2 Versions Of Me Quotes

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Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl. Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men – friends, coworkers, strangers – giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them. I’d want to grab the poor guy by his lapels or messenger bag and say: The bitch doesn’t really love chili dogs that much – no one loves chili dogs that much! And the Cool Girls are even more pathetic: They’re not even pretending to be the woman they want to be, they’re pretending to be the woman a man wants them to be. Oh, and if you’re not a Cool Girl, I beg you not to believe that your man doesn’t want the Cool Girl. It may be a slightly different version – maybe he’s a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe he’s a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesn’t ever complain. (How do you know you’re not Cool Girl? Because he says things like: “I like strong women.” If he says that to you, he will at some point fuck someone else. Because “I like strong women” is code for “I hate strong women.”)
Gillian Flynn (Gone Girl)
I love the Lord, for he heard my voice; he heard my cry for mercy. Because he turned his ear to me, I will call on him as long as I live. (Psalms 116:1-2 NIV)
Anonymous (Holy Bible: New International Version)
Cal had been waiting for us at the pond. When he’d seen me, he’d given me a barely perceptible nod, which was the Cal version of waving his hands over his head and yelling, “Hey, Sophie!
Rachel Hawkins (Demonglass (Hex Hall, #2))
They danced in silence for several long moments, spinning together and apart, a slower version of their cadence in the ring. And then, out of nowhere, Lila asked, “Why?” “Why what?” “Why did you ask me to dance?” He almost smiled. A ghost. A trick of the light. “So you couldn’t run away again before I said hello.” “Hello,” said Lila. “Hello,” said Kell. “Where have you been?
Victoria E. Schwab (A Gathering of Shadows (Shades of Magic, #2))
I am, I guess, depressed. I guess I've been depressed for about twenty-four years. I can feel a better version of me somewhere in there - hidden behind a liver or attached to a bit of spleen within my stunted, childish body - a Libby that's telling me to get up, do something, grow up, move on. But the meanness usually wins out. (2)
Gillian Flynn (Dark Places)
I spent a long time playing that game,” she said. “Pretending there were other versions of this world, where other versions of me got to live, and be happy, even if I didn’t, and you know what? It’s lonely as hell. Maybe there are other versions, other lives, but this one’s ours. It’s all we’ve got.
Victoria E. Schwab (Our Dark Duet (Monsters of Verity, #2))
With a chuckle, Jack mumbled under his breath to Nick. 'It's like watching the preppy, well-bred versions of you and me trash-talking.
Julie James (A Lot like Love (FBI/US Attorney, #2))
Close your eyes and picture it. Can you see it?" I nod, eyes closed. "Imagine it right there before you. See its texture, shape, and color—got it?" I smile, holding the image in my head. "Good. Now reach out and touch it. Feel its contours with the tips of your fingers, cradle its weight in the palms of your hands, then combine all of your senses—sight, touch, smell, taste—can you taste it?" I bite my lip and suppress a giggle. "Perfect. Now combine that with feeling. Believe it exists right before you. Feel it, see it, touch it, taste it, accept it, manifest it!" he says. So I do. I do all of those things. And when he groans, I open my eyes to see for myself. "Ever." He shakes his head. "You were supposed to think of an orange. This isn't even close." "Nope, nothing fruity about him." I laugh, smiling ateach of my Damens—the replica I manifested before me, and the flesh and blood version beside me. Both of them equally tall, dark, and so devastatingly handsome they hardly seem real.
Alyson Noel (Blue Moon (The Immortals, #2))
I don’t know who I am, and who I’m not, I don’t know who I’m supposed to be, and I miss who I was; I miss it every day, Kate, but there’s no place for that August anymore. No place for the version of me who wanted to go to school, and have a life, and feel human, because this world doesn’t need that August. It needs someone else.
Victoria E. Schwab (Our Dark Duet (Monsters of Verity, #2))
You see, you don’t want me to love you. You want the version you’ve made up. The knight, even though I’m the dragon and I always will be.
Jeaniene Frost (Twice Tempted (Night Prince, #2))
Besides, there was something under the good girl facade. She hated me on sight because she’d been burned by someone like me before. No way was she a slut, though. Not even a reformed slut. I could spot them a mile away. My game face slowly melted away. I’d finally found a girl that was interesting enough to get to know, and a version of me had already hurt her.
