A Hue Of Blue Quotes

At present I absolutely want to paint a starry sky. It often seems to me that night is still more richly coloured than the day; having hues of the most intense violets, blues and greens. If only you pay attention to it you will see that certain stars are lemon-yellow, others pink or a green, blue and forget-me-not brilliance. And without my expatiating on this theme it is obvious that putting little white dots on the blue-black is not enough to paint a starry sky.

There are not more than five primary colors  (blue, yellow,  red, white, and black), yet in combination they produce more hues than can ever been seen.

Caves of blue. Strike the hue. Westward, burning. Pages turning. Indiana. Ripe banana. Happiness approaches. Serpents and roaches. There once was a god named Apollo Who plunged in a cave blue and hollow Upon a three-seater The bronze fire-eater Was forced death and madness to swallow

I feel in colour, strong tones that I hue down for the comfort of the pastelly inclined. Beige and magnolia and a hint of pink are what the well-decorated heart is wearing; who wants my blood red and vein-blue?

I DRAW A HOT SORROW BATH IN MY DESPAIR ROOM WITH A MISERY CANDLE BURNING I WASH MY HAIR WITH REGRET SHAMPOO AFTER CLEANING MYSELF WITH PAIN SOAP I DRY MYSELF WITH MY GORGEOUS WHITE ONE HUNDRED PERCENT AND IT WILL NEVER CHANGE TOWEL THEN SMOOTH ON MY I DON’T DESERVE LOTION AND I HATE MYSELF FACE CREAM THEN I PUT ON MY ALONE AGAIN SILK PYJAMAS AND GO TO SLEEP WHEN THE HUE HAS GONE BLUE AND YOU CAN’T QUITE GRIN AND BEAR IT LET THIS WORD PICTURE REMIND YOU IT CAN ALWAYS BE WORSE

It was one of those sumptuous days when the world is full of autumn muskiness and tangy, crisp perfection: vivid blue sky, deep green fields, leaves in a thousand luminous hues. It is a truly astounding sight when every tree in a landscape becomes individual, when each winding back highway and plump hillside is suddenly and infinitely splashed with every sharp shade that nature can bestow - flaming scarlet, lustrous gold, throbbing vermilion, fiery orange.

When Cynthia smiles," said young Bingo, "the skies are blue; the world takes on a roseate hue; birds in the garden trill and sing, and Joy is king of everything, when Cynthia smiles." He coughed, changing gears. "When Cynthia frowns - " "What the devil are you talking about?" "I'm reading you my poem. The one I wrote to Cynthia last night. I'll go on, shall I?" "No!" "No?" "No. I haven't had my tea.

He looked at the daylight shadows of a yellow hue, dancing with the firelight shadows in blue on the whitewashed chimney corner, but there was nothing in shadows.

I'm never one, distinct color but a dichotomy of dark and bright. The hues follow me, reflecting my mood, displaying every tone and shade I feel. I can breathe in red and exhale blue, or swim in green and dry as a rainbow. It all depends on how I choose to react to every shadow and light beam headed my way.

By death the moon was gathered in Long ago, ah long ago; Yet still the silver corpse must spin And with another's light must glow. Her frozen mountains must forget Their primal hot volcanic breath, Doomed to revolve for ages yet, Void amphitheatres of death. And all about the cosmic sky, The black that lies beyond our blue, Dead stars innumerable lie, And stars of red and angry hue Not dead but doomed to die.

Asparagus, tinged with ultramarine and rosy pink which ran from their heads, finely stippled in mauve and azure, through a series of imperceptible changes to their white feet, still stained a little by the soil of their garden-bed: a rainbow-loveliness that was not of this world. I felt that these celestial hues indicated the presence of exquisite creatures who had been pleased to assume vegetable form, who, through the disguise which covered their firm and edible flesh, allowed me to discern in this radiance of earliest dawn, these hinted rainbows, these blue evening shades, that precious quality which I should recognise again when, all night long after a dinner at which I had partaken of them, they played (lyrical and coarse in their jesting as the fairies in Shakespeare’s Dream) at transforming my humble chamberpot into a bower of aromatic perfume.

Thank you for the day and night, for rainy spells and summer’s light. Thank you for the skies of blue and puffy clouds in grayish hue. Thank you for the gigglefests and midnight’s cloak to hasten rest. Thank you for tomorrow new and yesterday’s tomorrow too. Thank you for “I’m glad we met” and also for “we haven’t yet.” Thank you for the peace of mind a grateful soul doth always find.

And now I know that you're the one I've waited my whole life for You're budding leaves turning green in spring You're the fresh breath of air that summer brings You're the autumn sky painted in rainbow hues You're the wintry ocean dancing in shimmering blues You're the air I breahte You're the water I drink You're the fire inside me The earth under my feet You're the one

BLUE, THE colour of the sky, of the ocean, of certain stars and planets and the hue of the bluest eyes you have ever seen.

Bluie, the blue stuffed bear I’d had since I was, like, one—back when it was socially acceptable to name one’s friends after their hue.

It's a bird of some sort. It's like a duck, only I never saw a duck have so many colors." The bird swam swiftly and gracefully toward the Magic Isle, and as it drew nearer its gorgeously colored plumage astonished them. The feathers were of many hues of glistening greens and blues and purples, and it had a yellow head with a red plume, and pink, white and violet in its tail.

I live; I die; the sea comes over me; it’s the blue that lasts.” Virginia Woolf

I find earth not gray but rosy; Heaven not grim but fair of hue. Do I stoop? I pluck a posy; Do I stand and stare? All's blue.

Blue: as yellow is always accompanied with light, so it may be said that blue still brings a principle of darkness with it. This color has a peculiar and almost indescribable effect on the eye. As a hue it is powerful - but it is on the negative side, and in its highest purity is, as it were, a stimulating negation. Its appearance, then, is a kind of contradiction between excitement and repose.

Fragmentary Blue Why make so much of fragmentary blue In here and there a bird, or butterfly, Or flower, or wearing-stone, or open eye, When heaven presents in sheets the solid hue? Since earth is earth, perhaps, not heaven (as yet)-- Though some savants make earth include the sky; And blue so far above us comes so high, It only gives our wish for blue a whet.

Mama’s gaze pierced her. As a girl, Minerva had envied her mother’s blue eyes. They’d seemed the color of tropical oceans and cloudless skies. But their color had faded over the years since Papa’s death. Now their blue was the hue of dyed cambric worn three seasons. Or brittle middle-class china. The color of patience nearly worn through.

She said that everything had colour in her thought; the months of the year ran through all the tints of the spectrum, the days of the week were arrayed as Solomon in his glory, morning was golden, noon orange, evening crystal blue, and night violet. Every idea came to her mind robed in its own especial hue. Perhaps that was why her voice and words had such a charm, conveying to the listeners' perception such fine shadings of meaning and tint and music.

