70's Sayings And Quotes

My twin, Go. I've said this phrase so many times, it has become a reassuring mantra instead of actual words: Mytwingo. We were born in the '70s, back when twins were rare, a bit magical: cousins of the unicorn, siblings of the elves. We even have a dash of twin telepathy. Go is truly the one person in the entire world I am totally myself with. I don't feel the need to explain my actions to her. I don't clarify, I don't doubt, I don't worry. I don't tell her everything, not anymore, but I tell her more than anyone else, by far. I tell her as much as I can. We spent nine months back to back, covering each other. It became a lifelong habit. It never mattered to me that she was a girl, strange for a deeply self-conscious kid. What can I say? She was always just cool.

I have a good friend in the East, who comes to my shows and says, you sing a lot about the past, you can't live in the past, you know. I say to him, I can go outside and pick up a rock that's older than the oldest song you know, and bring it back in here and drop it on your foot. Now the past didn't go anywhere, did it? It's right here, right now. I always thought that anybody who told me I couldn't live in the past was trying to get me to forget something that if I remembered it it would get them serious trouble. No, that 50s, 60s, 70s, 90s stuff, that whole idea of decade packaging, things don't happen that way. The Vietnam War heated up in 1965 and ended in 1975-- what's that got to do with decades? No, that packaging of time is a journalist convenience that they use to trivialize and to dismiss important events and important ideas. I defy that.

Over the last 25 years, the major popular movements that have had significant impact on the general society and have changed it, that have had a major civilizing effect – the feminist movement, the environmental movement, and so on – these are mostly developments of the ‘70s and ‘80s. Their roots might be in the activism of the ‘60s, but the movements themselves developed and extended later. The same is true of the changes in respect for other cultures, rights of oppressed people, and so on. These are quite significant changes. If you compare the United States now to what it was, say, 35 years ago, the changes are quite dramatic. These are changes in popular consciousness that are quite deeply embedded.

My father was a doctor,' she says, 'a very kind man. He died in the early '70s, relatively young.' She taps the cigarette packet on the table. 'Of lung cancer.' 'Oh.' 'But the thing about that is,' she says as she exhales, 'it doesn't take very long at all.

A person has all sorts of lags built into him, Kesey is saying. One, the most basic, is the sensory lag, the lag between the time your senses receive something and you are able to react. One-thirtieth of a second is the time it takes, if you are the most alert person alive, and most people are a lot slower than that. Now Cassady is right up against that 1/30th of a second barrier. He is going as fast as a human can go, but even he can't overcome it. He is a living example of how close you can come, but it can't be done. You can't go any faster than that. You can't through sheer speed overcome the lag. We are all of us doomed to spend the rest of our lives watching a movie of our lives - we are always acting on what has just finished happening. It happened at least 1/30th of a second ago. We think we are in the present, but we aren't. The present we know is only a movie of the past, and we will really never be able to control the present through ordinary means. That lag has to be overcome some other way, through some kind of total breakthrough.

Nothing breaks my heart more than seeing that person who’s struggling to lose weight who thinks that they need to run 20 miles a week. They have no desire to do it, their knees hurt, they hate it, and they’re not losing weight. And I’d like to say, ‘Well, I’ve got great news for you. You don’t ever need to run another step a day in your life, because there’s no value in that.’ “There is value in exercise, though, and I think that the most important type of exercise, especially in terms of bang for your buck, is going to be really high-intensity, heavy strength training. Strength training aids everything from glucose disposal and metabolic health to mitochondrial density and orthopedic stability. That last one might not mean much when you’re a 30-something young buck, but when you’re in your 70s, that’s the difference between a broken hip and a walk in the park.