Jamie McGuire (Walking Disaster (Beautiful, #2))
Once again, I am a fragmented person. I am divided between the soft, sentimental girl who loves Caleb at all costs and the hard, logical version of me determined to survive – even at the cost of pushing Caleb from my heart.
C.J. Roberts (Seduced in the Dark (The Dark Duet, #2))
Bran grabbed my hand,pulled me to a chest, and swung the heavy lid open. A white cloth covered the contents. He jerked it aside. Human heads filled the chest. "Oh God." He scooped a mummified head from the chest by a scalp lock and thrust it at me. "All of them are mine." This was officially the weirdest version of "come down to my place and I'll show you some etchings" I've ever been hit with.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
Honestly, half the reason I like you is because you’re so...I don’t know. You like life.” He looked away from my eyes, amused as his thoughts spun, considering. “You’re fearless. Bold. Not afraid to enjoy yourself. You just go out there and do what you want. I like the whirlwind you exist in. I envy it. It’s funny, really.” He smiled. “I used to think I wanted someone exactly like me, but now I think I’d be bored to death with another version of myself. I’m surprised I don’t bore you sometimes.” I gaped. “Are you kidding? You’re the most interesting person I know. Aside from Hugh maybe. But then, he installs breast implants and buys souls. That’s a hard combination to beat. But he’s not nearly as cute.
Richelle Mead (Succubus on Top (Georgina Kincaid, #2))
Instead, I have the alien version of Grumpy Cat, and he just roped and tied me like a calf at a rodeo. Asshole.
Ruby Dixon (Barbarian Alien (Ice Planet Barbarians, #2))
You okay with all of this?" I whispered to Daemon. He shrugged. "Not like I can stop her." I knew he could if he wanted, which meant he didn't have a problem with it. "Cookie?" he offered, holding a cookie full of chocolate chips. Upset tummy or not, there was no way I could refuse that. "Sure." His lips tipped up one side and he leaned toward me, his mouth inches from mine. "Come and get it." Come and get...? Daemon placed half the cookie between those full, totally kissable lips. Oh, holy alien babies everywhere... My mouth dropped open. Several of the girls at the table made sounds that had me wondering if they were turning into puddles under the table, but I couldn't bring myself to check out what they really were doing. That cookie—those lips—were right there. Heat swept over my cheeks. I could feel the eyes of everyone on else, and Daemon... dear God, Daemon arched his brows, daring me. Dee gagged. "I think I'm going to hurl." Mortified, I wanted to crawl into a hole. What did he think I was going to do? Take the cookie from his mouth like something straight out of an R rated version of Lady and the Tramp? Heck, I kind of wanted to and I wasn't sure what that said about me. Daemon reached up and took the cookie. There was a gleam to his eyes, as if he just won some battle. "Times up, Kitten." I stared at him. Breaking the cookie into two, he handed me the larger piece. I snatched it away, half tempted to throw it back in his face, but it was... it was chocolate chip. So I ate it and loved it.
Jennifer L. Armentrout (Onyx (Lux, #2))
You do know I am my father’s son, right? People don’t talk to me that way and live. (Syn) Oh, like I fear you. Never. Besides, a fight might dislodge whatever has crawled up your sphincter and bring back the much nicer version of you. (Shahara)
Sherrilyn Kenyon (Born of Fire (The League: Nemesis Rising, #2))
And there was no way I could talk about it with Dad. Our version of "the talk" had been him clearing his throat awkwardly for about ten minutes straight as he attempted to explain to me the importance of condoms. I was fourteen, and, needless to say, it was an experience I never wanted to relive.