She could see all of Ferenwood from here: the rolling hills, the endless explosion of color cascading down and across the lush landscape. Reds and blues: Maroon and ceruleans. Yellow and tangerine and violet and aquamarine. Every hue held a flavor, a heartbeat, a life. She took a deep breath and drew it all in.

Tis but the frost that clears the air, And gives the sky that lovely blue; They're smiling in a winter's sun, Those evergreens of sombre hue.

Mom reached up to this shelf above my bed and grabbed Bluie, the blue stuffed bear I'd had since I was, like, one - back when it was socially acceptable to name one's friends after their hue.

Each step is taken in an ocean. Blue flows at the blue hour: Colour is current, undertow. Enter the wood with care, my love, Lest you are pulled down by the hue, Lost in the depths, drowned in blue.

The world around us is a blurry landscape of blues and grays and mottled hues and the few trees still standing have a hundred shaky, quivering arms ripping through their trunks, reaching up to the sky as if in prayer, begging for relief from the tragedy they've been rooted in. It's enough to make me feel sorry for the plants and animals forced to bear witness to what we've done. They never asked for this.

Kira closed her eyes, thought, and said them aloud. "Madder for red. Bedstraw for red too, just the roots. Tops of tansy for yellow, and greenwood for yellow too. And yarrow: yellow and gold. Dark hollyhocks, just the petals, for mauve...." "Broom sedge," she added, still remembering. "Goldy yellows and browns. And Saint Johnswort for browns too, but it'll stain my hands. "And bronze fennel--leaves and flowers; use them fresh--and you can eat it too. Chamomile for tea and for green hues.

Kerrigan?" she choked, cupping his face in both of her hands. "Come back to me." Suddenly, he drew a deep breath before he opened his eyes to look up at her. Instead of their normal black hue, they were a bright, crystal blue—the same color they had been when he was human.

In the convent, y'all, I tend the gardens, watch things grow, pray for the immortal soul of rock 'n' roll. They call me Sister Presley here, The Reverend Mother digs the way I move my hips just like my brother. Gregorian chant drifts out across the herbs Pascha nostrum immolatus est... I wear a simple habit, darkish hues, a wimple with a novice-sewn lace band, a rosary, a chain of keys, a pair of good and sturdy blue suede shoes. I think of it as Graceland here, a land of grace. It puts my trademark slow lopsided smile back on my face. Lawdy. I'm alive and well. Long time since I walked down Lonely Street towards Heartbreak Hotel. - Elvis's Twin Sister

The air is part of the mountain, which does not come to an end with its rock and its soil. It has its own air; and it is to the quality of its air that is due the endless diversity of its colourings. Brown for the most part in themselves, as soon as we see them clothed in air the hills become blue. Every shade of blue, from opalescent milky-white to indigo, is there. They are most opulently blue when rain is in the air. Then the gullies are violet. Gentian and delphinium hues, with fire in them, lurk in the folds.

There, up in the sky, she noticed for the first time a gigantic mounded cloud, as large and elaborately moulded as a baroque opera house and lit from below and at the sides by pink and creamy hues. It sailed beyond her, improbable and romantic, following in the blue sky the course she was taking down below. It seemed to her that it must be a good omen.

My geography savors a delicious paradox: Home - a grounding - found in unearthly beauty. The predominant colors are blue, emerald, and terra-cotta. Every day, every season, I taste these colors and the intricate flavors of their unaccountable tones and hues. I have yet to earn this land. Perhaps I never will. Home is a religion. Sensibly you understand the need for it, yet not even sensible people can explain it. - from the Chapter "Finding Home

The Non-ist I am anti: I descend when others clamber up: Formally attired when others are not; I un-imbibe while others sip At parties, and bars and on vacation trips. I'm abstract: Formless in a world of representations, Flat in a world of 3-D demonstrations, Yet occupy space/time in Einstien's manifestations, And invisible in a world of flamboyant excitations. I am black and white in a land of a million hues, Kaleidoscopic when the world's all greys and blues; Monotone and taupish while all around is crimson, But luminescent in the depths of prison. I cannot be while others do, And yet I will, when others fail to; And when they've done all they could do, I remain retired, sudued.

Ornamentation, festoons, carvings, cartouches, bas-reliefs, countless surprises among the sculptures - and the tones of the facades weathered by time and rain, the pinks of fading twilight, smoky blues, misty greys, a richness of mildew, brickwork ripened by the years, the hues of a ruddy or anaemic complexion.

Countless candles dribbled with hot wax, and their flames, like little flags, fluttered in the unchartered currents of air. Thousands of lamps, naked, or shuttered behind coloured glass, burned with their glows of purple, amber, grass-green, blue, blood red and even grey. The walls of Gormenghast were like the walls of paradise or like the walls of an inferno. The colours were devilish or angelical according to the colour of the mind that watched them. They swam, those walls, with the hues of hell, with the tints of Zion. The breasts of the plumaged seraphim; the scales of Satan.

The camellia against the moss of the temple, the violet hues of the Kyoto mountains, a blue porcelain cup -- this sudden flowering of pure beauty at the heart of ephemeral passion: is this not something we all aspire to? And something that, in our western civilization, we do not know how to attain? The contemplation of eternity within the very movement of life.

Children weren’t color-coded at all until the early twentieth century: in the era before Maytag, all babies wore white as a practical matter, since the only way of getting clothes clean was to boil them. What’s more, both boys and girls wore what were thought of as gender-neutral dresses. When nursery colors were introduced, pink was actually considered the more masculine hue, a pastel version of red, which was associated with strength. Blue, with its intimations of the Virgin Mary, constancy, and faithfulness, symbolized femininity.

Here and there, set into the somber red, were rivers of bright yellow—incandescent Amazons, meandering for thousands of miles before they lost themselves in the deserts of this dying sun. Dying? No—that was a wholly false impression, born of human experience and the emotions aroused by the hues of sunset, or the glow of fading embers. This was a star that had left behind the fiery extravagances of its youth, had raced through the violets and blues and greens of the spectrum in a few fleeting billions of years, and now had settled down to a peaceful maturity of unimaginable length. All that had gone before was not a thousandth of what was yet to come; the story of this star had barely begun.

THAT DAY I remember our highs in hues, like the color of his eyes as the sun was setting; the pale of his hands in mine, and the blue of his smile. I remember our sorrows in shades, like the gray of the shadows, which loomed that day, and the white in his lie when he promised to stay.

Apology I didn't mean to say so much to you. I should have thought to let the evening end by looking at the stars subdued into their antique blue and alabaster hues. Such looking would have fit with my intent. I didn't mean to speak that way to you. If I could take it back, I'd take it, undo it, and replace it with the things I meant to give—not what I let slip (it's true) like any pristine star of ornamental hue. I do not always do what I intend. I didn't mean to say so much to you. It slipped before I saw, before I knew. Or do we always do what we intend? Perhaps it's true and all along I knew what I was saying—but how I wanted you. I should have thought to let the evening end. The placid stars seemed filled and then subdued by what I did and did not want to do.