New Rule: Stop pretending your drugs are morally superior to my drugs because you get yours at a store. This week, they released the autopsy report on Anna Nicole Smith, and the cause of death was what I always thought it was: mad cow. No, it turns out she had nine different prescription drugs in her—which, in the medical field, is known as the “full Limbaugh.” They opened her up, and a Walgreens jumped out. Antidepressants, anti-anxiety pills, sleeping pills, sedatives, Valium, methadone—this woman was killed by her doctor, who is a glorified bartender. I’m not going to say his name, but only because (a) I don’t want to get sued, and (b) my back is killing me. This month marks the thirty-fifth anniversary of a famous government report. I was sixteen in 1972, and I remember how excited we were when Nixon’s much ballyhooed National Commission on Drug Abuse came out and said pot should be legalized. It was a moment of great hope for common sense—and then, just like Bush did with the Iraq Study Group, Nixon took the report and threw it in the garbage, and from there the ’70s went right into disco and colored underpants. This week in American Scientist, a magazine George Bush wouldn’t read if he got food poisoning in Mexico and it was the only thing he could reach from the toilet, described a study done in England that measured the lethality of various drugs, and found tobacco and alcohol far worse than pot, LSD, or Ecstasy—which pretty much mirrors my own experiments in this same area. The Beatles took LSD and wrote Sgt. Pepper—Anna Nicole Smith took legal drugs and couldn’t remember the number for nine-one-one. I wish I had more time to go into the fact that the drug war has always been about keeping black men from voting by finding out what they’re addicted to and making it illegal—it’s a miracle our government hasn’t outlawed fat white women yet—but I leave with one request: Would someone please just make a bumper sticker that says, “I’m a stoner, and I vote.

The woman who left abusive husbands in the 60's and 70's improved the institution of marriage because men now know that women can leave their husbands and the women or men who stay in abusive relationships are a massive advertisement to non- consequentiality of abuse. So, if you stay in a abusive relationship you are signaling to everyone who ever comes in contact with you or hears about you that abusers face no consequences to their abuse therefore by staying in an abusive relationship you are encouraging and subsidizing abuse. By getting out of abusive relationships you are saying the whole world over that abusers can't get away with it. That there are negative consequences to child, adult, or spousal abuse. You name it. It just doesn't have consequences for you, it has consequences for other people. When you break out and reject abusive and irredeemable relationships you are sending a clear signal which all abusers are listening for at all times. "Can I get away with it?" That's all they're thinking. It is my hope that abusers hear this and say "Oh shit. The game is up.

the International Monetary Fund basically acted as the world’s debt enforcers—“You might say, the high-finance equivalent of the guys who come to break your legs.” I launched into historical background, explaining how, during the ’70s oil crisis, OPEC countries ended up pouring so much of their newfound riches into Western banks that the banks couldn’t figure out where to invest the money; how Citibank and Chase therefore began sending agents around the world trying to convince Third World dictators and politicians to take out loans (at the time, this was called “go-go banking”); how they started out at extremely low rates of interest that almost immediately skyrocketed to 20 percent or so due to tight U.S. money policies in the early ’80s; how, during the ’80s and ’90s, this led to the Third World debt crisis; how the IMF then stepped in to insist that, in order to obtain refinancing, poor countries would be obliged to abandon price supports on

How to start… My name: well, it's really Russell, but people know me as Spike, and these chapters are how I remember them. They are memories around the skinhead cult of the late 70s until now; Punks, Mods, and others are here. I'm not going to put everything in precise date order as some events and time-line are hard to completely put together. Some things I say may not be agreeable to everyone, as the truth will hurt, but they're from my own experience and how I feel.

If you ever meet a person who was a Skin from the late 70s and 80s and they say they never got into politics, I'm afraid to say they're lying to themselves. You could not help being drawn into far right or far left. Not because you were just patriotic. Left or Right are both patriotic, but a lot of things were changing all around and you followed what your mates and family were doing; you were young and ‒ well you went along with the flow, but the biggest influence was the music scene.