Kody Keplinger (Shut Out (Hamilton High, #2))
A Great Rabbi stands, teaching in the marketplace. It happens that a husband finds proof that morning of his wife's adultery, and a mob carries her to the marketplace to stone her to death. There is a familiar version of this story, but a friend of mine - a Speaker for the Dead - has told me of two other Rabbis that faced the same situation. Those are the ones I'm going to tell you. The Rabbi walks forward and stands beside the woman. Out of respect for him the mob forbears and waits with the stones heavy in their hands. 'Is there any man here,' he says to them, 'who has not desired another man's wife, another woman's husband?' They murmur and say, 'We all know the desire, but Rabbi none of us has acted on it.' The Rabbi says, 'Then kneel down and give thanks that God has made you strong.' He takes the woman by the hand and leads her out of the market. Just before he lets her go, he whispers to her, 'Tell the Lord Magistrate who saved his mistress, then he'll know I am his loyal servant.' So the woman lives because the community is too corrupt to protect itself from disorder. Another Rabbi. Another city. He goes to her and stops the mob as in the other story and says, 'Which of you is without sin? Let him cast the first stone.' The people are abashed, and they forget their unity of purpose in the memory of their own individual sins. ‘Someday,’ they think, ‘I may be like this woman. And I’ll hope for forgiveness and another chance. I should treat her as I wish to be treated.’ As they opened their hands and let their stones fall to the ground, the Rabbi picks up one of the fallen stones, lifts it high over the woman’s head and throws it straight down with all his might it crushes her skull and dashes her brain among the cobblestones. ‘Nor am I without sins,’ he says to the people, ‘but if we allow only perfect people to enforce the law, the law will soon be dead – and our city with it.’ So the woman died because her community was too rigid to endure her deviance. The famous version of this story is noteworthy because it is so startlingly rare in our experience. Most communities lurch between decay and rigor mortis and when they veer too far they die. Only one Rabbi dared to expect of us such a perfect balance that we could preserve the law and still forgive the deviation. So of course, we killed him. -San Angelo Letters to an Incipient Heretic
Orson Scott Card (Speaker for the Dead (Ender's Saga, #2))
Cats don’t have dark sides. That’s all a shadow is—and though you might be prejudiced against the dark, you ought to remember that that’s where stars live, and the moon and raccoons and owls and fireflies and mushrooms and cats and enchantments and a rather lot of good, necessary things. Thieving, too, and conspiracies, sneaking, secrets, and desire so strong you might faint dead away with the punch of it. But your light side isn’t a perfectly pretty picture, either, I promise you. You couldn’t dream without the dark. You couldn’t rest. You couldn’t even meet a lover on a balcony by moonlight. And what would the world be worth without that? You need your dark side, because without it, you’re half gone. Cats, on the other hand, have a more sensible setup. We just have the one side, and it’s mostly the sneaking and sleeping side anyway. So the other Iago and I feel very companionable toward each other. Whereas I expect my drowsy mistress Above would loathe this version of herself, who is kind and quiet and lonely and rather dear, all the things the original is not. My love stands for both. This one pets me more; that one let me pounce on anything I wanted.
Catherynne M. Valente (The Girl Who Fell Beneath Fairyland and Led the Revels There (Fairyland, #2))
I married the perfect girl. I married the girl who could have done so much better and took me anyway. I married a woman who inspires me to be the best version of myself just by being her. I feel lucky every day to be the man next to you, Leigh. Nothing will ever change that.
Jolene Perry (Left to Love (Next Door Boys #2))
Song of Solomon 1:2- Let him kiss me with the kisses of his mouth: for thy love is better than wine.
Anonymous
Hazael rose from his knees. It had to take extraordinary effort, yet somehow he managed a version of his lazy smile when he said, "You know, I've always wanted to be a bath attendant. You should take me instead. I'm nicer than my sister." Jael returned the lazy smile. "You're not my type." "Well, you're not anybody's type," said Hazael. "No, wait. I take it back. My sword says she'd like to know you better." "I'm afraid I must deny her the pleasure. I've been kissed by swords before, you see." "I may have noticed.
Laini Taylor (Days of Blood & Starlight (Daughter of Smoke & Bone, #2))
Christ, I love this woman with all my heart. Being with Diana is like discovering a piece of myself that I never knew was missing. She makes me want to be the best version of myself, not because I feel like I have to impress her but because she inspires me to be better.
Elle Kennedy (The Dixon Rule (Campus Diaries, #2))
Cookie?” he offered, holding up a cookie full of chocolate chips. Upset tummy or not, there was no way I could refuse that. “Sure.” His lips tipped to one side and he leaned towards me, his mouth inches from mine. “Come and get it.” Come and get…? Daemon placed half the cookie between those full, totally kissable lips. Oh, holy alien babies everywhere… My mouth dropped open. Several of the girls at the table made sounds that had me wondering if they were turning into puddles under the table, but I couldn’t bring myself to check out what they were doing. That cookie – those lips – were right there. Heat swept over my cheeks. I could feel the eyes of everyone else and Demon… dear God, Daemon arched his brows, daring me. Dee gagged. “I think I’m going to hurl.” Mortified, I wanted to crawl into a hole. What did he think I was going to do? Take that cookie out of his mouth like something straight out of an R-rated version of Lady and the Tramp? Heck, I kind of wanted to, and I wasn’t too sure what that said about me. Daemon reached up and took the cookie. There was a gleam in his eyes, as if he’d just won some battle. “Time’s up, Kitten.
