5 Elements Quotes

We've searched our database for all the quotes and captions related to 5 Elements. Here they are! All 100 of them:

I need a weapon,” Valkyrie muttered. “You’re an Elemental with a Necromancer ring, trained in a variety of martial arts by some of the best fighters in the world,” Skulduggery pointed out. “I’m fairly certain that makes you a weapon.” “I mean a weapon you hold. You have a gun, Tanith has a sword... I want a stick.” “I’ll buy you a stick for Christmas.
Derek Landy (Mortal Coil (Skulduggery Pleasant, #5))
My name is Gin, and I kill people.
Jennifer Estep (Spider’s Revenge (Elemental Assassin, #5))
His eyes are blue, and blue eyes up close are a celestial phenomenon: nebulae as seen through telescopes, the light of unnamed stars diffused through dusts and elements and endlessness. Layers of light. Blue eyes are starlight.
Laini Taylor (Night of Cake & Puppets (Daughter of Smoke & Bone, #1.5))
... and holy hell the chocolate is so intense and pure it should be named an element and given a spot on the periodic table. It would be Ch, which isn't even taken.
Laini Taylor (Night of Cake & Puppets (Daughter of Smoke & Bone, #1.5))
I’m the Spider, bitch—I’m the best there is.
Jennifer Estep (Spider’s Revenge (Elemental Assassin, #5))
Water: 35 liters, Carbon: 20 kg, Ammonia: 4 liters, Lime:1.5 kg, Phosphrus: 800 g, salt: 250g, saltpeter:100g, Sulfer: 80g, Fluorine: 7.5 g, iron: 5.6 g, Silicon: 3g, and 15 other elements in small quantities.... thats the total chemical makeup of the average adult body. Modern science knows all of this, but there has never been a single example of succesful human trasmutation. It's like there's some missing ingredient..... Scientists have been trying to find it for hundreds of years, pouring tons of money into research, and to this day they don't have a theory. For that matter, the elements found in a human being is all junk that you can buy in any market with a child's allowence. Humans are pretty cheaply made.
Hiromu Arakawa (Fullmetal Alchemist, Vol. 1)
How DARE the villainous cads be as clever as the heroes.
Mercedes Lackey (Reserved for the Cat (Elemental Masters, #5))
When you’re sure of what you want, I’ll be right here.
Brigid Kemmerer (Breathless (Elemental, #2.5))
Nothing in this world is stronger than love. It should always be enough. No matter what.
Jennifer L. Armentrout (Bitter Sweet Love (The Dark Elements, #0.5))
Reading list (1972 edition)[edit] 1. Homer – Iliad, Odyssey 2. The Old Testament 3. Aeschylus – Tragedies 4. Sophocles – Tragedies 5. Herodotus – Histories 6. Euripides – Tragedies 7. Thucydides – History of the Peloponnesian War 8. Hippocrates – Medical Writings 9. Aristophanes – Comedies 10. Plato – Dialogues 11. Aristotle – Works 12. Epicurus – Letter to Herodotus; Letter to Menoecus 13. Euclid – Elements 14. Archimedes – Works 15. Apollonius of Perga – Conic Sections 16. Cicero – Works 17. Lucretius – On the Nature of Things 18. Virgil – Works 19. Horace – Works 20. Livy – History of Rome 21. Ovid – Works 22. Plutarch – Parallel Lives; Moralia 23. Tacitus – Histories; Annals; Agricola Germania 24. Nicomachus of Gerasa – Introduction to Arithmetic 25. Epictetus – Discourses; Encheiridion 26. Ptolemy – Almagest 27. Lucian – Works 28. Marcus Aurelius – Meditations 29. Galen – On the Natural Faculties 30. The New Testament 31. Plotinus – The Enneads 32. St. Augustine – On the Teacher; Confessions; City of God; On Christian Doctrine 33. The Song of Roland 34. The Nibelungenlied 35. The Saga of Burnt Njál 36. St. Thomas Aquinas – Summa Theologica 37. Dante Alighieri – The Divine Comedy;The New Life; On Monarchy 38. Geoffrey Chaucer – Troilus and Criseyde; The Canterbury Tales 39. Leonardo da Vinci – Notebooks 40. Niccolò Machiavelli – The Prince; Discourses on the First Ten Books of Livy 41. Desiderius Erasmus – The Praise of Folly 42. Nicolaus Copernicus – On the Revolutions of the Heavenly Spheres 43. Thomas More – Utopia 44. Martin Luther – Table Talk; Three Treatises 45. François Rabelais – Gargantua and Pantagruel 46. John Calvin – Institutes of the Christian Religion 47. Michel de Montaigne – Essays 48. William Gilbert – On the Loadstone and Magnetic Bodies 49. Miguel de Cervantes – Don Quixote 50. Edmund Spenser – Prothalamion; The Faerie Queene 51. Francis Bacon – Essays; Advancement of Learning; Novum Organum, New Atlantis 52. William Shakespeare – Poetry and Plays 53. Galileo Galilei – Starry Messenger; Dialogues Concerning Two New Sciences 54. Johannes Kepler – Epitome of Copernican Astronomy; Concerning the Harmonies of the World 55. William Harvey – On the Motion of the Heart and Blood in Animals; On the Circulation of the Blood; On the Generation of Animals 56. Thomas Hobbes – Leviathan 57. René Descartes – Rules for the Direction of the Mind; Discourse on the Method; Geometry; Meditations on First Philosophy 58. John Milton – Works 59. Molière – Comedies 60. Blaise Pascal – The Provincial Letters; Pensees; Scientific Treatises 61. Christiaan Huygens – Treatise on Light 62. Benedict de Spinoza – Ethics 63. John Locke – Letter Concerning Toleration; Of Civil Government; Essay Concerning Human Understanding;Thoughts Concerning Education 64. Jean Baptiste Racine – Tragedies 65. Isaac Newton – Mathematical Principles of Natural Philosophy; Optics 66. Gottfried Wilhelm Leibniz – Discourse on Metaphysics; New Essays Concerning Human Understanding;Monadology 67. Daniel Defoe – Robinson Crusoe 68. Jonathan Swift – A Tale of a Tub; Journal to Stella; Gulliver's Travels; A Modest Proposal 69. William Congreve – The Way of the World 70. George Berkeley – Principles of Human Knowledge 71. Alexander Pope – Essay on Criticism; Rape of the Lock; Essay on Man 72. Charles de Secondat, baron de Montesquieu – Persian Letters; Spirit of Laws 73. Voltaire – Letters on the English; Candide; Philosophical Dictionary 74. Henry Fielding – Joseph Andrews; Tom Jones 75. Samuel Johnson – The Vanity of Human Wishes; Dictionary; Rasselas; The Lives of the Poets
Mortimer J. Adler (How to Read a Book: The Classic Guide to Intelligent Reading)
Aristotle taught that stars are made of a different matter than the four earthly elements— a quintessence— that also happens to be what the human psyche is made of. Which is why man’s spirit corresponds to the stars. Perhaps that’s not a very scientific view, but I do like the idea that there’s a little starlight in each of us.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Gabriel. Number three?" That killed the smile. "Yeah. My twin brother. He says he doesn't care if I go away to school, but I know he does." "Identical twin?" "Yeah." "Niiiiice." Nick cut him another look, and Adam smiled. "Sorry.
