A Fraction Of The Whole Quotes

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Sometimes not talking is effortless, and other times it’s more exhausting than lifting pianos.
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Steve Toltz (A Fraction of the Whole)
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Sometimes your whole life could hinge on a fraction of an inch. Or the beat of a nanosecond. Or the knock on a door.
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J.R. Ward (Lover Awakened (Black Dagger Brotherhood, #3))
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I think that's the real loss of innocence: the first time you glimpse the boundaries that will limit your potential.
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Steve Toltz (A Fraction of the Whole)
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Regrets came up and asked me if I’d like to own them. Declined them for the most part but took a few just so I wouldn’t leave this relationship empty handed.
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Steve Toltz (A Fraction of the Whole)
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Everything is more complicated than you think. You only see a tenth of what is true. There are a million little strings attached to every choice you make; you can destroy your life every time you choose. But maybe you won't know for twenty years. And you'll never ever trace it to its source. And you only get one chance to play it out. Just try and figure out your own divorce. And they say there is no fate, but there is: it's what you create. Even though the world goes on for eons and eons, you are here for a fraction of a fraction of a second. Most of your time is spent being dead or not yet born. But while alive, you wait in vain, wasting years, for a phone call or a letter or a look from someone or something to make it all right. And it never comes or it seems to but doesn't really. And so you spend your time in vague regret or vaguer hope for something good to come along. Something to make you feel connected, to make you feel whole, to make you feel loved.
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Charlie Kaufman (Synecdoche, New York: The Shooting Script)
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Phury glanced at John and thought that sometimes it took only a hairbreadth between cars to avoid a mortal accident. Sometimes your whole life could hinge on a fraction of an inch. Or the beat of a nanosecond. Or the knock on a door. Kind of made a male believe in the divine.
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J.R. Ward (Lover Awakened (Black Dagger Brotherhood, #3))
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Sometimes I think the human animal doesn't really need food or water to survive, only gossip.
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Steve Toltz (A Fraction of the Whole)
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Or about how when you're a child, to stop you from following the crowd you're assaulted with the line "If everyone jumped off a bridge, would you?" but when you're an adult and to be different is suddenly a crime, people seem to be saying, "Hey. Everyone else is jumping off a bridge. Why aren't you?
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Steve Toltz (A Fraction of the Whole)
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People carry their secrets in hidden places, not on their faces. They carry suffering on their faces. Also bitterness if there’s room.
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Steve Toltz (A Fraction of the Whole)
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As I passed through the gates, the blistered hands of nostalgia gave my heart a good squeeze and I realized you miss shit times as well as good times, because at the end of the day what you're really missing is just time itself.
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Steve Toltz (A Fraction of the Whole)
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I didn't think anyone who had to demand respect ever got it.
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Steve Toltz (A Fraction of the Whole)
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The game is an analogy for life: there are not enough chairs or good times to go around, not enough food, not enough joy, nor beds nor jobs nor laughs nor friends nor smiles nor money nor clean air to breathe...and yet the music goes on.
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Steve Toltz (A Fraction of the Whole)
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The truth is you already know what it's like. You already know the difference between the size and speed of everything that flashes through you and the tiny inadequate bit of it all you can ever let anyone know. As though inside you is this enormous room full of what seems like everything in the whole universe at one time or another and yet the only parts that get out have to somehow squeeze out through one of those tiny keyholes you see under the knob in older doors. As if we are all trying to see each other through these tiny keyholes. But it does have a knob, the door can open. But not in the way you think...The truth is you've already heard this. That this is what it's like. That it's what makes room for the universes inside you, all the endless inbent fractals of connection and symphonies of different voices, the infinities you can never show another soul. And you think it makes you a fraud, the tiny fraction anyone else ever sees? Of course you're a fraud, of course what people see is never you. And of course you know this, and of course you try to manage what part they see if you know it's only a part. Who wouldn't? It's called free will, Sherlock. But at the same time it's why it feels so good to break down and cry in front of others, or to laugh, or speak in tongues, or chant in Bengali--it's not English anymore, it's not getting squeezed through any hole. So cry all you want, I won't tell anybody.