Jennifer L. Armentrout (Onyx (Lux, #2))
Sometimes I wish you had known me, the way I used to be. Sometimes I wish that was the version of myself I could give you. A better version. One that wasn’t so…” Broken.
Carissa Broadbent (Children of Fallen Gods (The War of Lost Hearts, #2))
Okay then, Korean romcoms or me, which one do you pick?" "You." "I knew it. You hate me." "No. This time I picked the one I like the most.
JittiRain (2gether vol. 1 (เพราะเราคู่กัน 1 English Version))
But a part of me wants to fling the cloak off and put Elias’s back on. I know I’m acting the fool, but somehow Elias’s cloak made me feel good. Perhaps because more than reminding me of him, it reminded me of who I was around him. Braver. Stronger. Flawed, certainly, but unafraid. I miss that girl. That Laia. That version of myself that burned brightest when Elias Veturius was near. The Laia who made mistakes. The Laia whose mistakes led to needless death. How could I forget? I thank Keenan quietly and stuff the old cloak in my bag. Then I pull the new one closer and tell myself that it’s warmer.
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
Dios, cómo lo he echado de menos. A este Cam. Ni siquiera sé cuál de sus versiones es la de verdad, pero este es el Cam por el que estoy absolutamente loca. Mierda. Estoy loca por él. Lo estoy. Totalmente colgada. Tanto, que me quedaría enganchada a esos ojitos verdes hasta mañana.
Alina Not (Sin miedo (Bad Ash, #2))
You decided that when I came home, I was worth loving as a broken shell of a person. I think you can learn to love me as someone who is fierce and strong, right? So now, I want you to come home, and whatever version of yourself you wake up to be, and whatever version you grow into—I’ll love you, too.
H.D. Carlton (Hunting Adeline (Cat and Mouse, #2))
Did you just call me…pretty?” “You’re a male version of Helen of Troy. Now run along. Find another something pretty that appeals to you.
Tiffany Allee (Don't Blackmail the Vampire (Sons of Kane, #2))
Unfortunately, she’s like a miniature version of me. Translation—a pain in the arse.
Missy Johnson (Wildcard: Volume Two (Wildcard, #2))
I prefer this version of me, yet I became this way because I lost him. If I ever had the power to undo everything, I wouldn't want to unravel who I've become.
Cecelia Ahern (Postscript (P.S. I Love You, #2))
Maybe Father would like this version of me.
Lauren Roberts (Reckless (The Powerless Trilogy, #2))
I knew then, I loved her. Not for the other lives we’ve lived, for the other times we’ve loved, but for this one, this version of herself that made me want to be here, in the so very expansive and daunting now. I loved her, suspended in eternity.
Iris Lake (Find Me Between the Stars (Meet Me in the Ether, #2))
Lizzie organised her backpack for the tenth time. There were literally three things in there, but she was convinced it was necessary to know exactly where they were at all times. How I’d managed to give birth to the female version of Sheldon Cooper was beyond me.
J.L. Berg (The Scars I Bare (By the Bay, #2))
If you cannot pray, simply recite Lord’s Prayer (Psalm 23:1-6):- A psalm of David. New International Version 1 The LORD is my shepherd, I shall not be in want. 2 He makes me lie down in green pastures, he leads me beside quiet waters, 3 he restores my soul. He guides me in paths of righteousness for his name's sake. 4 Even though I walk through the valley of the shadow of death, I will fear no evil, for you are with me; your rod and your staff, they comfort me. 5 You prepare a table before me in the presence of my enemies. You anoint my head with oil; my cup overflows. 6 Surely goodness and love will follow me all the days of my life, and I will dwell in the house of the LORD forever.