Brigid Kemmerer (Breathless (Elemental, #2.5))
I will destroy you. No matter how long it takes, no matter what it costs me. I won’t sleep, I won’t eat. I won’t do anything but plot your downfall. I will mow down your men like they’re weeds. I’ll kill so many of them so viciously, so brutally, so horribly that no one will dare to work for you. And sooner or later, I’ll get you too.
Jennifer Estep (Spider’s Revenge (Elemental Assassin, #5))
Moonlight slipped in through the lace curtains, slicing everything with its sliver cracks. That's how I felt right now - cold and cracked and hollow and empty.
Jennifer Estep (Spider’s Revenge (Elemental Assassin, #5))
Finn regarded pesky little things like wedding bands, engagement rings, and jealous, hulking menfolk more as amusing challenges than immovable obstacles that could be hazardous to his health.
Jennifer Estep (Spider’s Revenge (Elemental Assassin, #5))
Adam's thumb tapped against his neck. "Your heart is racing." No kidding. Nick turned his head away and took the ice bag. He set it on the table and had to look into his coffee mug again. "Sorry," said Adam. "I know there's no point in pushing your buttons. You're just so adorable when you blush like that." Then he was grinning. "Or like that.
Brigid Kemmerer (Breathless (Elemental, #2.5))
I laughed. "Oh, I like this little guy. If we can't let him go, can I keep him?" "Uh, no" "I shall name him Herbert," I announced, ignoring Dez. "Do you like the name, little puke-wedgie?
Jennifer L. Armentrout (Bitter Sweet Love (The Dark Elements, #0.5))
Rage filled me at her words - cold, black, unending rage. Whatever happened to me, Mab would not hurt my sister again. She would not.
Jennifer Estep (Spider’s Revenge (Elemental Assassin, #5))
Water: 35 Liters. Carbon: 20 Kg. Ammonia: 4 Liters. Lime: 1.5 Kg. Phosphorus: 800 g. Salt: 250 g. Saltpeter: 100g. Sulfur: 80g. Fluorine: 7.5 g. Iron: 5 g. Silicon: 3 g. And 15 other elements in small quantities... That's the total chemical makeup of the average adult body... For that matter, the elements found in a human being... is all junk that you can buy in any market with a child's allowance. Humans are pretty cheaply made. - Edward Elric
Hiromu Arakawa (Fullmetal Alchemist (3-in-1 Edition), Vol. 1)
Everything he knew was with a girl. Like reciting a learned lesson, something he could do because he had to. This - this was new. And exciting. And primal and raw and right.
Brigid Kemmerer (Breathless (Elemental, #2.5))
I’ve missed you, Jas. You have no idea,” he continued, reaching toward me again but stopping short of touching me. “I thought about you every damn day. All I wanted was to get back to you and the clan. But mostly you. Always you.
Jennifer L. Armentrout (Bitter Sweet Love (The Dark Elements, #0.5))
Scarlet blinked tears from her eyes. “I … this is … it’s perfect, but I think you might have forgotten one important element.” She turned back to Wolf. “There’s no officiant here. Who’s going to marry us?” Wolf’s grin widened, and he glanced at Kai. Scarlet followed the look. “Seriously?
Marissa Meyer (Stars Above: A Lunar Chronicles Collection (The Lunar Chronicles, #4.5))
One by one, the others all nodded their heads again, as if we were talking about having a spring picnic instead of going up against the deadliest woman in Ashland and all of her men.
Jennifer Estep (Spider’s Revenge (Elemental Assassin, #5))
Instead, I cut him. Not deep, but there was enough of a sting in the wound to remind him of what I'd done to the dwarven mobsters in the parking lot - and that I wasn't just some chick with a knife who looked good in black.
Jennifer Estep (Spider’s Revenge (Elemental Assassin, #5))
The simple and familiar hold the secrets of the complex and unknown.
Edward B. Burger (The 5 Elements of Effective Thinking)
Adam touched his face, and Nick froze. His fingers were warm, gentle, and Nick wanted to freeze time. Then Adam said, "I'm an idiot. I should have gotten you some ice." And his fingers were gone, and Nick was sitting there practically breathless with wanting him back. One touch, and he was going to pieces. He wanted to slam his forehead on this table.
Brigid Kemmerer (Breathless (Elemental, #2.5))
What do you think?” I asked. “Is it too much?” Finn tilted his head and gave me a critical once-over. “You’re dressed up as an ice queen dominatrix. I don’t think there is such a thing as too much.
Jennifer Estep (Spider’s Revenge (Elemental Assassin, #5))
I'm not waiting for you to fuck up." Adam paused. "Just because you can't trust everyone doesn't mean you can't trust anyone.
Brigid Kemmerer (Sacrifice (Elemental, #5))
She was mine. And I was hers in the way a wolf is owned by his moon, elementally, fuckin’ irrevocably.
Giana Darling (Inked in Lies (The Fallen Men, #5))
It means my luck sucks," she said. "It was nice dating a guy wo treated me like a friend instead of a blow-up doll." "You were the one trying to unzip my pants in the truck!" "Yeah, well, I thought you weren't interested. I didn't realize that your divining rod just pointed into a different direction." "You're killing me," he said. But it sounded like he was smiling.
Brigid Kemmerer (Breathless (Elemental, #2.5))
I moved quickly, putting myself between the two of them. "Stop it!" I shouted. "I have way too much to worry about right now to also have to pull you two off each other. Jeesh, talk about immature." Both guys kept glaring at each other over my head. "I said, stop it!" And I smacked their chests. That made them blink and shift their attention to me. Now it was my turn to do the glaring. "You know, you two are ridiculous with your puffing up and your testosterone and crap. I mean, I could summon the elements and kick both of your butts." Heath shuffled his feet and looked embarrassed. Then he grinned at me, like a cute little boy whose mommy had just yelled at him. "Sorry, Zo. I forget you have some major mojo going on.
Kristin Cast (Hunted (House of Night, #5))
I was not happy. I was knee deep in freak out mode.
Jennifer L. Armentrout (Bitter Sweet Love (The Dark Elements, #0.5))
President Lyndon Johnson's 10 point formula for success: 1. Learn to remember names. Inefficiency at this point may indicate that your interest is not sufficiently outgoing. 2. Be a comfortable person so there is no strain in being with you. Be an old-shoe, old-hat kind of individual. 3. Acquire the quality of relaxed easy-going so that things do not ruffle you. 4. Don't be egotistical. Guard against the impression that you know it all. 5. Cultivate the quality of being interesting so people will get something of value from their association with you. 6. Study to get the "scratchy" elements out of your personality, even those of which you may be unconscious. 7. Sincerely attempt to heal, on an honest Christian basis, every msiunderstanding you have had or now have. Drain off your grievances. 8. Practice liking people until you learn to do so genuinely. 9. Never miss an opportunity to say a word of congratulation upon anyone's achievement, or express sympathy in sorrow or disappointment. 10. Give spiritual strength to people, and they will give genuine affection to you.
Lyndon B. Johnson
Hunter held out the gun, stock first. “You want to just shoot me and save Dad the time?” Jay smiled and took the weapon, checking the magazine before putting it back on the wall. “He’s not going to shoot you.” “That would be too quick?
Brigid Kemmerer (Fearless (Elemental, #1.5))
I wasn’t naïve enough to believe in soul mates or any of that childish nonsense that I had once clung to, but there had always been something tangible between Dez and me, even after his absence, it was still there, stronger than before.
Jennifer L. Armentrout (Bitter Sweet Love (The Dark Elements, #0.5))
The old man stared at me with his bright green eyes. “You’re Gin Blanco, Genevieve Snow, and the Spider all rolled into one. You can do whatever you want to, sweetheart.