Insofar as craft and poetics in a poem have a politics, I wanted to avoid that brittle enjambed-prose-sentence-lyric verse, where you have standard sentences snapped off and scattered decoratively across the page (which I might go out on a limb and say was characteristic of some leftist poets, Beat poets, street poets and populist poets of the 70s and 80s—all of whom I basically view as comrades, I should probably say, to this day) and on the other hand I also wanted my poetics to operate differently than those more right-wing academics—in practice—even if in their poems or statements they proclaim public leftist views or ideas—they remain academic poets, operating in elite university-supported circles, institutionalized and reading before institutional audiences, awarding grants and awards to each other, sitting on each other’s grants panels, awards and tenure committees, as Philip Levine admitted in an interview in Don’t Ask, 'giving prizes to friends.

some 70s feminists then seemed to reason in a couple of defective ways about biological determinism and sex. On the one hand, some assumed all binary theories of sex must imply determinism: that is, that these theories must be saying something about the fundamental individual ‘natures’ of males and females in terms of dominance for males, and passivity and submission for females. Working backwards, they therefore concluded that, since biological determinism isn’t true, binary sex must be a myth. Meanwhile, an alternative feminist response from some seemed to go roughly: ‘If there were no natural differences at all between males and females, biological determinism would obviously be false. We all want biological determinism to be false. Hence there are no natural differences between males and females.’ Compare: Jed really wants it to be false that he’s got cancer. If there were no such thing as cancer, it would be false that he’s got it. Hence, Jed concludes, there’s no such thing as cancer.

Lloyd moved to the blackboard and wrote ‘Maneater, Hall and Oates’ at the bottom of a long list of songs and artists. The blackboard in the kitchen had once been installed as a way of communication for the house. It had turned into a list of Songs That You Would Never See In The Same Light Again. This was basically a list of songs that our serial killing landlord had blared at one time or another at top volume to cover the sound of his heavy electric power tools. It was a litany of 70’s and 80’s music. Blondie, Heart of Glass was on the list. So was Duran Duran’s ‘Hungry like the Wolf’. Sam had jokingly given him an Einstürzende Neubauten CD on the premise that his tools would blend right in to the music, and he’d returned it the next day, saying it was too suspicious-sounding and made him very nervous for some reason. The next weekend, we had gone right back to the 80’s with the Missing Persons and Dead or Alive. I tried not to think about why he was playing the music, but it was a little hard not to think about. The strange thumps sometimes suggested that he’d gotten a live one downstairs and was merrily bashing in their skull in the name of his psoriasis to the tune of ‘It’s My Life’ by Talk Talk. Other times I listened in horror as my favorite Thomas Dolby songs were accompanied by an annoying high-pitched buzzsaw whine that altered as if it had entered some sort of solid tissue. He never borrowed music from us again – he claimed our music was too disturbing and dark, and shunned our offerings of Ministry and Nine Inch Nails in favor of some­thing nice and happy by Abba. You’ve never had a restless night from imagining someone deboning a human body while blaring ‘Waterloo’ or ‘Fernando’. It’s not fun.

Oh, by the way, security told me earlier that some guy showed up, claiming to be your assistant.” “Already? What time is it?” “It’s almost one o’clock,” he says. “Are you telling me you actually hired someone?” My heart drops. I shove past Cliff, ignoring him as he calls for me, wanting his question answered. I head straight for security, spotting Jack standing along the side with a guard, looking somewhere between disturbed and amused. “Strangest shit I’ve ever witnessed in Jersey,” Jack says, looking me over. “And that’s saying something, because I once saw a chimpanzee roller skating, and that was weird as fuck.” “I’m going to take that as a compliment, even though I know it isn’t one,” I say, grabbing his arm and making him follow me. It’s about a two-and-a-half hour drive to Bennett Landing, but I barely have two hours. “Please tell me you drove.” Before he can respond, I hear Cliff shouting as he follows. “Johnny! Where are you going?” “Oh, buddy.” Jack glances behind us at Cliff. “Am I your getaway driver?” “Something like that,” I say. “You ever play Grand Theft Auto?” “Every fucking day, man.” “Good,” I say, continuing to walk, despite Cliff attempting to catch up. “If you can get me where I need to be, there will be one hell of a reward in it for you.” His eyes light up as he pulls out a set of car keys. “Mission accepted.” There’s a crowd gathered around set. They figured out we’re here. They know we’re wrapping today. I scan the area, looking for a way around them. “Where’d you park?” I ask, hoping it’s anywhere but right across the street. “Right across the street,” he says. Fuck. I’m going to have to go through the crowd. “You sure you, uh, don’t want to change?” Jack asks, his eyes flickering to me, conflicted. “No time for that.” The crowd spots me, and they start going crazy, making Cliff yell louder to get my attention, but I don’t stop. I slip off of set, past the metal barricades and right into the street, as security tries to keep the crowd back, but it’s a losing game. So we run, and I follow Jack to an old station wagon, the tan paint faded. “This is what you drive?” “Not all of us grew up with trust funds,” he says, slapping his hand against the rusted hood. “This was my inheritance.” “Not judging,” I say, pausing beside it. “It’s just all very ‘70s suburban housewife.” “That sounds like judgment, asshole.” I open the passenger door to get in the car when Cliff catches up, slightly out of breath from running. “What are you doing, Johnny? You’re leaving?” “I told you I had somewhere to be.” “This is ridiculous,” he says, anger edging his voice. “You need to sort out your priorities.” “That’s a damn good idea,” I say. “Consider this my notice.” “Your notice?” “I’m taking a break,” I say. “From you. From this. From all of it.” “You’re making a big mistake.” “You think so?” I ask, looking him right in the face. “Because I think the mistake I made was trusting you.” I get in the car, slamming the door, leaving Cliff standing on the sidewalk, fuming. Jack starts the engine, cutting his eyes at me. “So, where to? The unemployment office?” “Home,” I say, “and I need to get there as soon as possible, because somebody is waiting for me, and I can't disappoint her.

