A Language Of Limbs Quotes

Miss Vesper Holly has the digestive talents of a goat and the mind of a chess master. She is familiar with half a dozen languages and can swear fluently in all of them. She understands the use of a slide rule but prefers doing calculations in her head. She does not hesitate to risk life and limb- mine as well as her own. No doubt she has other qualities as yet undiscovered. I hope not.

He felt something move in his chest, as though an organ had been removed and something unfamiliar left in its place. A sentiment he had never suspected the existence of bloomed in him. It traveled from his chest along his veins to every limb. It swelled in his head, muffled his ears, stilled his voice, and collected in his feet and fingers. Having no language for it, he remained silent, but felt it root, become permanent.

As the sun began to rise, the man reached out to the woman, and they clasped hands. He cradled her, and languidly they lifted themselves up to their feet, their bodies brushing, their eyes lost in each other's. Sensuously, deliberately, they danced, moving as though they were one, their body language smooth as their limbs carefully unfolded. They twirled and rocked, intertwined and separated, nearly leaning onto one another but barely touching, their movements sometimes tender, sometimes almost violent...Moments passed while the dancers held tight to each other, as though their bodies were melting together. The expression on their features as they lifted their faces to the sky was one of unimaginable joy.

It is an aspect of Kenya I am always acutely aware of - and crave, because I don't have it all. My third language, Gikuyu, is nearly non-existent; I can't speak it. It is a phantom limb...

Something's wrong with Hunter. I can tell the moment he steps into the ring. I've been watching him from afar for years, and I'm an old pro at his body language. Hunter West is a guy who's used to setting the agenda. His limbs are usually loose and relaxed, carried with the kind of self-assurance that comes from knowing you've got it all handled.

Against the background of bland colors he projected an unfadable blackness. In a world of men with harrowed faces, with smashed eyes, bloody, bruised and disfigured limbs, among the fetid, broken human bodies, of which I had already seen so many, he seemed an example of neat perfection that could not be sullied: the smooth, polished skin of his face, the bright golden hair showing under his peaked cap, his pure metal eyes. Every movement of his body seemed propelled by some tremendous internal force. The granite sound of his language was ideally suited to order the death of inferior, forlorn creatures. I was stung by a twinge of envy I had never experienced before, and I admired the glittering death's-head and crossbones that embellished his tall cap. I thought how good it would be to have such a gleaming and hairless skull instead of my Gypsy face which was so feared and disliked by decent people. The officer surveyed me sharply. I felt like a squashed caterpillar oozing in the dust, a creature that could not harm anyone yet aroused loathing and disgust. In the presence of such a resplendent being, armed in all the symbols of might and majesty, I was genuinely ashamed of my appearance. I had nothing against his killing me.

Food was becoming more abstract, more aestheticized and compartmentalized-- and indeed, after kaiseki, who can ever go back to Burger King, or even a well-made gourmet sandwich? Instead of food, I longed for other things to swell my body and buoy its lines--- lists of ancient queens, the grave and stately names for the forgotten regions of the sea, the imagined words for desire in hermetic languages; food, on the other hand, was leaving me increasingly unmoved.... I grew thinner and thinner, streamlined, my blood nourished by ever-slighter molecules, some kind of pale elongated light running the length of my body, nightmares detouring it in the most starved, and so-lightly blue-black-bruised, corners of my flesh. In this state of non-health, every step became a performance, each stride an act of contrition, a question and an answer.... On the once-dry, now-flowering branches of my skeletal limbs, the words sight, hearing, taste, smell, and touch were being invisibly but indelibly written. I was a festival of new senses.

I have lost some fundamental part of my knowing, some elemental human feeling. Without it, the world feels like tap water left overnight, flat and chemical, devoid of life. I am like lightning seeking earth. Uneasy, I carry the prickle of potential energy in my limbs, ever deferred from the point of contact, the moment of release. Instead, it gathers in me, massing like a storm that never comes. I lack the language to even describe it, this vast unsettled sense that I am slipping over the glassy surface of things, afraid of what lurks beneath. I need a better way to walk through this life. I want to be enchanted again.

