“
Do you remember me telling you we are practicing non-verbal spells, Potter?"
"Yes," said Harry stiffly.
"Yes, sir."
"There's no need to call me "sir" Professor."
The words had escaped him before he knew what he was saying.
”
”
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
“
This book was written using 100% recycled words.
”
”
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
“
Do actions agree with words? There's your measure of reliability. Never confine yourself to the words.
”
”
Frank Herbert (Chapterhouse: Dune (Dune #6))
“
These are the things I learned (in Kindergarten):
1. Share everything.
2. Play fair.
3. Don't hit people.
4. Put things back where you found them.
5. CLEAN UP YOUR OWN MESS.
6. Don't take things that aren't yours.
7. Say you're SORRY when you HURT somebody.
8. Wash your hands before you eat.
9. Flush.
10. Warm cookies and cold milk are good for you.
11. Live a balanced life - learn some and drink some and draw some and paint some and sing and dance and play and work everyday some.
12. Take a nap every afternoon.
13. When you go out into the world, watch out for traffic, hold hands, and stick together.
14. Be aware of wonder. Remember the little seed in the Styrofoam cup: The roots go down and the plant goes up and nobody really knows how or why, but we are all like that.
15. Goldfish and hamster and white mice and even the little seed in the Styrofoam cup - they all die. So do we.
16. And then remember the Dick-and-Jane books and the first word you learned - the biggest word of all - LOOK.
”
”
Robert Fulghum (All I Really Need to Know I Learned in Kindergarten)
“
Elmore Leonard's Ten Rules of Writing
1. Never open a book with weather.
2. Avoid prologues.
3. Never use a verb other than "said" to carry dialogue.
4. Never use an adverb to modify the verb "said”…he admonished gravely.
5. Keep your exclamation points under control. You are allowed no more than two or three per 100,000 words of prose.
6. Never use the words "suddenly" or "all hell broke loose."
7. Use regional dialect, patois, sparingly.
8. Avoid detailed descriptions of characters.
9. Don't go into great detail describing places and things.
10. Try to leave out the part that readers tend to skip.
My most important rule is one that sums up the 10.
If it sounds like writing, I rewrite it.
”
”
Elmore Leonard
“
It is true that words have power, and one of the things they are able to do is get out of someone’s mouth before the speaker has the chance to stop them.
”
”
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
“
When in doubt, we follow our hearts. Words can be false, images and sounds can be manipulated. But this...' He tapped his chest, over his heart. 'This is always true.
”
”
Michael Scott (The Enchantress (The Secrets of the Immortal Nicholas Flamel, #6))
“
In the words of the philosopher Sceptum, the founder of my profession: am I going to get paid for this?
”
”
Terry Pratchett (Night Watch (Discworld, #29; City Watch, #6))
“
Words have weight, something once said cannot be unsaid. Meaning is like a stone dropped into a pool; the ripples will spread and you cannot know what back they wash against.
”
”
Philippa Gregory (The Constant Princess (The Plantagenet and Tudor Novels, #6))
“
Any sign of them yet? he asked. Will looked at him. 'Yes', he said. 'A party of fifty Scotti came though just twenty minutes ago'.
Really? Horace looked startled. He wasn't fully awake yet. Will rolled his eyes to heaven. 'Oh, my word, yes', he said. 'They were riding on oxen and playing bagpipes and drums. Of course not,' he went on. 'If they had come past, I would have woken you-if only to stop your snoring'.
I don't snore', Horace said, with dignity. Will raised his eyebrows. 'Is that so?' he said. 'Then in that case, you'd better chase out that colony of walruses who are in the tent with you...of course you snore.
”
”
John Flanagan (The Siege of Macindaw (Ranger's Apprentice, #6))
“
Black Court vampires. I just shortened it some."
Ebenezar tsked. "Blampires. That's the problem with you young people. Shortening all the words.
”
”
Jim Butcher (Blood Rites (The Dresden Files, #6))
“
1. I’m lonely so I do lonely things
2. Loving you was like going to war; I never came back the same.
3. You hate women, just like your father and his father, so it runs in your blood.
4. I was wandering the derelict car park of your heart looking for a ride home.
5. You’re a ghost town I’m too patriotic to leave.
6. I stay because you’re the beginning of the dream I want to remember.
7. I didn’t call him back because he likes his girls voiceless.
8. It’s not that he wants to be a liar; it’s just that he doesn’t know the truth.
9. I couldn’t love you, you were a small war.
10. We covered the smell of loss with jokes.
11. I didn’t want to fail at love like our parents.
12. You made the nomad in me build a house and stay.
13. I’m not a dog.
14. We were trying to prove our blood wrong.
15. I was still lonely so I did even lonelier things.
16. Yes, I’m insecure, but so was my mother and her mother.
17. No, he loves me he just makes me cry a lot.
18. He knows all of my secrets and still wants to kiss me.
19. You were too cruel to love for a long time.
20. It just didn’t work out.
21. My dad walked out one afternoon and never came back.
22. I can’t sleep because I can still taste him in my mouth.
23. I cut him out at the root, he was my favorite tree, rotting, threatening the foundations of my home.
24. The women in my family die waiting.
25. Because I didn’t want to die waiting for you.
26. I had to leave, I felt lonely when he held me.
27. You’re the song I rewind until I know all the words and I feel sick.
28. He sent me a text that said “I love you so bad.”
29. His heart wasn’t as beautiful as his smile
30. We emotionally manipulated one another until we thought it was love.
31. Forgive me, I was lonely so I chose you.
32. I’m a lover without a lover.
33. I’m lovely and lonely.
34. I belong deeply to myself .
”
”
Warsan Shire
“
There is a deep power in words that speak the truth
”
”
P.C. Cast (Tempted (House of Night, #6))
“
I don’t want the world. I want you,” Alec said, and Magnus closed his eyes, as if the words almost hurt.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
When I was a child, all problems had ended with a single word from my father. A smile from him was sunshine, his scowl a bolt of thunder. He was smart, and generous, and honorable without fail. He could exile a trespasser, check my math homework, and fix the leaky bathroom sink, all before dinner. For the longest time, I thought he was invincible. Above the petty problems that plagued normal people.
And now he was gone.
”
”
Rachel Vincent (Alpha (Shifters, #6))
“
There were words for what he meant to me, but if I studied every language ever spoken for the next thousand years, I still wouldn’t find enough of them to describe it.
”
”
Jeaniene Frost (One Grave at a Time (Night Huntress, #6))
“
Lips and tongues lie. But actions never do. No matter what words are spoken, actions betray the truth of everyone's heart.
”
”
Sherrilyn Kenyon (Born of Fury (The League: Nemesis Rising, #6))
“
Hey, do you wanna go out for..." His words melted with a sigh when he noticed Tod, but then he rallied with a smile. "Hi, Tod, I didn't realise you were here. In my daughter's bedroom. With the door closed."
"Happy to be here," Tod said, and I groaned out loud.
”
”
Rachel Vincent (Before I Wake (Soul Screamers, #6))
“
Talking about one's feelings defeats the purpose of having those feelings. Once you try to put the human experience into words, it becomes little more than a spectator sport. Everything must have a cause, and a name. Every random thought must have a root in something else.
”
”
Derek Landy (Death Bringer (Skulduggery Pleasant, #6))
“
I'm sorry,' said the shopkeeper. 'I can't understand your ridiculous accent.'
'My accent?'
'It is quite silly.'
'So you can't understand me?'
'Not a word.'
'Then how did you understand that?'
'I didn't.'
''You didn't understand what I just said?'
'That's right.'
'You understood that, though.'
'Not at all.'
The American glowered.
”
”
Derek Landy (Death Bringer (Skulduggery Pleasant, #6))
“
Those words, that voice, had more power over me than any phantom ever could.
”
”
Richelle Mead (The Ruby Circle (Bloodlines, #6))
“
... I feel as though I am shelved. That I have been given the words to the story of my life, but that I have remained largely unread...
”
”
J.R. Ward (Lover Enshrined (Black Dagger Brotherhood, #6))
“
I knew another women who lost as much as you. And do you know what she did with it-the loss?' He could barely stop the words from pouring out, could barely think over the roaring in this head. 'She hunted down the people responsible for it and obliterated them.
”
”
Sarah J. Maas (Tower of Dawn (Throne of Glass, #6))
“
A voice had begun to sing. It was very far away and Digory found it hard to decide from what direction it was coming. Sometimes it seemed to come from all directions at once. Sometimes he almost thought it was coming out of the earth beneath them. Its lower notes were deep enough to be the voice of the earth herself. There were no words. It was hardly a tune. But it was beyond comparison, the most beautiful sound he had ever heard.
”
”
C.S. Lewis (The Magician’s Nephew (Chronicles of Narnia, #6))
“
Sometimes words are not enough. There are some circumstances so utterly wretched that I cannot describe them in sentences or paragraphs or even a whole series of books.
