3d Printer Quotes

3d printers use less material, labor and energy yet they're more effective than substractive manufacturing machines. At full potential and systems scale, they achieve greater results in less time. When something does more with less, it's a good investment. And when that's employed on a systems level, theres a multiplicative benefit effect.

with the rise of AI, robots, and 3-D printers, cheap unskilled labor will become far less important

The 3-D printers of the future might be able to re-create the delicate tissues that constitute functioning organs or the machine parts necessary to make a self-replicating robot.

Hell, these days, you can even make a gun on a 3D printer!

If you'd cured Henry the Seventh's TB with a course of ethambutol, or given Isaac Newton an hour's access to the Hubble telescope, or shown an off-the-shelf 3-D printer to the regulars at the Captain Marlow in the 1980s, you would have had the M-word thrown your way, too. Some magic is merely normality that you're not yet used to.

If AI and 3-D printers indeed take over from the Bangladeshis and Bangalorians, the revenues that previously flowed to South Asia will now fill the coffers of a few tech giants in California. Instead of economic growth improving conditions all over the world, we might see immense new wealth created in high-tech hubs such as Silicon Valley, while many developing countries collapse.

The speed at which a printer could produce an item was dependent partly on the size of the item, but also very much on the level of detail required. 3D printers delivered individual atoms using a number of tuned carbon nanotubes, each sized for specific elements. Building something like itself required the maximum level of detail and precision, as you had to place individual carbon atoms, one after another, with zero defects. This made 3D printers one of the most complex items that a 3D printer could be asked to build. Only something biological would be harder.

A clinic in Bolivia 140 kilometers from the nearest city prints out splints and prostheses when supplies are low. The cost per piece runs about 2 cents for the plastic. This might allow developing nations to circumvent having to import large numbers of supplies. Already, 3D printing is occurring in underdeveloped areas. “Not Impossible Labs” based in Venice, California took 3D printers to Sudan where the chaos of war has left many people with amputated limbs. The organization’s founder, Mick Ebeling, trained locals how to operate the machinery, create patient–specific limbs, and fit these new, very inexpensive prosthetics.

If you'd cured Henry the Seventh's TB with a course of ethambutol, or given Isaac Newton an hour's access to the Hubble telescope, or shown an off-the-shelf 3-D printer to the regulars at the Captain Marlow in the 1980s, you would have had the M-word thrown your way, too. Some magic is merely normality that you're not used to.

I look at the larger equipment along the walls. Scanning electron microscope, sub-millimeter 3-D printer, 11-axis milling machine, laser interferometer, 1-cubic-meter vacuum chamber—I know what everything is. And I know how to use it. I’m a scientist! Now we’re getting somewhere! Time for me to use science. All right, genius brain: come up with something! …I’m hungry. You have failed me, brain.

Yet with the rise of AI, robots, and 3-D printers, cheap unskilled labor will become far less important. Instead of manufacturing a shirt in Dhaka and shipping it all the way to the United States, you could buy the shirt’s code online from Amazon and print it in New York. The Zara and Prada stores on Fifth Avenue could be replaced by 3-D printing centers in Brooklyn, and some people might even have a printer at home. Simultaneously, instead of calling customer service in Bangalore to complain about your printer, you could talk with an AI representative in the Google cloud (whose accent and tone of voice would be tailored to your preferences). The newly unemployed workers and call center operators in Dhaka and Bangalore don’t have the education necessary to switch to designing fashionable shirts or writing computer code—so how will they survive?

Moore’s law means computers will get smaller, more powerful, and cheaper at a reliable rate. This does not happen because Moore’s law is a natural law of the physical world, like gravity, or the Second Law of Thermodynamics. It happens because the consumer and business markets motivate computer chip makers to compete and contribute to smaller, faster, cheaper computers, smart phones, cameras, printers, solar arrays, and soon, 3-D printers. And chip makers are building on the technologies and techniques of the past. In 1971, 2,300 transistors could be printed on a chip. Forty years, or twenty doublings later, 2,600,000,000. And with those transistors, more than two million of which could fit on the period at the end of this sentence, came increased speed.