All that is needed is to listen. The love song of the world enters our souls through the language of life. Our touchstone of strength forms the shape of our beloveds. Courage surges into our limbs. We rise. One foot steps in the direction of change. This is the Love that thrusts the world through eternity and carries us forward into the infinity of tomorrow. It sings overhead, scouring the barriers of reality, looking for an opening.

Nature had once produced an Englishman whose domed head had been a hive of words; a man who had only to breathe on any particle of his stupendous vocabulary to have that particle live and expand and throw out tremulous tentacles until it became a complex image with a pulsing brain and correlated limbs. Three centuries later, another man, in another country, was trying to render these rhythms and metaphors in a different tongue. This process entailed a prodigious amount of labour, for the necessity of which no real reason could be given. It was as if someone, having seen a certain oak tree (further called Individual T) growing in a certain land and casting its own unique shadow on the green and brown ground, had proceeded to erect in his garden a prodigiously intricate piece of machinery which in itself was as unlike that or any other tree as the translator's inspiration and language were unlike those of the original author, but which, by means of ingenious combination of parts, light effects, breeze-engendering engines, would, when completed, cast a shadow exactly similar to that of Individual T - the same outline, changing in the same manner, with the same double and single spots of sun rippling in the same position, at the same hour of the day. From a practical point of view, such a waste of time and material (those headaches, those midnight triumphs that turn out to be disasters in the sober light of morning!) was almost criminally absurd, since the greatest masterpiece of imitation presupposed a voluntary limitation of thought, in submission to another man's genius.

These sculptors consituteted a new movement, he claimed. Not for them the bald abstraction of their predecessors. Their creations were rooted in a postwar world of broken buildings and broken people. Their language was one of terror and trepidation. They tore into the human form, flaying it, tearing it limb from limb, discarding what they didn’t want. And when they were done, they found themselves presenting to the world an army of creatures—part man, part beast, and sometimes part machine. As one of Harry’s teachers at Corsham had said to him: ‘When you’ve seen the inside of a Sherman tank after a direct hit, it all becomes the same thing.

their base ingratitude to my poor old grandmother. She had served my old master faithfully from youth to old age. She had been the source of all his wealth; she had peopled his plantation with slaves; she had become a great grandmother in his service. She had rocked him in infancy, attended him in childhood, served him through life, and at his death wiped from his icy brow the cold death-sweat, and closed his eyes forever. She was nevertheless left a slave—a slave for life—a slave in the hands of strangers; and in their hands she saw her children, her grandchildren, and her great-grandchildren, divided, like so many sheep, without being gratified with the small privilege of a single word, as to their or her own destiny. And, to cap the climax of their base ingratitude and fiendish barbarity, my grandmother, who was now very old, having outlived my old master and all his children, having seen the beginning and end of all of them, and her present owners finding she was of but little value, her frame already racked with the pains of old age, and complete helplessness fast stealing over her once active limbs, they took her to the woods, built her a little hut, put up a little mud-chimney, and then made her welcome to the privilege of supporting herself there in perfect loneliness; thus virtually turning her out to die! If my poor old grandmother now lives, she lives to suffer in utter loneliness; she lives to remember and mourn over the loss of children, the loss of grandchildren, and the loss of great-grandchildren. They are, in the language of the slave’s poet, Whittier,— “Gone, gone, sold and gone To the rice swamp dank and lone, Where the slave-whip ceaseless swings, Where the noisome insect stings, Where the fever-demon strews Poison with the falling dews, Where the sickly sunbeams glare Through the hot and misty air:— Gone, gone, sold and gone To the rice swamp dank and lone, From Virginia hills and waters— Woe is me, my stolen daughters!

Every evening the girls of the house gathered about me on the mats, and after chasing away Kory-Kory from my side—who nevertheless, retired only to a little distance and watched their proceedings with the most jealous attention—would anoint my whole body with a fragrant oil, squeezed from a yellow root, previously pounded between a couple of stones, and which in their language is denominated ‘aka’. And most refreshing and agreeable are the juices of the ‘aka’, when applied to ones, limbs by the soft palms of sweet nymphs, whose bright eyes are beaming upon you with kindness; and I used to hail with delight the daily recurrence of this luxurious operation, in which I forgot all my troubles, and buried for the time every feeling of sorrow. Sometimes

Oh, what a harmony of abandonment and impulse, of unnatural and yet graceful postures, in that mystical language of limbs miraculously freed from the weight of corporeal matter, marked quantity infused with new substantial form, as if the holy band were struck by an impetuous wind, breath of life, frenzy of delight, rejoicing song of praise miraculously transformed, from the sound that it was, into image.