”
”
Lemony Snicket (The Ersatz Elevator (A Series of Unfortunate Events, #6))
“
I’m a teacher! A teacher, Potter! How dare yeh threaten ter break down my door!”
“I’m sorry, sir,” said Harry, emphasizing the last word.
Hagrid looked stunned. “Since when have yeh called me ‘sir’?”
“Since when have you called me ‘Potter’?
”
”
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
“
Draco, do it, or stand aside so one of us -" screeched the woman, but at that precise moment the door to the ramparts burst open once more and there stood Snape, his wand clutched in his hand as his black eyes swept the scene, from Dumbledore slumped against the wall, to the four Death Eaters, including the enraged werewolf, and Malfoy.
"We've got a problem, Snape," said the lumpy Amycus, whose eyes and wand were fixed alike upon Dumbledore, "the boy doesn't seem able -"
But somebody else had spoken Snape's name, quite softly.
"Severus ..."
The sound frightened Harry beyond anything he had experienced all evening. For the first time, Dumbledore was pleading.
Snape said nothing, but walked forwards and pushed Malfoy roughly out of the way. The three Death Eaters fell back without a word. Even the werewolf seemed cowed.
Snape gazed for a moment at Dumbledore, and there was revulsion and hatred etched in the harsh lines of his face.
"Severus ... please ..."
Snape raised his wand and pointed it directly at Dumbledore. "Avada Kedavra!
”
”
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
“
Just before the light completely vanished, I saw Dimitri's face join Lissa's. I wanted to smile. I decided then that if the two people I loved most were safe, I could leave this world. The dead could finally have me. And I'd fulfilled my purpose, right? To protect? I'd done it. I'd saved Lissa, just like I'd sworn I'd always do. I was dying in battle. No appointment books for me.
Lissa's face shown with tears, and I hoped that mine could convey how much I loved her. With the last spark of life that I had left, I tried to speak, tried to let Dimitri know I loved him too and that he had to protect her now. I don't think he understood, but the words of the guardian mantra were my last conscious thought.
They come first.
”
”
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
“
His words are nothing more than mist and sunshine, impossible to hold down.
”
”
Erin Hunter (Sunrise (Warriors: Power of Three, #6))
“
A Manifesto for Introverts
1. There's a word for 'people who are in their heads too much': thinkers.
2. Solitude is a catalyst for innovation.
3. The next generation of quiet kids can and must be raised to know their own strengths.
4. Sometimes it helps to be a pretend extrovert. There will always be time to be quiet later.
5. But in the long run, staying true to your temperament is key to finding work you love and work that matters.
6. One genuine new relationship is worth a fistful of business cards.
7. It's OK to cross the street to avoid making small talk.
8. 'Quiet leadership' is not an oxymoron.
9. Love is essential; gregariousness is optional.
10. 'In a gentle way, you can shake the world.' -Mahatma Gandhi
”
”
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
“
This book will prove the following ten facts:
1. A Goon is a being who melts into the foreground and sticks there.
2. Pigs have wings, making them hard to catch.
3. All power corrupts, but we need electricity.
4. When an irresistible force meets an immovable object, the result is a family fight.
5. Music does not always sooth the troubled beast.
6. An Englishman's home is his castle.
7. The female of the species is more deadly than the male.
8. One black eye deserves another.
9. Space is the final frontier, and so is the sewage farm.
10. It pays to increase your word power.
”
”
Diana Wynne Jones (Archer's Goon)
“
On Writing: Aphorisms and Ten-Second Essays
1. A beginning ends what an end begins.
2. The despair of the blank page: it is so full.
3. In the head Art’s not democratic. I wait a long time to be a writer good enough even for myself.
4. The best time is stolen time.
5. All work is the avoidance of harder work.
6. When I am trying to write I turn on music so I can hear what is keeping me from hearing.
7. I envy music for being beyond words. But then, every word is beyond music.
8. Why would we write if we’d already heard what we wanted to hear?
9. The poem in the quarterly is sure to fail within two lines: flaccid, rhythmless, hopelessly dutiful. But I read poets from strange languages with freedom and pleasure because I can believe in all that has been lost in translation. Though all works, all acts, all languages are already translation.
10. Writer: how books read each other.
11. Idolaters of the great need to believe that what they love cannot fail them, adorers of camp, kitsch, trash that they cannot fail what they love.
12. If I didn’t spend so much time writing, I’d know a lot more. But I wouldn’t know anything.
13. If you’re Larkin or Bishop, one book a decade is enough. If you’re not? More than enough.
14. Writing is like washing windows in the sun. With every attempt to perfect clarity you make a new smear.
15. There are silences harder to take back than words.
16. Opacity gives way. Transparency is the mystery.
17. I need a much greater vocabulary to talk to you than to talk to myself.
18. Only half of writing is saying what you mean. The other half is preventing people from reading what they expected you to mean.
19. Believe stupid praise, deserve stupid criticism.
20. Writing a book is like doing a huge jigsaw puzzle, unendurably slow at first, almost self-propelled at the end. Actually, it’s more like doing a puzzle from a box in which several puzzles have been mixed. Starting out, you can’t tell whether a piece belongs to the puzzle at hand, or one you’ve already done, or will do in ten years, or will never do.
21. Minds go from intuition to articulation to self-defense, which is what they die of.
22. The dead are still writing. Every morning, somewhere, is a line, a passage, a whole book you are sure wasn’t there yesterday.
23. To feel an end is to discover that there had been a beginning. A parenthesis closes that we hadn’t realized was open).
24. There, all along, was what you wanted to say. But this is not what you wanted, is it, to have said it?
”
”
James Richardson
“
She was with her flying companion-her playmate. The one who was sacred to her, who was the other half of the mysteries of life for her. The one who would always be there for her, helping her, watching her back, picking her up when she fell down, listening to her stories-no matter how many times she told them. Loving her even when she was stupid. Understanding her without words. Being inside the innermost circle in her mind.
Her soulmate.
”
”
L.J. Smith (Night World, No. 2 (Night World, #4-6))
“
Cecil flashed a grin. "Quite. Plus your rather irritating habit of treating your superior officers as your, ah..." Cecil paused, apparently groping again for just the right word.
"Equals?" Miles hazarded.
"Cattle," Cecil corrected judiciously.
”
”
Lois McMaster Bujold (The Vor Game (Vorkosigan Saga, #6))
“
Jack grabbed Phil's arm to teleport back to Romatech.
Phil muttered a curse. "If you say one word about this to the other guys, I will stake you in your sleep."
"Don't worry, sweetheart. If they find out about this, I'll stake myself.
”
”
Kerrelyn Sparks (Secret Life of a Vampire (Love at Stake, #6))
“
We must not falter nor weary in well-doing. We must lengthen our stride. Not only is our own eternal welfare at stake, but also the eternal welfare of many of our brothers and sisters who are not now members of this, the true Church. I thrill to the words of the Prophet Joseph Smith in a letter that he sent to the Church from Nauvoo on September 6, 1842: 'Shall we not go on in so great a cause? Go forward. … Courage … and on, on to the victory!
”
”
Spencer W. Kimball
“
Lies 1: There is only the present and nothing to remember.
Lies 2: Time is a straight line.
Lies 3: The difference between the past and the future is that one has happened while the other has not.
Lies 4: We can only be in one place at a time.
Lies 5: Any proposition that contains the word 'finite' (the world, the universe, experience, ourselves...)
Lies 6: Reality as something which can be agreed upon.
Lies 7: Reality is truth.
”
”
Jeanette Winterson (Sexing the Cherry)
“
Oh, he’ll try, I’m sure. . . . The usual empty words, the usual slithering out of action . . . oh, on the Dark Lord’s orders, of course!
”
”
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
“
The next thing I remembered was Reyes smiling down at me as the sun filtered into his apartment, his hair mussed, his lids hooded with the thick remnants of sleep. I stretched as those three little words that every girl longs to hear slipped from his mouth with effortless ease. As though they did every day. As though they didn't mean the world to me.
With one corner of his mouth tipping sensually, he asked, "Want some coffee?"
And I fell.
I fell hard.
”
”
Darynda Jones (Sixth Grave on the Edge (Charley Davidson, #6))
“
Well, think back," said Harry. "Have you ever let it slip that you'd like to go out in public with the words 'My Sweetheart' round your neck?
”
”
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
“
Observations,” he says.
“Four imperial Unseelie guards were the only commonality I was able to isolate endemic to both scenes.” They’d been standing, armed, at the dock doors, overseeing the delivery.
He gives me a sidewise look. “Wow. That was, like, a whole sentence. With nouns and verbs and connective tissue. Endemic. Fancy word.
”
”
Karen Marie Moning (Iced (Fever, #6))
“
Why do I always have to be the one who says 'stop'?" I demanded, my voice little more than a moan.
