A Knight's Tale Quotes

We've searched our database for all the quotes and captions related to A Knight's Tale. Here they are! All 100 of them:

Be careful, boy. In some tales, the hero gets eaten by the monster after all.
Julie Kagawa (The Iron Knight (The Iron Fey, #4))
I see a beautiful city and a brilliant people rising from this abyss. I see the lives for which I lay down my life, peaceful, useful, prosperous and happy. I see that I hold a sanctuary in their hearts, and in the hearts of their descendants, generations hence. It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known.
Charles Dickens (A Tale of Two Cities)
He reads histories and mythologies and fairy tales, wondering why it seems that only girls are ever swept away from their mundane lives on farms by knights or princes or wolves. It strikes him as unfair to not have the same fanciful opportunity himself. And he is not in the position to do any rescuing of his own.
Erin Morgenstern (The Night Circus)
Wine makes all things possible.
George R.R. Martin (The Mystery Knight (The Tales of Dunk and Egg, #3))
I will eviscerate you in fiction. Every pimple, every character flaw. I was naked for a day; you will be naked for eternity.
Brian Helgeland (A Knight's Tale: The Shooting Script)
A great battle is a terrible thing," the old knight said, "but in the midst of blood and carnage, there is sometimes also beauty, beauty that could break your heart.
George R.R. Martin (A Knight of the Seven Kingdoms (The Tales of Dunk and Egg, #1-3))
The snail may leave a trail of slime behind him, but a little slime will do a man no harm, while if you dance with dragons, you must expect to burn.
George R.R. Martin (A Knight of the Seven Kingdoms (The Tales of Dunk and Egg, #1-3))
She always did like tales of adventure-stories full of brightness and darkness. She could tell you the names of all King Arthur's knights, and she knew everything about Beowulf and Grendel, the ancient gods and the not-quite-so-ancient heroes. She liked pirate stories, too, but most of all she loved books that had at least a knight or a dragon or a fairy in them. She was always on the dragon's side by the way.
Cornelia Funke (Inkheart (Inkworld, #1))
If this were a fairy tale, I'd be my own damned knight.
Sally Slater (Paladin)
I thought you were her knight, but you have become only her woodsman--taking little girls into the forest to cut out their hearts.
Holly Black (Ironside (Modern Faerie Tales, #3))
He was reading from the beginning so that he could get to the end, where the reader was assured that the knight and the fair maiden lived together happily ever after.
Kate DiCamillo (The Tale of Despereaux)
Once upon a time, when I was a child reading fairy tales, I'd ached to have my own adventures. Not that I'd wanted to be some dippy heroine languishing in a tower, awaiting rescue. No, I'd wanted to be the knight, charging into battle against overwhelming odds, or the plucky country lass who gets taken on as an apprentice to a great wizard. As I got older, I'd found out the hard way that adventures are rarely anything like the books say. Half the time you are scared out of your mind, and the rest you're bored and your feet hurt. I was beginning to believe that maybe I wasn't the adventurous type.
Karen Chance (Touch the Dark (Cassandra Palmer, #1))
You are the cause by which I die.
Geoffrey Chaucer (Knight's Tale)
Aunt Syl must have conveniently stopped reading the childhood fairy tales when the knight left the damsel in distress to pursue a better damsel out of my bedtime routine.
Rachel Higginson (Endless Magic (Star-Crossed, #4))
If I'm away from you for more than an hour, I can't stop thinking about you. I carry you in my spirit. I pray for you more than I pray for myself...I know you don't believe in fairy tales. But, if you did, I'd want to be your knight in shining armor. You've been through so much. I don't want to see you hurt anymore. Now I may not be able to give you all that your used to. But I do know I can love you past your pain. I don't want you to worry about anything. You just wake up in the morning, that's all you have to do and I'll take it from there...There's one condition...You have to be my wife
Tyler Perry
And the crow once called the raven black.
George R.R. Martin (A Knight of the Seven Kingdoms (The Tales of Dunk and Egg, #1-3))
all men are fools, and all men are knights, where women are concerned.
George R.R. Martin (A Knight of the Seven Kingdoms (The Tales of Dunk and Egg, #1-3))
They've named the well after you." "How did they know my name?" "They don't. They invented one.
Gerald Morris (The Squire, His Knight, and His Lady (The Squire's Tales, #2))
I said you lie, knave!” shouted Beaumains, drawing his sword. “And for telling such craven falsehoods, you must die!” The knight looked plaintively at Roger. “What’s wrong with this fellow?” “He was dropped on his head when he was a baby,” answered Roger.
Gerald Morris (The Savage Damsel and the Dwarf (The Squire's Tales, #3))
Which do you hate more: breaking your word or dying?" "I don't know. I've never done either.
Gerald Morris (The Squire, His Knight, and His Lady (The Squire's Tales, #2))
Oak and iron, guard me well, or else I'm dead, and doomed to hell.