HEY, LADY? IS THAT PRETTY DECORATION ON THE CURRY... REALLY A PIECE OF CHOCOLATE?!" "How is that even possible?!" "Do you see its delicate, complex design? And they're mass-producing it?! It even has a colorful swirl pattern on it!" "Not even a professional could manage something like this!" "It wasn't hard, really. I just printed those chocolates using a 3-D Food Printer." "A 3-D Printer? Oh, I've heard of those!" "But I didn't know you could use it to print food!" "Dark chocolate makes a perfect accent to curry, y'know. Take some 80 percent cacao chocolate, add a dash of curry spices to it and then print it out in totally cute designs with a 3-D Printer! Put it on top of some piping hot curry, and it will start to melt, adding a rich, colorful undertone to the flavor of the dish!" "Papa, I want some! Buy me that!" "Sure thing! Your papa wants to try it too!" "Mm! The curry itself smells so good I could melt! But then they go and add that beautiful chocolate topping?!" "Man, Totsuki students are amazing!" They like it. "That chocolate is, like, all bonus. It adds a colorful touch and a little sweet scent... without affecting the curry spices you balanced so carefully.

The very first dram Ronan had ever been truly proud of, truly euphoric over, had been a copy. It had been in high school. Ronan wasn't good at surviving high school and he wasn't good at surviving friendship, and so while his friend Gansey's back was turned, he'd stolen Gansey's car. It was a beautiful car. A 1973 bright orange Camaro with stripes right up its hood and straight down its ass. Ronan had wanted to drive it for months, despite Gansey forbidding it. Maybe because of him forbidding it. Within hours of stealing it, Ronan had totaled it. Gansey hadn't wanted him to drive it because he thought he'd grind the clutch, or curb it, or burn out the tires, or maybe, maybe blow the engine. And here Ronan had totaled it. Ronan had loved Richard C. Gansey III far more than he loved himself at that point, and he hadn't known how he was ever going to face him when he returned from out of town. And then, Joseph Kavinsky had taught him to dream a copy. Before that, all of Ronan's dreams--that he knew about, Matthew didn't count--had been accidents and knickknacks, the bizarre and the useless. When he'd successfully copied a car, an entire car, he'd been out of his mind with glee. The dreamt car had been perfect down to the last detail. Exactly like the original. The pinnacle of dreaming. Now a copy was the least impressive thing to him. He could copy anything he put his mind to. That just made him a very ethereal photocopier. A one-man 3-D printer. The dreams he was proud of now were the dreams that were originals. Dreams that couldn't exist in any other way. Dreams that took full advantage of the impossibility of dreamspace in a way that was cunning or lovely or effective or all of the above. The sundogs. Lindenmere. Dreams that had to be dreams. In the past, all his good dreams like this were gifts from Lindenmere or accidents rather than things he had consciously constructed. He was beginning to realize, after listening to Bryde, that this was because he'd been thinking too small. His consciousness was slowly becoming the shape of the concrete, waking world, and it was shrinking all his dreams to the probable. He needed to start realizing that possible and impossible didn't mean the same thing for him as they did for other people. He needed to break himself of the habit of rules, of doubts, of physics. His "what if" had grown so tame. "You are made of dreams and this world is not for you." He would not let the nightwash take him and Matthew. He would not let this world kill him slowly. He deserved a place here, too. He woke.

Mike [looking at the Beastron 3-D Printer]: Are you thinking what I'm thinking? Kamala: I don't know, are you thinking about how cool it would be to 3D-print gallons of this protein and fill a bunch of empty hairspray bottles with it? Mike: That's exactly what I'm thinking. Kamala: Look out evildoers. Mike: Time to science.