One thing seems certain. Our galaxy is now in the brief springtime of its life—a springtime made glorious by such brilliant blue-white stars as Vega and Sirius, and, on a more humble scale, our own Sun. Not until all these have flamed through their incandescent youth, in a few fleeting billions of years, will the real history of the universe begin. It will be a history illuminated only by the reds and infrareds of dully glowing stars that would be almost invisible to our eyes; yet the sombre hues of that all-but-eternal universe may be full of colour and beauty to whatever strange beings have adapted to it. They will know that before them lie, not the millions of years in which we measure eras of geology, nor the billions of years which span the past lives of the stars, but years to be counted literally in the trillions. They will have time enough, in those endless aeons, to attempt all things, and to gather all knowledge. They will be like gods, because no gods imagined by our minds have ever possessed the powers they will command. But for all that, they may envy us, basking in the bright afterglow of creation; for we knew the universe when it was young.

He sees his world in black and white: Filthy snow, a hollow sky, the gray cement of the walls - water stains, like giant ink spills, eating into them - and his own skin, an ashy patina enveloping his body. Even the wounds on his feet, hardened and crusted, have lost their red. He has come to think of colour as something fantastic that exists only in his mind - the red of a tomato sliced and salted at the lunch table, the deep blue of a lapis lazuli on Farnaz's finger, the honey hue of his daughter's hair in the sun.

Caves of blue. Strike the hue. Westward, burning. Pages turning. Indiana. Ripe banana. Happiness approaches. Serpents and roaches.

Heaven above is softer blue, Earth around is sweeter green; Something lives in every hue Christless eyes have never seen. G. Wade Robinson

The orange hue was turning blue, and the wanderers were busy exploring this new destination..

8. There are not more than five primary colors (blue, yellow, red, white, and black), yet in combination they produce more hues than can ever been seen.

Reds and blues; maroons and ceruleans. Greens and pinks; shamrocks and peaches. Yellow and tangerine and violet and aquamarine. Every hue held a flavor, a heartbeat, a life.

[...] sketches of Saussure's cyanometer, which distinguished the various blues in the sky.

Atmospheric dust billows in polychromed glitter above me, the vibrant, shimmering haze decorating the blue-blackness of space, and its luminous, variegated hues remind me of the one wish I made on countless stars—I wanted to live in a world of colors, where I could travel to bright and exotic places, where I could see and do magical things. Well, here I am in the most exotic of places, in a world of vivid radiance, with magic all around me. How was I to know the countless times I made that wish I should have specified that those places be free of evil monsters?

His ginger hair blazed in the sunlight and I could tell that the envious sky mourned its own lackluster hue when it saw John’s eyes because never had a truer and deeper blue ever been seen.

All this time she hadn't known that "blue" was actually seven distinct shades, each with its own names- azure, Prussian, cobalt, cerulean, sapphire, indigo, lapis. She pressed the waxy pencils on the paper, amazed by the emerging hues: the ornaments curving on the Armenian vase were lapis; the purplish contours of the Jerusalem mountains were shrouded by indigo evening clouds.

I loved my bedroom... the vanity with the warped mirror, the squat chairs without armrests, the elaborate, oriental dressing screen. I loved curving my body into the velvet sofa, books piled at my feet, the dusty, floor-length curtains pushed back from the windows so I could see the sky. At night the purple-fringed lampshades turned the light a hue somewhere between lilac and dusky plum.

Pilgrims Tuscan reds and ochre hues Olive greens and skies of blue Sunlit valleys full of charm Secluded homestead and hilltop farm Over hills skim birds in flight Aromas whet the appetite Autumn rustle fills the air Revealing grace of trees laid bare Pathways meander through the vale Inviting travelers its height to scale Sunset rewards as evening ends And pilgrims to the night descend

ONLY THE TOPS OF the highest buttes held a grip on the few rays of sunlight. As Glass watched, even those were extinguished. It was an interlude that he held as sacred as Sabbath, the brief segue between the light of day and the dark of night. The retreating sun drew with it the harshness of the plain. Howling winds ebbed, replaced by an utter stillness that seemed impossible for a vista so grand. The colors too were transformed. Stark daytime hues blended and blurred, softened by a gentle wash of ever darkening purples and blues. It was a moment for reflection in a space so vast it could only be divine. And if Glass believed in a god, surely it resided in this great western expanse. Not a physical presence, but an idea, something beyond man’s ability to comprehend, something larger.

am colored red and blue and yellow and every other hue of the rainbow. I am long and short, thick and thin, and I often rest coiled up. I can eat a hundred sheep in a row and still be hungry. What am I?

The entire room turns and stares. There’s no doubt what they see—ripped jeans, a black T-shirt, tattoos and earrings. I don’t care what they see. All I care about is what she sees: a person unwelcomed or the guy she loves. A tear flows down her face, and the hand wrapped at her waist tells me she’s paralyzed. In a long gold ball gown that’s more skirt than dress, Rachel is truly the angel I believe her to be. A man in a tuxedo stands. “Son, I think you have the wrong room.” “No. I don’t.” I stride between the tables, keeping my eyes locked with hers. The closer I get, the more she straightens. Her hand falls from her stomach, and the tear clears from her face. Rachel gazes at me as if I’m a dream. I extend my hand, palm out. “I need help.” Her blue eyes lose their glaze, and the hue of violet I love so much returns. “So do I.”

When she slowly straightened, the land was vast before her. The sun was setting down the river, casting a cold pink hue along the white-capped mountains that framed both sides of the valley. Upriver, the willow shrubs and gravel bars, the spruce forests and low-lying poplar stands, swelled to the mountains in steely blue. No fields or fences, homes or roads; not a single living soul as far as she could see in any direction. Only wilderness.

She hovered, her fine-boned face and slender form revealed in the low light of the fire. Her hair was the pale blond hue of moon glow, her eyes the soft, silvery blue of a mist-shrouded lake. Dusted pink as new blush roses, the color of her lips and cheeks gleamed against the creamy whiteness of her skin. For a second he wondered if she was a phantom brought on by too much drink, her ethereal beauty more in keeping with a faerie story than reality.

Just as the body needs air, food, and water, the spirit needs energy. Life force is a tangible energy that runs through the central vertical current of your spirit body and it can be seen in a shamanic state as a bluish-white hue.

A supernova of color exploded in front of his eyes. The hues of blue, red and green screamed at him. He couldn't tell why they were screaming or what they were screaming about. But he did know that it was something of malicious nature.

What are we toasting?" I ask, slightly bemused. "Reward for employer of the year?" It's a dumb joke, and I almost groan at my own crappy attempt at humour. Our glasses clink and Hue just sighs. "My only reward will be the sweet embrace of death

We walk along the beach access path until it opens up onto pristine golden sand and nothing but thousands of miles of turquoise unfolds in front of us. It's hard to tell where the blue of the ocean stops and the same brilliant hue of the sky begins.