George R.R. Martin (A Knight of the Seven Kingdoms (The Tales of Dunk and Egg, #1-3))
Of course it's juggling,” the man in motley was saying [...] “You know what your problem is, Sir Grenall? You've been seduced by the lure of spectacle. Sure, I could juggle three or four balls and use two hands, and that would be very impressive, but then what would I do after that? Five balls? Three hands? You see how it goes? Now me, I'm an artist, trying to recapture the original purity of the art form. This” - the man nodded at the ball he tossing up and down - “this is the essence of juggling.
Gerald Morris (The Lioness and Her Knight (The Squire's Tales, #7))
One-and-twenty sorts of birds,” said Ser Kyle. “One-and-twenty sorts of bird droppings,” said Ser Maynard. “You have no poetry in your heart, ser.” “You have shit upon your shoulder.
George R.R. Martin (The Mystery Knight (The Tales of Dunk and Egg, #3))
Kings rise and fall, Dunk thought, and cows and smallfolk go about their business.
George R.R. Martin (The Mystery Knight (The Tales of Dunk and Egg, #3))
How did they know that I was the one who saved them?" "They don't. You're the third knight they've celebrated over since it happened.
Gerald Morris (The Squire, His Knight, and His Lady (The Squire's Tales, #2))
Hard things only grow harder if you put them off.
George R.R. Martin (A Knight of the Seven Kingdoms (The Tales of Dunk and Egg, #1-3))
I will be brave, thought Despereaux. I will try to be brave like a knight in shining armour. I will be brave for the Princess Pea.
Kate DiCamillo (The Tale of Despereaux)
A hedge knight must hold tight to his pride. Without it, he was no more than a sellsword
George R.R. Martin (The Hedge Knight (The Tales of Dunk and Egg, #1))
Can a man change the stars?" "Yes William. If he believes enough, a man can do anything!
A Knights Tale
Lynet scowled. "I’m just so tired of young knights wearing their father’s armor and dreaming romantic dreams riding up to their death.
Gerald Morris (The Savage Damsel and the Dwarf (The Squire's Tales, #3))
How many eyes does Lord Bloodraven have? A thousand eyes and one.
George R.R. Martin (A Knight of the Seven Kingdoms (The Tales of Dunk and Egg, #1-3))
I am my own damned princess!
Gerald Morris (The Princess, the Crone, and the Dung-Cart Knight (The Squire's Tales, #6))
No cursing,” I scolded him. “You’re a knight. You don’t get to do that. You gave up that right when you swore your oath to the King. You have to lead by example now. So say stuff like ‘fudge toast’ and ‘mothercrackers’ instead of ‘shit whore’ and ‘fuck storm.
T.J. Klune (The Lightning-Struck Heart (Tales From Verania, #1))
Some words are wind, ser. Some are treason.
George R.R. Martin (A Knight of the Seven Kingdoms (The Tales of Dunk and Egg, #1-3))
Fairy tales, then, are not responsible for producing in children fear, or any of the shapes of fear; fairy tales do not give the child the idea of the evil or the ugly; that is in the child already, because it is in the world already. Fairy tales do not give the child his first idea of bogey. What fairy tales give the child is his first clear idea of the possible defeat of bogey. The baby has known the dragon intimately ever since he had an imagination. What the fairy tale provides for him is a St. George to kill the dragon. Exactly what the fairy tale does is this: it accustoms him for a series of clear pictures to the idea that these limitless terrors had a limit, that these shapeless enemies have enemies in the knights of God, that there is something in the universe more mystical than darkness, and stronger than strong fear.
G.K. Chesterton (Tremendous Trifles)
Never refuse a cup of wine or a horn of ale,” Ser Arlan had once told him, “it may be a year before you see another.
George R.R. Martin (A Knight of the Seven Kingdoms (The Tales of Dunk and Egg, #1-3))
I'm not a princess but Ryan is a knight, he just belongs to someone else.
Katie McGarry (Dare You To (Pushing the Limits, #2))
Why?” he asked Pate. “What am I to them?” “A knight who remembered his vows,” the smith said.
George R.R. Martin (The Hedge Knight (The Tales of Dunk and Egg, #1))
Maybe there aren’t any happily ever afters, or white knights who ride in on valiant steeds to save the day. Maybe, in real life, Prince Charming isn’t always perfect – he’s just as flawed as everyone else in the tale. And that princess, alone in her tower? She’s not perfect either. Birds don’t braid her hair every morning, she can’t serenade wild forest creatures into servitude, and she doesn’t even own a ball gown. But she’s also smart enough to know not to accept poisoned apples from strangers, or prick her finger on deadly spindles. She doesn’t wait around for a prince to charge in and slay the dragon. Maybe she saves herself and in the end, rides off into her own goddamned sunset.
Julie Johnson (Like Gravity)
We were innocent once. This bloodlust was forced upon us by our parents, turning us from prey to predator. We are the demons lurking in the shadow, We are the savage villains in fairy tales told to children. But not for my child. Not for Hope. In her story, we are the knights in shining armour. Without you by my side, I don't think I can survive my own love for my daughter. I need you. I need you, brother. The monster in me can only be checked by the monster in you. Only together can we defeat our demons and save our family.