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David Foster Wallace (Oblivion)
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If I had a camera," I said, "I'd take a picture of you every day. That way I'd remember how you looked every single day of your life." "I look exactly the same." "No, you don't. You're changing all the time. Every day a tiny bit. If I could, I'd keep a record of it all." "If you're so smart, how did I change today?" "You got a fraction of a millimeter taller, for one thing. Your hair grew a fraction of a millimeter longer. And your breasts grew a fraction of aβ€”" "They did not!" "Yes, they did." "Did NOT." "Did too." "What else, you big pig?" "You got a little happier and also a little sadder." "Meaning they cancel out each other, leaving me exactly the same." "Not at all. The fact that you got a little happier today doesn't change the fact that you also become a little sadder. Every day you become a little more of both, which means that right now, at this exact moment, you're the happiest and the saddest you've ever been in your whole life." "How do you know?" "Think about it. Have you ever been happier or sadder than right now, lying here in this grass?" "I guess not. No." "And have you ever been sadder?" "No." "It isn't like that for everyone, you know. Some people[...]" "What about you? Are you the happiest and saddest right now that you've ever been?" "Of course I am." "Why?" "Because nothing makes me happier and nothing makes me sadder than you.
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Nicole Krauss (The History of Love)
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When you put so much effort to forget someone, the effort itself becomes a memory. Then you have to forget the forgetting, and that too is memorable.
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Steve Toltz (A Fraction of the Whole)
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Would I have loved her if I had know from the start what she is?" He shook his head. "If I had met her now... my first instinct would be to protect Dorian from her. Celaena was a fraction of Aelin - both good and bad. But Aelin... she is Celaena, and she is queen, and she is the Fire-Bringer. I fell in love with a facet, and I panicked when I realized it was a fraction of the whole - when I saw that power, that heritage, and... it was not a part of my plans. Rowan Whitethorn saw everything. From the moment he met her, he saw all of Aelin. And he was not afraid. I don't blame either of them for falling in love. I don't blame her... I was what Celaena need after Endovier. But Rowan is who Aelin needs - forever.
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Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
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Both life and death manifest in every moment of existence. Our human body appears and disappears moment by moment, without cease, and this ceaseless arising and passing away is what we experience as time and being. They are not separate. They are one thing, and in even a fraction of a second, we have the opportunity to choose, and to turn the course of our action either toward the attainment of truth or away from it. Each instant is utterly critical to the whole world.
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Ruth Ozeki (A Tale for the Time Being)
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The Sun and the Moon Aim for a love that reminds you of the devotion the sun has to the moon. Whether she is in fractions or she is whole, he still shrouds his intense light in the darkness of the night. To give her the entire sky, without judgment, so she can shine in any way she wants to. You deserve someone who adores you on the days you are in broken fragments too. You deserve someone who lets you glow in every way you need to.
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Nikita Gill (Wild Embers: Poems of Rebellion, Fire and Beauty)
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It seemed my whole life was composed of these disjointed fractions of time, hanging around in one public place and then another, as if I were waiting for trains that never came. And, like one of those ghosts who are said to linger around depots late at night, asking passersby for the timetable of the Midnight Express that derailed twenty years before, I wandered from light to light until that dreaded hour when all the doors closed and, stepping from the world of warmth and people and conversation overheard, I felt the old familiar cold twist through my bones again and then it was all forgotten, the warmth, the lights; I had never been warm in my life, ever.
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Donna Tartt (The Secret History)
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I couldn't think of anything other than her and the components of her. For example, her red hair. But was I so primitive I let myself be bewitched by hair? I mean, really. Hair! It's just hair! Everyone has it! She puts it up, she lets it down. So what? And why did all the other parts of her have me wheezing with delight? I mean, who hasn't got a back, or a belly, or armpits? This whole finicky obsession serves to humiliate me even as I write it, sure, but I suppose it isn't that abnormal. That's what first love is all about. What happens is you meet a love object and immediately a hole inside you starts aching, the hole that is always there but you don't notice until someone comes along, plugs it up, and then runs away with the plug.
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Steve Toltz (A Fraction of the Whole)