He watched the newly arrived commuters as they stepped into the carriage, pushed their way down the tube, the odours from their damp clothes mingling, giving off varying degrees of mustiness: London grime, or smoke from airless offices. A woman wearing a blue swing coat glanced along the carriage, casting around for an empty seat. Her pale skin, the searching green eyes, reminded him of Emma. Briefly, he felt his breath catch; he stood, clambered back over his neighbour and indicated for her to take his seat. And so his mind stayed with Emma when he knew he should be working out a strategy for telling Dorothy of his news. But Emma was never far away; like the glitter balls in dance halls, she would slowly rotate in his memory, different facets reappearing, as the hues changed in her auburn hair.

am colored red and blue and yellow and every other hue of the rainbow. I am long and short, thick and thin, and I often rest coiled up. I can eat a hundred sheep in a row and still be hungry. What am I? A dragon, of course, she said without hesitation. No, a woolen rug.

No mask you might don, whether cast in gold or comprised of dust, can disguise you from me. In a thousand ways you are revealed to me: The way you illustrate a comment with your fingertips; the manner in which you tilt your head while listening to music; the quick intake of breath that precedes your laughter; the quality of your stillness. I have only to lift my hand to mimic the slope of your shoulder; close my eyes to map the blue-filigreed veins inside your wrist; inhale to recall the fragrance of you. I am an expert on the texture of your skin, a scholar on the changing hues of your eyes, and an authority on the cadence of your breath. And yet I do not need eyes or ears or hands to know you. Shut away, blinded and deaf, I would still know you. I would still hear you, see you, feel you in my very core. You may as well accuse the sky of not knowing the moon, for that is how fixed you are in the firmament of my heart. And like the moon, whether you choose to shine or not, here you will remain forever. So I pray you, Lady Lydia, do not ever say again, I do not know you.

I felt that these celestial hues indicated the presence of exquisite creatures who had been pleased to assume vegetable form, who, through the disguise which covered their firm and edible flesh, allowed me to discern in this radiance of earliest dawn, these hinted rainbows, these blue evening shades, that precious quality which I should recognise again when, all night long after a dinner at which I had partaken of them, they played (lyrical and coarse in their jesting as the fairies in Shakespeare's 'Dream') at transforming my humble chamber into a bower of aromatic perfume.

It was strange to see that no matter what color the clothing first appeared—and they were all hues, from earthy copper and garnet to the blue of sky and shadow—in different light all turned to some shade of green, as if there were a third plane to the cloth’s weaving beyond the warp and weft.

It can be hard to remember what one's anticipatory image of something was once you're on the other side. I'm no longer sure exactly what it was I was waiting for, but I do know that it was something wholly unfamiliar and thrilling. Like a new color. Not a mixture, no trace of blue or yellow or red. What would that look like? I have some basic understanding about light--how it can only be broken down and refracted into its seven constituent hues--and even though I know that the physical world makes the existence of such a thing basically impossible, I'd still really like to see that.

He was a very tall, very thin creature that could only be described as a wood elf. His long, ponytailed hair was every color of autumn leaves; his skin was the hue of fresh-cut pine boards; and his eyes were the vibrant color of fresh spring foliage. He also wore blue jeans and brown loafers and a ragged t-shirt that read, "Choose your Weapon!" under which sat a line of Dungeons and Dragons dice of various shapes and denominations. Kay could barely believe it. For one, where did he get that shirt? These Otherworld people LIVED Dungeons and Dragons--they played it too? For a second Kay thought she might be looking at the most ironic t-shirt and t-shirt wearer combination ever.

Red is the hue of royalty in Ruritania: as the old saying has it, "If he's red, he's right!" I invite you to consider what this means. For a family to remain red-headed and blue-eyed down two centuries, in a land not filled with redheads or aristocrats, requires either careful breeding or a failure to grasp simple principles of stock management.

The light walls and ceilings that make a room seem taller are also naturally more reflective, mimicking the diaphanous quality of light at elevation. Gradient washes (also called ombré) in pale colors evoke the way the sky’s hue naturally fades toward the horizon. Blue, as the color of the sky, is especially conducive to creating a transcendent feeling.

One morning she at last succeeded in helping him to the foot of the steps, trampling down the grass before him with her feet, and clearing a way for him through the briars, whose supple arms barred the last few yards. Then they slowly entered the wood of roses. It was indeed a very wood, with thickets of tall standard roses throwing out leafy clumps as big as trees, and enormous rose bushes impenetrable as copses of young oaks. Here, formerly, there had been a most marvellous collection of plants. But since the flower garden had been left in abandonment, everything had run wild, and a virgin forest had arisen, a forest of roses over-running the paths, crowded with wild offshoots, so mingled, so blended, that roses of every scent and hue seemed to blossom on the same stem. Creeping roses formed mossy carpets on the ground, while climbing roses clung to others like greedy ivy plants, and ascended in spindles of verdure, letting a shower of their loosened petals fall at the lightest breeze. Natural paths coursed through the wood — narrow footways, broad avenues, enchanting covered walks in which one strolled in the shade and scent. These led to glades and clearings, under bowers of small red roses, and between walls hung with tiny yellow ones. Some sunny nooks gleamed like green silken stuff embroidered with bright patterns; other shadier corners offered the seclusion of alcoves and an aroma of love, the balmy warmth, as it were, of a posy languishing on a woman’s bosom. The rose bushes had whispering voices too. And the rose bushes were full of songbirds’ nests. ‘We must take care not to lose ourselves,’ said Albine, as she entered the wood. ‘I did lose myself once, and the sun had set before I was able to free myself from the rose bushes which caught me by the skirt at every step.’ They had barely walked a few minutes, however, before Serge, worn out with fatigue, wished to sit down. He stretched himself upon the ground, and fell into deep slumber. Albine sat musing by his side. They were on the edge of a glade, near a narrow path which stretched away through the wood, streaked with flashes of sunlight, and, through a small round blue gap at its far end, revealed the sky. Other little paths led from the clearing into leafy recesses. The glade was formed of tall rose bushes rising one above the other with such a wealth of branches, such a tangle of thorny shoots, that big patches of foliage were caught aloft, and hung there tent-like, stretching out from bush to bush. Through the tiny apertures in the patches of leaves, which were suggestive of fine lace, the light

She looked to be maybe fifteen, give or take a year or two; still somewhere in that nether realm between childhood and womanhood. Her hair, to judge by the few unsoiled strands he could see, was an earthy brown, and her eyes shone with a blue-green hue so liquid that he almost expected to see waves. A small, ever-so-slightly upturned nose sat in the center of a slender face.

blue whale, the ocean is not blue. Cone cells are unique to vertebrates, but other animals have wavelength-specific photoreceptors that play a similar role. Surprisingly, the cephalopods—octopuses, squid, and cuttlefish—have just one class of these, which means they are also monochromats.[*2] They can rapidly change the colors of their skin yet are unable to see their own shifting hues.

