A Far Cry From Kensington Quotes

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If you want to concentrate deeply on some problem, and especially some piece of writing or paper-work, you should acquire a cat. Alone with the cat in the room where you work ... the cat will invariably get up on your desk and settle placidly under the desk lamp ... The cat will settle down and be serene, with a serenity that passes all understanding. And the tranquility of the cat will gradually come to affect you, sitting there at your desk, so that all the excitable qualities that impede your concentration compose themselves and give your mind back the self-command it has lost. You need not watch the cat all the time. Its presence alone is enough. The effect of a cat on your concentration is remarkable, very mysterious.
Muriel Spark (A Far Cry from Kensington)
...try as i do, i can't recall her surname. Indeed, her very abstractedness and insubstantial personality seemed to say 'forget me'; she seemed to live in parenthesis;...
Muriel Spark (A Far Cry from Kensington)
It is not because we are rats that we tend to abandon people who are down, it is because we are embarrassed.
Muriel Spark (A Far Cry from Kensington)
You can lie awake at night and think; the quality of insomnia depends entirely on what you decide to think of. Can you decide to think? - Yes, you can.
Muriel Spark (A Far Cry from Kensington)
First published in 1988, A Far Cry from Kensington is a conscious exercise in looking back – it is a novel that announces its own preoccupied insomnia. But its insomnia is unexpectedly pleasant, a beloved wakefulness in the ‘sweet waking hours of the night’ – as if the usual dark night of the soul has been replaced by something much, much lighter.
Muriel Spark (A Far Cry From Kensington)
I offer this advice without fee; it is included in the price of this book.
Muriel Spark (A Far Cry from Kensington)
I can tell you that if there’s nothing wrong with you except fat it is easy to get thin. You eat and drink the same as always, only half. If you are handed a plate of food, leave half; if you have to help yourself, take half. After a while, if you are a perfectionist, you can consume half of that again … On the question of will-power, if that is a factor, you should think of will-power as something that never exists in the present tense, only in the future and the past. At one moment you have decided to do or refrain from an action and the next moment you have already done or refrained; it is the only way to deal with will-power.
Muriel Spark (A Far Cry from Kensington)
She had become reconciled to the idea of an eternal shadow; she discovered that, far from being a threat, her bodyguards were much wiser sounding boards than many of the gentleman courtiers who fluttered around her. Police officers like Sergeant Allan Peters and Inspector Graham Smith became avuncular father figures, defusing tricky situations and deflating overweening subjects alike with a joke or a crisp command. They also brought her mothering instincts to the fore. She remembered their birthdays, sent notes of apology to their wives when they had to accompany her on an overseas tours and ensured that they were “fed and watered” when she went out with them from Kensington Palace. When Graham Smith contracted cancer, she invited him and his wife on holiday to Necker in the Caribbean and also on a Mediterranean cruise on board the yacht owned by Greek tycoon, John Latsis. Such is her affection for this popular police officer that she arranged a dinner in his honour after he had recovered which was attended by her family. If she is dining with friends at San Lorenzo, her favourite restaurant, her current detective, Inspector Ken Wharfe will often join her table at the end of the meal and regale the assembled throng with his jokes. Perhaps she reserves her fondest memories for Sergeant Barry Mannakee who became her bodyguard at a time when she felt lost and alone in the royal world. He sensed her bewilderment and became a shoulder for her to lean on and sometimes to cry on during this painful period. The affectionate bond that built up between them did not go unnoticed either by Prince Charles nor Mannakee’s colleagues. Shortly before the wedding of the Duke and Duchess of York in July 1986 he was transferred to other duties, much to Diana’s dismay. In the following spring he was tragically killed in a motorcycle accident.
Andrew Morton (Diana: Her True Story in Her Own Words)
When Prince Charles arrived home from a recent private visit to France she found his presence so oppressive that she literally ran out of Kensington Palace. Diana phoned a friend who was grieving over the death of a loved one. She could sense that her chum was crying and said: “Right I’m coming over now.” As her friend recalls: “She came instantly for me but when she arrived she was visibly unsettled. Diana told me: “I’m here for you but I’m also here for me. My husband appeared and I just had to fly out and escape.’ She was all of a dither.” As far as is practicable they lead separate lives, joining forces only to maintain a façade of unity. These reunions merely give the public a glimpse into their isolated existences. At last year’s soccer Cup Final at Wembley they sat next to each other but never exchanged a word or glance during the ninety-minute game. More recently Prince Charles missed his wife’s cheek and ended up kissing her neck at the end of a polo match during their tour of India. Even their notepaper which used to have a distinctive intertwined “C and D” has been discarded in favour of individual letterheadings. When she is at Kensington palace he will be at Highgrove or Birkhall on the Balmoral estate. At Highgrove she has the large four-poster in the master bedroom; he sleeps in a brass bed which he borrowed from his son, Prince William, because he found its extra width more comfortable after he broke his right arm during a polo match. Even these distant sleeping arrangements have led to marital discord. When Prince William asked for his bed back, his father refused. “Sometimes I don’t know who the baby is in this family,” commented Diana caustically. The days when she affectionately called him “Hubcap” are long gone. As James Gilbey notes: “Their lives are spent in total isolation. It’s not as though they ring each other and have sweet chats each evening and say: ‘Darling what have you been doing?’ It simply doesn’t happen.
Andrew Morton (Diana: Her True Story in Her Own Words)
The nerve of the woman,' said Milly, 'to commit suicide from my house!
Muriel Spark (A Far Cry from Kensington)
I had a sense he was offering things abominable to me, like decaffeinated coffee or coitus interruptus
Muriel Spark (A Far Cry from Kensington)
Connie's other job was proof-editing which she did very badly. Transferring the author's corrections to a clean sheet of proofs was something Connie was unable to do without missing an average of three corrections a page, or transcribing newly inserted material all wrong... she put angry authors' letters about the mutilation of their books under the cushion of her chair to deal with later
Muriel Spark (A Far Cry from Kensington)
Milly's narrative skill was considerable... she brought a scene to life by a chance descriptive detail in the right place and by that graphic and right placing of words which most of the Irish excel at. She had no Irish blarney, she never exaggerated. I could listen to Milly for hours.
Muriel Spark (A Far Cry from Kensington)