Lailah Gifty Akita (Pearls of Wisdom: Great mind)
It’s that time of the month again… As we head into those dog days of July, Mike would like to thank those who helped him get the toys he needs to enjoy his summer. Thanks to you, he bought a new bass boat, which we don’t need; a condo in Florida, where we don’t spend any time; and a $2,000 set of golf clubs…which he had been using as an alibi to cover the fact that he has been remorselessly banging his secretary, Beebee, for the last six months. Tragically, I didn’t suspect a thing. Right up until the moment Cherry Glick inadvertently delivered a lovely floral arrangement to our house, apparently intended to celebrate the anniversary of the first time Beebee provided Mike with her special brand of administrative support. Sadly, even after this damning evidence-and seeing Mike ram his tongue down Beebee’s throat-I didn’t quite grasp the depth of his deception. It took reading the contents of his secret e-mail account before I was convinced. I learned that cheap motel rooms have been christened. Office equipment has been sullied. And you should think twice before calling Mike’s work number during his lunch hour, because there’s a good chance that Beebee will be under his desk “assisting” him. I must confess that I was disappointed by Mike’s over-wrought prose, but I now understand why he insisted that I write this newsletter every month. I would say this is a case of those who can write, do; and those who can’t do Taxes. And since seeing is believing, I could have included a Hustler-ready pictorial layout of the photos of Mike’s work wife. However, I believe distributing these photos would be a felony. The camera work isn’t half-bad, though. It’s good to see that Mike has some skill in the bedroom, even if it’s just photography. And what does Beebee have to say for herself? Not Much. In fact, attempts to interview her for this issue were met with spaced-out indifference. I’ve had a hard time not blaming the conniving, store-bought-cleavage-baring Oompa Loompa-skinned adulteress for her part in the destruction of my marriage. But considering what she’s getting, Beebee has my sympathies. I blame Mike. I blame Mike for not honoring the vows he made to me. I blame Mike for not being strong enough to pass up the temptation of readily available extramarital sex. And I blame Mike for not being enough of a man to tell me he was having an affair, instead letting me find out via a misdirected floral delivery. I hope you have enjoyed this new digital version of the Terwilliger and Associates Newsletter. Next month’s newsletter will not be written by me as I will be divorcing Mike’s cheating ass. As soon as I press send on this e-mail, I’m hiring Sammy “the Shark” Shackleton. I don’t know why they call him “the Shark” but I did hear about a case where Sammy got a woman her soon-to-be ex-husband’s house, his car, his boat and his manhood in a mayonnaise jar. And one last thing, believe me when I say I will not be letting Mike off with “irreconcilable differences” in divorce court. Mike Terwilliger will own up to being the faithless, loveless, spineless, useless, dickless wonder he is.
Molly Harper (And One Last Thing ...)
But any idiot can see you two are gaga for one another.” As in Lady Gaga? Because I do enjoy riding Wade’s disco stick and playing our own version of poker face. And even though I’m terrified we’ll wind up having a bad romance, leaving me to just dance while watching Wade ride off into the sunset with Alejandro as the paparazzi followed in a frenzy, I can’t seem to stop myself from loving him. I shook the nonsense out of my head.
Ethan Day (Life in Fusion (Summit City, #2))
Because if you want my love, you'll get it completely. The full, uncensored, crude, fucking X-rated version of it. When I love someone I do it with all my being, not just my heart. When you're with me your soul, your body, and your mind are all mine. I don't do just one thing. I do it all. Hard
Clarissa Wild (Flame (Fierce, #2))
Thou therefore, my son, be strong in the grace that is in Christ Jesus. And the things that thou hast heard of me among many witnesses, the same commit thou to faithful men, who shall be able to teach others also. Thou therefore endure hardness, as a good Knight of Jesus Christ. No man holding knighthood to God, wrappeth himself with worldly needs, that he please to him, to whom he hath proved himself. For he that fighteth in battle, shall not be crowned, but he fight lawfully.
Paul the Apostle (2 Timothy KJV: King James Version)
One additional thought. Chiss names are difficult for many species to properly pronounce. I suggest you address me by my core name: Thrawn.” “That’s all right, Mitth’raw’nuruodo,” Anakin said. Did this being go out of his way to be annoying and condescending? “I think I can handle it.” “Mitth’raw’nuruodo,” the alien said. “That’s what I said,” Anakin said. “Mitth’raw’nuruodo.” “It’s pronounced Mitth’raw’nuruodo.” “Yes. Mitth’raw’nuruodo.” “Mitth’raw’nuruodo.” Anakin clenched his teeth. He could hear a slight difference between his pronunciation and the alien’s. But he couldn’t figure out how to correct his version. “Fine,” he growled. “Thrawn.