ORGANIC LIFE beneath the shoreless waves Was born and nurs'd in Ocean's pearly caves; First, forms minute, unseen by spheric glass, Move on the mud, or pierce the watery mass; These, as successive generations bloom, New powers acquire, and larger limbs assume; Whence countless groups of vegetation spring, And breathing realms of fin, and feet, and wing. Thus the tall Oak, the giant of the wood, Which bears Britannia's thunders on the flood; The Whale, unmeasured monster of the main, The lordly Lion, monarch of the plain, The Eagle soaring in the realms of air, Whose eye undazzled drinks the solar glare, Imperious man, who rules the bestial crowd, Of language, reason, and reflection proud, With brow erect, who scorns this earthy sod, And styles himself the image of his God; Arose from rudiments of form and sense, An embryon point, or microscopic ens!

...hear the language, this English, double-jointed as Bedivere's limbs. It only sounds awkward. In its ability to join one concept to another as with pegs, its dependent clauses, figures of speech and cadenced alliteration, a man can say one thing five ways and yet imply a sixth; can change meaning with an inflection, a pause or a deliberate misuse of a word, can mock, scorn and flay an opponent without uttering one overt insult.

The Lido, with its acres of sun-pinked or pyjamaed bodies, was like a strand with an endless heap of seals come up for mating. Too many people in the piazza, too many limbs and trunks of humanity on the Lido, too many gondolas, too many motor-launches, too many steamers, too many pigeons, too many ices, too many cocktails, too many menservants wanting tips, too many languages rattling, too much, too much sun, too much smell of Venice, too many cargoes of strawberries, too many silk shawls, too many huge, raw-beef slices of watermelon on stalls: too much enjoyment, altogether far too much enjoyment!

He says to the king, in the north they have contempt for the king’s peace, they want to administer their own murders. If Norfolk cannot subdue them they will fall into their old savagery, where each eye or limb or life itself is costed out, and all flesh has a price. In our forefathers’ time a nobleman’s life was worth six times that of a man who followed the plough. The rich man can slaughter as he pleases, if his pocket can bear the fines, but the poor man cannot afford one murder across his lifetime. We repudiate this, he tells the king: we say a man of violence cannot go free because his cousin is the judge, no more than a wealthy sinner can make up for his sins by founding a monastery. Before God and the law, all men are equal. It takes a generation, he says, to reconcile heads and hearts. Englishmen of every shire are wedded to what their nurses told them. They do not like to think too hard, or disturb the plan of the world that exists inside their heads, and they will not accept change unless it puts them in better ease. But new times are coming. Gregory’s children—and, he adds quickly, your Majesty’s children yet to be born—will never have known their country in thrall to an old fraud in Rome. They will not put their faith in the teeth and bones of the dead, or in holy water, ashes and wax. When they can read the Bible for themselves, they will be closer to God than to their own skin. They will speak His language, and He theirs. They will see that a prince exists not to sit a horse in a plumed helmet, but—as your Majesty always says—to care for his subjects, body and soul. The scriptures enjoin obedience to earthly powers, and so we stick by our prince through thick and thin. We do not reject part of his polity. We take him as a whole, consider him God’s anointed, and suppose God is keeping an eye on him.