Social conservatives do have a pretty decent predictive track record, including in many cases where their fears were dismissed as wild and apocalyptic, their projections as sky-is-falling nonsense, their theories of how society and human nature works as evidence-free fantasies. . . . If you look at the post-1960s trend data — whether it’s on family structure and social capital, fertility and marriage rates, patterns of sexual behavior and their links to flourishing relationships, or just trends in marital contentment and personal happiness more generally — the basic social conservative analysis has turned out to have more predictive power than my rigorously empirical liberal friends are inclined to admit. . . . In the late 1960s and early ’70s, the pro-choice side of the abortion debate frequently predicted that legal abortion would reduce single parenthood and make marriages more stable, while the pro-life side made the allegedly-counterintuitive claim that it would have roughly the opposite effect; overall, it’s fair to say that post-Roe trends were considerably kinder to Roe’s critics than to the “every child a wanted child” conceit. Conservatives (and not only conservatives) also made various “dystopian” predictions about eugenics and the commodification of human life as reproductive science advanced in the ’70s, while many liberals argued that these fears were overblown; today, from “selective reduction” to the culling of Down’s Syndrome fetuses to worldwide trends in sex-selective abortion, from our fertility industry’s “embryo glut” to the global market in paid surrogacy, the dystopian predictions are basically just the status quo. No-fault divorce was pitched as an escape hatch for the miserable and desperate that wouldn’t affect the average marriage, but of course divorce turned out to havesocial-contagion effects as well. Religious fears that population control would turn coercive and tyrannical were scoffed at and then vindicated. Dan Quayle was laughed at until the data suggested that basically he had it right. The fairly-ancient conservative premise that social permissiveness is better for the rich than for the poor persistently bemuses the left; it also persistently describes reality. And if you dropped some of the documentation from today’s college rape crisis through a wormhole into the 1960s-era debates over shifting to coed living arrangements on campuses, I’m pretty sure that even many of the conservatives in that era would assume that someone was pranking them, that even in their worst fears it couldn’t possibly end up like this. More broadly, over the last few decades social conservatives have frequently offered “both/and” cultural analyses that liberals have found strange or incredible — arguing (as noted above) that a sexually-permissive society can easily end up with a high abortion rate and a high out-of-wedlock birthrate; or that permissive societies can end up with more births to single parents and fewer births (not only fewer than replacement, but fewer than women actually desire) overall; or that expressive individualism could lead to fewer marriages and greater unhappiness for people who do get hitched. Social liberals, on the other hand, have tended to take a view of human nature that’s a little more positivist and consumerist, in which the assumption is that some kind of “perfectly-liberated decision making” is possible and that such liberation leads to optimal outcomes overall. Hence that 1970s-era assumption that unrestricted abortion would be good for children’s family situations, hence the persistent assumption that marriages must be happier when there’s more sexual experimentation beforehand, etc.