Klaus Mikaelson
Pain was as much a part of knighthood as were swords and shields.
George R.R. Martin (A Knight of the Seven Kingdoms (The Tales of Dunk and Egg, #1-3))
Is that gallantry I smell, or just stupidity? The two scents are much alike, as I recall.
George R.R. Martin (A Knight of the Seven Kingdoms (The Tales of Dunk and Egg, #1-3))
These days when you kiss a prince you often run the risk of turning him into a frog. But don't let the ogres in shining armor get you down. There is no need for distress - you don't want to be anyone's damsel anyway. Simply remind yourself that you are busy racking up those 'frequent failure points' that will eventually pay for an all expenses paid trip to Mr Right.
Anthon St. Maarten
For instance, dragons are deeply revered by the Chinese. According to legend they have megapowers that include weather control and life creation. And they’re seen as kind, benevolent creatures. Funny. Every fairy tale I’d ever heard involving dragons starred daring knights trotting off to kill said dragons. Probably the real reason every time East meets West they get pissed off and throw tea in our faces.
Jennifer Rardin
Ever peaceful be you slumber Though your days were few in number On this earth-spite took its toll- Yet shall heaven have your soul With pure love we did regard you For your loved one did we guard you But you came not to the groom Only to a chill dark tomb
Alexander Pushkin (The Tale of the Dead Princess and the Seven Knights)
Fairytales by nature only talk about the victors. The survivors. Nobody speaks about what happens to those who failed, except in the abstract: as cautionary tales to guide others onto the path to success. How many brave knights fell to the dragon before he was slayed by the noble prince? How many children burned to a crisp and eaten before the wicked witch received her due? These stories are lost, but the lesson behind them is not: it is not enough to be merely pure and good.
Nenia Campbell (Evergloom)
The summers have been shorter since the last dragon died, and the winters longer and crueler.
George R.R. Martin (A Knight of the Seven Kingdoms (The Tales of Dunk and Egg, #1-3))
Better a beggar than a thief.
George R.R. Martin (A Knight of the Seven Kingdoms (The Tales of Dunk and Egg, #1-3))
The next day, to the joy of all of Arthur's court, Sir Gareth was wed to the fair Lady Lyonesse of Cornwall. All who beheld the couple declared that ne'er had so handsome a knight wed so beautiful a maiden. At the same time, Sir Gaheris was wedded to the Lady Lynet, younger sister to the Lady Lyonesse. They looked alright too.
Gerald Morris (The Savage Damsel and the Dwarf (The Squire's Tales, #3))
Reading books by candlelight will make you blind." "I need the candlelight to see the words, ser." "Do you want a clout in the ear?
George R.R. Martin (A Knight of the Seven Kingdoms (The Tales of Dunk and Egg, #1-3))
ever the knightly years were gone With the old world to the grave, I was a king in Babylon And you were a Christian slave," —W.E. Henley.
Rudyard Kipling (Indian Tales)
Are you trying to protect me?" I asked, starting to get slightly pissed. "Dude. Knock it off. You're not my knight in shining armor. You're a dick in dented tin.
T.J. Klune (The Lightning-Struck Heart (Tales From Verania, #1))
No cussing!" I admonished him. "You're a godsdamned knight, for fuck's sake. Act like one!
T.J. Klune (A Destiny of Dragons (Tales From Verania, #2))
It’s loneliness. Even though I’m surrounded by loved ones who care about me and want only the best, it’s possible they try to help only because they feel the same thing—loneliness—and why, in a gesture of solidarity, you’ll find the phrase “I am useful, even if alone” carved in stone. Though the brain says all is well, the soul is lost, confused, doesn’t know why life is being unfair to it. But we still wake up in the morning and take care of our children, our husband, our lover, our boss, our employees, our students, those dozens of people who make an ordinary day come to life. And we often have a smile on our face and a word of encouragement, because no one can explain their loneliness to others, especially when we are always in good company. But this loneliness exists and eats away at the best parts of us because we must use all our energy to appear happy, even though we will never be able to deceive ourselves. But we insist, every morning, on showing only the rose that blooms, and keep the thorny stem that hurts us and makes us bleed hidden within. Even knowing that everyone, at some point, has felt completely and utterly alone, it is humiliating to say, “I’m lonely, I need company. I need to kill this monster that everyone thinks is as imaginary as a fairy-tale dragon, but isn’t.” But it isn’t. I wait for a pure and virtuous knight, in all his glory, to come defeat it and push it into the abyss for good, but that knight never comes. Yet we cannot lose hope. We start doing things we don’t usually do, daring to go beyond what is fair and necessary. The thorns inside us will grow larger and more overwhelming, yet we cannot give up halfway. Everyone is looking to see the final outcome, as though life were a huge game of chess. We pretend it doesn’t matter whether we win or lose, the important thing is to compete. We root for our true feelings to stay opaque and hidden, but then … … instead of looking for companionship, we isolate ourselves even more in order to lick our wounds in silence. Or we go out for dinner or lunch with people who have nothing to do with our lives and spend