Timothy Zahn (Thrawn: Alliances (Star Wars: Thrawn, #2))
It’d be a shame if you let growing up dull your edges. I’m all for whatever makes you happy,” he qualifies. “You don’t need to be drinking for me to enjoy your company – you’ve always been fun no matter what. Lately, though, it seems like the real Gen is slipping away. Becoming a muted version of the incredible, terrifying, vibrant woman you used to be.
Elle Kennedy (Bad Girl Reputation (Avalon Bay, #2))
PSA30.2 O LORD my God, I cried unto thee, and thou hast healed me.
Anonymous (Holy Bible: King James Version)
Ecclesiastes 2:17 "So I hated life, because the work that is done under the sun was grievous to me. All of it is meaningless, a chasing after the wind.
Anonymous (NIV Holy Bible)
The grace and beauty of this world enchant me. But it’s all broken. I want to see the version we didn’t screw up. Don’t you?
Dean Koontz (Forever Odd (Odd Thomas, #2))
Create in me a  nclean heart, O God, and  orenew a right [2] spirit within me.
Anonymous (Holy Bible: English Standard Version (ESV))
PSA2.8 Ask of me,
Anonymous (The Holy Bible, King James Version (KJV))
Hope she’s not getting Gloria.” “Why?” “She kinda looks like a white version of me,” Jake said. “Only with a heavier beard.
Harlan Coben (Drop Shot (Myron Bolitar, #2))
Language as a Prison The Philippines did have a written language before the Spanish colonists arrived, contrary to what many of those colonists subsequently claimed. However, it was a language that some theorists believe was mainly used as a mnemonic device for epic poems. There was simply no need for a European-style written language in a decentralized land of small seaside fishing villages that were largely self-sufficient. One theory regarding language is that it is primarily a useful tool born out of a need for control. In this theory written language was needed once top-down administration of small towns and villages came into being. Once there were bosses there arose a need for written language. The rise of the great metropolises of Ur and Babylon made a common written language an absolute necessity—but it was only a tool for the administrators. Administrators and rulers needed to keep records and know names— who had rented which plot of land, how many crops did they sell, how many fish did they catch, how many children do they have, how many water buffalo? More important, how much then do they owe me? In this account of the rise of written language, naming and accounting seem to be language's primary "civilizing" function. Language and number are also handy for keeping track of the movement of heavenly bodies, crop yields, and flood cycles. Naturally, a version of local oral languages was eventually translated into symbols as well, and nonadministrative words, the words of epic oral poets, sort of went along for the ride, according to this version. What's amazing to me is that if we accept this idea, then what may have begun as an instrument of social and economic control has now been internalized by us as a mark of being civilized. As if being controlled were, by inference, seen as a good thing, and to proudly wear the badge of this agent of control—to be able to read and write—makes us better, superior, more advanced. We have turned an object of our own oppression into something we now think of as virtuous. Perfect! We accept written language as something so essential to how we live and get along in the world that we feel and recognize its presence as an exclusively positive thing, a sign of enlightenment. We've come to love the chains that bind us, that control us, for we believe that they are us (161-2).
David Byrne (Bicycle Diaries)
Marry me,' he says. 'Become the Queen of Elfhame.' I feel a cold shock come over me, as though someone has told a particularly cruel joke, with me its target. As though someone looked in to my heart and saw the most ridiculous, most childish desire there and used it against me. 'But you can't.' 'I can,' he says. 'Kings and queens don't often marry for something other than a political alliance, true, but consider this a version of that. And were you queen, you wouldn't need my obedience. You could issue all your own orders. And I would be free.
Holly Black (The Wicked King (The Folk of the Air, #2))
Pienso en todas las voces que arman barullo en mi cabeza, voces que no son más que versiones mayores, más jóvenes o simplemente mejores de mí mismo, estoy seguro. A veces, cuando las cosas iban realmente mal, he tratado de llamarla a ella, de conseguir que me respondiera, pero nunca lo he conseguido. Sólo logro captarme a mí mismo. Si quiero oír su voz, tengo que recurrir a los recuerdos. Al menos eso no me falta.
Gayle Forman (Where She Went (If I Stay, #2))
O LORD, you have  p searched me and known me! 2    You  q know when I sit down and when I rise up;         you  r discern my thoughts from afar. 3    You search out my path and my lying down         and are acquainted with all my ways.