the absence of Patriots personnel in Stingley’s hospital room, or the identity of a frequent visitor. “You know who spent the most time with him? Madden,” says Newhouse. “John Madden spent hours and hours at Stingley’s bedside. Even weeks later he was flying home from road games, driving from the airport to the hospital to sit up all night with Darryl Stingley. Madden and his wife, Virginia, became friends with Stingley’s family, and there was no PR to it because nobody knew about it.

early twentieth-century Latin American writers with a bent for fantasy or pornography, or both, as in the case of Pedro Pereda, an obscure novelist from Valparaiso, the author of a startling story in which a woman finds vaginas and anuses growing, or rather opening, all over her anatomy, to the understandable horror of her friends and family (the story is set in the ’20s, but I don’t suppose it would have been any less shocking in the ’70s or the ’90s), and who ends up confined to a brothel for miners in northern Chile, where she remains, shut up in a room without windows, until in the end she becomes a great amorphous, uncontrollable in-and-out, finishes off the old pimp who runs the brothel along with the rest of the whores and the terrified clients, goes out onto the patio, and sets off into the desert (walking or flying, Pereda doesn’t say), finally disappearing into thin air.

Just send them to prison. Just keep on sending them to prison. Then of course, in prison they find themselves within a violent institution that reproduces violence. In many ways you can say that the institution feeds on that violence and reproduces it so that when the person is released he or she is probably worse. So how does one persuade people to think differently? That’s a question of organizing. In the United States, the abolitionist movement emerged around the late 1960s and early ’70s. The Quakers were very much a part of the emergence of the idea that we should consider abolishing imprisonment. The Quakers were present at the advent of the prison in the late eighteenth and early nineteenth centuries. They were the ones who originally thought the prison was a humane alternative to then-existing forms of punishment because it would allow people to be rehabilitated.

land. For one, the ocean is where most of that extra heat accumulates. Though we focus on the heat in the air around us, about 93 percent of the extra heat is actually collecting in the sea. The deep sea is now warming about nine times faster than it was in the 1960s, ’70s, or ’80s.3 (It goes without saying that the Trump administration has proposed big cutbacks for the agency that maintains the network of temperature-monitoring buoys.)

CHRIS CAFFERY:  I'd have to say that everybody's favorite old Scorpions song as a guitar player is "The Sails of Charon." That song is the one that you heard and you were like, "What the heck is this?!" Because it was trippy, it was different. The funny thing is if you ever look at the old interviews that Yngwie Malmsteen did, he never credited Uli - until recently. He used to say, "Oh, I did not know who Uli Roth was." And it's like, "Bullshit you didn't! You stole everything you ever did from him and Blackmore!" [Laughs]

Global Warming, Meet Climate Change Anyone who’s been paying attention since the ’70s recognizes that the environmental movement, with its changing names and focus, has reached levels of paranoia and ecstasy that are only usually seen within the confines of religious movements and, more specifically, cults. Not only has the myth of global warming been put off by the fact that things have seemed a little colder on average over the past several winters (so much so that they had to change the scary name to “climate change” to accommodate the non-warming), but we also found out that a lot of the data supporting global warming was just a big fat lie. There was a time when you couldn’t even say that publicly lest you get the stink eye from every twenty-something know-it-all who had been steeped in the Liberal cultural bias that pervades academia. However, as inconvenient as all this is, it remains the truth. Sorry, Al Gore.