Jennifer Estep (Spider’s Revenge (Elemental Assassin, #5))
You're into her. You're into the girl we came here to kill.
Stacey O'Neale (The Shadow Prince (Mortal Enchantment, #0.5))
Hunter wondered if there was any possible way he could have made this interaction more awkward. Here. Let me give you a concussion and then scare you.
Brigid Kemmerer (Fearless (Elemental, #1.5))
They kept coming up with more creative ways to screw with him. He kept coming up with more creative paths to travel.
Brigid Kemmerer (Fearless (Elemental, #1.5))
I figured we’d catch you with a girl one day, but this isn’t quite the scenario I imagined.
Brigid Kemmerer (Fearless (Elemental, #1.5))
I believe that the characteristic or moral elements of Gothic are the following, placed in the order of their importance: 1. Savageness; 2. Changefulness; 3. Naturalism; 4. Grotesqueness; 5. Rigidity; 6. Redundance.
John Ruskin (The Stones of Venice)
As he fills me, I wonder if—in the same way that sex makes its own unique perfume—we don’t really “make” love. As in create, manufacture, evoke an independent element in the air around us, and if enough of us did it really well, for real, not just for the hell of it, we could change the world. Because when he’s in me, I feel the space around us changing, charging, and it seems to set off some kind of feedback loop, where the more he touches me, the more I need him to.
Karen Marie Moning (Shadowfever (Fever, #5))
And I'm just saying that by the end of these seven days or maybe a week from then, or a month, you'll say yes." He cupped my cheek and leaned inm pressing his forehead to mine. "And I'll be waiting. No matter how long it takes.
Jennifer L. Armentrout (Bitter Sweet Love (The Dark Elements, #0.5))
But when your father announced his intentions for us, I knew I had to purge myself of the rage, because loving you... loving you was bittersweet," he whispered against my lips. "Because I knew if I didn't do this, if I didn't get all the hatred out of me, I would never be the mate you deserved.
Jennifer L. Armentrout (Bitter Sweet Love (The Dark Elements, #0.5))
Better be careful talking about how good my cooking is. Roslyn might get jealous.” The vampire madam let out a soft laugh. “Oh, I’ll freely admit that your cooking is much better than mine, Gin. But I have certain skills you don’t, especially in the bedroom. I think that Xavier far prefers those, even over a plate of the Pork Pit’s best barbecue.” Roslyn gave Xavier a sly look, and the giant’s grin widened. “Well played, Roslyn,” I murmured. “Well played.
Jennifer Estep (Spider’s Revenge (Elemental Assassin, #5))
Memories never did anyone any good, and weepy sentiment was for fools too weak to suck it up and do what needed to be done.
Jennifer Estep (Spider's Revenge (Elemental Assassin, #5))
How can you try harder at something that consumes every waking thought?
Brigid Kemmerer (Elemental (Elemental, #0.5))
Actually, there are,” she’d said. “Want to see who can make the most inappropriate picture out of Mickey Mouse Clubhouse?” So they’d done that. She hadn’t realized how . . . creative a bunch of teen boys could get. But at least it had cut through some of their tension.
Brigid Kemmerer (Sacrifice (Elemental, #5))
What happened?” Bria shrugged. “I waited until I was sure there was no one else around who could get hurt, then threw my coffee in the bastard’s face and took away his gun. While he was screaming from the pain and the second-degree burns, I cuffed his ass and hauled him down to the station. End of story.” Fin gave my sister a warm, admiring look. “Nice takedown, detective. Even if you should have found another way to do it. Don’t you know that you never, ever waste a cup of coffee like that?
Jennifer Estep (Spider’s Revenge (Elemental Assassin, #5))
For thousands of years, my kind had been thought of as nothing more than the stone sculptures perched upon the rooftops of homes and churches. Aka gargoyles. And technically, that’s what we were – but the depiction of a gargoyle was vastly exaggerated. Even the ugliest of all Wardens didn’t have a bulbous nose or fangs jutting from his mouth. It was rather insulting when you thought about it.
Jennifer L. Armentrout (Bitter Sweet Love (The Dark Elements, #0.5))
Any chance of getting something sweet to go with my coffee?” [Finn] asked in a hopeful voice. I arched an eyebrow at him. “You mean all those pieces of strawberry pie that you ate for lunch weren't enough?” “I’m a growing boy,” Finn said in a sincere tone. “I need my vitamins.” Bria snorted. “The only thing that’s growing on you, Lane, is your ego.” Finn sidled up to my sister and gave her a dazzling smile. “Well, other things of mine also tend to swell up in your presence, detective.
Jennifer Estep (Spider’s Revenge (Elemental Assassin, #5))
Maybe at the end of these seven days, you'll still say no. That doesn't mean it's over. Im in this for the long haul.
Jennifer L. Armentrout (Bitter Sweet Love (The Dark Elements, #0.5))
We all make mistakes, Gin, even the best of us. I like to think that it all evens out in the end. Remember that, and you’ll be fine.
Jennifer Estep (Spider's Revenge (Elemental Assassin, #5))
5. Do not join independent clauses by a comma.
William Strunk Jr. (The Elements Of Style)
I want you, and I know you feel the same way. Neither of us could’ve changed that much. I believe in that. And I want you.
Jennifer L. Armentrout (Bitter Sweet Love (The Dark Elements, #0.5))
He put up with her whining until she was almost sick of herself, and then he called her on her bullshit.
Brigid Kemmerer (Breathless (Elemental, #2.5))
If you can’t solve a problem, then there is an easier problem you can’t solve: find it. —George Polya When
Edward B. Burger (The 5 Elements of Effective Thinking)
The most essential emotional element in a happy and healthy marriage is love.
Gary Chapman (The 5 Love Languages of Children)
He was wild, like her, with the kind of profile sculptors liked to cast in bronze: a fiery young god chiseled from the elements. Even in moments of icy repose, she could sense that menace clawing just beneath the surface. The knowledge of its presence drew her, even as she knew that it should have repelled.
Nenia Campbell (Dragon Queen (Shadow Thane, #5))
I had loved him since the moment he’d taken the pudding from me. When my father had announced on Dez’s eighteenth birthday that he supported a match between us, I’d never been happier than I was in that moment. I was young. And stupid. When Dez had disappeared the very next day, I experienced a heartache that I thought would swallow me whole and never spit me out. He’d been more than a crush. He had been my best friend, my confidant and my world.
Jennifer L. Armentrout (Bitter Sweet Love (The Dark Elements, #0.5))
Time was such an element, she now believed. The stretch of existence between events, consisting of countless other events, all strung together in complex patterns of cause and effect, all laid out like images sewn onto a tapestry, creating a sequence of scenes that, once one stood back, was revealed to be co-existing. Present all at once.
Steven Erikson (Midnight Tides (Malazan Book of the Fallen, #5))
My first kiss...and it was everything I’d imagined it to be, with the exception of there being an audience for it. But it was hard to acknowledge them or their cheering and whistles. Flames scorched my already heated skin. Dez’s lips moved against mine, working the tight seam open. I gasped, wondering where in the world he’d learned to kiss like that. Jealousy flared like a beacon on the heels of that thought. Okay. I didn’t want to know how he’d learned.
Jennifer L. Armentrout (Bitter Sweet Love (The Dark Elements, #0.5))
The world will beat the hell out of you if you let it, I know from experience. But I wouldn’t trade any of the choices I’ve made. Because in the end, I have to live with myself. Same as you have to live with yourself. Always follow your heart. No matter who tries to convince you otherwise.