Anonymous (Holy Bible: English Standard Version (ESV))
PSALM 2 Why do the nations rage [3]    and the peoples plot in vain? 2The kings of the earth set themselves,    and the rulers take counsel together,    against the LORD and against his Anointed, saying, 3“Let us burst their bonds apart    and cast away their cords from us.” 4He who sits in the heavens laughs;    the Lord holds them in derision. 5Then he will speak to them in his wrath,    and terrify them in his fury, saying, 6“As for me, I have set my King    on Zion, my holy hill.
Anonymous (Holy Bible: English Standard Version (ESV))
As I make the ten-minute drive into town, I curse O’Shea for forcing this volunteer gig on me and ponder the authenticity of voodoo dolls. Eventually I decide it doesn’t matter if they’re real or not. It’d still be fun to poke needles into a teeny doll version of Frank O’Shea. Once it starts falling apart from all the holes, I can use the head as a stress ball. At a red light, I shoot a quick text to my teammate Fitzy—Hey, do u know how 2 make a voodoo doll? His response doesn’t come until I reach the small arena across the street from the school. Him: I’d think u were fcking with me, but the question is stupid enuff to feel legit. No idea how to make v-doll. Can prolly use any old doll? Challenge will be finding a voodoo witch to link it to your target. Me: That makes sense. Him: Does it?? Me: Voodoo implies magic, hexes, etc. I don’t think any doll would work. Otherwise every doll is a v-doll, right? Him: Right. Me: Anyway. Thx. Thought u might know. Him: Why the fuck would *I* know? Me: Ur into all those fantasy role-play games. U know magic. Him: I’m not Harry Potter, ffs. Me: HP is a nerd. Ur a nerd. Ergo, ur a boy wizard. He sends a middle-finger emoji, then says, Bday beers at Malone’s 2nite. U still down? Me: Yup. Him: C U ltr
Elle Kennedy (The Score (Off-Campus, #3))
E-Liz-A-Beth, you'll take me to Noctem Falls won't you?" Meryn begged giving her puppy dog eyes. "Of course I will. We can go there after DragonCon next year," she promised. "Oh no. She talked you into that convention thing." Aiden glared at his mate. "It's perfectly safe. Think of it this way. It's an event where thousands of people just like Meryn get together for a couple days and live it up," Elizabeth explained. All five men paled. "Thousands of people," Colton whispered. "Just like Meryn?" Keelan asked. Elizabeth looked around. The men had that deer in the headlights looks. "Maybe not just like her." "Thank goodness. One Meryn in the world is enough," Colton teased, looking relieved. "It's because I'm a 'Limited Edition'. Y'all should be grateful for even knowing me," Meryn huffed. "We are, my love. We are." Aiden scowled at his men over Meryn's head. "We wouldn't trade you for a sane version any day," Colton reassured her. Meryn smiled then frowned. "What do you mean 'sane version'?
Alanea Alder (My Protector (Bewitched and Bewildered, #2))
That night at the Brooklyn party, I was playing the girl who was in style, the girl a man like Nick wants: the Cool Girl. Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl. Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men—friends, coworkers, strangers—giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them. I’d want to grab the poor guy by his lapels or messenger bag and say: The bitch doesn’t really love chili dogs that much—no one loves chili dogs that much! And the Cool Girls are even more pathetic: They’re not even pretending to be the woman they want to be, they’re pretending to be the woman a man wants them to be. Oh, and if you’re not a Cool Girl, I beg you not to believe that your man doesn’t want the Cool Girl. It may be a slightly different version—maybe he’s a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe he’s a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesn’t ever complain. (How do you know you’re not Cool Girl? Because he says things like: “I like strong women.” If he says that to you, he will at some point fuck someone else. Because “I like strong women” is code for “I hate strong women.”) I waited patiently—years—for the pendulum to swing the other way, for men to start reading Jane Austen, learn how to knit, pretend to love cosmos, organize scrapbook parties, and make out with each other while we leer. And then we’d say, Yeah, he’s a Cool Guy. But it never happened. Instead, women across the nation colluded in our degradation! Pretty soon Cool Girl became the standard girl. Men believed she existed—she wasn’t just a dreamgirl one in a million. Every girl was supposed to be this girl, and if you weren’t, then there was something wrong with you. But it’s tempting to be Cool Girl. For someone like me, who likes to win, it’s tempting to want to be the girl every guy wants. When I met Nick, I knew immediately that was what he wanted, and for him, I guess I was willing to try. I will accept my portion of blame. The thing is, I was crazy about him at first. I found him perversely exotic, a good ole Missouri boy. He was so damn nice to be around. He teased things out in me that I didn’t know existed: a lightness, a humor, an ease. It was as if he hollowed me out and filled me with feathers. He helped me be Cool
Gillian Flynn (Gone Girl)
Carney was flattered that the Italian thought he had the scratch to buy the two buildings, that the white side of town recognized his successes, then quickly assumed something was wrong and Bongiovanni was dumping bum properties on him. The city itching to condemn, some expensive disaster in the sewer below, or the final version of the Curse of 125th and Morningside finally come due. None of that turned out to be true, although Mrs. Hernandez in apartment 3R of 381 had a mysterious stain in her bathroom wall that returned each time it was patched and repainted and which bore an eerie resemblance to Dwight Eisenhower, a curse if ever he heard one. “He stares at me,” she said.
