A Botanical Daughter Quotes

Sometimes busywork is the only thing holding back existential dread.

Changing times can be disquieting enough, but if our fears grow silent they become ever more monstrous.

Gregor now knew in his soul that greatness came at a price, and true greatness is paid for by the hour.

Revenge was a grisly business, but there was no reason not to be civil about it.

She was a force of nature. When the moorland catches on fire, it burns on and on- the blaze spreading through the peat itself. She was like that, a beautiful tinderbox.

Is this some bizarre other world where such strangeness could be so comfortable?

Simon, what do you understand to be the nature of a soul?" he said suddenly. Simon was staring darkly into the endless distance. He didn't refocus his gaze to reply. "That part of us which cannot be destroyed.

Within it grew such a variety of plants as Elizabeth had ever seen: white roses, carnations, lobelias, mimosas, even sweet peas tumbling over each other in vigorous abandon. At one end was an herb garden, and Elizabeth recognized rue, fennel, caraway, sage, thyme and mint. Through a doorway at the rear of the courtyard she could see a grove of olive and lemon trees and on the short walk from the harbor to the house she had spotted tall, spiky thistle-like plants, palms and trees covered in white flowers. She was seized with an immediate desire to open her sketchbook and take out the magnifying glass from the pocket of her cloak, to capture the intricate detail of an almond blossom, its calyx and corolla, stamens and carpel, or perhaps to draw the curl of a vine tendril or a spiky aloe leaf

He sighed. “You’ve chosen poorly, you know. When we return to England you’ll be celebrated, just as I will be. If you’ve decided to abandon me, you might have netted someone titled, someone with enough wealth to see you esteemed and me able to continue my botanical studies. That would have been the aim of a dutiful daughter.” “I’m not abandoning you, and I chose Shaw. You’re the one who declined to attend your daughter’s wedding.” “You never used to speak to me like this. A dutiful child would never have accepted a proposal from the first man who asked, simply because he did ask.” “He didn’t propose to me. I proposed to him.” Finally he looked more surprised than angry and frustrated. “You proposed to him?” “Yes, because I didn’t think he believed me when I said that I loved him. I can hardly blame him, since I had to think about it for an entire day after he said it to me, but I do love him. More than I can articulate to you.

Like their mother, Honor Sparrow, dead now for twenty-some years- gone on the very day her youngest daughter, Impatiens, arrived- the sisters had all green thumbs. It was ordained, really. They had each been named after a botanical, mostly flowers, and as their mother kept producing girls, the names became slightly ridiculous. But Honor was a keen gardener and in darkest winter, calling her daughter's names reminded her that spring would come again. For months after her death the older girls hated their names and all they recalled for them. By the time they founded the Sparrow Sisters Nursery, though, each thoroughly embraced their names as the sign they were.

Grief can be a kind of exhaustion, after all.

He had tried sculpting in other materials - in clay, marble, wood, and bronze - but corpses were the only medium that really sang under his fingers.

A vibrant butterfly shines when stapled to plain card.

I don't know if it's because they're protective of their daughters or not, but all the men eat together, boss and employees included, and the women eat whatever is left. I don't like it; I think a family should eat together.

A long time ago, daughter, we Chinese married strangers, because most of the people who lived near us were of the same sae. By the time a bride could visit her parents, perhaps two weeks had passed. And sometimes it was such a distance that the 'bride' arrived with one fat baby clingingtoher skirts and another in her arms. But it remains our tradition to honor a married daughter on her first visit home, even when her journey is from the shop next door.

Jane and Noah fell silent as she opened it to the first page, a vibrant watercolor of a forest-green shrub laden with dark purple fruits, with the fruits shown in detail in a separate drawing. 'Aristotelia chilensis--- maqui berries,' said Jane. 'Full of antioxidants and touted as a "superfood" now.' There was a note in pencil at the bottom of the page. 'Leaves used for brewing chicha,' Noah read. 'Whatever that is. "Sore throats, heals wounds, painkiller",' he continued. 'Extraordinary. I can't believe the condition it's in. It's scarcely aged at all.' He turned the page to find a painting of a tall, oak-like tree with dark brown bark, oval-shaped green leaves and dense white flowers. 'Quillaja saponaria--- soapbark,' he read. 'Native soap, for the lungs and good health.

After selecting a brush, she moistened the cakes of watercolor in her traveling palette with some of the water from her cup and, with careful strokes, began to record the almond flowers in painstaking detail. Her father had successfully cultivated them at Trebithick, but she had never seen them growing in the wild before. More often than not, Elizabeth would collect plant samples to study carefully indoors, and would sketch them out before taking up her brush, spending hours ensuring she captured each detail precisely. But recently she had begun to experiment with a more free-form style of painting. It wasn't strictly the style of illustration she had learned, nor did she think her father would approve, but she loved the immediacy of it. The trick was to get the lighting just right--- a strong source helped to create shade and give the work a three-dimensional effect. The afternoon light was perfect, and she also used a dry brush, rubbed over the paint cakes, to add detail and depth to the watercolors. Daisy wandered off to the shade of a wide-spreading tree a few yards away. 'It's a canela tree, I think," Elizabeth called out, pausing for a moment from her work. 'False cinnamon,' she explained. 'I can smell it,' replied Daisy, sniffing appreciatively. 'Like Cook's apple pie.

As for the smells I associate with her, I was a bit of a swot too, so I love all the stationery aromas: the woody/metallic aroma of pencil shavings, the flat winey smell of ink, the sticky sweetness of a leaking biro and- my favorite- the almost talcum-powder softness of a new exercise book. For her veggie diet there is the powerful grassiness of leafy vegetables, the caramel of sweet potatoes, carrots and beetroots roasting, and the sulfurous note of brassicas. The nutty starchiness of brown rice and other whole grains. The green tang of fresh herbs, warm ginger. The bite of garlic and the spiciness of coriander seeds, cardamom, turmeric and chili. White flowers for her youthful freshness and lemon for her mental sharpness. So my scents for a daughter are: Gold Heart v. 4 by Map of the Heart Botanical Essence No. 20 Rose by Liz Earle (it has a carrot seed note in it) Wild Green by Bronley White Musk by The Body Shop Neroli by Annick Goutal Cristalle by Chanel

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