But the fact is that it’s virtually impossible to stop criminals from obtaining the magazines they want. Magazines, large or small, are trivially easy to make. They are just boxes with springs, and can be made with the most simple tools. The advent of 3D printers has made them even easier to make. There’s no evidence that crime rates were affected by the 1994 federal ban on magazines holding more than ten bullets. Even the left-leaning Urban Institute, with funding from the Bill Clinton administration, was unable to find any such evidence.

3D printers are already producing parts that are lighter than traditionally built parts, are much stronger in design, and are more readily produced on demand for machines as sophisticated as NASA rockets and Air Force fighters. But for mission-critical products like these, there’s also a risk, one that’s put into context by James Regenor, director of the additive manufacturing and innovation unit at precision parts manufacturer Moog, Inc.: “How can the maintenance crew on a U.S. aircraft carrier have absolute confidence that the software file they downloaded to 3D-print a new part for a fighter jet hasn’t been hacked by a foreign adversary?” To tackle this problem, Regenor’s team at Moog has launched a service it calls Veripart, which uses blockchain technology to, among other things, verify the software design and upgrading work performed by different providers of 3D-printed products along a supply chain. It plans to incorporate a host of features that, among other things, will protect intellectual property and make it more flexible and dynamic as an asset.

Why Choose SLS 3D Printing Over FDM 3D Printing? Fused Deposition Modeling (FDM) technology offers an accessible entry point into the world of 3D printing, particularly advantageous for individuals with limited budgets. Its affordability stems from the straightforward principle it operates on: melting a plastic filament and precisely positioning it to layer by layer to form objects. This simplicity has made FDM the most popular printing technology, flooding the market with cost-effective desktop printers capable of producing objects quickly. In contrast, Selective Laser Sintering (SLS) technology enables 3D printing by selectively sintering sections of successive layers of powder using a powerful laser beam, without fully liquefying the material. Notably, this process eliminates the need for support materials, as unsintered powder surrounds the printed object, facilitating the creation of intricate and interconnected forms.

To illustrate: online, chat, and IM reference services may or may not represent an improvement in library service—the use of the human record—but do not affect its content or onward transmission. Also, Twitter, Facebook, Instagram, and videogames may enrich and enliven the lives of many (including many library workers and users), but they scarcely add to the store of knowledge through which understanding and wisdom are gained. This is not to say that libraries are wrong in using social media, encouraging videogaming, installing 3-D printers, or engaging with their communities in any way, technological or otherwise; just that they should not confuse these activities with the task of facilitating human interaction with the human record. Our central concerns are with content, not the means of communicating that content, and certainly not with modes of communication that are peripheral to the human record.

In 2013, for example, a seventeen-year-old Australian teenager living in England built a content-shortening app, called Summly, in his bedroom, which he promptly sold to Yahoo for a reported thirty million dollars. Now, imagine the next seventeen-year-old with a 3D printer, and you begin to sense the dimensions of the potential upheaval.

I believe that information technologies, especially well-designed, purposeful ones, empower and renew us and serve to amplify our reach and our abilities. The ensuing connectedness dissolves away intermediary layers of inefficiency and indirection. Some of the most visible recent examples of this dissolving of layers are the transformations we have seen in music, movies and books. Physical books and the bookstores they inhabited have been rapidly disappearing, as have physical compact discs, phonograph records, videotapes and the stores that housed them. Yet there is more music than ever before, more books and more movies. Their content got separated from their containers and got housed in more convenient, more modular vessels, which better tie into our lives, in more consumable ways. In the process, layers of inefficiency got dissolved. By putting 3000 songs in our pockets, the iPod liberated our music from the housings that confined it. The iPhone has a high-definition camera within it, along with a bunch of services for sharing, distributing and publishing pictures, even editing them — services that used to be inside darkrooms and studios. 3D printing is an even more dramatic example of this transformation. The capabilities and services provided by workshops and factories are now embodied within a printer that can print things like tools and accessories, food and musical instruments. A remarkable musical flute was printed recently at MIT, its sound indistinguishable from that produced by factory-built flutes of yesterday.