Science uses the Red Shift to measure deep cosmic distances. But how to measure deep historic time? How about—the Saffron Shift. If history itself had a color, it is . . . like wood or bark, or living forest floor. Assigning hues to time periods, the sum total of history is saffron-brown—but the chromatic arc starts from blinding white (prehistory) to sun-yellow (Ancient Greece), then deepening to pale wood tones (Dark Ages) and finally exploding like an infinite chord into a full brown palette that includes mahoganies, siennas (Middle Ages), oak, sandalwood (the Renaissance), cherry, maple (Age of Reason), and near-black old woods (Industrial Revolution) for which there may not be names. As time approaches our own, the wood-brown palette fades to a weird glassy colorlessness, goes black-and-white for a brief span as you think of photographs of your grandparents, and then again fades until we get a clear medium that is the color of the world. And the present moment is perfectly transparent. It's only as you start looking into the future, that the colors start returning. The glass is turning silvery with a murky haze, and there is blue somewhere in the distance . . .

The whole secret lies in confusing the enemy, so that he cannot fathom our real intent.’” To put it perhaps a little more clearly: any attack or other operation is CHENG, on which the enemy has had his attention fixed; whereas that is CH’I,” which takes him by surprise or comes from an unexpected quarter. If the enemy perceives a movement which is meant to be CH’I,” it immediately becomes CHENG.”] 4.    That the impact of your army may be like a grindstone dashed against an egg— this is effected by the science of weak points and strong. 5.    In all fighting, the direct method may be used for joining battle, but indirect methods will be needed in order to secure victory. [Chang Yu says: “Steadily develop indirect tactics, either by pounding the enemy’s flanks or falling on his rear.” A brilliant example of “indirect tactics” which decided the fortunes of a campaign was Lord Roberts’ night march round the Peiwar Kotal in the second Afghan war.76 6.    Indirect tactics, efficiently applied, are inexhausible as Heaven and Earth, unending as the flow of rivers and streams; like the sun and moon, they end but to begin anew; like the four seasons, they pass away to return once more. [Tu Yu and Chang Yu understand this of the permutations of CH’I and CHENG.” But at present Sun Tzu is not speaking of CHENG at all, unless, indeed, we suppose with Cheng Yu-hsien that a clause relating to it has fallen out of the text. Of course, as has already been pointed out, the two are so inextricably interwoven in all military operations, that they cannot really be considered apart. Here we simply have an expression, in figurative language, of the almost infinite resource of a great leader.] 7.    There are not more than five musical notes, yet the combinations of these five give rise to more melodies than can ever be heard. 8.    There are not more than five primary colors (blue, yellow, red, white, and black), yet in combination they produce more hues than can ever been seen. 9.    There are

but what fascinated me would be the asparagus, tinged with ultramarine and rosy pink which ran from their heads, finely stippled in mauve and azure, through a series of imperceptible changes to their white feet, still stained a little by the soil of their garden-bed: a rainbow-loveliness that was not of this world. I felt that these celestial hues indicated the presence of exquisite creatures who had been pleased to assume vegetable form, who, through the disguise which covered their firm and edible flesh, allowed me to discern in this radiance of earliest dawn, these hinted rainbows, these blue evening shades, that precious quality which I should recognise again when, all night long after a dinner at which I had partaken of them, they played (lyrical and coarse in their jesting as the fairies in Shakespeare’s Dream) at transforming my humble chamber into a bower of aromatic perfume.

The front of the white lectern has a slight blue tinge, since it is lit mainly by the refracted light of the sky rather than the yellowish direct glow of the setting sun.59 “Shadows will vary,” Leonardo explained in his notebooks. “The side of an object that receives a reflected light from the azure of the air will be tinged with that hue, and this is particularly observable in white objects. That side that receives the light from the sun will partake of that color.

I SEEK SOLACE IN THE CRIMSON SUNRISE, That splashes the east with beauty; I am captivated by the azure skies, Which follow with an air of serenity! I watch the color of the seas That paints the canvas of my heart; I brush my thoughts with the elegant breeze That translates my ideas to art! The dainty garden of beauteous flowers - Red, yellow, lilac and white - Toss and frolic in breezy hours Spreading the waves of lucid delight. The hills covered with foliage green, And the faded ones, blue and grey, Enthrall me as my eyes glean Their glimpses while I move away. Each speck of dust, each grain of rice, And the farms reflect life and mirth; Colors of nature, at ease, entice, Bringing the sweet scent of earth. I chase the mesmerizing butterflies Laden with hues of heaven, Solitude becomes a joyous exercise. When by beauty, I am madly driven! The world is filled with colors galore, Each day is a colorful festivity; Every moment you amass more and more, There is no end to beauty!

The garment he'd sent had straps made of flower petals, a bodice made of ribbons lined in gems as small as glitter and a full skirt formed of hundreds of silk butterflies, all in different shades of blue that together formed a magical hue she'd never seen. Some had sheer blue wings that were almost as pale as tears, others were soft sky blue, a few had hints of violet, while some had periwinkle veins. The butterflies weren't alive, but they were so delicate and ethereal, at a glance they looked real.

He it is, the innermost one, who awakens my being with his deep hidden touches. He it is who puts his enchantment upon these eyes and joyfully plays on the chords of my heart in varied cadence of pleasure and pain. He it is who weaves the web of this maya in evanescent hues of gold and silver, blue and green, and lets peep out through the folds his feet, at whose touch I forget myself. Days come and ages pass, and it is ever he who moves my heart in many a name, in many a guise, in many a rapture of joy and of sorrow.

Fourteen is the age when time first starts to make its presence felt. Time took on such a variety of hues in those days that even my frozen mind sometimes reflected the colours of the world around me, and I could feel my thoughts fluttering in the humid, salty breeze. At such moments, when the brilliant blue skies, the flaming carpets beneath the Gulmohur trees in the school grounds and the nut-brown twinkle in Sonia’s eyes splashed into the moments of my life, I felt alive. Only time had no colour in the library. In the library, time simply ceased to be.

In honor of the beginning of summer, Celina had cut out large shapes of palm trees and sailboats from cardboard and painted them in vivid hues of pink, yellow, and blue to showcase her ornately embellished chocolate eggs fashioned after Richard Cadbury's original Victorian chocolate egg designs in England. Coral rosebuds, trailing green vines, tiny bluebirds, palm trees, starfish, and sailboats. Similar eggs had been popular at Easter, but these had themes of summer in San Francisco. She had even created a large, molded chocolate Golden Gate Bridge for one party.