I have lost some fundamental part of my knowing, some elemental human feeling. Without it, the world feels like tap water left overnight, flat and chemical, devoid of life. I am like lightning seeking earth. Uneasy, I carry the prickle of potential energy in my limbs, ever deferred from the point of contact, the moment of release. Instead, it gathers in me, massing like a storm that never comes. I lack the language to even describe it, this vast unsettled sense that I am slipping over the glassy surface of things, afraid of what lurks beneath. I need a better way to walk through this life. I want to be enchanted again. Enchantment is small wonder magnified through meaning, fascination caught in the web of fable and memory. It relies on small doses of awe, almost homeopathic: those quiet traces of fascination that are found only when we look for them. It is the sense that we are joined together in one continuous thread of existence with the elements constituting this earth, and that there is a potency trapped in this interconnection, a tingle on the border of our perception. It is the forgotten seam of our geology, the elusive particle that binds our unstable matter: the ability to sense magic in the everyday, to channel it through our minds and bodies, to be sustained by it. Without it, I feel I am lacking some essential nutrient, some vitamin found only when you go digging in your own soil.

PHYSIOLOGY 1. Sex 2. Age 3. Height and weight 4. Color of hair, eyes, skin 5. Posture 6. Appearance: good-looking, over- or underweight, clean, neat, pleasant, untidy. Shape of head, face, limbs. 7. Defects: deformities, abnormalities, birthmarks. Diseases. 8. Heredity SOCIOLOGY 1. Class: lower, middle, upper. 2. Occupation: type of work, hours of work, income, condition of work, union or nonunion, attitude toward organization, suitability for work. 3. Education: amount, kind of schools, marks, favorite subjects, poorest subjects, aptitudes. 4. Home life: parents living, earning power, orphan, parents separated or divorced, parents’ habits, parents’ mental development, parents’ vices, neglect. Character’s marital status. 5. Religion 6. Race, nationality 7. Place in community: leader among friends, clubs, sports. 8. Political affiliations 9. Amusements, hobbies: books, newspapers, magazines he reads. PSYCHOLOGY 1. Sex life, moral standards 2. Personal premise, ambition 3. Frustrations, chief disappointments 4. Temperament: choleric, easygoing, pessimistic, optimistic. 5. Attitude toward life: resigned, militant, defeatist. 6. Complexes: obsessions, inhibitions, superstitions, phobias. 7. Extrovert, introvert, ambivert 8. Abilities: languages, talents. 9. Qualities: imagination, judgment, taste, poise. 10. I.Q.

Desire is… " Desire is the glow of bathing lunatics. Starlight is the liquid used to power a whispering machine. Humming is the music of a forest moving in unison with your eyes. * A slip of the tongue and the hummingbird’s empty throne make the acquaintance of the word frenzy, which in turn adopts the phrase: “I am closest to you when we are furthest apart,” and together they follow the anxious doorway that leads far out of the city, where travelers always meet, alone and abandoned with only their mysteries to guide them… and when the sun bleeds out of the dampness of the earth, like pale limbs entwined and exhausted, they all pause in their own fashion to reflect not upon themselves but on the white wolves in the garden shivering like mist, in the mirror hiding your face. * The nature of movement is an image lost between the objects of an eclipse fervently scratched into the face of a sleeping woman when she approaches the liquid state of a circle, wandering aimlessly in search of lucidity and those moments of inarticulate suspicion… when the riddle is only half solved and the alphabet is still adding letters according to the human motors that have not yet arrived, as a species, scintillating in the grass, burning time. Not far from your name there is always a question mark, followed by silent paws… * It is not without the mask of the Enchanter’s dance of unreason, that joy follows the torment of seductive shapes, and sudden appearances in the whisper of long corridors. Tribal veils rising out of fingerprints on invisible entrances in the middle of the landscape, assume the form of her shoulders and the intimacy of her bones making dust, taking flight. * The axis of revolt and the nobility of a springtime stripped of its flowers, expertly balanced with a murmur of the heart on the anvil of chance. Your voice arcing between the two points of day and night, where the oracle of water spinning rapidly above, that is your city of numerology, mixes with the flux of a long voyage more stone-like and absurdly graceful then either milkweed or deadly nightshade, when it acclimatizes the elements of transparency in the host of purity. * The dream birds of a lost language are growing underground in the bed of sorcery. It is all revealed in the arms of your obsession, Arachne, (crawling to kiss) pale Ariadne, (kneeling to feed) in a pool of light that exceeds the dimensions of the loveliest crime. She turns into your evidence, gaining speed and recognition, becoming a brightness never solved, and a clarity that makes crystals. * The early morning hours share their nakedness with those who bare fruit and corset fireflies in long slender bath-like caresses. “Your serum, Sir Moor’s Head, follows the grand figures of the sea, ignites them, throws them like vessels out of fire, raising the sand upwards into oddly repetitive enchantments. Drown me in flight, daughter of wonder…