It will run on a SuperDraco engine—a thruster made by SpaceX and the first engine ever built completely by a 3-D printer to go into space.

With open-source software, inexpensive open-source 3-D printers, and even open-source education, we can transform the world.

The ultimate realization of the Internet of Things will be to transmit actual things through the Internet. Users can already send descriptions of objects that can be made with personal digital fabrication tools, such as 3-D printers and laser cutters. As data turn into things and things into data, long manufacturing supply chains can be replaced by a process of shipping data over the Internet to local production facilities that would make objects on demand, where and when they were needed.

In the next five years another 1,000 nanosats are expected to be launched (seeTechnology Quarterly). Two trends are setting up nanosats for further success. Like people working on everything from robots to 3D printers, nanosat builders are harvesting the benefits of ever better, ever cheaper components built for smartphones and other consumer electronics. Some nanosats even contain complete smartphones, making use of the clever operating systems, radios and cameras which phones now contain. For as long as phones go on getting cheaper and more capable, so will nanosats. The cheapest so far—a tiny chipsat—was assembled for just $25, though it has yet to be successfully launched.

most 3D printer artists use the tech to create their visions to perfection. You just take existing things and mess with them. It’s like if the Venus de Milo's arms weren’t lopped off, just misprinted. That’s not art. That’s a hack, nothing more.

Eric Spiegel, the head of Siemens’ US arm, laid out a vision not that far removed from Ms Huang’s when he spoke at a breakfast in Washington hosted by the McKinsey Global Institute, the consultancy’s think-tank. The German engineering company, he said, would soon begin delivering spare parts to customers via email and 3D printers, also avoiding physical borders and the usual logistical complexities of global trade. But the advances in business are also coming up against fundamental debates about privacy. The Edward Snowden revelations of US online snooping have sparked a worldwide debate about privacy and the internet. Receiving less attention is the way international trade negotiations are trying to deal with what limits, if any, ought to be set on the flow of data around the globe and how to prepare for a digital future that is already a reality in some sectors. The negotiation of a 12-country Transpacific trade partnership (TPP) has sparked debate in Australia and New Zealand over whether companies ought to be allowed to store personal banking and medical data in foreign countries, or if such sensitive information should even be allowed to cross borders freely.

FDM (Fused Deposition Modeling) printers There is no hard and fast classification of the FDM 3D printers Cartesian 3D Printers: These are the most common type, operating on a straightforward Cartesian coordinate system with linear rails guiding movement along the X, Y, and Z axes. They are recognized for their simplicity and reliability. Delta 3D Printers: Delta printers employ a triangular configuration of three arms attached to moving carriages at the printer's apex. The print head hangs from these carriages, executing precise movements to craft the intended object. Delta printers excel in speed and consistency, particularly in producing tall items. CoreXY 3D Printers: CoreXY printers utilize a distinctive belt-driven mechanism to maneuver the print head across the X and Y axes. This design separates the print head's motion from that of the build platform, resulting in swifter and more accurate prints. Enthusiasts favor CoreXY printers for their speed and precision. Polar 3D Printers: Polar printers feature a circular build platform and a print head that moves both radially and vertically. This configuration facilitates continuous rotation of the print bed, enabling the creation of objects with intricate geometric shapes. Polar printers are commonly employed for crafting artistic and sculptural pieces. SCARA 3D Printers: SCARA (Selective Compliance Articulated Robot Arm) printers utilize a robotic arm mechanism to navigate the print head in a two-dimensional plane. This design offers rapid and precise movement, making SCARA printers ideal for producing small, intricate objects with exceptional accuracy. Each variant of FDM 3D printer has its own strengths and is tailored to diverse applications, spanning from hobbyist endeavors to industrial-scale manufacturing.