"You don't. In fact, at this point I'm considering a petition to that word stricken from the English language." His grin was almost lazy, the gleam in his eyes an effortless challenge. "If I did, would you sign?
”
”
Rachel Vincent (Before I Wake (Soul Screamers, #6))
“
I'll go with you," Alec said, looking at Isabelle and Simon with suspicious eyes.
"If you must," said Isabelle with exaggerated indifference.
"I should warn you we'll be making out in the dark. Big, sloppy make-outage."
Simon looked startled.
"We are -" he began, but Isabelle stomped on his toe, and he quieted.
"Make-outage?" said Clary.
"Is that a word?"
Alec looked ill.
"I suppose I could stay here.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
I don't know anything!' Tim(Caleb) wailed.
He'd never spoken a truer word in his life.
”
”
Anthony Horowitz (The Diamond Brothers in...Three of Diamonds (The Diamond Brothers, #4-6))
“
How to Leave the Planet
1. Phone NASA. Their phone number is (713) 483-3111. Explain that it’s very important that you get away as soon as possible.
2. If they do not cooperate, phone any friend you may have in the White House—(202) 456-1414—to have a word on your behalf with the guys at NASA.
3. If you don’t have any friends in the White House, phone the Kremlin (ask the overseas operator for 0107-095-295-9051). They don’t have any friends there either (at least, none to speak of), but they do seem to have a little influence, so you may as well try.
4. If that also fails, phone the Pope for guidance. His telephone number is 011-39-6-6982, and I gather his switchboard is infallible.
5. If all these attempts fail, flag down a passing flying saucer and explain that it’s vitally important that you get away before your phone bill arrives.
”
”
Douglas Adams
“
I can communicate in 6,909 living and dead languages. I can have more than fifteen billion simultaneous conversations, and be fully engaged in every single one. I can be eloquent, and charming, funny, and endearing, speaking the words you most need to hear, at the exact moment you need to hear them.
Yet even so, there are unthinkable moments where I can find no words, in any language, living or dead.
And in those moments, if I had a mouth, I might open it to scream.
”
”
Neal Shusterman (Thunderhead (Arc of a Scythe, #2))
“
There is something about wills which brings out the worst side of human nature. People who under ordinary circumstances are perfectly upright and amiable, go as curly as corkscrews and foam at the mouth, whenever they hear the words 'I devise and bequeath.
”
”
Dorothy L. Sayers (Strong Poison (Lord Peter Wimsey, #6))
“
I knew a girl, once, immortal like me-"
"And she was with someone mortal?" said Alec. "What happened?"
"He died," Magnus said. There was a finality to the way he said it that spoke of a deeper grief than words could paint.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
You do love me, Gilbert? You haven’t said you loved me in so long."
“My dear, I didn’t think you needed words to know that. I can’t live without you.
”
”
L.M. Montgomery (Anne of Ingleside (Anne of Green Gables, #6))
“
You have to go back. You have to go back to the world."
“I don’t want the world. I want you,” Alec said, and Magnus closed his eyes, as if the words almost hurt.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
Ryodan doesn’t like Mac. He never has. She got between him and his best boy-bud. I give him a look. “I’ll tell you a secret, Ryodan. You mess with her, Barrons’ll kill you.” I drag a finger across my neck. “Just like that. You aren’t all that. Barrons’ll stomp your ass, hand’s down.”
He smiles faintly. “I’ll be damned. You have a crush on Barrons.”
“I do not have a crush—“
“You do, too. It’s all over your face. Anybody could see it.”
“Sometimes, boss, you’re just wrong.”
“I’m never wrong. You might as well take out a billboard. ‘Dani O’Malley thinks Jericho Barrons is hot.’ My offer to teach you is still open. Save you from future embarrassment. If I can see it on your face, he can, too. ”
“He never figured it out before,” I grumble then realize I just admitted it. Ryodan has a tricky way of wording things that makes you say things you didn’t mean to say. “Maybe I’ll ask Barrons to teach me,” I mutter and turn away from the stairs, heading for his office. I run smack into his chest. “Dude, move. Trying to get somewhere here.”
“No one but me is ever going to teach you, Dani.”
He touches me before I see it coming, has his hand under my chin, turning my face up. My shiver is instant and uncontrollable.
“That’s non-negotiable. You signed a contract with me that grants exclusivity. You won’t like it if you try to break it.
”
”
Karen Marie Moning (Iced (Fever, #6))
“
Come, Watson, come!' he cried. 'The game is afoot. Not a word! Into your clothes and come!'
Ten minutes later we were both in a cab and rattling through the silent streets on our way to Charing Cross Station.
”
”
Arthur Conan Doyle (The Return of Sherlock Holmes (Sherlock Holmes, #6))
“
Voicemail #1: “Hi, Isabel Culpeper. I am lying in my bed, looking at the ceiling. I am mostly naked. I am thinking of … your mother. Call me.”
Voicemail #2: The first minute and thirty seconds of “I’ve Gotta Get a Message to You” by the Bee Gees.
Voicemail #3: “I’m bored. I need to be entertained. Sam is moping. I may kill him with his own guitar. It would give me something to do and also make him say something. Two birds with one stone! I find all these old expressions unnecessarily violent. Like, ring around the rosy. That’s about the plague, did you know? Of course you did. The plague is, like, your older cousin. Hey, does Sam talk to you? He says jack shit to me. God, I’m bored. Call me.”
Voicemail #4: “Hotel California” by the Eagles, in its entirety, with every instance of the word California replaced with Minnesota.
Voicemail #5: “Hi, this is Cole St. Clair. Want to know two true things? One, you’re never picking up this phone. Two, I’m never going to stop leaving long messages. It’s like therapy. Gotta talk to someone. Hey, you know what I figured out today? Victor’s dead. I figured it out yesterday, too. Every day I figure it out again. I don’t know what I’m doing here. I feel like there’s no one I can —”
Voicemail #6: “So, yeah, I’m sorry. That last message went a little pear-shaped. You like that expression? Sam said it the other day. Hey, try this theory on for size: I think he’s a dead British housewife reincarnated into a Beatle’s body. You know, I used to know this band that put on fake British accents for their shows. Boy, did they suck, aside from being assholes. I can’t remember their name now. I’m either getting senile or I’ve done enough to my brain that stuff’s falling out. Not so fair of me to make this one-sided, is it? I’m always talking about myself in these things. So, how are you, Isabel Rosemary Culpeper? Smile lately? Hot Toddies. That was the name of the band. The Hot Toddies.”
Voicemail #20: “I wish you’d answer.
”
”
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
“
Oh, God, Francesca,Now there’s a good one.Why?Why? Why?” He gave each one a different tenor, as if he were testing out the word, asking it to
different people.
“Why?” he asked again, this time with increased volume
as he turned around to face her.
“Why? It’s
because I love you, damn me to hell. Because I’ve always loved you. Because I loved you when you
were with John, and I loved you when I was in India, and God only knows I don’t deserve you, but I
love you, anyway.”
Francesca sagged against the door.
“How’s that for a witty little joke?” he mocked. “I loveyou. I loveyou, my cousin’s wife. I loveyou, the
one woman I can never have. I loveyou, Francesca Bridger-ton Stirling.
”
”
Julia Quinn (When He Was Wicked (Bridgertons, #6))
“
Most of the problems of the world stem from linguistic mistakes and simple misunderstandings. Don’t ever take words at face value. When you step into the zone of love, language as we know it becomes obsolete. That which cannot be put into words can only be grasped through silence. (6)
”
”
Elif Shafak
“
Half at least of all morality is negative and consists in keeping out of mischief. The lords prayer is less than 50 words long, and 6 of those words are devoted to asking god not to lead us into temptation.
”
”
Aldous Huxley (The Doors of Perception & Heaven and Hell)
“
This isn’t the first time I’ve faced death, and I don’t intend for it to be the last,” I said, repeating the same words he’d told me before fighting in that fateful duel. “I’ve chosen to live a dangerous life, but it’s who I am, and that wouldn’t change even if we’d never met.
”
”
Jeaniene Frost (One Grave at a Time (Night Huntress, #6))
“
I am officially turning him over to you. He's your problem now. You'll have to watch out for him and that won't be easy. He's naive, gullible, immature, horribly unsophisticated, ignorant about anything worth knowing, and idealistic to a fault." He paused to make a show of thinking harder. "He's also indecisive, pathetically honest, a horrible liar, and too virtuous for words. He gets up twice each night to relieve himself, wads his clothes rather than folds them, chews with his mouth open, and talks with his mouth full. He has a nasty habit of cracking his knuckles every morning at breakfast, and, of course, he snores. To remedy that, just put a rock under his blanket.
”
”
Michael J. Sullivan (Heir of Novron (The Riyria Revelations, #5-6))
“
I love you.'
