now that you have devoured the human flesh.
Catherine Nixey (The Darkening Age: The Christian Destruction of the Classical World)
Now and then we know a moment of supreme bliss, when we ask nothing, give nothing, know nothing but bliss. Then it passes, and we again see the panorama of the universe moving before us; and we know that it is but a mosaic work set upon God, who is the background of all things. Vedanta teaches that nirvana can be attained here and now, that we do not have to wait for death to reach it. Nirvana is the realization of the Self, and after having once known that, if only for an instant, never again can one be deluded by the mirage of personality. Having eyes, we must see the apparent, but all the time we know what it is; we have found out its true nature. It is the screen that hides the Self, which is unchanging. The screen opens and we find the Self behind it. All change is the screen. In the saint the screen is thin, and the reality can almost shine through. In the sinner the screen is thick, and we are able to lose sight of the truth that the atman [Self] is there, as well as behind the saint’s screen. When the screen is wholly removed, we find it never existed—that we were the atman and nothing else, even the screen is forgotten. The two phases of this distinction in life are: First, that the man, who knows the real Self, will not be affected by anything; secondly, that that man alone can do good to the world. That man alone will have seen the real motive of doing good to others, because there is only one. It cannot be called egoistic, because that would be differentiation. It is only selflessness. It is the perception of the universal, not of the individual. Every case of love and sympathy is an assertion of this universal. “Not I, but thou.” Help another, because you are in him and he is in you, is the philosophical way of putting it. The real Vedantist alone will give up his life for a fellow being without any compunction, because he knows he will not die. As long as there is one insect left in the world, he is living; as long as one mouth eats, he eats. So he goes on doing good to others, and is never hindered by the modern ideas of caring for the body. When a man reaches this point of abnegation, he goes beyond the moral struggle, beyond everything. He sees in the most learned priest, in the cow, in the dog, in the most miserable places, neither the learned man, nor the cow, nor the dog, nor the miserable place, but the same divinity manifesting itself in them all. He alone is the happy man; and the man who has acquired that sameness has, even in this life, conquered all existence. God is pure; therefore such a man is said to be living in God.
Vivekananda (The Complete Works Of Swami Vivekananda, Volume 1)
Old Man Eating Alone in a Chinese Restaurant I am glad I resisted the temptation, if it was a temptation when I was young, to write a poem about an old man eating alone at a corner table in a Chinese restaurant. I would have gotten it all wrong thinking: the poor bastard, not a friend in the world and with only a book for a companion. He’ll probably pay the bill out of a change purse. So glad I waited all these decades to record how hot and sour the hot and sour soup is here at Chang’s this afternoon and how cold the Chinese beer in a frosted glass. And my book—José Saramago’s Blindness as it turns out—is so absorbing that I look up from its escalating horrors only when I am stunned by one of its arresting sentences. And I should mention the light which falls through the big windows this time of day italicizing everything it touches—the plates and tea pots, the immaculate tablecloths, as well as the soft brown hair of the waitress in the white blouse and short black skirt, the one who is smiling now as she bears a cup of rice and shredded beef with garlic to my favorite table in the corner.
Billy Collins (Aimless Love: New and Selected Poems)
We live simply so others may simply live. Use it up, wear it out, make do, or do without. Take all you want, eat all you take. He who has no money is poor; he who has nothing but money is even poorer. There are no degrees of honesty. A man is rich in proportion to the things he can afford to leave alone. If you are true to your faith, there are things you give up for your faith. Opportunity may knock once, but temptation bangs at your door forever. Generosity leaves a much better taste than stinginess. Before we can pray “Thy Kingdom come,” we must first pray “My Kingdom go.
Nancy Sleeth (Almost Amish: One Woman's Quest for a Slower, Simpler, More Sustainable Life)
When the heavenly combination of sweet strawberries and gooey, fluffy pancakes exploded in my mouth, I let out a low, throaty moan that wasn't suitable for the breakfast table. Those girls he was talking about? Yeah, they knew what was up, because honestly, who wouldn't want to be eating these for the rest of their lives? Just for the pancakes alone, I'd marry him in a heartbeat. Men who can cook are hot AF. He was an excellent cook. Perhaps that first bite was a bit of a fluke. I was starving, so my tastebuds were probably warped. But when the second and third bites were followed by the second and third moans, it became obvious that his pancakes were making me experience something orgasmic. In fact, the closest thing I'd had to a non-battery-operated orgasm in a while. "Who are you?" I looked up to see him staring at me, his eyes darkening, and his fork suspended in midair. "Eric never mentioned his friend being a culinary genius." He slowly lowered the fork, his eyes still on mine. "Told you so." "Relax. I won't leap over this countertop and profess my undying love to you, or, God forbid, jump your bones." I speared the last piece, then wiped the remaining strawberry jam with it, making sure not to miss a single morsel. "Not even your pancake can make me like you." "Maybe my homemade waffles could change your mind." Glasses + pancakes + waffles? I could be in huge trouble.