Don Letts: "...the DIY thing, using what you've got to get what you need, turning your problems into your assets. ...I'd go as far a to say that this over-analysing of the late 70s incarnation of punk belittles a much bigger idea - and that is that it's an ongoing dynamic that is the birthright of all young people.

change. I’m sure we’ll need your help from time to time, and maybe one of these days we’ll be able to return the favor.” Higgins felt that bubble of word vomit rise in his throat and spill out of his mouth before he could help himself. “Beirut,” he said. There was a change in the atmosphere as soon as the word slipped out, but he hammered on. “You lost a lot of Marines.” “Higgins.” Zyga’s voice was sharp. Stokes’ voice was colored with sadness as he said, “I keep telling myself we could’ve done something to prevent it.” “That’s why you’re here,” Higgins said. “When Director Thatcher told me about this program, I jumped at the chance to help build a better relationship between the Marine Corps and the CIA. My colleagues aren’t thrilled at the idea of getting into bed with your lot, but I have a great deal of respect for what you do. That’s why I’m here. Like the CIA, some of us in the Marine Corps are planning for the future. Terrorism will only grow in the coming years. Beirut was just the beginning. Lucky for me, your bosses and I agree.” He looked from one team member to another. “I heard about your first mission, and I’m glad it was a success. I’m glad you all made it out of there alive.” “Major Stokes will be stopping by every so often to check on our progress and offer additional advice and support,” Decker said. “I know it’s a bit unorthodox, but this man has seen it all. Don’t let his dumb grunt act fool you. His help will be invaluable to us as we move forward.” “Now we just need to get the Feds on board.” Stokes laughed, and the room joined him. “Good luck with that,” Abrams called out. “They hate us more than you do.” “That they do,” Stokes said. “They’ve been working on their program since the late ‘70s. Same sort of deal. If you can get into the mind of a killer, really understand how your enemy works, then you have a better chance of catching him before he hurts anyone else. We’re usually sent in after it’s too late. I want to change that.” “Might put you out of a job,” Higgins joked. Stokes laughed again. “Honestly, I don’t think that’d be so bad. Maybe I’ll join up with you. Maybe in a perfect world.” “In a perfect world, there wouldn’t be a need for any of us,” Higgins said. “You’re exactly right, Mr. Higgins.” “Doctor,” Higgins corrected automatically. His face flushed. “Ignore him,” Abrams said, reaching across Spencer to whack Higgins in the stomach. “He thinks just because he has two doctorates that he’s better than us.” “I do not,” Higgins mumbled. He felt his face grow even hotter. Stokes held up a hand in surrender. “You earned those degrees, Dr. Higgins. Wear them with pride.” Higgins shot a look at Abrams while the rest of the room continued to chuckle. Thatcher looked down at his watch. “It seems my time is up here,” he said. “I assume you can find your way back, Major?” “I’ll try not to steal any secrets on the way out.” “See that you don’t,” Thatcher said, shaking Stokes’s hand again before exiting the room. Everyone took their turn introducing themselves to Major Stokes, except Higgins, who hung back to observe how this new player interacted with everyone in the room. Where Higgins lacked interpersonal skills, Stokes excelled in the area. He could joke with Abrams in one breath and rein it in to speak in serious undertones with Spencer in the next. He and Johnson exchanged battle scars, and when it came to York, Stokes found a fellow intellectual to converse with. Higgins detected no condescension or disrespect in his voice even though she was the only woman in the room. As the personal introductions were finishing up, Stokes broke off from the group and walked over to where Higgins was still seated at the front of the room and sat down next to him. “More of an observer than a talker, right?” “You could say that.” “Should I be worried?” Higgins smiled.

The night before flying to New York, I watched Bowie's brief performance as a serene, pragmatic Pontius Pilate in Martin Scorsese's The Last Temptation of Christ. 'That's a strange movie to watch before going on a plane flight,' Bowie laughs. 'It's like, shall we find out—is there a God?' Then, as if moving on to the next logical topic, Bowie says, 'I can't wait to see the other 10 percent of the Dead Sea Scrolls. They're in fragments, of course, kind of a Bill Burroughs effect...' and he recounts for me a certain conspiracy theory ('a '70s thing') about a secret section of the Dead Sea Scrolls supposedly written by a Jesus who'd escaped from the cross and ended up dying a revolutionary at Masada. This secret stuff is, according to the theory, held in the Vatican and shown only to each new Pope on the day of election. But what on earth, I ask, could the big secret be anyway? 'Oh,' laughs Bowie, 'that there really was a Brian.