the whole time talking about things that are of no importance. We even manage to distract ourselves for a while with drink and celebration, but the dragon lives on until the people who are close to us see that something is wrong and begin to blame themselves for not making us happy. They ask what the problem is. We say that everything is fine, but it’s not … Everything is awful. Please, leave me alone, because I have no more tears to cry or heart left to suffer. All I have is insomnia, emptiness, and apathy, and, if you just ask yourselves, you’re feeling the same thing. But they insist that this is just a rough patch or depression because they are afraid to use the real and damning word: loneliness. Meanwhile, we continue to relentlessly pursue the only thing that would make us happy: the knight in shining armor who will slay the dragon, pick the rose, and clip the thorns. Many claim that life is unfair. Others are happy because they believe that this is exactly what we deserve: loneliness, unhappiness. Because we have everything and they don’t. But one day those who are blind begin to see. Those who are sad are comforted. Those who suffer are saved. The knight arrives to rescue us, and life is vindicated once again. Still, you have to lie and cheat, because this time the circumstances are different. Who hasn’t felt the urge to drop everything and go in search of their dream? A dream is always risky, for there is a price to pay. That price is death by stoning in some countries, and in others it could be social ostracism or indifference. But there is always a price to pay. You keep lying and people pretend they still believe, but secretly they are jealous, make comments behind your back, say you’re the very worst, most threatening thing there is. You are not an adulterous man, tolerated and often even admired, but an adulterous woman, one who is ...
Paulo Coelho (Adultery)
No m’lord. It wouldn’t be a secret army if we had seen it. My squire, who has not had the opportunity to be clearly informed about the presence of a secret army, has been ignorant of its existence.
Gary Edward Gedall
Dunk the lunk, thick as a castle wall.
George R.R. Martin (The Hedge Knight (The Tales of Dunk and Egg, #1))
This reminds Faron of those stupid dogs that people put in their cars, that when the car moves, the dogs frantically nod their heads, like some demented, freshly graduated psychologist, with their first patients.
Gary Edward Gedall
I looked into the dark and embraced my fear because hurt comes both day and night. The monsters don't wait for the sun to set, this isn't a goddamn fairy tale. This is life and monsters...monsters are everywhere. But they are human. Flesh and blood like me and you
K.A. Knight (Den of Vipers)
So, what did you think of the Unseelie Court?" A slow, wicked smile spread on his face. "Oh, Kaye," he breathed. "It was marvelous. It was perfect." She narrowed her gaze. "I was joking. They were killing things, Corny. For fun. Things like us." He didn't seem to hear her, his eyes looking past her to the bright window. "There was this knight, not yours. He ... " Corny shivered and seemed to abruptly change the direction of his sentence. "He had a cloak all lined with thorns." "I saw him talking to the Queen," Kaye said. Corny shrugged off his jacket. There were long scratches along his arms. "What happened to you?" Corny's smile widened, but his gaze was locked in some memory. He shifted it back to her. "Well, obviously I got inside the cloak." She snorted. "What a euphemism.
Holly Black (Tithe (Modern Faerie Tales, #1))
The Wolf gave me an eerie smile, all fangs, and his eyes glinted in the shadows. " I will be in this tale one way or another, little prince," he warned. (The Iron Knight)
Julie Kagawa
One foe at a time, that was what the old man always said.
George R.R. Martin (A Knight of the Seven Kingdoms (The Tales of Dunk and Egg, #1-3))
Trueborn children are made in a marriage bed and blessed by the Father and the Mother, but bastards are born of lust and weakness.
George R.R. Martin (A Knight of the Seven Kingdoms (The Tales of Dunk and Egg, #1-3))
The sword was not the kingdom, he says.
George R.R. Martin (A Knight of the Seven Kingdoms (The Tales of Dunk and Egg, #1-3))
It's going to be a grand adventure and a fairy tale of marvels. But it's my fault that you'll find a dragon at the end, my darling knight.
Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
I glanced back at my merry little band of travelers. A hornless gay unicorn. A half-giant. A knight who was a jerk but that I wanted to have for breakfast.
T.J. Klune (The Lightning-Struck Heart (Tales From Verania, #1))
Because noir isn’t really a new thing at all. It’s just a fairy tale with guns. Your hardscrabble detective is nothing more than a noble knight with a cigarette and a disease where his heart should be. He talks prettier, that’s all. He’s no less idealistic—there’re good women and bad women, good jobs and bad jobs. Justice and truth are always worth seeking. He pulls his fedora down like the visor on a suit of armour. He serves his lord faithfully whether he wants to or not. And he is in thrall to the idea of a woman. It’s just that in detective stories, women are usually dead before the curtain goes up. In fairy tales, they’re usually alive.
Catherynne M. Valente (Radiance)
The art of writing tales consists in an ability to draw the rest of life from the little one has understood of it; but life begins again at the end of the page, and one realises that one has knew nothing whatsoever.