Divorces were common among Bosnians and especially among Bosniaks. Families struggled with new cultures, languages, hostility, memories, inner conflicts, and mental health issues in addition to physical disabilities (lost limbs, gunshot wounds, lips/noses/ears chopped off, etc). They often argued with one another. Some emotionally abused each other out of rage, an inability to cope, diminished empathy, and frustration because there was no other place for them to vent. Some even fought with each other because they could not psychologically handle the traumas of past events. It was common for them to be injured or still have shrapnel from grenades lodged in places where they could not be removed due to a risk of death during extraction.

British colonial disdain for human rights even left its mark on the English language. The word “coolie” was borrowed from a Chinese word that literally means “bitter labor.” The Romanized first syllable coo means “bitter” and the second syllable lie mimics the pronunciation of the Chinese logograph that means “labor.” This Chinese word sprang into existence shortly after the Opium War in the nineteenth century when Britain annexed several territories along the eastern seaboard of China. Those territories included Hong Kong, parts of Shanghai, Canton city (Guangzhou) and parts of Tianjin, a seaport near Beijing. In those newly acquired territories, the British employed a vast number of manual laborers who served as beasts of burden on the waterfront in factories and at train stations. The coolies’ compensation was opium, not money. The British agency and officers that conceived this unusual scheme of compensation—opium for back-breaking hard labor—were as pernicious and ruthless as they were clever and calculating. Opium is a palliative drug. An addict becomes docile and inured to pain. He has no appetite and only craves the next fix. In the British colonies and concessions, the colonizers, by paying opium to the laborers for their long hours of inhumane, harsh labor, created a situation in which the Chinese laborers toiled obediently and never complained about the excessive workload or the physical devastation. Most important of all, the practice cost the employers next to nothing to feed and house the laborers, since opium suppressed the appetite of the addicts and made them oblivious to pain and discomfort. What could be better or more expedient for the British colonialists whose goal was to make a quick fortune? They had invented the most efficient and effective way to accumulate capital at a negligible cost in a colony. The only consequence was the loss of lives among the colonial subjects—an irrelevant issue to the colonialists. In addition to the advantages of this colonial practice, the British paid a pittance for the opium. In those days, opium was mostly produced in another British colony, Burma, not far from China. The exploitation of farmhands in one colony lubricated the wheels of commerce in another colony. On average, a coolie survived only a few months of the grim regime of harsh labor and opium addiction. Towards the end, as his body began to break down from malnutrition and overexertion, he was prone to cardiac arrest and sudden death. If, before his death, a coolie stumbled and hurt his back or broke a limb, he became unemployed. The employer simply recruited a replacement. The death of coolies in Canton, Hong Kong, Shanghai and other coastal cities where the British had established their extraterritorial jurisdiction during the late 19th century was so common that the Chinese accepted the phenomenon as a routine matter of semi-colonial life. Neither injury nor death of a coolie triggered any compensation to his family. The impoverished Chinese accepted injury and sudden death as part of the occupational hazard of a coolie, the “bitter labor.” “Bitter” because the labor and the opium sucked the life out of a laborer in a short span of time. Once, a 19th-century British colonial officer, commenting on the sudden death syndrome among the coolies, remarked casually in his Queen’s English, “Yes, it is unfortunate, but the coolies are Chinese, and by God, there are so many of them.” Today, the word “coolie” remains in the English language, designating an over-exploited or abused unskilled laborer.

But their physical characteristics vary, and the variation is suggestive. The reddish hair and large limbs of the Caledonians proclaim a German origin; the swarthy faces of the Silures, the tendency of the hair to curl and the fact that Spain lies opposite, all lead one to believe that Spaniards crossed in ancient times and occupied that part of the country. The people nearest to the Gauls likewise resemble them. It may be that they still show the effect of a common origin; or perhaps it is climatic conditions that have produced this physical type in lands that converge so closely from north to south. On the whole, however, it seems likely that Gauls settled on the island lying so close to their shores. In both countries you find the same ritual and religious beliefs. There is no great difference in their language … (Agricola 11)

And for two weeks I was banged up with a Hobbit who only spoke Elvish," said Jess.