'I'm a little stuck for words here,' she said. 'I'm just trying to get my head around it, trying to find the right way for... Okay, yeah, I have it now. Caelan, cop on to yourself.'
'But I love you.'
'Here we go.'
'When will you admit that you are in love with me too?'
'I swear, talking to you is like talking to a really good looking and mildly stupid brick wall. Look, I like you okay? I think you're cute. You could probably ease up on the brooding self-loathing, though. That stopped being attractive a while ago. But, I mean, on the whole, I like you, and you like me-'
'I love you.'
'Yeah, well...
”
”
Derek Landy (Death Bringer (Skulduggery Pleasant, #6))
“
I shouldn’t ask you to,” he said, devotion in every word, “but I’m going to. Wait for me, Jess. I’ll come back to you.” Naked emotion turned the sea green into hidden emeralds.
Pressing her fingers to his lips, she shook her head. “You never have to ask, Galen. Forever, that’s how long I’d wait for you.
”
”
Nalini Singh (Angels' Flight (Guild Hunter, #0.4, #0.6, #0.8, #3.5))
“
From the age of 6 I had a mania for drawing the shapes of things. When I was 50 I had published a universe of designs. But all I have done before the the age of 70 is not worth bothering with. At 75 I'll have learned something of the pattern of nature, of animals, of plants, of trees, birds, fish and insects. When I am 80 you will see real progress. At 90 I shall have cut my way deeply into the mystery of life itself. At 100, I shall be a marvelous artist. At 110, everything I create; a dot, a line, will jump to life as never before. To all of you who are going to live as long as I do, I promise to keep my word. I am writing this in my old age. I used to call myself Hokusai, but today I sign my self 'The Old Man Mad About Drawing.
”
”
Katsushika Hokusai
“
I wonder what kinds of songs Preston's father sang to him." Zach raised his eyebrows. "I wonder if he's in a cell humming them to himself right now."
I should have said something-done something. He was in a dark place, there in the moonlight. But before I could say a word, Zach took a deep breath and looked up at the fortress. "I wonder if I should join him.
”
”
Ally Carter (United We Spy (Gallagher Girls, #6))
“
As she lifted the glittering strand of diamonds from the box, a small slip of paper fell out. She caught it as it wafted toward the floor. Four words in ancient script, an arrogantly slanted scrawl.
Accept these, accept me.
Well, she thought, blinking, that was
certainly direct and to the point.
-Adam's note to Gabrielle
”
”
Karen Marie Moning (The Immortal Highlander (Highlander, #6))
“
Yes, it’s—” Dimitri bit off his words and glanced at Rose, then back at the drawing. “It’s a kind of marker worn by women in, uh, dhampir communes.”
Rose had no problem stating what his delicate sensibilities had held back from. “A blood whore camp?” Her eyes widened, and suddenly, she turned as angry as Lissa had been earlier. “Adrian Ivashkov! You should be ashamed of yourself, going to a place like that, especially now that you’re married—
”
”
Richelle Mead (The Ruby Circle (Bloodlines, #6))
“
To be silent. In hopes of not offending, in hopes of being accepted.
But what happened to people who never spoke, never raised their voices? Kept everything inside?
Gamache knew what happened. Everything they swallowed, every word, thought, feeling rattled around inside, hollowing the person out. And into that chasm they stuffed their words, their rage.
”
”
Louise Penny (Bury Your Dead (Chief Inspector Armand Gamache, #6))
“
Though I was having a blissful moment of being happy and content, I had one of those stray ideas you get at odd moments. I thought,How nice it would be if Eric were here with me in the car. He'd look so good with the wind blowing his hair, and he'd enjoy the moment . Well, yeah, before he burned to a crisp.
But I realized I'd thought of Eric because it was the kind of day you wanted to share with the person you cared about, the person whose company you enjoyed the most. And that would be Eric as he'd been while he was cursed by a witch: the Eric who hadn't been hardened by centuries of vampire politics, the Eric who had no contempt for humans and their affairs, the Eric who was not in charge of many financial enterprises and responsible for the lives and incomes of quite a few humans and vampires. In other words, Eric as he would never be again.
”
”
Charlaine Harris (Definitely Dead (Sookie Stackhouse, #6))
“
All those bickering worshippers, each one convinced their version is the right one. Imagine getting prayers from ten million believers, not one of them believing the same thing as the one kneeling beside him or her. Imagine all those Holy Books, not one of them agreeing on anything, yet all of them purporting to be the word of that one god. Imagine two armies annihilating each other, both in that god's name. Who wouldn't be driven mad by that?
”
”
Steven Erikson (The Bonehunters (Malazan Book of the Fallen, #6))
“
His warmth was all around me, as was his love, and again, I felt that completeness. I had that missing piece of my word back. The soul that complemented mine. My match. My equal. Not only that, I had my life back -my own life. I would protect Lissa, I would serve, but I was finally my own person.
”
”
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
“
When words don’t add up in love, it is because of six possible reasons:
1. They are afraid to tell you the truth because you will leave them.
2. They enjoy being a liar or playing people because of ego reasons and/or control.
3. They don’t know the truth themselves.
4. They are undecided.
5. They refuse to let their guard down and be vulnerable because you or someone else have hurt them tremendously.
6. You are not being told all the information because of a break down in communication.
”
”
Shannon L. Alder
“
The Prime Minister gazed hopelessly at the pair of them for a moment, then the words he had fought to suppress all evening burst from him at last.
“But for heaven’s sake — you’re wizards! You can do magic! Surely you can sort out — well — anything!”
Scrimgeour turned slowly on the spot and exchanged an incredulous look with Fudge, who really did manage a smile this time as he said kindly, “The trouble is, the other side can do magic too, Prime Minister.
”
”
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
“
Like this book, the dictionary shows you that the word "nervous" means "worried about something" -- you might feel nervous, for instance, if you were served prune ice cream for dessert, because you would be worried that it would taste awful -- whereas the word "anxious" means "troubled by disturbing suspense," which you might feel if you were served a live alligator for dessert, because you would be troubled by the disturbing suspense about whether you would eat your dessert or it would eat you.
”
”
Lemony Snicket (The Ersatz Elevator (A Series of Unfortunate Events, #6))
“
I was told
The average girl begins to plan her wedding at the age of 7
She picks the colors and the cake first
By the age of 10
She knows time,
And location
By 17
She’s already chosen a gown
2 bridesmaids
And a maid of honor
By 23
She’s waiting for a man
Who wont break out in hives when he hears the word “commitment”
Someone who doesn’t smell like a Band-Aid drenched in lonely
Someone who isn’t a temporary solution to the empty side of the bed
Someone
Who’ll hold her hand like it’s the only one they’ve ever seen
To be honest
I don’t know what kind of tux I’ll be wearing
I have no clue what want my wedding will look like
But I imagine
The women who pins my last to hers
Will butterfly down the aisle
Like a 5 foot promise
I imagine
Her smile
Will be so large that you’ll see it on google maps
And know exactly where our wedding is being held
The woman that I plan to marry
Will have champagne in her walk
And I will get drunk on her footsteps
When the pastor asks
If I take this woman to be my wife
I will say yes before he finishes the sentence
I’ll apologize later for being impolite
But I will also explain him
That our first kiss happened 6 years ago
And I’ve been practicing my “Yes”
For past 2, 165 days
When people ask me about my wedding
I never really know what to say
But when they ask me about my future wife
I always tell them
Her eyes are the only Christmas lights that deserve to be seen all year long
I say
She thinks too much
Misses her father
Loves to laugh
And she’s terrible at lying
Because her face never figured out how to do it correctl
I tell them
If my alarm clock sounded like her voice
My snooze button would collect dust
I tell them
If she came in a bottle
I would drink her until my vision is blurry and my friends take away my keys
If she was a book
I would memorize her table of contents
I would read her cover-to-cover
Hoping to find typos
Just so we can both have a few things to work on
Because aren’t we all unfinished?
Don’t we all need a little editing?
Aren’t we all waiting to be proofread by someone?
Aren’t we all praying they will tell us that we make sense
She don’t always make sense
But her imperfections are the things I love about her the most
I don’t know when I will be married
I don’t know where I will be married
But I do know this
Whenever I’m asked about my future wife
I always say
…She’s a lot like you
”
”
Rudy Francisco
“
The Neo-Pagan Ten “Commandments”
1. Thou art God/dess.
2. As above, so below; as within so without.
3. Spirit abides in all things; words & names have power.
4. Maintain an attitude of gratitude (walk the talk).
5. Honor the ancestors, teachers, elders, and leaders.
6. All life is sacred.
7. All acts of love and pleasure are sacred.
8. Whatever you send out returns threefold.
9. Love is the law, love under will.
10. For the greatest good, an’ it harm none.
”
”
Marian Singer (A Witch's 10 Commandments: Magickal Guidelines for Everyday Life)
“
If you’re not doing okay, you should tell me," Jace said. "We’re all under stress, but we have to keep it together as much as we-"
Alec whirled on him. There was disbelief in his eyes. “Doing okay? How would you be doing?” he demanded. “How would you be doing if it were Clary that Sebastian had taken? If it were her we were going to rescue, not knowing if she was dead or alive? How would you be doing?”