Shannon Mayer (Elementally Priceless (Rylee Adamson, #0.5))
Does it scare you?” said Clare. “Living in a house with guns?” Hunter smiled. “It’s not like I wake up in the middle of the night to find them staring down at me.” “Shut up.” She gave him a light shove. “No, I mean, are you ever worried you’ll accidentally get shot?” “You mean, when I catch the assault rifle raiding the refrigerator? Like maybe it’ll turn on me?” Her breath caught again. “You have an assault rifle in your house?” “Sure. It’s partial to lime Jell-O.
Brigid Kemmerer (Fearless (Elemental, #1.5))
I don’t bite. Unless you want me to.
Jennifer L. Armentrout (Bitter Sweet Love (The Dark Elements, #0.5))
Nothing in this world is stronger than love. It should always be enough, no matter what.
Jennifer L. Armentrout (Bitter Sweet Love (The Dark Elements, #0.5))
Beat the element of desire entirely out of myself.
Stephenie Meyer (Midnight Sun (The Twilight Saga, #5))
Closer Even when your hand Already lies in mine Get closer. My heart Skips a beat Every time our eyes meet Just for a second Deep sound Your voice Echoes your every word Under my skin Devil Or God I pray You're my religion In you I trust Timeless And bodiless You make me feel When I climax Burning You are my Fire My Air, my Earth and Water You're my 5th element.
Veronika Jensen
In everything you do, refine your skills and knowledge about fundamental concepts and simple cases. Once is never enough. As you revisit fundamentals, you will find new insights. It may appear that returning to basics is a step backward and requires additional time and effort; however, by building on firm foundations you will soon see your true abilities soar higher and faster.
Edward B. Burger (The 5 Elements of Effective Thinking)
It’s all very Greek, isn’t it?” I quipped. “Prophecies, tragedies, destinies. Just like in all those old mythology books we read over the years.” Fletcher shrugged. “Hard to beat the classics.
Jennifer Estep (Spider’s Revenge (Elemental Assassin, #5))
Tonight, he'd looked broken. She'd been afraid to touch him, as if one brush of skin would send him shattering into a million pieces. But then she had, and he'd clung to her as if he'd been afraid to let go. Some people might see it as weakness, but she didn't. She knew how it felt to have life yank the rug out from under you. She knew what it meant to need someone to hold you, to share the weight of the world for a minute. For a second. She would have held him all night. And then her father had shown up to act like Detective Dickhead. As usual.
Brigid Kemmerer (Sacrifice (Elemental, #5))
I have no quarrel with you,” Viktor said, speaking to the four men that came to Chris and Alex’s side. “I have no interest in fighting any of you. My enemy is only Christopher Adams.” “That’s the thing,” Neriah said. “You mess with one of us...” “…you mess with all of us,” Hadrian finished with a smirk.
S.F. Mazhar (The Elementals (Power of Four #0.5))
Our Sun is not Earth’s true “mother.” Although many peoples of Earth have worshipped the Sun as a god that gave birth to Earth, this is only partially correct. Although Earth was originally created from the Sun (as part of the ecliptic plane of debris and dust that circulated around the Sun 4.5 billion years ago), our Sun is barely hot enough to fuse hydrogen to helium. This means that our true “mother” sun was actually an unnamed star or collection of stars that died billions of years ago in a supernova, which then seeded nearby nebulae with the higher elements beyond iron that make up our body. Literally, our bodies are made of stardust, from stars that died billions of years ago.
Michio Kaku (Parallel Worlds: A Journey through Creation, Higher Dimensions, and the Future of the Cosmos)
First of all, she wasn’t my girlfriend, we were nine,” Alex said. “And the only reason she liked you was because you used to show off your powers all the time.” “No I didn’t,” Chris said. “Yeah, you did,” Joseph grinned. “All the time,” Hadrian added, lifting his glass to take a sip. “It was really annoying,” Neriah said.
S.F. Mazhar (The Elementals (Power of Four #0.5))
Almost as an article of faith, some individuals believe that conspiracies are either kooky fantasies or unimportant aberrations. To be sure, wacko conspiracy theories do exist. There are people who believe that the United States has been invaded by a secret United Nations army equipped with black helicopters, or that the country is secretly controlled by Jews or gays or feminists or black nationalists or communists or extraterrestrial aliens. But it does not logically follow that all conspiracies are imaginary. Conspiracy is a legitimate concept in law: the collusion of two or more people pursuing illegal means to effect some illegal or immoral end. People go to jail for committing conspiratorial acts. Conspiracies are a matter of public record, and some are of real political significance. The Watergate break-in was a conspiracy, as was the Watergate cover-up, which led to Nixon’s downfall. Iran-contra was a conspiracy of immense scope, much of it still uncovered. The savings and loan scandal was described by the Justice Department as “a thousand conspiracies of fraud, theft, and bribery,” the greatest financial crime in history. Often the term “conspiracy” is applied dismissively whenever one suggests that people who occupy positions of political and economic power are consciously dedicated to advancing their elite interests. Even when they openly profess their designs, there are those who deny that intent is involved. In 1994, the officers of the Federal Reserve announced they would pursue monetary policies designed to maintain a high level of unemployment in order to safeguard against “overheating” the economy. Like any creditor class, they preferred a deflationary course. When an acquaintance of mine mentioned this to friends, he was greeted skeptically, “Do you think the Fed bankers are deliberately trying to keep people unemployed?” In fact, not only did he think it, it was announced on the financial pages of the press. Still, his friends assumed he was imagining a conspiracy because he ascribed self-interested collusion to powerful people. At a World Affairs Council meeting in San Francisco, I remarked to a participant that U.S. leaders were pushing hard for the reinstatement of capitalism in the former communist countries. He said, “Do you really think they carry it to that level of conscious intent?” I pointed out it was not a conjecture on my part. They have repeatedly announced their commitment to seeing that “free-market reforms” are introduced in Eastern Europe. Their economic aid is channeled almost exclusively into the private sector. The same policy holds for the monies intended for other countries. Thus, as of the end of 1995, “more than $4.5 million U.S. aid to Haiti has been put on hold because the Aristide government has failed to make progress on a program to privatize state-owned companies” (New York Times 11/25/95). Those who suffer from conspiracy phobia are fond of saying: “Do you actually think there’s a group of people sitting around in a room plotting things?” For some reason that image is assumed to be so patently absurd as to invite only disclaimers. But where else would people of power get together – on park benches or carousels? Indeed, they meet in rooms: corporate boardrooms, Pentagon command rooms, at the Bohemian Grove, in the choice dining rooms at the best restaurants, resorts, hotels, and estates, in the many conference rooms at the White House, the NSA, the CIA, or wherever. And, yes, they consciously plot – though they call it “planning” and “strategizing” – and they do so in great secrecy, often resisting all efforts at public disclosure. No one confabulates and plans more than political and corporate elites and their hired specialists. To make the world safe for those who own it, politically active elements of the owning class have created a national security state that expends billions of dollars and enlists the efforts of vast numbers of people.
Michael Parenti (Dirty Truths)
say that Finnegan Lane was something of a womanizer was like telling someone that it was a little steamy in the South in the summertime. Old, young, fat, thin, blonde, brunette, bald, toothless, face like a steel trap, Finn didn’t care as long as it was breathing, female, and had the breasts to prove it. He wasn’t even particular about how perky they were.