What is Binder Jetting in 3D Printing The binder jetting 3D printing process involves depositing an adhesive binder onto thin layers of powdered material. These materials can be ceramic-based, like glass or gypsum, or metal, such as stainless steel. During the printing process, the 3D print head moves over the build platform, depositing droplets of binder, similar to how a 2D printer applies ink to paper. Once a layer is completed, the powder bed lowers, and a new layer of powder is spread over the build area. This layering continues until the entire object is printed. After printing, the parts are in an unfinished, or "green," state and require further post-processing. To enhance the mechanical properties of the parts, an infiltrate substance, such as cyanoacrylate adhesive for ceramics or bronze for metals, is often added. Another method involves placing the green parts in an oven to sinter the material grains together. Interestingly, the term "3D printing" originally described a process that used inkjet-like heads to deposit binder material onto a powder bed layer by layer.

The Process of SLS in 3D Printing The Selective Laser Sintering process resembles that of other powder bed fusion technologies in the following ways: A designer produces a 3D model using a Computer-Aided Design (CAD) program. The design is split into thin (2D) layers. The split design is sent to the SLS printer. A leveling roller spreads a thin layer of powdered material across the printer’s build platform. A CO2 laser traces a cross-section of the material, heating and fusing it. Once a layer is complete, the build platform is lowered to allow space for the next layer of powder. Unused material is recycled after each layer is finished. The SLS process is repeated, building layer-on-layer until the part is completed. During the printing process, SLS parts are encompassed by unsintered powder. This extra powder supports the part during printing, removing the need for support structures.

Today’s 3D printers have started to make a dent in von Neumann’s vision. They are now being used to assemble objects in space from raw materials. This is seen as a critical way we might be able to conduct manufacturing on foreign worlds, as long as raw materials are available. Theoretically, a 3D printer could print another 3D printer, thus realizing von Neumann’s general idea of self-replicating machines.

I did! I’m saving up to get a 3D printer so I can start designing more pieces and sell them on Etsy.” She lit up, pleased that I’d noticed. “You have a nice style, too. Just . . . dark. Jewel tones would go well with your tan skin

FDM (Fused Deposition Modeling) 3D printing is a type of additive manufacturing technology that works by extruding thermoplastic filament material layer by layer to build up a three-dimensional object. Here are some details defining FDM 3D printing: Process: FDM 3D printing involves melting a thermoplastic filament, usually ABS (Acrylonitrile Butadiene Styrene) or PLA (Polylactic Acid), and extruding it through a heated nozzle. The nozzle moves along a predetermined path, depositing the material layer by layer to create the desired object. Materials: FDM printers primarily use thermoplastic materials, which are available in various colors and types, each with its own properties such as strength, flexibility, and heat resistance. Common materials include ABS, PLA, PETG, TPU, and more. Layer Resolution: FDM printers have a layer resolution, which refers to the thickness of each layer of material deposited during printing. The layer resolution determines the level of detail and surface finish achievable in the printed object. Lower layer heights result in finer details but increase printing time. Build Volume: This refers to the maximum size of the object that can be printed in terms of length, width, and height. FDM printers come in various sizes, offering different build volumes to accommodate different project requirements. Support Structures: FDM printers often require support structures for overhanging or complex geometries. These supports are printed alongside the object and later removed manually or with tools after printing is complete. Heated Build Plate: Many FDM printers feature a heated build plate, which helps prevent warping and improves adhesion between the first layer of the print and the build surface. A heated build plate is particularly useful when printing materials like ABS. Dual Extrusion: Some FDM printers support dual extrusion, allowing for the simultaneous use of two different materials or colors during printing. This capability enables more complex prints with multiple colors or materials. Post-Processing: After printing, FDM-printed objects may require post-processing to improve surface finish or functionality. This can include sanding, painting, smoothing with acetone (for ABS), or other finishing techniques. FDM 3D printing is widely used in various industries, including prototyping, manufacturing, education, and hobbyist applications, due to its relatively low cost, ease of use, and versatility.

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Climate change is a call to adapt and innovate.