She would be, she said, in the rustling of the leaves on the trees and the lazy drift of the clouds across the sky. She would be in the whispers on the wind, in the great blue horizon, and in the falling rain. “The hues of sunset will be a part of me,” Thaden said, “and the smell of flowers in the air. Contrails cut across God’s heavens will be the paths along which I walk—the drifting snowflakes, my caress—the morning sun, my confidence.” All her children had to do, she said, was close their eyes, and they would find her. They would feel her presence in the air.

color is surely the most eye-catching. He noted that we see objects in different hues, depending on the wavelengths of the light they reflect, but that physicists tell us that wavelength is a continuous dimension with nothing delineating red, yellow, green, blue, and so on. Languages differ in their inventory of color words: Latin lacks generic “gray” and “brown”; Navajo collapses blue and green into one word; Russian has distinct words for dark blue and sky blue; Shona speakers use one word for the yellower greens and the greener yellows, and a different one for the bluer greens and the nonpurplish blues

Ode to the West Wind I O wild West Wind, thou breath of Autumn’s being, Thou, from whose unseen presence the leaves dead Are driven, like ghosts from an enchanter fleeing, Yellow, and black, and pale, and hectic red, Pestilence-stricken multitudes: O thou, Who chariotest to their dark wintry bed The winged seeds, where they lie cold and low, Each like a corpse within its grave, until Thine azure sister of the Spring shall blow Her clarion o’er the dreaming earth, and fill (Driving sweet buds like flocks to feed in air) With living hues and odours plain and hill: Wild Spirit, which art moving everywhere; Destroyer and preserver; hear, oh hear! II Thou on whose stream, mid the steep sky’s commotion, Loose clouds like earth’s decaying leaves are shed, Shook from the tangled boughs of Heaven and Ocean, Angels of rain and lightning: there are spread On the blue surface of thine aëry surge, Like the bright hair uplifted from the head Of some fierce Maenad, even from the dim verge Of the horizon to the zenith’s height, The locks of the approaching storm. Thou dirge Of the dying year, to which this closing night Will be the dome of a vast sepulchre, Vaulted with all thy congregated might Of vapours, from whose solid atmosphere Black rain, and fire, and hail will burst: oh hear! III Thou who didst waken from his summer dreams The blue Mediterranean, where he lay, Lull’d by the coil of his crystàlline streams, Beside a pumice isle in Baiae’s bay, And saw in sleep old palaces and towers Quivering within the wave’s intenser day, All overgrown with azure moss and flowers So sweet, the sense faints picturing them! Thou For whose path the Atlantic’s level powers Cleave themselves into chasms, while far below The sea-blooms and the oozy woods which wear The sapless foliage of the ocean, know Thy voice, and suddenly grow gray with fear, And tremble and despoil themselves: oh hear! IV If I were a dead leaf thou mightest bear; If I were a swift cloud to fly with thee; A wave to pant beneath thy power, and share The impulse of thy strength, only less free Than thou, O uncontrollable! If even I were as in my boyhood, and could be The comrade of thy wanderings over Heaven, As then, when to outstrip thy skiey speed Scarce seem’d a vision; I would ne’er have striven As thus with thee in prayer in my sore need. Oh, lift me as a wave, a leaf, a cloud! I fall upon the thorns of life! I bleed! A heavy weight of hours has chain’d and bow’d One too like thee: tameless, and swift, and proud. V Make me thy lyre, even as the forest is: What if my leaves are falling like its own! The tumult of thy mighty harmonies Will take from both a deep, autumnal tone, Sweet though in sadness. Be thou, Spirit fierce, My spirit! Be thou me, impetuous one! Drive my dead thoughts over the universe Like wither’d leaves to quicken a new birth! And, by the incantation of this verse, Scatter, as from an unextinguish’d hearth Ashes and sparks, my words among mankind! Be through my lips to unawaken’d earth The trumpet of a prophecy! O Wind, If Winter comes, can Spring be far behind?

There were times when he saw, not through the eyes of the body that had once been his, but saw as a demon saw, in all directions, and stripped flesh and bone from those among whom he passed, to behold the flames of their beings, colored with the hues and shades of their passions, flickering with avarice and lust and envy, darting with greed and hunger, smouldering with hate, waning with fear and pain. His hell was a many-colored place, somewhat mitigated only by the cold blue blaze of a scholar's intellect, the white light of a dying monk, the rose halo of a noble lady who fled his sight, and the dancing, simple colors of children at play.

he found a palpitating snake, Bright, and cirque-couchant in a dusky brake.  She was a gordian shape of dazzling hue, Vermilion-spotted, golden, green, and blue; Striped like a zebra, freckled like a pard, Eyed like a peacock, and all crimson barr’d; 50 And full of silver moons, that, as she breathed, Dissolv’d, or brighter shone, or interwreathed Their lustres with the gloomier tapestries — So rainbow-sided, touch’d with miseries, She seem’d, at once, some penanced lady elf, Some demon’s mistress, or the demon’s self. Upon her crest she wore a wannish fire Sprinkled with stars, like Ariadne’s tiar: Her head was serpent, but ah, bitter-sweet! She had a woman’s mouth with all its pearls complete: 60

Figure 18. As the thickness of a layer increases, the two surfaces produce a partial reflection of monochromatic light whose probability fluctuates in a cycle from 0% to 16%. Since the speed of the imaginary stopwatch hand is different for different colors of light, the cycle repeats itself at different rates. Thus when two colors such as pure red and pure blue are aimed at the layer, a given thickness will reflect only red, only blue, both red and blue in different proportions (which produce various hues of violet), or neither color (black). If the layer is of varying thicknesses, such as a drop of oil spreading out on a mud puddle, all of the combinations will occur. In sunlight, which consists of all colors, all sorts of combinations occur, which produce lots of colors.

The Vicar stood aghast, with his smoking gun in his hand. It was no bird at all, but a youth with an extremely beautiful face, clad in a robe of saffron and with iridescent wings, across whose pinions great waves of colour, flushes of purple and crimson, golden green and intense blue, pursued one another as he writhed in his agony. Never had the Vicar seen such gorgeous floods of colour, not stained glass windows, not the wings of butterflies, not even the glories of crystals seen between prisms, no colours on earth could compare with them. Twice the Angel raised himself, only to fall over sideways again. Then the beating of the wings diminished, the terrified face grew pale, the floods of colour abated, and suddenly with a sob he lay prone, and the changing hues of the broken wings faded swiftly into one uniform dull grey hue. “Oh!

what fascinated me would be the asparagus, tinged with ultramarine and rosy pink which ran from their heads, finely stippled in mauve and azure, through a series of imperceptible changes to their white feet, still stained a little by the soil of their garden-bed: a rainbow-loveliness that was not of this world. I felt that these celestial hues indicated the presence of exquisite creatures who had been pleased to assume vegetable form, who, through the disguise which covered their firm and edible flesh, allowed me to discern in this radiance of earliest dawn, these hinted rainbows, these blue evening shades, that precious quality which I should recognise again when, all night long after a dinner at which I had partaken of them, they played (lyrical and coarse in their jesting as the fairies in Shakespeare’s Dream) at transforming my humble chamber into a bower of aromatic perfume.