Developmental psychologists now talk about the cross-modality of language, meaning that language is expressed in various ways. Instead of the image of a brain issuing language to a mouth, from which it emerges as imperfect speech, think, rather, of language emerging in the child as an expression of its entire body, articulating both limbs and mouth at the same time.

He arranged the infant on his chest, a warm little bundle of comfort in an otherwise abruptly bleak situation. “Attend me, young Kit.” “Gah.” Kit made another swipe at Vim’s nose. “I’ll seek retribution if you persist at this nose-capturing business.” Kit thumped Vim’s chest and levered up, grinning hugely. “Go ahead and smile, you little fiend. Do you know why the aristocracy have large families? Several reasons, the first being that any man who can afford to fuck his way through life finds it tempting to do so, and babies like you are the frequent result.” “Fah!” Another thump. “Fah, fah, fahck!” “Boy, you had better watch your language when Miss Sophie is about. Say damn. Much less vulgar.” “Bah!” “Bah is acceptable, used judiciously. The aristocracy have large families not just because they can, but also because their babies are kept well away from any situation where the pleasurable business of procreation might ensue. Babies belong in nurseries.” “Bah-bah-bah-bah!” Vim lifted Kit straight above his chest, which provoked much chortling and waving about of small limbs. “Perhaps you’ll be a balloonist.” He brought the baby back down to his chest, cradling the child close. “You saved me from folly, you know. Sophie Windham is dangerous to a man’s best intentions.” No

AMPUTATION  (AMPUTA'TION)   n.s.[amputatio, Lat.] The operation of cutting off a limb, or other part of the body, with an instrument of steel. The usual method of performing it, in the instance of a leg, is as follows. The proper part for the operation being four or five inches below the knee, the skin and flesh are first to be drawn very tight upwards, and secured from returning by a ligature two or three fingers broad: above this liagure another loose one is passed, for the gripe; which being twisted by means of a stick, may be straitened to any degree at pleasure. Then the patient being conveniently situated, and the operator placed to the inside of the limb, which is to be held by one assistant above, and another below the part designed for the operation, and the gripe sufficiently twisted, to prevent too large an hæmorrhage, the flesh is, with a stroke or two, to be separated from the bone with

The Rebel, Within the Rubble From the rubble, arises the rebel, Embarking on the freedom struggle. Lost and frustrated, survival is slim Yet the fire of the cause burns from within Our people melt, our people burn Our people shelled, our stomachs churn The world is cold, the world is grim Our people hang, on their last limb Billions more, from the IMF Don’t hear our cries, cos they claim deaf Rape, torture, and abusive camps Thamils die in government clamps 1400 now die in a camp each week All because of the language we speak Each day I wake up, more havoc they wreak Each day I wake up, the situation looks bleak The Phoenix arises, from the ashes This Phoenix surmises, previous clashes Beware of our youth, they burn with the truth Merciless, and furious, you will get the boot The Eelam pride, I will never hide, The Thamil side, is forever my guide The Tigers died, with cyanide They collide, for us to reside, In the land where we were denied Forevermore, they have cried, Forevermore, we’ll bring this worldwide! Thamilarin Thaagam, Thamileela Thayagam!

Mrs Massoud was always crying – for her son who had been taken by government troops in Damascus, and for her daughter, who had been killed by the bombs shortly after. She told Aya that a mother’s fountain of tears flows forever. But tonight there was also music coming from somewhere down the hall – a man’s voice singing a song in a language that Aya didn’t understand. It made her think of the girls in the dance class. The girl called Dotty who had grinned at her like she was just a normal kid. And Ciara, with the blonde hair and the haughty expression, and the mousey-haired girl – Lilli-Ella – who stuck her tongue out when she was concentrating. Aya’s limbs itched as she remembered. Just thinking about it made her want to dance. “Not really enough room for that kind of thing in here, eh, Moos!