Naah.” The cat yawns, yet again, and curls up on the floor next to the 3D printer. “It’s some kinda dodgy business model to get you out of hock to your mom. Better be careful, though—he says its legality is narrowly scoped jurisdiction-wise. Your mom might be able to undermine it if she learns about how it works.” “Wow. Like, how totally cool.” In truth, Amber is delighted because it is her birthday, but Mom’s at work, and Amber’s home alone, with just the TV in moral majority mode for company.

The 3D printer is cranking up. It hisses slightly, dissipating heat from the hard vacuum chamber in its supercooled workspace. Deep in its guts it creates coherent atom beams, from a bunch of Bose-Einstein condensates hovering on the edge of absolute zero. By superimposing interference patterns on them, it generates an atomic hologram, building a perfect replica of some original artifact, right down to the atomic level—there are no clunky moving nanotechnology parts to break or overheat or mutate. Something is going to come out of the printer in half an hour, something cloned off its original right down to the individual quantum states of its component atomic nuclei. The cat, seemingly oblivious, shuffles closer to the warm air exhaust ducts.

The triumph of the commons is certainly evident in the digital commons, which are fast turning into one of the most dynamic arenas of the global economy. It is a transformation made possible, argues the economic analyst Jeremy Rifkin, by the ongoing convergence of networks for digital communications, renewable energy and 3D printing, creating what he has called ‘the collaborative commons’. What makes the convergence of these technologies so powerfully disruptive is their potential for distributed ownership, networked collaboration and minimal running costs. Once the solar panels, computer networks and 3D printers are in place, the cost of producing one extra joule of energy, one extra download, one extra 3D printed component, is close to nothing, leading Rifkin to dub it ‘the zero-marginal-cost revolution’.

improving designs online for free. His idea soon grew into the Global Village Construction Set, which aims to demonstrate step-by-step how to build from scratch 50 universally useful machines, from tractors, brick makers and 3D printers to sawmills, bread ovens and wind turbines.

In the Togolese capital of Lomé, architect Sénamé Agbodjinou and colleagues set up Woelab in 2012, a ‘low-high tech’ workshop making its own design of open-source 3D printers using the component parts of defunct computers, printers and scanners that have been dumped in West Africa.

Christina Nichol describes a conversation with a young family member who works in tech, to whom she tried to describe the unprecedentedness of the threat from climate change, unsuccessfully. “Why worry?” he replies. “Technology will take care of everything. If the Earth goes, we’ll just live in spaceships. We’ll have 3D printers to print our food. We’ll be eating lab meat. One cow will feed us all. We’ll just rearrange atoms to create water or oxygen. Elon Musk.” Elon Musk—it’s not the name of a man but a species-scale survival strategy. Nichol answers, “But I don’t want to live in a spaceship.” He looked genuinely surprised. In his line of work, he’d never met anyone who didn’t want to live in a spaceship.

Even when de facto addressing the dangers posed by science, one day the media discusses the dangers posed by Artificial Intelligence, another day -the dangers posed by nuclear weapons, or 3D printers, or maybe cyber networks. And quite rarely, if ever, the readers are exposed to a subject explicitly named "the dangers posed by science.

Graphics experts led by computer scientists at Harvard have created an add-on software tool that translates video game characters — or any other three-dimensional animations — into fully articulated action figures, with the help of a 3D printer.

The OS model has a natural overlap with much of the founding philosophy of 3D printing and is exemplified by pioneers RepRap. They have fully adopted the OS model and make their software available under a GNU license and include the .stl files for their devices with the sale of any printer. This allows the purchaser to reprint their device and pass it onto a friend.

Kaleb Pecoraro is a talented college student passionate about using his talents to make a positive impact in the world, and he has demonstrated this through his work with 3D printing. During the crisis in Ukraine, Kaleb Pecoraro created 3D-printed sunflower pins, which he distributed to local businesses to raise money for those affected. He managed to raise over $5000.00 for the cause. Kaleb Pecoraro also worked with a group of 3D printers to make face shields for hospital workers during the pandemic.