Italo Calvino (The Nonexistent Knight & The Cloven Viscount)
I used to be a girl who believed in fairy tales. You know, the whole knight in shining armour riding in on a white horse that would lead me to my happily-ever-after. About eight months ago I lost hope and faith that I would ever find my prince, or to be more exact, that my prince would ever realise I was the one for him as he tried out all the other princesses. But what I discovered was that I was in the wrong damn fairytale the whole time, chasing the wrong damn prince. There' a Psyche for every Eros, an Elizabeth for every Darcy, an Abby for every Travis. And I only hope you still want me to be the Angel to your Rat. All along I was wearing the wrong wings.
Erin Noelle (Metamorphosis (Book Boyfriend, #1))
Make it a human war,' she said fiercely. 'You're the first not to be deceived by my looks. Oh God! The boredom of the chivalrous knights and their milk-maid passion for the fairy tale princess. But I'm not like that ... inside. I'm not. I'm not. Never. Make it a savage war between us. Don't win me ... destroy me!
Alfred Bester (The Stars My Destination)
The bitch,” Bobby said sarcastically. “The nerve of the woman. Going in and bringing cake—there was cake, right?” When Tommy nodded, Bobby went on. “That is some messed-up devil-woman shit. Thinking she can slide in under your radar like that! That’s right out of Grimm’s Fairy Tales. Maybe she’ll try to cook them next!
J.H. Knight (The Last Thing He Needs (The Last Thing He Needs, #1))
The cat who wants his bowl of cream must know when to purr and when to show his claws" - Ser Kyle, the Cat of Misty Moor
George R.R. Martin (The Mystery Knight (The Tales of Dunk and Egg, #3))
We are one. Man, horse, lance, we are one beast of blood and wood and iron.
George R.R. Martin (A Knight of the Seven Kingdoms (The Tales of Dunk and Egg, #1-3))
Why give a horse to a man who cannot ride?
George R.R. Martin (A Knight of the Seven Kingdoms (The Tales of Dunk and Egg, #1-3))
Even a hedge knight has his honor.
George R.R. Martin (A Knight of the Seven Kingdoms (The Tales of Dunk and Egg, #1-3))
Would you rather die with honor intact or live with it besmirched?
George R.R. Martin (A Knight of the Seven Kingdoms (The Tales of Dunk and Egg, #1-3))
Whether success will crown the effort, or whether God wills it otherwise, it is not for man to discuss; it is enough that the work is there, and it is our duty to do it.
G.A. Henty (The Boy Knight: A Tale of the Crusades)
My brothers have my measure when it comes to fighting and dancing and thinking and reading books, but none of them is half my equal at lying insensible in the mud.
George R.R. Martin (A Knight of the Seven Kingdoms (The Tales of Dunk and Egg, #1-3))
Muscles. (Not that I could see them under the knight’s armor, but I had a very vivid imagination and I was not ashamed to use it.)
T.J. Klune (The Lightning-Struck Heart (Tales From Verania, #1))
Tell me, cat-man, why can I understand her?" "First," said Eanrin with a glower, "you will not call me 'cat-man' again. I am a knight, a poet, and a gentleman, and you will address me as sir or not address me at all.
Anne Elisabeth Stengl (Dragonwitch (Tales of Goldstone Wood, #5))
Egg has the truth of it. Aerion's quite the monster. He thinks he’s a dragon in human form, you know. That’s why he was so wroth at that puppet show. A pity he wasn't born a Fossoway, then he’d think himself an apple and we’d all be a deal safer, but there you are.
George R.R. Martin (The Hedge Knight (The Tales of Dunk and Egg, #1))
Sam said he doesn’t have time for a boyfriend, much less Knight Delicious Face.” “Remind me why you call him that?” Pete asked. “Uh, pretty simple, Pete,” I said. “He’s a knight. And his face is delicious.
T.J. Klune (The Lightning-Struck Heart (Tales From Verania, #1))
I dreamed of you and a dead dragon, Egg's brother Daeron said to him. A great beast, huge, with wings so large they could cover this meadow. It had fallen on top of you, but you were alive and the dragon was dead. And so he was, poor Baelor. Dreams were a treacherous ground on which to build.
George R.R. Martin (A Knight of the Seven Kingdoms (The Tales of Dunk and Egg, #1-3))
A Hedge Knight is the truest kind of knight, Dunk. Other Knights serve the Lords who keep them, or from whom they hold their lands, but we serve where we will, for men whose causes we believe in. Every Knight swears to protect the weak, but we keep the vow the best, I think.
George R.R. Martin (The Hedge Knight (The Tales of Dunk and Egg, #1))
He reads histories and mythologies and fairy tales, wondering why it seems that only girls are ever swept away from their mundane lives on farms by knights or princes or wolves. It strikes him as unfair to not have the same fanciful opportunity himself. And he is not in the position to do any rescuing of his own. During the hours spent watching the sheep as they wander aimlessly around their fields, he even wishes that someone would come and take him away, but wishes on sheep appear to work to better than wishes on stars.