We think of color as an attribute, but really it’s a happening: a constantly occurring dance between light and matter. When a beam of light strikes an object—let’s say a multicolor glass vase—it is effectively pelting the surface with tiny energetic particles known as photons. The energy of some of those photons is absorbed, heating the glass imperceptibly. But other photons are repelled, sent ricocheting back out into the atmosphere. It’s these photons, landing on our retinas, that create the sensation of color. The specific hue we see has to do with the energy of the photons: the high-energy short wavelengths look blue to us, while the low-energy long ones appear red. The brightest pigments, those found in flower petals and leaves as well as many commercial pigments, tend to have a more “excitable” molecular structure. Their electrons can be disturbed with very little light, making the colors appear intense to our eyes.

Storm Island is a little south of here,” explained Frank, opening a chart. “It’s nothing but a pile of rocks in the sea, according to Worth. The light hasn’t been used in years, since there’s no more shipping from Larchmont.” They left the harbor and headed the boat south on the blue-green sea. The white dunes of the beach were far over to their right. The horizon was a line where the powder-blue sky met the darker hue of the ocean. Then a pile of jumbled rocks came into view. “Must be Storm Island,” Frank said briefly. As they came closer, they saw that the islet was indeed nothing but a mass of rock, about a hundred yards long. From its center rose a conical wooden tower with a black roof and gaping windows. They landed at a little stone jetty and tied up the boat, then mounted some stone steps that apparently led to a path to the lighthouse. Quickly the boys looked around for the gangling figure of the professor. No one was in sight.

I would stop by the table, where the kitchen-maid had shelled them, to inspect the platoons of peas, drawn up in ranks and numbered, like little green marbles, ready for a game; but what most enraptured me were the asparagus, tinged with ultramarine and pink which shaded off from their heads finely stippled in mauve and azure, through a series of imperceptible gradations to their white feet—still stained a little by the soil of their garden-bed—with an iridescence that was not of this world. I felt that these celestial hues indicated the presence of exquisite creatures who had been pleased to assume vegetable form and who, through the disguise of their firm, comestible flesh, allowed me to discern in this radiance of earliest dawn, these hinted rainbows, these blue evening shades, that precious quality which I should recognise again when, all night long after a dinner at which I had partaken of them, they played (lyrical and coarse in their jesting like one of Shakespeare's fairies) at transforming my chamber pot into a vase of aromatic perfume.

(from Lady of the Lake) The western waves of ebbing day Rolled o’er the glen their level way; Each purple peak, each flinty spire, Was bathed in floods of living fire. But not a setting beam could glow Within the dark ravines below, Where twined the path in shadow hid, Round many a rocky pyramid, Shooting abruptly from the dell Its thunder-splintered pinnacle; Round many an insulated mass, The native bulwarks of the pass, Huge as the tower which builders vain Presumptuous piled on Shinar’s plain. The rocky summits, split and rent, Formed turret, dome, or battlement, Or seemed fantastically set With cupola or minaret, Wild crests as pagod ever decked, Or mosque of Eastern architect. Nor were these earth-born castles bare, Nor lacked they many a banner fair; For, from their shivered brows displayed, Far o’er the unfathomable glade, All twinkling with the dewdrop sheen, The brier-rose fell in streamers green, And creeping shrubs, of thousand dyes, Waved in the west-wind’s summer sighs. Boon nature scattered, free and wild, Each plant or flower, the mountain’s child. Here eglantine embalmed the air, Hawthorn and hazel mingled there; The primrose pale, and violet flower, Found in each cliff a narrow bower; Fox-glove and night-shade, side by side, Emblems of punishment and pride, Grouped their dark hues with every stain The weather-beaten crags retain. With boughs that quaked at every breath, Gray birch and aspen wept beneath; Aloft, the ash and warrior oak Cast anchor in the rifted rock; And, higher yet, the pine-tree hung His shattered trunk, and frequent flung, Where seemed the cliffs to meet on high, His boughs athwart the narrowed sky. Highest of all, where white peaks glanced, Where glist’ning streamers waved and danced, The wanderer’s eye could barely view The summer heaven’s delicious blue; So wondrous wild, the whole might seem The scenery of a fairy dream. Onward, amid the copse ’gan peep A narrow inlet, still and deep, Affording scarce such breadth of brim As served the wild duck’s brood to swim. Lost for a space, through thickets veering, But broader when again appearing, Tall rocks and tufted knolls their face Could on the dark-blue mirror trace; And farther as the hunter strayed, Still broader sweep its channels made. The shaggy mounds no longer stood, Emerging from entangled wood, But, wave-encircled, seemed to float, Like castle girdled with its moat; Yet broader floods extending still Divide them from their parent hill, Till each, retiring, claims to be An islet in an inland sea. And now, to issue from the glen, No pathway meets the wanderer’s ken, Unless he climb, with footing nice A far projecting precipice. The broom’s tough roots his ladder made, The hazel saplings lent their aid; And thus an airy point he won, Where, gleaming with the setting sun, One burnished sheet of living gold, Loch Katrine lay beneath him rolled, In all her length far winding lay, With promontory, creek, and bay, And islands that, empurpled bright, Floated amid the livelier light, And mountains, that like giants stand, To sentinel enchanted land. High on the south, huge Benvenue Down to the lake in masses threw Crags, knolls, and mountains, confusedly hurled, The fragments of an earlier world; A wildering forest feathered o’er His ruined sides and summit hoar, While on the north, through middle air, Ben-an heaved high his forehead bare.

He opened her door, grabbed a quilt from the back of the truck, and pulled her toward the beach. When he found a spot covered with thick sand, he stopped and spread out the blanket. “It’s a little early for sunbathing,” she said. “I don’t remember you being so grumpy in the morning,” he teased. “I didn’t have time for coffee.” He lowered himself to the blanket and pulled her down in front of him. She settled against his chest, his warmth driving away the chill in the air. “Madam . . .” He handed her a thermos she hadn’t noticed before. “Oh, bless you.” She poured the hot brew into the lid, took a sip, and shared with him. Much better. The smell of the brew mingled with the tangy scent of sea air. The cool breeze fanned her skin, pushing her hair from her face, and the water lapped the pebbled shore. The clouds on the horizon were beginning to brighten, the black fading to dark hues of blue. A couple months ago she’d mentioned that she’d never watched a sunrise. He seemed intent on being there for all her firsts. The first time she rented a house. The first time she opened her own bank account. The first time she swam in the ocean. She embraced her freedom, and Beau was there, supporting her however he could.