Advice to Myself from Chelsea to Chelsea Be reckless when it matters most. Messy incomplete. Belly laugh. Love language. Be butterfly stroke in a pool of freestylers. Fast & loose. You don’t need all the right moves all the time. You just need limbs wild. Be equator. Lava. Ocean floor, the neon of plankton. Be unexpected. The rope they lower to save the other bodies. Be your whole body. Every hiccup & out of place. Elastic girl. Be stretch moldable. Be funk flexible. Free fashionable. Go on. Be hair natural. Try & do anything, woman. What brave acts like on your hips. Be cocky at school. Have a fresh mouth. Don’t let them tell you what’s prim & proper. Not your ladylike. Don’t be their ladylike. Their dress-up girl. Not their pretty. Don’t be their bottled. Saturated. Dyed. Squeezed. SPANXed. Be gilded. Gold. Papyrus. A parakeet’s balk & flaunt. Show up uninvited. Know what naked feels like. Get the sweetness. Be the woman you love. Be tight rope & expanse. Stay hungry. Be a mouth that needs to get fed. Ask for it. Stay alert—lively—alive & unfettered. Full on it all. Say yes when it matters. Be dragonfish. Set all the fires. Be all the woman they warned you against being. Be her anyway.

The High King Balekin is a friend to my lady's Court,' Cardan says, silver-tongued in his silver fox mask. He wears an easy half smile. He's speaking the language of privilege, speaking it with his drawling tone, with the looseness of his limbs, as though he thinks he owns everything he can see.

Language lives. It inhales culture and history. It sprouts new limbs, sloughs off old ones. It goes through cycles of rapid growth, unremarkable periods of stable maturity, decay, and sometimes, as with Hebrew, miraculous rebirth.

Back at home rain was simply rain. In this new life, raindrops and streetlamps and the dark shapes of bare-limbed trees all seemed to have something to say to me, but if they were to speak, it would be in English, a language that was still foreign. I wished that I had listened to the rain speaking French to me when I was at home.

To describe the effect as ‘menacing’, was too melodramatic for her tastes, but there was something undeniably charged about it – secretive, even. It was the ghostly gums, she had decided, their smooth silver limbs like ladies’ naked bodies in the mist. There were eerie sites in England – the haunted cliffs and caves of Tintagel, the ruins of Ludlow Castle, Hadrian’s Wall, and Stonehenge – but their mysteriousness stemmed from their role in the human story, the crumbling vestiges of people from the past. In Australia, the strangeness came from the land itself. Its mystery and meaning existed outside language – or outside her own language, at any rate. It told its story in far more ancient ways and only to those who knew how to hear it.

The relationship between physical pain and emotional states is definitely a complicated one, made more so by the fact that we all experience something called social pain. Social pain, feelings of being rejected or excluded, is as real as physical pain. Experiments with acetaminophen10 and marijuana11 (not at the same time) show that identical analgesics can relieve both social and physical pain. It makes a lot of evolutionary sense. For most of human history, experiencing loss or rejection could have been as detrimental to your survival as appendicitis or a broken leg. One of the most astounding experiments to demonstrate the equivalence between social and physical pain looks at the way two pains that are experienced in quick succession tend to interact. We know, from other studies, that two physical pains experienced in quick succession have an entirely unexpected effect on the way we perceive them. A mild pain makes us temporarily more sensitive to discomfort whereas severe pain numbs us and makes us more able to bear further trauma.12 There might be an excellent reason for this: if you’re bitten by a dog, the fight-or-flight instinct kicks in. We become highly vigilant to other pains either as extra motivation to get out or fight back, or as a way of avoiding further trauma in our fight or flight. In contrast, for the kind of pain where curling up in a defensive ball is the best course of action—a broken limb, for example—further pain tends to feel much less severe than it would otherwise. We can stand a further mauling, because fighting or fleeing are not an option.