Cynthia Timoti (Salty, Spiced, and a Little Bit Nice)
out,’ Thea said. ‘But I suppose Reuben’s briefing him on the situation.’ She was worried about her brother who, apart from a brief visit to the house for a drink and something to eat when the Home Guard shifts changed over, had remained outside watching over things. He wasn’t limiting his duty to three-hour shifts, but then as a sergeant he had more responsibility, and the bomb was not far from where he lived either. Leaving most of the men waiting near the lorry, Reuben, the officer and his sergeant disappeared in the direction of Five Acres field and the bomb. ‘It’s no good. I need to know what’s going on!’ Hettie heaved up the sash window and beckoned to the soldiers with her hand. A corporal came over and crouched down near the open sash window so he could speak through it. ‘Are you all right in there?’ he asked. ‘We want to know what’s going on,’ Hettie said. ‘They’ve gone to have a look at the UXB – see what needs doing. They’ll probe down with a rod to see how deep the bomb is and then it will be our job to dig down to it so the Lieutenant can defuse it,’ he explained. ‘Are you hungry?’ Hettie asked. ‘We’ve been baking while we waited so we can keep you well fed. We’ve made Norfolk shortcakes, currant buns…’ ‘That sounds delicious,’ the corporal smiled. ‘And yes, we’d love some of your baking later, if that’s all right. Once we’ve done our job and the bomb’s made safe.’ ‘How long do you think it will take?’ Thea asked. ‘It depends on how deep the bomb is.’ The corporal lifted a shoulder. ‘I’d better get the men organised and ready. Keep yourselves safely indoors, won’t you?’ He stood up and joined the rest of the soldiers who were now unloading equipment from the back of the truck – wheelbarrows, shovels, planks of woods, saws, sandbags and other paraphernalia they’d need to do their job. It must have only been a matter of five to ten minutes before the officer and sergeant returned and ordered the unit into action. Pushing wheelbarrows piled with equipment and carrying shovels over their shoulders, the men headed back around the side of the house towards where the bomb had fallen. ‘Now all we can do is wait again.’ Hettie let out a heavy sigh. ‘I’m going to do some knitting to occupy my fingers.’ She went off to the kitchen. ‘She’s worried,’ Flo said after Hettie had left the room. ‘I know, we all are. This isn’t exactly what we expected to happen today.’ Thea closed the window. ‘What are you going to do while we wait?’ ‘I think I’ll write a letter to my grandparents,’ Flo said. ‘I’ll be up in my bedroom if you need me.’ Left alone in the sitting room, Thea thought of the many jobs she should have been doing in the garden today, all of which were even more behind schedule now. She decided to go up to her bedroom and have a nap to try to make up for missed sleep from last night, because as soon as the bomb was defused, she needed to get back outside and working again — and carry on for as long as there was light enough to see by. * * * When Thea came downstairs a couple of hours later, she found that Hettie had company in the kitchen – two of the members of the Home Guard who were on duty from the second shift. One was Alf Barker from the grocer’s shop and the other a man she didn’t recognise. ‘Hello,’ Thea said, giving them a welcoming smile. ‘What’s happening out there? Have they defused it yet?’ ‘They’ve finished the digging and the men have retreated behind the safety point they set up. Now it’s the officer’s turn to do his bit,’ Alf told her. ‘We’ve
Rosie Hendry (Home Comforts at Rookery House)
Nothing more contradicts the laws of man or beast, for animals always do each other the honour of sharing or disputing each other’s food. He who eats alone is dead (but not he who drinks alone. Why is this?).
Jean Baudrillard (America)
It took but a moment to find the princess. She had, of course, stopped by the kitchen to pester Cook for treats. “Princess, I am sorry for bothering you. The king your father would like to reward the man who rescued you.” The steward stood at attention while the princess sat at an onyx table eating vanilla custard, a dish imported from the overworld and much favored by the princess. “It was a girl, not a man. And I don't think you should reward her.  She wouldn't bow to me once. She spoke without my permission...and...she's a commoner.” The princess whispered in a loud voice, which the commoner cooks and maids couldn't help but overhear as the princess didn't really want to whisper, but only pretend to speak quietly. “Where is she now?” The steward asked, eyeing another custard dish on a tray on the counter. “Somewhere roaming the halls. She couldn't see a thing in the dark. I doubt she made it far.” The princess scraped the bottom of the custard dish and then licked the spoon. “And you left her alone?”  “Of course. Why would I follow her into the darkness? “Thank you, Princess.” The steward nodded to the princess once and clicked his heels together. “I must notify the king at once.” The head cook waved with a spoon to the custard dishes, “Must you?  I have a custard specially made. You can have it if you'd like.” The steward licked his lips and swallowed, “Surely the girl will be okay another five minutes.” “She will.” The princess said. The steward delicately picked up one of the custards and a spoon and found an out-of-the-way spot by the door to eat.  It really did only take five minutes. The steward handed the custard bowl to the kitchen maid washing dishes. “Duty calls. Thank you, my dears.” The cook giggled and the maids curtsied, for the steward was a handsome gentleman, newly appointed to his duties.  The steward smiled as he left the kitchen. The king had left the throne room for the gardens. A variety of lichen and moss grew
Nan Sweet (Fierce Winds and Fiery Dragons (Dusky Hollows, #1))