Jennifer Estep (Spider's Revenge (Elemental Assassin, #5))
Why one writes is a question I can answer easily, having so often asked it of myself. I believe one writes because one has to create a world in which one can live. I could not live in any of the worlds offered to me — the world of my parents, the world of war, the world of politics. I had to create a world of my own, like a climate, a country, an atmosphere in which I could breathe, reign, and recreate myself when destroyed by living. That, I believe, is the reason for every work of art. The artist is the only one who knows the world is a subjective creation, that there is a choice to be made, a selection of elements. It is a materialization, an incarnation of his inner world. Then he hopes to attract others into it, he hopes to impose this particular vision and share it with others. When the second stage is not reached, the brave artist continues nevertheless. The few moments of communion with the world are worth the pain, for it is a world for others, an inheritance for others, a gift to others, in the end. When you make a world tolerable for yourself, you make a world tolerable for others. We also write to heighten our own awareness of life, we write to lure and enchant and console others, we write to serenade our lovers. We write to taste life twice, in the moment and in retrospection.. We write, like Proust, to render all of it eternal, and to persuade ourselves that it is eternal. We write to be able to transcend our life, to reach beyond it. We write to teach ourselves to speak with others, to record the journey into the labyrinth, we write to expand our world, when we feel strangled, constricted, lonely. We write as the birds sing. As the primitive dance their rituals. If you do not breathe through writing, if you do not cry out in writing, or sing in writing, then don't write. Because our culture has no use for any of that. When I don't write I feel my world shrinking. I feel I am in prison. I feel I lose my fire, my color. It should be a necessity, as the sea needs to heave. I call it breathing.
Anaïs Nin (The Diary of Anaïs Nin, Vol. 5: 1947-1955)
In an attempt to deeper explore the infinite game of Life, we explore: • Earth that is fixed, rigid, static and quiet, and symbolizes your world of senses; • Water that is the primordial Chaos, is fluidity and flexibility, and symbolizes your subconscious mind; Intuition is a deeper perception. Without clear evidence or proof, intuition perceives the subtle inner relationships and underlying processes creatively, and imaginatively. • Fire that is boundless and invisible, and is a parching heat that consumes all, or within its highest manifestation, becomes the expression of Divine Love. It is a symbol of your emotions, and • Air that has no shape and is incapable of any fixed form. It symbolizes your world of thoughts. It is a rational, systematic process, it is our intellectual comprehension of things. All elements are bound by: • Soul that stands at the center of the four elements as an Essence, an Observer, Consciousness coming forth to experience the magic of Life.
Nataša Pantović (Mindful Being)
Desirelessness is the basic condition that makes possible the feelings of joy, peace, and ease that come with living a simple life. Simplicity means to have few desires, to be content with a simple life and just a few possessions. Desirelessness is the basis of true happiness, because in true happiness there must be the elements of peace, joy, and ease.
Thich Nhat Hanh (How to Relax (Mindfulness Essentials Book 5))
Irish grabbed her hand and kept the water directed at the wall. His voice cam across her radio. "Hannah. Wait. What do you see?" She stared. She saw fire. A lot of fire. But then a pattern started to emerge. "A message?" She guessed. Then she looked mroe closelt. "A star? What does that mean?" "That's not a star," said Irish. "But it's definitely a message." "It's not a star?" He let go of the hose, the water streaked across the flames on the floor. "No," he said. "That's a pentagram.
Brigid Kemmerer (Sacrifice (Elemental, #5))
The Sweat and the Furrow was Silas Weekley being earthly and spade-conscious all over seven hundred pages. The situation, to judge from the first paragraph, had not materially changed since Silas's last book: mother lying-in with her eleventh upstairs, father laid-out after his ninth downstairs, eldest son lying to the Government in the cow-shed, eldest daughter lying with her lover in the the hayloft, everyone else lying low in the barn. The rain dripped from the thatch, and the manure steamed in the midden. Silas never omitted the manure. It was not Silas's fault that its steam provided the only uprising element in the picture. If Silas could have discovered a brand of steam that steamed downwards, Silas would have introduced it.
Josephine Tey (The Daughter of Time (Inspector Alan Grant, #5))
Despite Bria’s icy attitude, Finn didn’t give up. He focused all of his attention on her, as if he were a general and she was just another battle to be won no matter what casualties he might suffer along the way—including the complete and utter loss of his self-respect, pride, and dignity. Bria coolly rebuffed all of his advances, but she wasn’t completely immune to his charms. Interest sparked in her gaze whenever she looked at him out of the corner of her eye. Bria enjoyed being chased just as much as Finn liked running after her.
Jennifer Estep (Spider's Revenge (Elemental Assassin, #5))
As he fills me, I wonder if—in the same way that sex makes its own unique perfume—we don’t really “make” love. As in create, manufacture, evoke an independent element in the air around us, and if enough of us did it really well, for real, not just for the hell of it, we could change the world. Because when he’s in me, I feel the space around us changing, charging, and it seems to set off some kind of feedback loop, where the more he touches me, the more I need him to. Having sex with Barrons sates my need. Then feeds it. Sates, then feeds. It’s a never-ending cycle. I get out of bed with him, frantic to be back in it again. And I— “—hated you for it,” he says gently. That was my line. “I never get enough, Mac. Drives me bug-fuck. I should kill you for what you make me feel.” I understand perfectly. He is my vulnerability. I would become Shiva, the world-eater, for him.
Karen Marie Moning (Shadowfever (Fever, #5))
Bria was silent for a moment. “What—what were you dreaming about?” I shrugged. “The usual. The night that our mother and Annabella died. I always see different parts of it, different bits and pieces.” “What did you see tonight?” I grimaced, even though she couldn’t see it in the darkness. “Oh, tonight was a real doozy. I dreamed about watching them die, about seeing them both disappear into balls of flames as Mab’s elemental Fire washed over them.” “Oh.
Jennifer Estep (Spider’s Revenge (Elemental Assassin, #5))
Are you hurt?” Alex asked. Chris felt his chest seize with panic. “No, are you?” he asked quickly. “No,” Alex replied. “My head hurts, but I’m guessing that’s because I was knocked out.” “Yeah,” Chris said, trying to ignore the pounding in his skull. “Mine too.” He let out a frustrated breath. “Thanks a lot!” There was a pause before Alex asked, “You’re blaming me for this?” “You distracted me,” Chris accused. “If you hadn’t been there, I would have sensed the attack.” “Yeah, sure,” Alex said, sarcasm thick in his voice. “You would have sensed it. You have great intuition, after all.” “Shut up!” Chris barked.
S.F. Mazhar (The Elementals (Power of Four #0.5))
Dad once noted (somewhat morbidly, I thought at the time) that American institutions would be infinitely more successful in facilitating the pursuit of knowledge if they held classes at night, rather than in the daytime, from 8:00 PM to 4:00 or 5:00 in the morning. As I ran through the darkness, I understood what he meant. Frank red brick, sunny classrooms, symmetrical quads and courts--it was a setting that mislead kids to believe that Knowledge, that Life itself, was bright, clear, and freshly mowed. Dad said a student would be infinitely better off going out into the world if he/she studied the periodic table of elements, Madame Bovary (Flaubert, 1857), the sexual reproduction of a sunflower for example, with deformed shadows congregating on the classroom walls, the silhouettes of fingers and pencils leaking onto the floor, gastric howls from unseen radiators, and a teacher's face not flat and faded, not delicately pasteled by a golden late afternoon, but serpentine, gargoyled, Cyclopsed by the inky dark and feeble light from a candle. He/she would understand "everything and nothing," Dad said, if there was nothing discernible in the windows but a lamppost mobbed by blaze-crazy moths and darkness, reticent and nonchalant, as darkness always was.