Erin Morgenstern (The Night Circus)
Johanna sat by the fire every night and worked on her tapestry. Dumfries waited until she was settled in her chair and then draped himself across her feet. It became a ritual for Alex to squeeze himself up next to her and fall asleep during her stories about fierce warriors and fair maidens. Johanna's tales all had a unique twist, for none of the heroines she told stories about ever needed to be rescued by their knights in shining armor. More often than not, the fair maidens rescued their knights. Gabriel couldn't take issue with his wife. She was telling Alex the truth. It was a fact that maidens could rescue mighty, arrogant warriors. Johanna had certainly rescued him from a bleak, cold existence. She'd given him a family and a home. She was his love, his joy, his companion. She was his saving grace.
Julie Garwood (Saving Grace)
In short, our gentleman became so immersed in his reading that he spent whole nights from sundown to sunup and his days from dawn to dusk in poring over his books, until, finally, from so little sleeping and so much reading, his brain dried up and he went completely out of his mind. He filled his imagination with everything he had read, with enchantments, knightly encounters, battles, challenges, wounds, with tales of love and its torments, and all sorts of impossible things, and as a result had come to believe that all these fictitious happenings were true; they were more real to him than anything else in the world.
Miguel de Cervantes Saavedra (Don Quixote)
The next day brought more visitors. Sarah was eating a simple luncheon with Charis, Ariel, and Guinevere and was experiencing for the first time in her life the pleasure of talking freely with other girls she trusted. It wasn't that they talked about anything of importance. Indeed, most of their conversation was hopelessly trivial- Mordecai would have shaken his head sadly over such frivolity, Sarah reflected with an inward smile. But to talk so openly, and to laugh so unrestrainedly, was somehow far more significant than any single thing that was said.
Gerald Morris (The Princess, the Crone, and the Dung-Cart Knight (The Squire's Tales, #6))
The passion for travelling is, I believe, instinctive in some natures. We have seen men persevere in their enterprises against the most formidable obstacles; and, without means or friends, and even ignorant of the languages of the various countries through which they passed, pursue their perilous journeys into remote places, until, like the knight in the Arabian tale, they succeeded in snatching a memorial from every shrine they visited.
James Holman
It's just that in detective stories, women are usually dead before the curtain goes up. In fairy tales, they're usually alive. Fairy tales are about survival. That's all they're about. The princess lives to get married in the last act. The detective solves the woman; the knight saves her. And really, really, when you put a fairy tale together with grime and despair and industrial angst you get the Gothic, and that's where we live, Percy.
Catherynne M. Valente (Radiance)
Your magic gets me hard,” he said, looking like he wished he could be anywhere but where he was. “When you do anything, I get hard, really. Even your ridiculous sex puns. You remember when you wrapped those Dark wizards in stone at the restaurant?” “Yeah,” I managed to say. “I wanted to tell you that you gave me an e-rock-tion.” He bent over and banged his forehead against the table. “Why, why, why did I say that out loud? Please. Someone. Anyone. Kill me.” “Sex puns,” I breathed. “Knight Delicious Face said a sex pun.
T.J. Klune (The Lightning-Struck Heart (Tales From Verania, #1))
Sometimes it seems that half of the fairy tales of the world are some form of Cinderella, ugly duckling, or poor boy story, telling of the little person who has no power or possessions who ends up being king or queen, prince or princess. We write it off as wishful dreaming, when it is actually the foundational pattern of disguise or amnesia, loss, and recovery. Every Beauty is sleeping, it seems, before it can meet its Prince. The duckling must be “ugly,” or there will be no story. The knight errant must be wounded, or he will never even know what the Holy Grail is, much less find it. Jesus must be crucified, or there can be no resurrection. It is written in our hardwiring, but can only be heard at the soul level. It will usually be resisted and opposed at the ego level.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
For me alone Don Quixote was born and I for him. His was the power of action, mine of writing. Only we two are at one, despite that fictitious and Tordillescan scribe who has dared, and may dare again, to pen the deeds of my valorous knight with his coarse and ill-trimmed ostrich feather. This is no weight for his shoulders, no task for his frozen intellect; and should you chance to make his acquaintance, you may tell him to leave Don Quixote's weary and mouldering bones to rest in the grave, nor seek, against all the canons of death, to carry him off to Old Castile, or to bring him out of the tomb, where he most certainly lies, stretched at full length and powerless to make a third journey, or to embark on any new expedition. For the two on which he rode out are enough to make a mockery of all the countless forays undertaken by all the countless knights errant, such has been the delight and approval they have won from all to whose notice they have come, both here and abroad. Thus you will comply with your Christian profession by offering good counsel to one who wishes you ill, and I shall be proud and satisfied to have been the first author to enjoy the pleasure of witnessing the full effect of his own writing. For my sole object has been to arouse men's contempt for all fabulous and absurd stories of knight errantry, whose credit this tale of my genuine Don Quixote has already shaken, and which will, without a doubt, soon tumble to the ground. Farewell.