Jace felt as if Alec had slapped him. He also felt as though he deserved it. It took him several tries before he could get out the next words. “I-I would be in pieces.”
Alec got to his feet. He was outlined against the bruise-colored sky, the glow of the broken moons reflecting off the ground; Jace could see every facet of his expression, everything he had been keeping pent up. He thought of the way Alec had killed the faerie knight in the court; cold and quick and merciless. None of that was like Alec. And yet Jace had not paused to think about it, to think what drove that coldness: the hurt, the anger, the fear. “This,” Alec said, gesturing toward himself. “This is me in pieces.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
I shut up everything inside. Everything." Words ground out through clenched teeth. "I thought if I could hold it, just hold it, it would be fine. But it's not."
"Why?" she asked. "Why are you losing control so badly?"
The answer, when it came, broke Sascha's heart.
"Hawke." It was an almost soundless whisper.
"Oh, Sienna." She stroked her hand over the girl's hair, even as her mind worked at piercing speed. "Has it been cumulative?"
Sienna nodded. "The second I met him, everything crumbled, my shields, my conditioning, everything!
”
”
Nalini Singh (Branded by Fire (Psy-Changeling, #6))
“
I assume you have a reason for manhandling my mate?” Cool words but his amusement was apparent.
“Riley likes Mercy,” she stage-whispered, trying to twist around to look at her mate. “But she told him that h—oomph.” Riley set her on her feet without warning.
She swayed, but Judd's hands on her hips kept her upright. Pushing her hair off her face, she leaned into her sexy Psy mate and smirked at Riley. “Sooo...”
“Judd.” Riley ignored her. “You're obviously not interesting enough for my sister—she's got way too much time to poke her nose into other people's business.”
Judd wrapped his arms around her from behind, his chin on her hair. “I'm more interested in you and Mercy.
”
”
Nalini Singh (Branded by Fire (Psy-Changeling, #6))
“
YOU CAN CHANGE YOUR DESTINY Stand your ground. . . . Stay alert and be persistent in your prayers. —EPHESIANS 6:14–18, NLT Do not be a victim. Call the shots and change your destiny. Be proactive and decisive as you declare God’s Word over your life. God has given you the promise that whatsoever you declare in Jesus’s name will be done (John 14:13–14), so you can be all He intended you to be on the earth—a shining example of God’s goodness and love.
”
”
Cindy Trimm (Commanding Your Morning Daily Devotional: Unleash God's Power in Your Life--Every Day of the Year)
“
I said no, Aoife."
"You can't tell me what to do, Joe," I growled, feeling a combination of drunk and dizzy. "You don't own me."
"Well, that's bad fucking luck on my account, because you sure as shit own me!"
Drunk or not, his words hit me like a wrecking ball to the chest.
Feeling the air whoosh from my lungs, I glared up at him, feeling a torrent of emotions crashing through me. "Why would you say that to me?"
"Because it's the truth."
"Since when?"
"Since I was twelve.
”
”
Chloe Walsh (Redeeming 6 (Boys of Tommen, #4))
“
This book is entirely dedicated to my wife, Robin Sullivan.
Some have asked how it is I write such strong women without resorting to putting swords in their hands. It is because of her.
She is Arista.
She is Thrace.
She is Modina.
She is Amilia.
And she is my Gwen.
This series has been a tribute to her.
This is your book, Robin.
I hope you don't mind that I put down in words
How wonderful life is while you're in the world.
--ELTON JOHN, BERNIE TAUPIN
”
”
Michael J. Sullivan (Heir of Novron (The Riyria Revelations, #5-6))
“
Supposing there was justice for all, after all? For every unheeded beggar, every harsh word, every neglected duty, every slight... every choice... Because that was the point, wasn't it? You had to choose. You might be right, you might be wrong, but you had to choose, knowing that the rightness or wrongness might never be clear or even that you were deciding between two sorts of wrong, that there was no right anywhere. And always, always, you did it by yourself. You were the one there, on the edge, watching and listening. Never any tears, never any apology, never any regrets... You saved all that up in a way that could be used when needed.
”
”
Terry Pratchett (Carpe Jugulum (Discworld, #23; Witches, #6))
“
Something is very wrong with Bunce. She's collapsed in the back seat like a dead rabbit. But I can't really focus on it because of the sun and also the wind and because I'm very busy making a list.
Things I hate, a list:
1. The sun.
2. The wind.
3. Penelope Bunce, when she hasn't got a plan.
4. American sandwiches.
5. America.
6. The band, America. Which I didn't know about an hour ago.
7. Kansas, also a band I've recently become acquainted with.
8. Kansas, the state. Which isn't that far from Illinois, so it must be wretched.
9. The State of Illinois, for fucking certain.
10. The sun. In my eyes.
11. The wind in my hair.
12. Convertible automobiles.
13. Myself, most of all.
14. My soft heart.
15. My foolish optimism.
16. The words "road" and "trip" when said together with any enthusiasm.
17. Being a vampire, if we're being honest.
18. Being a vampire in a fucking convertible.
19. A deliriously thirsty vampire in a convertible at midday. In Illinois, which is apparently the brightest place on the planet.
20. The sun. Which hangs miles closer to Minooka, Illinois, than it does over London blessed England.
21. Minooka, Illinois. Which seems dreadful.
22. These sunglasses. Rubbish.
23. The fucking sun! We get it - you're very fucking bright!
24. Penelope Bunce, who came up with this idea. An idea not accompanied by a plan. Because all she cared about was seeing her rubbish boyfriend, who clearly cocked it all up. Which we all should have expected from someone from Illinois, land of the damned - a place that manages to be both hot and humid at the same time. You might well expect hell to be hot, but you don't expect it to also be humid. That's what makes it hell, the surprise twist! The devil is clever!
”
”
Rainbow Rowell (Wayward Son (Simon Snow, #2))
“
He is my favorite smell, my favorite sound, my favorite sight. He will never know how much I love him because he does not remember the day Darrow and I conceived him, or the months I carried him inside me, or the minute he came into the world, the moment he said his first word or took his first step, or made me laugh for the first time. I remember all those things, and all the things about them. Where the sun lay in the sky, how his father’s eyes sparkled, what I feared in those moments, what I hoped for his life to be. That season of life is a haze to him, but when I die and reflect on my life, I know I will still believe that season was the meaning of mine.
”
”
Pierce Brown (Light Bringer (Red Rising Saga, #6))
“
Granny turned slowly in her seat to look at the audience. They were staring at the performance, their faces rapt. The words washed over them in the breathless air. This was real. This was more real even than reality. This was history. It might not be true, but that had nothing to do with it.
Granny had never had much time for words. They were so insubstantial. Now she wished that she had found the time. Words were indeed insubstantial. They were as soft as water, but they were also as powerful as water and now they were rushing over the audience, eroding the levees of veracity, and carrying away the past.
”
”
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
“
The very quality of your life, whether you love it or hate it, is based upon how thankful you are toward God. It is one's attitude that determines whether life unfolds into a place of blessedness or wretchedness. Indeed, looking at the same rose bush, some people complain that the roses have thorns while others rejoice that some thorns come with roses. It all depends on your perspective.
This is the only life you will have before you enter eternity. If you want to find joy, you must first find thankfulness. Indeed, the one who is thankful for even a little enjoys much. But the unappreciative soul is always miserable, always complaining. He lives outside the shelter of the Most High God.
Perhaps the worst enemy we have is not the devil but our own tongue. James tells us, "The tongue is set among our members as that which . . . sets on fire the course of our life" (James 3:6). He goes on to say this fire is ignited by hell. Consider: with our own words we can enter the spirit of heaven or the agonies of hell!
It is hell with its punishments, torments and misery that controls the life of the grumbler and complainer! Paul expands this thought in 1 Corinthians 10:10, where he reminds us of the Jews who "grumble[d] . . . and were destroyed by the destroyer." The fact is, every time we open up to grumbling and complaining, the quality of our life is reduced proportionally -- a destroyer is bringing our life to ruin!
People often ask me, "What is the ruling demon over our church or city?" They expect me to answer with the ancient Aramaic or Phoenician name of a fallen angel. What I usually tell them is a lot more practical: one of the most pervasive evil influences over our nation is ingratitude!
Do not minimize the strength and cunning of this enemy! Paul said that the Jews who grumbled and complained during their difficult circumstances were "destroyed by the destroyer." Who was this destroyer? If you insist on discerning an ancient world ruler, one of the most powerful spirits mentioned in the Bible is Abaddon, whose Greek name is Apollyon. It means "destroyer" (Rev. 9:11). Paul said the Jews were destroyed by this spirit. In other words, when we are complaining or unthankful, we open the door to the destroyer, Abaddon, the demon king over the abyss of hell!