Marisha Pessl (Special Topics in Calamity Physics)
This present universe is only one element in the kingdom of God. But it is a very wonderful and important one. And within it the Logos, the now risen Son of man, is currently preparing for us to join him (John 14:2–4). We will see him in the stunning surroundings that he had with the Father before the beginning of the created cosmos (17:24). And we will actively participate in the future governance of the universe. We will not sit around looking at one another or at God for eternity but will join the eternal Logos, “reign with him,” in the endlessly ongoing creative work of God. It is for this that we were each individually intended, as both kings and priests (Exod. 19:6; Rev. 5:10). Thus, our faithfulness over a “few things” in the present phase of our life develops the kind of character that can be entrusted with “many things.” We are, accordingly, permitted to “enter into the joy of our Lord” (Matt. 25:21). That “joy” is, of course, the creation and care of what is good, in all its dimensions. A place in God’s creative order has been reserved for each one of us from before the beginnings of cosmic existence. His plan is for us to develop, as apprentices to Jesus, to the point where we can take our place in the ongoing creativity of the universe.
Dallas Willard (The Divine Conspiracy: Rediscovering Our Hidden Life In God)
The “stigma” of finitude which appears in all things and in the whole of reality and the “shock” which grasps the mind when it encounters the threat of nonbeing reveal the negative side of the mystery, the abysmal element in the ground of being. This negative side is always potentially present, and it can be realized in cognitive as well as in communal experiences. It is a necessary element in revelation. Without it the mystery would not be mystery. Without the “I am undone” of Isaiah in his vocational vision, God cannot be experienced (Isa. 6: 5). Without the “dark night of the soul,” the mystic cannot experience the mystery of the ground.
Paul Tillich (Systematic Theology, Vol 1)
A cult is a group of people who share an obsessive devotion to a person or idea. The cults described in this book use violent tactics to recruit, indoctrinate, and keep members. Ritual abuse is defined as the emotionally, physically, and sexually abusive acts performed by violent cults. Most violent cults do not openly express their beliefs and practices, and they tend to live separately in noncommunal environments to avoid detection. Some victims of ritual abuse are children abused outside the home by nonfamily members, in public settings such as day care. Other victims are children and teenagers who are forced by their parents to witness and participate in violent rituals. Adult ritual abuse victims often include these grown children who were forced from childhood to be a member of the group. Other adult and teenage victims are people who unknowingly joined social groups or organizations that slowly manipulated and blackmailed them into becoming permanent members of the group. All cases of ritual abuse, no matter what the age of the victim, involve intense physical and emotional trauma. Violent cults may sacrifice humans and animals as part of religious rituals. They use torture to silence victims and other unwilling participants. Ritual abuse victims say they are degraded and humiliated and are often forced to torture, kill, and sexually violate other helpless victims. The purpose of the ritual abuse is usually indoctrination. The cults intend to destroy these victims' free will by undermining their sense of safety in the world and by forcing them to hurt others. In the last ten years, a number of people have been convicted on sexual abuse charges in cases where the abused children had reported elements of ritual child abuse. These children described being raped by groups of adults who wore costumes or masks and said they were forced to witness religious-type rituals in which animals and humans were tortured or killed. In one case, the defense introduced in court photographs of the children being abused by the defendants[.1] In another case, the police found tunnels etched with crosses and pentacles along with stone altars and candles in a cemetery where abuse had been reported. The defendants in this case pleaded guilty to charges of incest, cruelty, and indecent assault.[2] Ritual abuse allegations have been made in England, the United States, and Canada.[3] Many myths abound concerning the parents and children who report ritual abuse. Some people suggest that the tales of ritual abuse are "mass hysteria." They say the parents of these children who report ritual abuse are often overly zealous Christians on a "witch-hunt" to persecute satanists. These skeptics say the parents are fearful of satanism, and they use their knowledge of the Black Mass (a historically well-known, sexualized ritual in which animals and humans are sacrificed) to brainwash their children into saying they were abused by satanists.[4] In 1992 I conducted a study to separate fact from fiction in regard to the disclosures of children who report ritual abuse.[5] The study was conducted through Believe the Children, a national organization that provides support and educational sources for ritual abuse survivors and their families.
Margaret Smith (Ritual Abuse: What It Is, Why It Happens, and How to Help)
In my travels on the surface, I once met a man who wore his religious beliefs like a badge of honor upon the sleeves of his tunic. "I am a Gondsman!" he proudly told me as we sat beside eachother at a tavern bar, I sipping my wind, and he, I fear, partaking a bit too much of his more potent drink. He went on to explain the premise of his religion, his very reason for being, that all things were based in science, in mechanics and in discovery. He even asked if he could take a piece of my flesh, that he might study it to determine why the skin of the drow elf is black. "What element is missing," he wondered, "that makes your race different from your surface kin?" I think that the Gondsman honestly believed his claim that if he could merely find the various elements that comprised the drow skin, he might affect a change in that pigmentation to make the dark elves more akin to their surface relatives. And, given his devotion, almost fanaticism, it seemed to me as if he felt he could affect a change in more than physical appearance. Because, in his view of the world, all things could be so explained and corrected. How could i even begin to enlighten him to the complexity? How could i show him the variations between drow and surface elf in the very view of the world resulting from eons of walking widely disparate roads? To a Gondsman fanatic, everything can be broken down, taken apart and put back together. Even a wizard's magic might be no more than a way of conveying universal energies - and that, too, might one day be replicated. My Gondsman companion promised me that he and his fellow inventor priests would one day replicate every spell in any wizard's repertoire, using natural elements in the proper combinations. But there was no mention of the discipline any wizard must attain as he perfects his craft. There was no mention of the fact that powerful wizardly magic is not given to anyone, but rather, is earned, day by day, year by year and decade by decade. It is a lifelong pursuit with gradual increase in power, as mystical as it is secular. So it is with the warrior. The Gondsman spoke of some weapon called an arquebus, a tubular missile thrower with many times the power of the strongest crossbow. Such a weapon strikes terror into the heart of the true warrior, and not because he fears that he will fall victim to it, or even that he fears it will one day replace him. Such weapons offend because the true warrior understands that while one is learning how to use a sword, one should also be learning why and when to use a sword. To grant the power of a weapon master to anyone at all, without effort, without training and proof that the lessons have taken hold, is to deny the responsibility that comes with such power. Of course, there are wizards and warriors who perfect their craft without learning the level of emotional discipline to accompany it, and certainly there are those who attain great prowess in either profession to the detriment of all the world - Artemis Entreri seems a perfect example - but these individuals are, thankfully, rare, and mostly because their emotional lacking will be revealed early in their careers, and it often brings about a fairly abrupt downfall. But if the Gondsman has his way, if his errant view of paradise should come to fruition, then all the years of training will mean little. Any fool could pick up an arquebus or some other powerful weapon and summarily destroy a skilled warrior. Or any child could utilize a Gondsman's magic machine and replicate a firebal, perhaps, and burn down half a city. When I pointed out some of my fears to the Gondsman, he seemed shocked - not at the devastating possibilities, but rather, at my, as he put it, arrogance. "The inventions of the priests of Gond will make all equal!" he declared. "We will lift up the lowly peasant
R.A. Salvatore (Streams of Silver (Forgotten Realms: Icewind Dale, #2; Legend of Drizzt, #5))
1. Those who first set themselves to discover nature’s secrets and designs, fearlessly opposing mankind’s early ignorance, deserve our praise;   2. For they began the quest to measure what once was unmeasurable, to discern its laws, and conquer time itself by understanding.   3. New eyes were needed to see what lay hidden in ignorance, new language to express the unknown,   4. New hope that the world would reveal itself to inquiry and investigation.   5. They sought to unfold the world’s primordial sources, asking how nature yields its abundance and fosters it,   6. And where in its course everything goes when it ends, either to change or cease.   7. The first inquirers named nature’s elements atoms, matter, seeds, primal bodies, and understood that they are coeval with the world;   8. They saw that nothing comes from nothing, so that discovering the elements reveals how the things of nature exist and evolve.   9. Fear holds dominion over people when they understand little, and need simple stories and legends to comfort and explain; 10. But legends and the ignorance that give them birth are a house of limitations and darkness. 11. Knowledge is freedom, freedom from ignorance and its offspring fear; knowledge is light and liberation, 12. Knowledge that the world contains itself, and its origins, and the mind of man, 13. From which comes more know­ledge, and hope of knowledge again. 14. Dare to know: that is the motto of enlightenment.  