Miguel de Cervantes Saavedra (Don Quixote)
Yes, every evening. Your mother enjoyed it. That evening she chose Inkheart. She always did like tales of adventure – stories full of brightness and darkness. She could tell you the names of all King Arthur's knights, and she knew everything about Beowulf and Grendel, the ancient gods and the not-quite-so-ancient heroes. She liked pirate stories, too, but most of all she loved books that had at least a knight or a dragon or a fairy in them. She was always on the dragon's side, by the way. There didn't seem to be any of them in Inkheart, but there was any amount of brightness and darkness, fairies and goblins. Your mother liked goblins as well: hobgoblins, bugaboos, the Fenoderee, the folletti with their butterfly wings, she knew them all. So we gave you a pile of picture books, sat down on the rug beside you, and I began to read.
Cornelia Funke (Inkheart (Inkworld, #1))
Heyyy,” I said with a wave. “What. Is. Up.” “Hey, he says,” Gary snapped, flipping his mane prettily. “Can you believe this? You raise a child most of his life, watch him go through painful years of puberty to become a reasonably attractive man, only to find him negotiating kink contracts with a leather Dom and saying hey.” He sniffled. “I’ve never been more proud of anything in my life.” Tiggy frowned. “Sam a pain slut?” “I highly doubt that, kitten. You know how he gets when he stubs a toe. He doesn’t pop a boner, that’s for sure.” “Do I even want to know what you’re doing?” the knight asked, cocking a devastatingly unfair eyebrow.
T.J. Klune (A Destiny of Dragons (Tales From Verania, #2))
Angela Carter...refused to join in rejecting or denouncing fairy tales, but instead embraced the whole stigmatized genre, its stock characters and well-known plots, and with wonderful verve and invention, perverse grace and wicked fun, soaked them in a new fiery liquor that brought them leaping back to life. From her childhood, through her English degree at the University of Bristol where she specialised in Medieval Literature, and her experiences as a young woman on the folk-music circuit in the West Country, Angela Carter was steeped in English and Celtic faerie, in romances of chivalry and the grail, Chaucerian storytelling and Spenserian allegory, and she was to become fairy tale’s rescuer, the form’s own knight errant, who seized hold of it in its moribund state and plunged it into the fontaine de jouvence itself. (from "Chamber of Secrets: The Sorcery of Angela Carter")
Marina Warner
The tidal current runs to and fro in its unceasing service, crowded with memories of men and ships it had borne to the rest of home or to the battles of the sea. It had known and served all the men of whom the nation is proud, from Sir Francis Drake to Sir John Franklin, knights all, titled and untitled--the great knights-errant of the sea. It had borne all the ships whose names are like jewels flashing in the night of time, from the Golden Hind returning with her round flanks full of treasure, to be visited by the Queen's Highness and thus pass out of the gigantic tale, to the Erebus and Terror, bound on other conquests--and that never returned. It had known the ships and the men. They had sailed from Deptford, from Greenwich, from Erith--the adventures and the settlers; kings' ships and the ships of men on 'Change; captains, admirals, the dark "interlopers" of the Eastern trade, and the commissioned "generals" of East India fleets. Hunters for gold or pursuers of fame, they all had gone out on that stream, bearing the sword, and often the torch, messengers of the might within the land, bearers of a spark from the sacred fire. What greatness had not floated on the ebb of that river into the mystery of an unknown earth!...The dreams of men, the seed of commonwealth, the germs of empires.
Joseph Conrad (Heart of Darkness)
I can't make flowery speeches,” Sir Kai began, “and I wouldn't even if I could. I won't whimper at your feet like these callow puppies that call themselves knights these days, and I don't write poetry or play the damned rebec. I don't intend to change my manners or my way of life, but if you'll have me, Connoire, I'd be obliged if you'd marry me.” The incredulous silence that struck the watching crowd was so profound that Piers could hear the peep of a chickadee in the distant forest. Lady Connoire's expression did not change. Taking a deep breath, she said, “I don't like flowery speeches, and if you ever make one to me, I'll just laugh at you. I despise simpering poems, I hate the squealing of a rebec, and we'll see whether you'll change your manners or not. I'll marry you.