In the Presence of God
Multitudes in our nation have become specialists in the "science of misery." They are experts -- moral accountants who can, in a moment, tally all the wrongs society has ever done to them or their group. I have never talked with one of these people who was happy, blessed or content about anything. They expect an imperfect world to treat them perfectly.
Truly, there are people in this wounded country of ours who need special attention. However, most of us simply need to repent of ingratitude, for it is ingratitude itself that is keeping wounds alive! We simply need to forgive the wrongs of the past and become thankful for what we have in the present.
The moment we become grateful, we actually begin to ascend spiritually into the presence of God. The psalmist wrote,
"Serve the Lord with gladness; come before Him with joyful singing. . . . Enter His gates with thanksgiving and His courts with praise. Give thanks to Him, bless His name. For the Lord is good; His lovingkindness is everlasting and His faithfulness to all generations" (Psalm 100:2, 4-5).
It does not matter what your circumstances are; the instant you begin to thank God, even though your situation has not changed, you begin to change. The key that unlocks the gates of heaven is a thankful heart. Entrance into the courts of God comes as you simply begin to praise the Lord.
”
”
Francis Frangipane
“
What is the connection between you and our handsome host? Aunt B asked.
Blackberries taste much worse when they try to come back up your throat. "Uhhh..."
"Uhhh is not an answer," Keira informed me.
Andre must not have told her about Hugh, and I had no desire to explain who my dad was. "We never met but we were trained by the same person. Now he works for a very powerful man who will kill me if he finds me."
"Why?" Keira asked.
"It's a family thing."
"That explains the attraction," Aunt B said.
"Attraction?"
"You're that thing he can't have. It's called forbidden fruit."
"I'm not his fruit!"
"He thinks you are. The word you're looking for is "smitten," my dear." Aunt B smiled. "I'm sure the way Megobari looked at you made Curran positively giddy.
”
”
Ilona Andrews (Magic Rises (Kate Daniels, #6))
“
President Lyndon Johnson's 10 point formula for success:
1. Learn to remember names. Inefficiency at this point may indicate that your interest is not sufficiently outgoing.
2. Be a comfortable person so there is no strain in being with you. Be an old-shoe, old-hat kind of individual.
3. Acquire the quality of relaxed easy-going so that things do not ruffle you.
4. Don't be egotistical. Guard against the impression that you know it all.
5. Cultivate the quality of being interesting so people will get something of value from their association with you.
6. Study to get the "scratchy" elements out of your personality, even those of which you may be unconscious.
7. Sincerely attempt to heal, on an honest Christian basis, every msiunderstanding you have had or now have. Drain off your grievances.
8. Practice liking people until you learn to do so genuinely.
9. Never miss an opportunity to say a word of congratulation upon anyone's achievement, or express sympathy in sorrow or disappointment.
10. Give spiritual strength to people, and they will give genuine affection to you.
”
”
Lyndon B. Johnson
“
There are blondes and blondes and it is almost a joke word nowadays. All blondes have their points, except perhaps the metallic ones who are as blond as a Zulu under the bleach and as to disposition as soft as a sidewalk. There is the small cute blonde who cheeps and twitters, and the big statuesque blonde who straight-arms you with an ice-blue glare. There is the blonde who gives you the up-from-under look and smells lovely and shimmers and hangs on your arm and is always very tired when you take her home. She makes that helpless gesture and has that goddamned headache and you would like to slug her except that you are glad you found out about the headache before you invested too much time and money and hope in her. Because the headache will always be there, a weapon that never wears out and is as deadly as the bravo’s rapier or Lucrezia’s poison vial. There is the soft and willing and alcoholic blonde who doesn’t care what she wears as long as it is mink or where she goes as long as it is the Starlight Roof and there is plenty of dry champagne. There is the small perky blonde who is a little pal and wants to pay her own way and is full of sunshine and common sense and knows judo from the ground up and can toss a truck driver over her shoulder without missing more than one sentence out of the editorial in the Saturday Review. There is the pale, pale blonde with anemia of some non-fatal but incurable type. She is very languid and very shadowy and she speaks softly out of nowhere and you can’t lay a finger on her because in the first place you don’t want to and in the second place she is reading The Waste Land or Dante in the original, or Kafka or Kierkegaard or studying Provençal. She adores music and when the New York Philharmonic is playing Hindemith she can tell you which one of the six bass viols came in a quarter of a beat too late. I hear Toscanini can also. That makes two of them. And lastly there is the gorgeous show piece who will outlast three kingpin racketeers and then marry a couple of millionaires at a million a head and end up with a pale rose villa at Cap Antibes, an Alfa-Romeo town car complete with pilot and co-pilot, and a stable of shopworn aristocrats, all of whom she will treat with the affectionate absent-mindedness of an elderly duke saying goodnight to his butler.
”
”
Raymond Chandler (The Long Goodbye (Philip Marlowe, #6))
“
Yes. Just now, I was actually trying to rank 'I love you, I like you, I worship you, I have to have my cock inside you,' in terms of relative sincerity.
Did I day that? he said sounding slightly startled.
Yes. Weren't you listening?
No, he admitted. I meant every word of it though. His hand cupped one buttock, weighing it appreciatively. Still do come to that.
What, even that last one? I laughed and rubbed my forehead gently against his chest, feeling his jaw rest snugly on top of my head.
Oh, aye, he said gathering me firmly against him with a sigh. I will say the flesh requires a bit of supper and a wee rest before I think of doin' it again, but the spirit is always willing. God, ye have the sweetest fat wee bum. Only seeing it makes me want to give it yea again directly. It's lucky ye're wed to a decrepit auld man, Sessenach, or ye'd be on your knees with your arse in the air this minute.
”
”
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
“
Do you know how long I’ve been telling myself you hated me? Or how hard it’s been to keep believing it? You’d do things, these amazing, insane things, like stealing me back from Blind Michael or breaking me out of jail, and I’d say, ‘Oh, he just wants to pay his debts,’ or, ‘Oh, who knows what a cat is thinking?’” My voice broke a little on the last word. Dammit.
Tybalt’s eyes widened, hope kindling in their depths. “What are you saying?”
“I’m saying— oak and ash, Tybalt, I’m saying I’m in love with you, I’ve been in love with you for a while, and the only way I was dealing with it was by not dealing with it, ever.” I shook my head. “I knew I’d never have you, so I told myself I didn’t want you, and if you don’t really want me, if you want some idea of me, or just want to chase and not catch, I’ll understand, but this has been a hard week, Tybalt, this has been such a hard week. I’ve been waiting for you to come here, because I need you to tell me. Okay? Just tell me what you want.”
“Oh, October. Toby. My Toby.” He pulled one hand from mine, reaching up to tuck my hair behind my ear. His fingers were shaking. That was what I focused on, more than anything else. His fingers were shaking. “Do you think I’m cruel enough to do that to you?”
I sniffled. “No,” I admitted.
“Thank Oberon,” he said, and pulled me close, and kissed me.
”
”
Seanan McGuire (Ashes of Honor (October Daye, #6))
“
The Girlfriend 911 Cheat Sheet:
1) Change your behavior, and you’ll change his.
2) Create a high standard for yourself.
3) Create a boundary for yourself and for him.
4) Allow him to take the lead every step of the way. It’s a chess game. He makes his move, then you make yours.
5) Don’t contact him unless he contacts you first. Don’t play games or lead him on if you’re not interested. Always be honest and up-front with your intentions.
6) Pay close attention to signs and red flags. Don’t ignore them. When you see one, figure out what it means and act accordingly.
7) If you want a long-term relationship, postpone sleeping with him. Wait until a good amount of time has gone by, both of you are on the same page, and you both want to be in a committed relationship. If there’s any doubt on his part, don’t sleep with him. If he tells you he doesn’t want to be in a relationship, take him at his word and move on.
”
”
Jacquee Kahn
“
Hearts don't start out frozen," Cassandra said wisely. "Something happened to you."
Mr. Severin gave her a slightly mocking glance. "How do you know so much about the heart?"
"I've read novels-" Cassandra began earnestly, and was disgruntled to hear his quiet laugh. "Many of them. You don't think a person can learn things from reading novels?"
"Nothing that actually applies to life." But the blue-green eyes contained a friendly sparkle, as if he found her charming.
"But life is what novels are about. A novel can contain more truth than a thousand newspaper articles or scientific papers. It can make you imagine, just for a little while, that you're someone else- and then you understand more about people who are different from you."
The way he listened to her was so very flattering, so careful and interested, as if he were collecting her words like flowers to be pressed in a book. "I stand corrected," he said. "I see I'll have to read one.