A.C. Grayling (The Good Book: A Secular Bible)
[986a] [1] they assumed the elements of numbers to be the elements of everything, and the whole universe to be a proportion1 or number. Whatever analogues to the processes and parts of the heavens and to the whole order of the universe they could exhibit in numbers and proportions, these they collected and correlated;and if there was any deficiency anywhere, they made haste to supply it, in order to make their system a connected whole. For example, since the decad is considered to be a complete thing and to comprise the whole essential nature of the numerical system, they assert that the bodies which revolve in the heavens are ten; and there being only nine2 that are visible, they make the "antichthon"3 the tenth.We have treated this subject in greater detail elsewhere4; but the object of our present review is to discover from these thinkers too what causes they assume and how these coincide with our list of causes.Well, it is obvious that these thinkers too consider number to be a first principle, both as the material5 of things and as constituting their properties and states.6 The elements of number, according to them, are the Even and the Odd. Of these the former is limited and the latter unlimited; Unity consists of both [20] (since it is both odd and even)7; number is derived from Unity; and numbers, as we have said, compose the whole sensible universe.Others8 of this same school hold that there are ten principles, which they enunciate in a series of corresponding pairs: (1.) Limit and the Unlimited; (2.) Odd and Even; (3.) Unity and Plurality; (4.) Right and Left; (5.) Male and Female; (6.) Rest and Motion; (7.) Straight and Crooked; (8.) Light and Darkness; (9.) Good and Evil; (10.) Square and Oblong.
Aristotle (Metaphysics)
Fail nine times The next time you face a daunting challenge, think to yourself, “In order for me to resolve this issue, I will have to fail nine times, but on the tenth attempt, I will be successful.” This attitude frees you and allows you to think creatively without fear of failure, because you understand that learning from failure is a forward step toward success. Take a risk and when you fail, no longer think, “Oh, no, what a frustrating waste of time and effort,” but instead extract a new insight from that misstep and correctly think, “Great: one down, nine to go—I’m making forward progress!” And indeed you are. After your first failure, think, “Terrific, I’m 10% done!” Mistakes, loss, and failure are all flashing lights clearly pointing the way to deeper understanding and creative solutions.
Edward B. Burger (The 5 Elements of Effective Thinking)
So,” I said. “Exactly how long have the two of you been together? I assume that you’ve been going hot and heavy ever since that night at Fletcher’s house when the bounty hunters interrupted you. Am I right?” Finn and Bria didn’t look at me or each other. “Right,” Bria mumbled. “Although if it makes you uncomfortable—” “Then Gin’s just going to have to deal with it,” Finn cut her off. Bria stared at him in surprise. “What?” Finn said. “I worked too hard and too long to get you into my bed to just cut you loose now, cupcake.” Bria’s eyes narrowed. “Cupcake?” “Cupcake.” Finn grinned at her. “Or would you prefer snuggle bunny?” Bria’s hand drifted down to the gun on her leather belt, as though she wanted to pull it out and shoot Finn with it. Well, it was good to know I wasn’t the only one who occasionally had that reaction to him. ... Then I fixed them both with a hard stare. “Just don’t ask me to take sides when the two of you go at each other. Okay?” They nodded, then looked at each other. Finn waggled his eyebrows in a suggestive manner, and Bria snorted. But she couldn’t stop a grin from curving her lips.
Jennifer Estep (Spider’s Revenge (Elemental Assassin, #5))
Finn stood by the counter, having just finished making his thirteenth cup of coffee of the day. As always, the chicory fumes warmed me from the inside out and made me think of his father. I wished that the old man were here tonight. Fletcher would have known exactly what to do about the mess we were in—the mess I’d dragged us all into by declaring war on Mab in the first place. Finn stared at me with his green eyes. “Any chance of getting something sweet to go with my coffee?” he asked in a hopeful voice. I arched an eyebrow at him. “You mean all those pieces of strawberry pie that you ate for lunch weren’t enough?” “I’m a growing boy,” Finn said in a sincere tone. “I need my vitamins.” Bria snorted. “The only thing that’s growing on you, Lane, is your ego.” Finn sidled up to my sister and gave her a dazzling smile. “Well, other things of mine also tend to swell up in your presence, detective.” I rolled my eyes at Finn’s attempt at witty banter. Jo-Jo just chuckled, amused by his antics. Bria returned Finn’s smile with a syrupy sweet one of her own. “Oh, really? So it’s gone from what, pencil eraser to cocktail sausage by now?” Finn sputtered and almost spit out a mouthful of coffee. His face flushed, and he glared at Bria.