The studio was immense and gloomy, the sole light within it proceeding from a stove, around which the three were seated. Although they were bold, and of the age when men are most jovial, the conversation had taken, in spite of their efforts to the contrary, a reflection from the dull weather without, and their jokes and frivolity were soon exhausted. In addition to the light which issued from the crannies in the stove, there was another emitted from a bowl of spirits, which was ceaselessly stirred by one of the young men, as he poured from an antique silver ladle some of the flaming spirit into the quaint old glasses from which the students drank. The blue flame of the spirit lighted up in a wild and fantastic manner the surrounding objects in the room, so that the heads of old prophets, of satyrs, or Madonnas, clothed in the same ghastly hue, seemed to move and to dance along the walls like a fantastic procession of the dead; and the vast room, which in the day time sparkled with the creations of genius, seemed now, in its alternate darkness and sulphuric light, to be peopled with its dreams. Each time also that the silver spoon agitated the liquid, strange shadows traced themselves along the walls, hideous and of fantastic form. Unearthly tints spread also upon the hangings of the studio, from the old bearded prophet of Michael Angelo to those eccentric caricatures which the artist had scrawled upon his walls, and which resembled an army of demons that one sees in a dream, or such as Goya has painted; whilst the lull and rise of the tempest without but added to the fantastic and nervous feeling which pervaded those within. Besides this, to add to the terror which was creeping over the three occupants of the room, each time that they looked at each other they appeared with faces of a blue tone, with eyes fixed and glittering like live embers, and with pale lips and sunken cheeks; but the most fearful object of all was that of a plaster mask taken from the face of an intimate friend but lately dead, which, hanging near the window, let the light from the spirit fall upon its face, turned three parts towards them, which gave it a strange, vivid, and mocking expression. All people have felt the influence of large and dark rooms, such as Hoffmann has portrayed and Rembrandt has painted; and all the world has experienced those wild and unaccountable terrors - panics without a cause - which seize on one like a spontaneous fever, at the sight of objects to which a stray glimpse of the moon or a feeble ray from a lamp gives a mysterious form; nay, all, we should imagine, have at some period of their lives found themselves by the side of a friend, in a dark and dismal chamber, listening to some wild story, which so enchains them, that although the mere lighting of a candle could put an end to their terror, they would not do so; so much need has the human heart of emotions, whether they be true or false. So it was upon the evening mentioned. The conversation of the three companions never took a direct line, but followed all the phases of their thoughts; sometimes it was light as the smoke which curled from their cigars, then for a moment fantastic as the flame of the burning spirit, and then again dark, lurid, and sombre as the smile which lit up the mask from their dead friend's face. At last the conversation ceased altogether, and the respiration of the smokers was the only sound heard; and their cigars glowed in the dark, like Will-of-the-wisps brooding o'er a stagnant pool. It was evident to them all, that the first who should break the silence, even if he spoke in jest, would cause in the hearts of the others a start and tremor, for each felt that he had almost unwittingly plunged into a ghastly reverie. ("The Dead Man's Story")

In 1931, amid that incredible transformation, a brilliant young Russian psychologist named Alexander Luria recognized a fleeting “natural experiment,” unique in the history of the world. He wondered if changing citizens’ work might also change their minds. When Luria arrived, the most remote villages had not yet been touched by the warp-speed restructuring of traditional society. Those villages gave him a control group. He learned the local language and brought fellow psychologists to engage villagers in relaxed social situations—teahouses or pastures—and discuss questions or tasks designed to discern their habits of mind. Some were very simple: present skeins of wool or silk in an array of hues and ask participants to describe them. The collective farmers and farm leaders, as well as the female students, easily picked out blue, red, and yellow, sometimes with variations, like dark blue or light yellow. The most remote villagers, who were still “premodern,” gave more diversified descriptions: cotton in bloom, decayed teeth, a lot of water, sky, pistachio. Then they were asked to sort the skeins into groups. The collective farmers, and young people with even a little formal education, did so easily, naturally forming color groups. Even when they did not know the name of a particular color, they had little trouble putting together darker and lighter shades of the same one. The remote villagers, on the other hand, refused, even those whose work was embroidery. “It can’t be done,” they said, or, “None of them are the same, you can’t put them together.” When prodded vigorously, and only if they were allowed to make many small groups, some relented and created sets that were apparently random. A few others appeared to sort the skeins according to color saturation, without regard to the color. Geometric shapes followed suit. The greater the dose of modernity, the more likely an individual grasped the abstract concept of “shapes” and made groups of triangles, rectangles, and circles, even if they had no formal education and did not know the shapes’ names. The remote villagers, meanwhile, saw nothing alike in a square drawn with solid lines and the same exact square drawn with dotted lines. To Alieva, a twenty-six-year-old remote villager, the solid-line square was obviously a map, and the dotted-line square was a watch. “How can a map and a watch be put together?” she asked, incredulous. Khamid, a twenty-four-year-old remote villager, insisted that filled and unfilled circles could not go together because one was a coin and the other a moon.

Land and Sea The brilliant colors are the first thing that strike a visitor to the Greek Isles. From the stunning azure waters and blindingly white houses to the deep green-black of cypresses and the sky-blue domes of a thousand churches, saturated hues dominate the landscape. A strong, constant sun brings out all of nature’s colors with great intensity. Basking in sunshine, the Greek Isles enjoy a year-round temperate climate. Lemons grow to the size of grapefruits and grapes hang in heavy clusters from the vines of arbors that shade tables outside the tavernas. The silver leaves of olive trees shiver in the least sea breezes. The Greek Isles boast some of the most spectacular and diverse geography on Earth. From natural hot springs to arcs of soft-sand beaches and secret valleys, the scenery is characterized by dramatic beauty. Volcanic formations send craggy cliffsides plummeting to the sea, cause lone rock formations to emerge from blue waters, and carve beaches of black pebbles. In the Valley of the Butterflies on Rhodes, thousands of radiant winged creatures blanket the sky in summer. Crete’s Samaria Gorge is the longest in Europe, a magnificent natural wonder rife with local flora and fauna. Corfu bursts with lush greenery and wildflowers, nurtured by heavy rainfall and a sultry sun. The mountain ranges, gorges, and riverbeds on Andros recall the mainland more than the islands. Both golden beaches and rocky countrysides make Mykonos distinctive. Around Mount Olympus, in central Cyprus, timeless villages emerge from the morning mist of craggy peaks and scrub vegetation. On Evia and Ikaria, natural hot springs draw those seeking the therapeutic power of healing waters. Caves abound in the Greek Isles; there are some three thousand on Crete alone. The Minoans gathered to worship their gods in the shallow caves that pepper the remotest hilltops and mountain ranges. A cave near the town of Amnissos, a shrine to Eileithyia, goddess of childbirth, once revealed a treasure trove of small idols dedicated to her. Some caves were later transformed into monasteries. On the islands of Halki and Cyprus, wall paintings on the interiors of such natural monasteries survive from the Middle Ages. Above ground, trees and other flora abound on the islands in a stunning variety. ON Crete, a veritable forest of palm trees shades the beaches at Vai and Preveli, while the high, desolate plateaus of the interior gleam in the sunlight. Forest meets sea on the island of Poros, and on Thasos, many species of pine coexist. Cedars, cypress, oak, and chestnut trees blanket the mountainous interiors of Crete, Cyprus, and other large islands. Rhodes overflows with wildflowers during the summer months. Even a single island can be home to disparate natural wonders. Amorgos’ steep, rocky coastline gives way to tranquil bays. The scenery of Crete--the largest of the Greek Isles--ranges from majestic mountains and barren plateaus to expansive coves, fertile valleys, and wooded thickets.