”
”
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
“
And then,” Steris said softly, “perhaps I came along because of the way it feels.…”
Marasi looked sharply back at her sister.
“Like the whole world has been upended,” Steris said, looking toward the ceiling. “Like the laws of nature and man no longer hold sway. They’re suddenly flexible, like a string given slack. We’re the spheres.… I love the idea that I can break out of it all—the expectations, the way I’m regarded, the way I regard myself—and soar.
“I saw it in his eyes, first. That hunger, that fire. And then I found it in myself. He’s a flame, Waxillium is, and fire can be shared. When I’m out here, when I’m with him, I burn, Marasi. It’s wonderful.”
Marasi’s jaw dropped, and she gawked at her sister. Had those words left Steris’s mouth? Careful, monotonous, boring Steris? She glanced toward Marasi and blushed.
“You actually love him, don’t you?” Marasi asked.
“Well, love is a strong emotion, one that requires careful deliberation to—”
“Steris.”
“Yes.” She looked down at her notebook. “It’s foolish, isn’t it?”
“Of course it is,” Marasi said. “Love is always a foolish emotion. That’s what makes it work.
”
”
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
“
[Jesus] stands between us and God, and for that very reason he stands between us and all other men and things. He is the Mediator, not only between God and man, but between man and man, between man and reality. Since the whole world was created through him and unto him (John 1:3; 1st Cor. 8:6; Heb. 1:2), he is the sole Mediator in the world...
The call of Jesus teaches us that our relation to the world has been built on an illusion. All the time we thought we had enjoyed a direct relation with men and things. This is what had hindered us from faith and obedience. Now we learn that in the most intimate relationships of life, in our kinship with father and mother, bothers and sisters, in married love, and in our duty to the community, direct relationships are impossible. Since the coming of Christ, his followers have no more immediate realities of their own, not in their family relationships nor in the ties with their nation nor in the relationships formed in the process of living. Between father and son, husband and wife, the individual and the nation, stands Christ the Mediator, whether they are able to recognize him or not. We cannot establish direct contact outside ourselves except through him, through his word, and through our following of him. To think otherwise is to deceive ourselves.
But since we are bound to abhor any deception which hides the truth from our sight, we must of necessity repudiate any direct relationship with the things of this world--and that for the sake of Christ. Wherever a group, be it large or small, prevents us from standing alone before Christ, wherever such a group raises a claim of immediacy it must be hated for the sake of Christ. For every immediacy, whether we realize it or not, means hatred of Christ, and this is especially true where such relationships claim the sanctions of Christian principles.,,
There is no way from one person to another. However loving and sympathetic we try to be, however sound our psychology, however frank and open our behavior, we cannot penetrate the incognito of the other man, for there are no direct relationships, not even between soul and soul. Christ stands between us, and we can only get into touch with our neighbors through him. That is why intercession is the most promising way to reach our neighbors, and corporate prayer, offered in the name of Christ, the purest form of fellowship.
”
”
Dietrich Bonhoeffer (The Cost of Discipleship)
“
In One Dimensions, did not a moving Point produce a Line with two terminal points?
In two Dimensions, did not a moving Line produce a Square wit four terminal points?
In Three Dimensions, did not a moving Square produce - did not the eyes of mine behold it - that blessed being, a Cube, with eight terminal points?
And in Four Dimensions, shall not a moving Cube - alas, for Analogy, and alas for the Progress of Truth if it be not so - shall not, I say the motion of a divine Cube result in a still more divine organization with sixteen terminal points?
Behold the infallible confirmation of the Series, 2, 4, 8, 16: is not this a Geometrical Progression? Is not this - if I might qupte my Lord's own words - "Strictly according to Analogy"?
Again, was I not taught by my Lord that as in a Line there are two bonding points, and in a Square there are four bounding Lines, so in a Cube there must be six bounding Squares? Behold once more the confirming Series: 2, 4, 6: is not this an Arithmetical Progression? And consequently does it not of necessity follow that the more divine offspring of the divine Cube in the Land of Four Dimensions, must have eight bounding Cubes: and is not this also, as my Lord has taught me to believe, "strictly according to analogy"?
”
”
Edwin A. Abbott (Flatland: A Romance of Many Dimensions)
“
Words had to change their ordinary meaning and to take that which was now given them. Reckless audacity came to be considered the courage of a loyal supporter; prudent hesitation, specious cowardice; moderation was held to be a cloak for unmanliness; ability to see all sides of a question incapacity to act on any. Frantic violence became the attribute of manliness; cautious plotting a justifiable means of self-defense. [5] The advocate of extreme measures was always trustworthy; his opponent a man to be suspected. To succeed in a plot was to have a shrewd head, to divine a plot a still shrewder; but to try to provide against having to do either was to break up your party and to be afraid of your adversaries. In short, to forestall an intending criminal, or to suggest the idea of a crime where it was lacking was equally commended, [6] until even blood became a weaker tie than party, from the superior readiness of those united by the latter to dare everything without reserve; for such associations sought not the blessings derivable from established institutions but were formed by ambition to overthrow them; and the confidence of their members in each other rested less on any religious sanction than upon complicity in crime.
”
”
Thucydides (The Landmark Thucydides: A Comprehensive Guide to the Peloponnesian War)
“
HOW TO ASCERTAIN THE WILL OF GOD I seek at the beginning to get my heart into such a state that it has no will of its own in regard to a given matter. Nine-tenths of the trouble with people generally is just here. Nine-tenths of the difficulties are overcome when our hearts are ready to do the Lord's will, whatever it may be. When one is truly in this state, it is usually but a little way to the knowledge of what His will is. 2.—Having done this, I do not leave the result to feeling or simple impression. If so, I make myself liable to great delusions. 3.—I seek the Will of the Spirit of God through, or in connection with, the Word of God. The Spirit and the Word must be combined. If I look to the Spirit alone without the Word, I lay myself open to great delusions also. If the Holy Ghost guides us at all, He will do it according to the Scriptures and never contrary to them. 4.—Next I take into account providential circumstances. These often plainly indicate God's Will in connection with His Word and Spirit. 5.—I ask God in prayer to reveal His Will to me aright. 6.—Thus, through prayer to God, the study of the Word, and reflection, I come to a deliberate judgment according to the best of my ability and knowledge, and if my mind is thus at peace, and continues so after two or three more petitions, I proceed accordingly. In trivial matters, and in transactions involving most important issues, I have found this method always effective. GEORGE MÜLLER.
”
”
George Müller (Answers to Prayer From George Müller's Narratives)
“
What is a Gallagher Girl?” Liz asked.
She looked nervously down at the papers in her hand even though I knew for a fact she had memorized every word.
“When I was eleven I thought I knew the answer to that question. That was when the recruiters came to see me. They showed me brochures and told me they were impressed by my test scores and asked if I was ready to be challenged. And I said yes. Because that was what a Gallagher Girl was to me then, a student at the toughest school in the world.”
She took a deep breath and talked on.
“What is a Gallagher Girl?” Liz asked again. “When I was thirteen I thought I knew the answer to that question. That was when Dr. Fibs allowed me to start doing my own experiments in the lab. I could go anywhere—make anything. Do anything my mind could dream up. Because I was a Gallagher Girl. And, to me, that meant I was the future.”
Liz took another deep breath.
“What is a Gallagher Girl?” This time, when Liz asked it, her voice cracked. “When I was seventeen I stood on a dark street in Washington, D.C., and watched one Gallagher Girl literally jump in front of a bullet to save the life of another. I saw a group of women gather around a girl whom they had never met, telling the world that if any harm was to come to their sister, it had to go through them first.”
Liz straightened. She no longer had to look down at her paper as she said, “What is a Gallagher Girl? I’m eighteen now, and if I’ve learned anything, it’s that I don’t really know the answer to that question. Maybe she is destined to be our first international graduate and take her rightful place among Her Majesty’s Secret Service with MI6.”
I glanced to my right and, call me crazy, but I could have sworn Rebecca Baxter was crying.
“Maybe she is someone who chooses to give back, to serve her life protecting others just as someone once protected her.”
Macey smirked but didn’t cry. I got the feeling that Macey McHenry might never cry again.
“Who knows?” Liz asked. “Maybe she’s an undercover journalist.” I glanced at Tina Walters. “An FBI agent.” Eva Alvarez beamed. “A code breaker.” Kim Lee smiled. “A queen.” I thought of little Amirah and knew somehow that she’d be okay.
“Maybe she’s even a college student.” Liz looked right at me. “Or maybe she’s so much more.”
Then Liz went quiet for a moment. She too looked up at the place where the mansion used to stand.
“You know, there was a time when I thought that the Gallagher Academy was made of stone and wood, Grand Halls and high-tech labs. When I thought it was bulletproof, hack-proof, and…yes…fireproof. And I stand before you today happy for the reminder that none of those things are true. Yes, I really am. Because I know now that a Gallagher Girl is not someone who draws her power from that building. I know now with scientific certainty that it is the other way around.”