Jesse was moaning in her sleep. She was a delicate woman of thirty-five with long curly red hair. She lay deep in a shapeless feather mattress, cradled in a wooden bed which hung from the ceiling on four rusted chains. Somewhere in the big rambling house a clock chimed. She must wake up. Two hours until the Vampire Lestat’s concert. But she could not leave the twins now. This was new to her, this part unfolding so rapidly, and the dream was maddeningly dim as all the dreams of the twins had been. Yet she knew the twins were in the desert kingdom again. The mob surrounding the twins was dangerous. And the twins, how different they looked, how pale. Maybe it was an illusion, this phospherescent luster, but they appeared to glow in the semidarkness, and their movements were languid, almost as if they were caught in the rhythm of a dance. Torches were thrust at them as they embraced one another; but look, something was wrong, very wrong. One of them was now blind. Her eyelids were shut tight, the tender flesh wrinkled and sunken. Yes, they have plucked out her eyes. And the other one, why she make those terrible sounds? “Be still, don’t fight anymore,” said the blind one, in the ancient language which was always understandable in the dreams. And out of the other win came a horrid, gutteral moaning. She couldn’t speak. They’d cut out her tongue! I don’t want to see any more, I want to wake up. But the soldiers were pushing their way through the crowd, something dreadful was to happen, and the twins became suddenly very still. The soldiers took hold of them, dragged them apart. Don’t separate them! Don’t you know what this means to them? Get the torches away. Don’t set them on fire! Don’t burn their red hair. The blind twin reached out for her sister, screaming her name: “Mekare!” And Mekare, the mute one, who could not answer, roared like a wounded beast. The crowd was parting, making way for two immense stone coffins, each carried in a great heavy bier. Crude these sarcophagi, yet the lids had the roughened shape of human faces, limbs. What have the twins done to be put in these coffins? I can’t stand it, the biers being set down, the twins dragged towards the coffins, the crude stone lids being lifted. Don’t do it! The blind one is fighting as if she can see it, yet they are overpowering her, lifting her and putting her inside the stone box. In mute terror, Mekare is watching, though she herself is being dragged to the bier. Don’t lower the lid, or I will scream for Mekare! For both of them- Jesse sat up, her eyes opened. She had screamed. Alone in the house, with no one to hear her, she’d screamed and she could feel the echo still. Then nothing but the quiet settling around her, and the faint creaking of the bed as it moved on its chains. The song of the birds outside in the forest, the deep forest; and her own curious awareness that the clock had struck six.

As the kids discovered these commonalities, I began to feel as though I were watching something like the living embodiment of a linguistic tree. The classroom and the relationships forming inside of it were an almost a perfect map of language proximity around the globe. Generally, students chose to communicate most with others whose home languages shared large numbers of cognates with their own, which meant their first friendships often developed along the same lines as language groupings. As this took place around me, I grew to see my own position on the world’s tree of languages more clearly. English speakers can easily grasp the vast coterminology of all the Indo- European languages— our own limb of the global tree— but we are generally deaf and dumb to the equally large influence of Arabic, Chinese, or Hindi across parts of the globe where English does not dominate. We cannot hear or see the tremendous coterminology that has resulted among various other language families, such as between Arabic and the African languages. It was to our detriment, not understanding how tightly interconnected other parts of the world are. When we make enemies in the Middle East, for example, we alienate whole swaths of Africa, too— often without knowing.

One of the defining elements of the human animal is its capacity for abstract visualization. Other creatures are better than us at smelling, biting, hunting, running. We alone can create whole universes in our heads based on nothing more than thought. This is the basis of language, math, science, everything that defines human civilization. It is something monkeys and dolphins will never have. When evolutionary theorists seek to explain how this capacity for abstract thought arose, the story often goes like this Our ancestors, beset by all sorts of deadly horrors in the African savannah, needed some way to anticipate risks before the moment those risks jumped out of the bushes, red in tooth and claw. So began the slow process by which the neural networks in our head, under pressure from the ruthless mechanism of natural selection, created the means to model risk before the risk manifested itself. What would happen if I went to forage for berries in that field and a lion appeared? Would I be able to make it to the protection of that outcropping? How many berries would I be able to get? How hungry am I? Is it worth the risk? Out of these habits of mind grew the whole mental apparatus by which we play out life scenarios as a game within our mind, before putting life and limb on the line in a true sense. The relationship between board games and real life is in some ways close.