Jennifer Estep (Spider's Revenge (Elemental Assassin, #5))
I pray that the world never runs out of dragons. I say that in all sincerity, though I have played a part in the death of one great wyrm. For the dragon is the quintessential enemy, the greatest foe, the unconquerable epitome of devastation. The dragon, above all other creatures, even the demons and the devils, evokes images of dark grandeur, of the greatest beast curled asleep on the greatest treasure hoard. They are the ultimate test of the hero and the ultimate fright of the child. They are older than the elves and more akin to the earth than the dwarves. The great dragons are the preternatural beast, the basic element of the beast, that darkest part of our imagination. The wizards cannot tell you of their origin, though they believe that a great wizard, a god of wizards, must have played some role in the first spawning of the beast. The elves, with their long fables explaining the creation of every aspect of the world, have many ancient tales concerning the origin of the dragons, but they admit, privately, that they really have no idea of how the dragons came to be. My own belief is more simple, and yet, more complicated by far. I believe that dragons appeared in the world immediately after the spawning of the first reasoning race. I do not credit any god of wizards with their creation, but rather, the most basic imagination wrought of unseen fears, of those first reasoning mortals. We make the dragons as we make the gods, because we need them, because, somewhere deep in our hearts, we recognize that a world without them is a world not worth living in. There are so many people in the land who want an answer, a definitive answer, for everything in life, and even for everything after life. They study and they test, and because those few find the answers for some simple questions, they assume that there are answers to be had for every question. What was the world like before there were people? Was there nothing but darkness before the sun and the stars? Was there anything at all? What were we, each of us, before we were born? And what, most importantly of all, shall we be after we die? Out of compassion, I hope that those questioners never find that which they seek. One self-proclaimed prophet came through Ten-Towns denying the possibility of an afterlife, claiming that those people who had died and were raised by priests, had, in fact, never died, and that their claims of experiences beyond the grave were an elaborate trick played on them by their own hearts, a ruse to ease the path to nothingness. For that is all there was, he said, an emptiness, a nothingness. Never in my life have I ever heard one begging so desperately for someone to prove him wrong. This is kind of what I believe right now… although, I do not want to be proved wrong… For what are we left with if there remains no mystery? What hope might we find if we know all of the answers? What is it within us, then, that so desperately wants to deny magic and to unravel mystery? Fear, I presume, based on the many uncertainties of life and the greatest uncertainty of death. Put those fears aside, I say, and live free of them, for if we just step back and watch the truth of the world, we will find that there is indeed magic all about us, unexplainable by numbers and formulas. What is the passion evoked by the stirring speech of the commander before the desperate battle, if not magic? What is the peace that an infant might know in its mother’s arms, if not magic? What is love, if not magic? No, I would not want to live in a world without dragons, as I would not want to live in a world without magic, for that is a world without mystery, and that is a world without faith. And that, I fear, for any reasoning, conscious being, would be the cruelest trick of all. -Drizzt Do’Urden
R.A. Salvatore (Streams of Silver (Forgotten Realms: Icewind Dale, #2; Legend of Drizzt, #5))
We know, however, that the mind is capable of understanding these matters in all their complexity and in all their simplicity. A ball flying through the air is responding to the force and direction with which it was thrown, the action of gravity, the friction of the air which it must expend its energy on overcoming, the turbulence of the air around its surface, and the rate and direction of the ball's spin. And yet, someone who might have difficulty consciously trying to work out what 3 x 4 x 5 comes to would have no trouble in doing differential calculus and a whole host of related calculations so astoundingly fast that they can actually catch a flying ball. People who call this "instinct" are merely giving the phenomenon a name, not explaining anything. I think that the closest that human beings come to expressing our understanding of these natural complexities is in music. It is the most abstract of the arts - it has no meaning or purpose other than to be itself. Every single aspect of a piece of music can be represented by numbers. From the organization of movements in a whole symphony, down through the patterns of pitch and rhythm that make up the melodies and harmonies, the dynamics that shape the performance, all the way down to the timbres of the notes themselves, their harmonics, the way they change over time, in short, all the elements of a noise that distinguish between the sound of one person piping on a piccolo and another one thumping a drum - all of these things can be expressed by patterns and hierarchies of numbers. And in my experience the more internal relationships there are between the patterns of numbers at different levels of the hierarchy, however complex and subtle those relationships may be, the more satisfying and, well, whole, the music will seem to be. In fact the more subtle and complex those relationships, and the further they are beyond the grasp of the conscious mind, the more the instinctive part of your mind - by which I mean that part of your mind that can do differential calculus so astoundingly fast that it will put your hand in the right place to catch a flying ball- the more that part of your brain revels in it. Music of any complexity (and even "Three Blind Mice" is complex in its way by the time someone has actually performed it on an instrument with its own individual timbre and articulation) passes beyond your conscious mind into the arms of your own private mathematical genius who dwells in your unconscious responding to all the inner complexities and relationships and proportions that we think we know nothing about. Some people object to such a view of music, saying that if you reduce music to mathematics, where does the emotion come into it? I would say that it's never been out of it.
Douglas Adams (Dirk Gently's Holistic Detective Agency (Dirk Gently, #1))
Entrepreneurs are everywhere. You don’t have to work in a garage to be in a startup. The concept of entrepreneurship includes anyone who works within my definition of a startup: a human institution designed to create new products and services under conditions of extreme uncertainty. That means entrepreneurs are everywhere and the Lean Startup approach can work in any size company, even a very large enterprise, in any sector or industry. 2. Entrepreneurship is management. A startup is an institution, not just a product, and so it requires a new kind of management specifically geared to its context of extreme uncertainty. In fact, as I will argue later, I believe “entrepreneur” should be considered a job title in all modern companies that depend on innovation for their future growth. 3. Validated learning. Startups exist not just to make stuff, make money, or even serve customers. They exist to learn how to build a sustainable business. This learning can be validated scientifically by running frequent experiments that allow entrepreneurs to test each element of their vision. 4. Build-Measure-Learn. The fundamental activity of a startup is to turn ideas into products, measure how customers respond, and then learn whether to pivot or persevere. All successful startup processes should be geared to accelerate that feedback loop. 5. Innovation accounting. To improve entrepreneurial outcomes and hold innovators accountable, we need to focus on the boring stuff: how to measure progress, how to set up milestones, and how to prioritize work. This requires a new kind of accounting designed for startups—and the people who hold them accountable.
Eric Ries (The Lean Startup: How Today's Entrepreneurs Use Continuous Innovation to Create Radically Successful Businesses)
Composers do not remember this lost fatherland, but each of them remains all his life unconsciously attuned to it; he is delirious with joy when he sings in harmony with his native land, betrays it at times with his thirst for fame, but then, in seeking fame, turns his back on it, and it is only by scorning fame that he finds it when he breaks out into that distinctive strain the sameness of which—for whatever its subject it remains identical with itself—proves the permanence of the elements that compose his soul. But in that case is it not true that those elements—all the residuum of reality which we are obliged to keep to ourselves, which cannot be transmitted in talk, even from friend to friend, from master to disciple, from lover to mistress, that ineffable something which differentiates qualitatively what each of us has felt and what he is obliged to leave behind at the threshold of the phrases in which he can communicate with others only by limiting himself to externals, common to all and of no interest—are brought out by art, the art of a Vinteuil like that of an Elstir, which exteriorises in the colours of the spectrum the intimate composition of those worlds which we call individuals and which, but for art, we should never know? A pair of wings, a different respiratory system, which enabled us to travel through space, would in no way help us, for if we visited Mars or Venus while keeping the same senses, they would clothe everything we could see in the same aspect as the things of Earth. The only true voyage, the only bath in the Fountain of Youth, would be not to visit strange lands but to possess other eyes, to see the universe through the eyes of another, of a hundred others, to see the hundred universes that each of them sees, that each of them is; and this we can do with an Elstir, with a Vinteuil; with men like these we do really fly from star to star.
Marcel Proust (The Captive / The Fugitive (In Search of Lost Time, #5-6))
5. The reading of the Scriptures with godly fear, the sound preaching, and conscionable hearing of the Word, in obedience unto God, with understanding, faith, and reverence; singing of psalms with grace in heart; as also the due administration and worthy receiving of the sacraments instituted by Christ, are all parts of the ordinary religious worship of God: besides religious oaths, vows solemn fastings, and thanksgivings upon special occasions, which are, in their several times and seasons, to be used in a holy and religious manner. Another element of true worship is the "signing of psalms with grace in the heart." It will be observed that the Confession does not acknowledge the legitimacy of the use of modern hymns in the worship of God, but rather only the psalms of the Old Testament. It is not generally realized today that Presbyterian (and many other Reformed) churches originally used only the inspired psalms, hymns and songs of the biblical Psalter in divine worship, but such is the case. The Westminster Assembly not only expressed the conviction that the psalms should be sung in divine worship, but implemented it by preparing a metrical version of the Psalter for use in the churches. This is not the place to attempt a consideration of this question. But we must record our conviction that the Confession is correct at this point. It is correct, we believe, because it has never been proved that God has commanded his Church to sing the uninspired compositions of men rather than or along with the inspired songs, hymns, and psalms of the Psalter in divine worship.
G.I. Williamson