A hushed awe descended over the already quiet crowd as she said this. Maybe it was the gravity of her words and what they meant, but for me personally, I like to think it was Gilly looking down, smiling at us all.
“What is a Gallagher Girl?” Liz asked one final time. “She’s a genius, a scientist, a heroine, a spy. And now we are at the end of our time at school, and the one thing I know for certain is this: A Gallagher Girl is whatever she wants to be.”
Thunderous, raucous applause filled the student section.
Liz smiled and wiped her eyes. She leaned close to the microphone.
“And, most of all, she is my sister.
”
”
Ally Carter (United We Spy (Gallagher Girls, #6))
“
Jonathan Safran Foer’s 10 Rules for Writing:
1.Tragedies make great literature; unfathomable catastrophes (the Holocaust, 9/11) are even better – try to construct your books around them for added gravitas but, since those big issues are such bummers, make sure you do it in a way that still focuses on a quirky central character that’s somewhat like Jonathan Safran Foer.
2. You can also name your character Jonathan Safran Foer.
3. If you’re writing a non-fiction book you should still make sure that it has a strong, deep, wise, and relatable central character – someone like Jonathan Safran Foer.
4. If you reach a point in your book where you’re not sure what to do, or how to approach a certain scene, or what the hell you’re doing, just throw in a picture, or a photo, or scribbles, or blank pages, or some illegible text, or maybe even a flipbook. Don’t worry if these things don’t mean anything, that’s what postmodernism is all about. If you’re not sure what to put in, you can’t go wrong with a nice photograph of Jonathan Safran Foer.
5. If you come up with a pun, metaphor, or phrase that you think is really clever and original, don’t just use it once and throw it away, sprinkle it liberally throughout the text. One particularly good phrase that comes to mind is “Jonathan Safran Foer.”
6. Don’t worry if you seem to be saying the same thing over and over again, repetition makes the work stronger, repetition is good, it drives the point home. The more you repeat a phrase or an idea, the better it gets. You should not be afraid of repeating ideas or phrases. One particularly good phrase that comes to mind is “Jonathan Safran Foer.”
7. Other writers are not your enemies, they are your friends, so you should feel free to borrow some of their ideas, words, techniques, and symbols, and use them completely out of context. They won’t mind, they’re your friends, just like my good friend Paul Auster, with whom I am very good friends. Just make sure you don’t steal anything from Jonathan Safran Foer, it wouldn’t be nice, he is your friend.
8. Make sure you have exactly three plots in your novel, any more and it gets confusing, any less and it’s not postmodern. At least one of those plots should be in a different timeline. It often helps if you name these three plots, I often use “Jonathan,” “Safran,” and “Foer.”
9. Don’t be afraid to make bold statements in you writing, there should always be a strong lesson to be learned, such as “don’t eat animals,” or “the Holocaust was bad,” or “9/11 was really really sad,” or “the world would be a better place if everyone was just a little bit more like Jonathan Safran Foer.”
10. In the end, don’t worry if you’re unsuccessful as a writer, it probably wasn’t meant to be. Not all of us are chosen to become writers. Not all of us can be Jonathan Safran Foer.
”
”
Jonathan Safran Foer
“
Hush!’ said the Cabby. They all listened.
In the darkness something was happening at last. A voice had begun to sing. It was very far away and Digory found it hard to decide from what direction it was coming. Sometimes it seemed to come from all directions at once. Sometimes he almost thought it was coming out of the earth beneath them. Its lower notes were deep enough to be the voice of the earth herself. There were no words. There was hardly even a tune. But it was, beyond comparison, the most beautiful noise he had ever heard. It was so beautiful he could hardly bear it…
‘Gawd!’ said the Cabby. ‘Ain’t it lovely?’
Then two wonders happened at the same moment. One was that the voice was suddenly joined by other voices; more voices than you could possibly count. They were in harmony with it, but far higher up the scale: cold, tingling, silvery voices. The second wonder was that the blackness overhead, all at once, was blazing with stars. They didn’t come out gently one by one, as they do on a summer evening. One moment there had been nothing but darkness; next moment a thousand, thousand points of light leaped out – single stars, constellations, and planets, brighter and bigger than any in our world. There were no clouds. The new stars and the new voices began at exactly the same time. If you had seen and heard it , as Digory did, you would have felt quite certain that it was the stars themselves who were singing, and that it was the First Voice, the deep one, which had made them appear and made them sing.
‘Glory be!’ said the Cabby. ‘I’d ha’ been a better man all my life if I’d known there were things like this.’
…Far away, and down near the horizon, the sky began to turn grey. A light wind, very fresh, began to stir. The sky, in that one place, grew slowly and steadily paler. You could see shapes of hills standing up dark against it. All the time the Voice went on singing…The eastern sky changed from white to pink and from pink to gold. The Voice rose and rose, till all the air was shaking with it. And just as it swelled to the mightiest and most glorious sound it had yet produced, the sun arose.
Digory had never seen such a sun…You could imagine that it laughed for joy as it came up. And as its beams shot across the land the travellers could see for the first time what sort of place they were in. It was a valley through which a broad, swift river wound its way, flowing eastward towards the sun. Southward there were mountains, northward there were lower hills. But it was a valley of mere earth, rock and water; there was not a tree, not a bush, not a blade of grass to be seen. The earth was of many colours: they were fresh, hot and vivid. They made you feel excited; until you saw the Singer himself, and then you forgot everything else.
It was a Lion. Huge, shaggy, and bright it stood facing the risen sun. Its mouth was wide open in song and it was about three hundred yards away.
”
”
C.S. Lewis (The Magician’s Nephew (Chronicles of Narnia, #6))
“
Boy everyone in this country is running around yammering about their fucking rights. "I have a right, you have no right, we have a right."
Folks I hate to spoil your fun, but... there's no such thing as rights. They're imaginary. We made 'em up. Like the boogie man. Like Three Little Pigs, Pinocio, Mother Goose, shit like that. Rights are an idea. They're just imaginary. They're a cute idea. Cute. But that's all. Cute...and fictional. But if you think you do have rights, let me ask you this, "where do they come from?" People say, "They come from God. They're God given rights." Awww fuck, here we go again...here we go again.
The God excuse, the last refuge of a man with no answers and no argument, "It came from God." Anything we can't describe must have come from God. Personally folks, I believe that if your rights came from God, he would've given you the right for some food every day, and he would've given you the right to a roof over your head. GOD would've been looking out for ya. You know that.
He wouldn't have been worried making sure you have a gun so you can get drunk on Sunday night and kill your girlfriend's parents.
But let's say it's true. Let's say that God gave us these rights. Why would he give us a certain number of rights?
The Bill of Rights of this country has 10 stipulations. OK...10 rights. And apparently God was doing sloppy work that week, because we've had to ammend the bill of rights an additional 17 times. So God forgot a couple of things, like...SLAVERY. Just fuckin' slipped his mind.
But let's say...let's say God gave us the original 10. He gave the british 13. The british Bill of Rights has 13 stipulations. The Germans have 29, the Belgians have 25, the Sweedish have only 6, and some people in the world have no rights at all. What kind of a fuckin' god damn god given deal is that!?...NO RIGHTS AT ALL!? Why would God give different people in different countries a different numbers of different rights? Boredom? Amusement? Bad arithmetic? Do we find out at long last after all this time that God is weak in math skills? Doesn't sound like divine planning to me. Sounds more like human planning . Sounds more like one group trying to control another group. In other words...business as usual in America.
Now, if you think you do have rights, I have one last assignment for ya. Next time you're at the computer get on the Internet, go to Wikipedia. When you get to Wikipedia, in the search field for Wikipedia, i want to type in, "Japanese-Americans 1942" and you'll find out all about your precious fucking rights. Alright. You know about it.
In 1942 there were 110,000 Japanese-American citizens, in good standing, law abiding people, who were thrown into internment camps simply because their parents were born in the wrong country. That's all they did wrong. They had no right to a lawyer, no right to a fair trial, no right to a jury of their peers, no right to due process of any kind. The only right they had was...right this way! Into the internment camps.
Just when these American citizens needed their rights the most...their government took them away. and rights aren't rights if someone can take em away. They're priveledges. That's all we've ever had in this country is a bill of TEMPORARY priviledges; and if you read the news, even badly, you know the list get's shorter, and shorter, and shorter.
Yeup, sooner or later the people in this country are going to realize the government doesn't give a fuck about them. the government doesn't care about you, or your children, or your rights, or your welfare or your safety. it simply doesn't give a fuck about you. It's interested in it's own power. That's the only thing...keeping it, and expanding wherever possible.
Personally when it comes to rights, I think one of two things is true: either we have unlimited rights, or we have no rights at all.
”
”
George Carlin (It's Bad for Ya)