Gerald Morris (Parsifal's Page (The Squire's Tales, #4))
Hic Jacet Arthurus Rex Quondam Rexque Futurus Arthur is gone…Tristram in Careol Sleeps, with a broken sword - and Yseult sleeps Beside him, where the Westering waters roll Over drowned Lyonesse to the outer deeps. Lancelot is fallen . . . The ardent helms that shone So knightly and the splintered lances rust In the anonymous mould of Avalon: Gawain and Gareth and Galahad - all are dust. Where do the vanes and towers of Camelot And tall Tintagel crumble? Where do those tragic Lovers and their bright eyed ladies rot? We cannot tell, for lost is Merlin's magic. And Guinevere - Call her not back again Lest she betray the loveliness time lent A name that blends the rapture and the pain Linked in the lonely nightingale's lament. Nor pry too deeply, lest you should discover The bower of Astolat a smokey hut Of mud and wattle - find the knightliest lover A braggart, and his lilymaid a slut. And all that coloured tale a tapestry Woven by poets. As the spider's skeins Are spun of its own substance, so have they Embroidered empty legend - What remains? This: That when Rome fell, like a writhen oak That age had sapped and cankered at the root, Resistant, from her topmost bough there broke The miracle of one unwithering shoot. Which was the spirit of Britain - that certain men Uncouth, untutored, of our island brood Loved freedom better than their lives; and when The tempest crashed around them, rose and stood And charged into the storm's black heart, with sword Lifted, or lance in rest, and rode there, helmed With a strange majesty that the heathen horde Remembered when all were overwhelmed; And made of them a legend, to their chief, Arthur, Ambrosius - no man knows his name - Granting a gallantry beyond belief, And to his knights imperishable fame. They were so few . . . We know not in what manner Or where they fell - whether they went Riding into the dark under Christ's banner Or died beneath the blood-red dragon of Gwent. But this we know; that when the Saxon rout Swept over them, the sun no longer shone On Britain, and the last lights flickered out; And men in darkness muttered: Arthur is gone…
Francis Brett Young
Ungh,” Ryan said. “That shit is so hot.” Everyone turned to stare at him. He was bright red. “I said that out loud, didn’t I? Dammit.” “What?” I squeaked. “When you do magic, it turns me on,” Ryan said, shaking his head frantically. “Ah gods. I can’t—stop. Just stop. Ahhh, I get erections when you cast spells. Oh shit.” “Sweet molasses,” I managed to say. “This… this is not what I thought was going to happen today,” Gary said. “What you think happen?” Tiggy asked. “I thought Ryan and Sam would continue to ignore how much they want to bone each other and we would all be suffering in silence because Sam won’t pull his head out of his ass to see that Ryan wants to eat said ass for dinner.” “I do,” Ryan said through gritted teeth. “For breakfast, even. And lunch. And a midnight snack. Especially when you do magic.” “You have a magic kink?” I said, because that was the only thing I could focus on. “Yes. But only for you. Your magic gets me hard,” he said, looking like he wished he could be anywhere but where he was. “When you do anything, I get hard, really. Even your ridiculous sex puns. You remember when you wrapped those Dark wizards in stone at the restaurant?” “Yeah,” I managed to say. “I wanted to tell you that you gave me an e-rock-tion.” He bent over and banged his forehead against the table. “Why, why, why did I say that out loud? Please. Someone. Anyone. Kill me.” “Sex puns,” I breathed. “Knight Delicious Face said a sex pun.” “There it is again!” he exclaimed. “Knight Delicious Face. What is that?” “You’re a knight,” I said. “And your face is delicious.” “You think I’m delicious?” he said, suddenly shy. “Oh my gods,” Gary moaned. “This is so awkward I can’t even stand it. I physically hurt from how awkward this is. I don’t even care that we’re apparently in mortal danger. I just don’t want to listen to you two flirt anymore. Eloise? Yoo-hoo, Eloise? If you’re going to kill us, can you please do it now? I can’t take this anymore.
T.J. Klune (The Lightning-Struck Heart (Tales From Verania, #1))
Not a single family finds itself exempt from that one haunted casualty who suffered irreparable damage in the crucible they entered at birth. Where some children can emerge from conditions of soul-killing abuse and manage to make their lives into something of worth and value, others can’t limp away from the hurts and gleanings time decanted for them in flawed beakers of memory. They carry the family cross up the hill toward Calvary and don’t mind letting every other member of their aggrieved tribe in on the source of their suffering. There is one crazy that belongs to each of us: the brother who kills the spirit of any room he enters; the sister who’s a drug addict in her teens and marries a series of psychopaths, always making sure she bears their children, who carry their genes of madness to the grave. There’s the neurotic mother who’s so demanding that the sound of her voice over the phone can cause instant nausea in her daughters. The variations are endless and fascinating. I’ve never attended a family reunion where I was not warned of a Venus flytrap holding court among the older women, or a pitcher plant glistening with drops of sweet poison trying to sell his version of the family maelstrom to his young male cousins. When the stories begin rolling out, as they always do, one learns of feuds that seem unbrokerable, or sexual abuse that darkens each tale with its intimation of ruin. That uncle hates that aunt and that cousin hates your mother and your sister won’t talk to your brother because of something he said to a date she later married and then divorced. In every room I enter I can sniff out unhappiness and rancor like a snake smelling the nest of a wren with its tongue. Without even realizing it, I pick up associations of distemper and aggravation. As far as I can tell, every family produces its solitary misfit, its psychotic mirror image of all the ghosts summoned out of the small or large hells of childhood, the spiller of the apple cart, the jack of spades, the black-hearted knight, the shit stirrer, the sibling with the uncontrollable tongue, the father brutal by habit, the uncle who tried to feel up his nieces, the aunt too neurotic ever to leave home. Talk to me all you want about happy families, but let me loose at a wedding or a funeral and I’ll bring you back the family crazy. They’re that easy to find.
Pat Conroy (The Death of Santini: The Story of a Father and His Son)