Colson Whitehead (Crook Manifesto (Ray Carney, #2))
how great a  wstruggle I have for you and for those at Laodicea and for all who have not seen me face to face, 2that  ztheir hearts may be encouraged, being  aknit together in love, to reach all the riches of full assurance of understanding and the knowledge of  bGod’s mystery, which is Christ, 3 cin whom are hidden all the treasures of wisdom and knowledge.
Anonymous (Holy Bible: English Standard Version (ESV))
Nevertheless, I am continually with you;         you  e hold my right hand.     24 You  f guide me with your counsel,         and afterward you will  g receive me to glory.     25  h Whom have I in heaven but you?         And there is nothing on earth that I desire besides you.     26  i My flesh and my heart may fail,         but God is  j the strength [2] of my heart and my  k portion  l forever.
Anonymous (Holy Bible: English Standard Version (ESV))
Then Toraf opens the passenger side door…Wait. That’s not Toraf. I’ve never seen this man before, yet he’s eerily familiar. His silhouette sitting next to Galen was definitely classic Syrena male, but the glare from the sun had hidden his face. I’d naturally just assumed that where there’s a Galen, there’s a Toraf. Now that his face is in full view though, I see that this man looks like a slightly older version of Galen. Slightly older as in slightly more jaded. Other than that, he could be his twin brother. It may be because he’s wearing some of Galen’s clothes, a wrinkled brown polo shirt and plaid shorts. But he shares other things, too, besides clothes. He’s handsome like Galen, with the same strong jaw and the same eyebrow shape and the way he’s wearing the same expression on his face that Galen is-that he’s found what he’s been looking for. Only, the stranger’s expression clearly divulges that he’s been looking for a lot longer than Galen has-and this man is not looking at me. And that’s when I know just exactly who he is. That’s when I believe the look in Galen’s eyes. That he didn’t lie to me, that he loves me. Because this man has to be Grom. Mom confirms it with a half cry, half growl. “No. No. It can’t be.” Even if she weren’t handcuffed to Rachel right now, I’m not sure she’d actually be able to move. Disbelief has a special way of paralyzing you. With every step the man takes toward Rachel’s car, he shakes his head more vigorously. It’s like he’s deliberately taking his time, drinking in the moment, or maybe he just can’t believe this moment is actually happening. Yep, disbelief is a cruel hag.
Anna Banks (Of Triton (The Syrena Legacy, #2))
You are cursed with a curse, for you are robbing me, the whole nation of you. 10 a Bring the full tithe into the storehouse, that there may be food in my house. And thereby b put me to the test, says the LORD of hosts, if I will not open c the windows of heaven for you and pour down for you a blessing until there is no more need. 11I will rebuke d the devourer [2] for you, so that it will not destroy the fruits of your soil, and your
Anonymous (Holy Bible: English Standard Version (ESV))
I was about to beg Rhys to fly me home when I caught the strands of music pouring from a group of performers outside a restaurant. My hands slackened at my sides. A reduced version of the symphony I'd heard in a chill dungeon, when I had been so lost in terror and despair that I'd hallucinated- hallucinated as this music poured into my cell- and kept me from shattering. And once more, the beauty of it hit me, the layering and swaying, the joy and peace. They had never played a piece like it Under the Mountain- never this sort of music. And I'd never heard music in my cell save for that one time. 'You,' I breathed, not taking my eyes from the musicians playing so skilfully that even the diners had set down their forks in the cafe nearby. 'You sent that music into my cell. Why?' Rhysand's voice was hoarse. 'Because you were breaking. And I couldn't find another way to save you.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
In the center of the room Sarra the demon hung upside down by one leg, its arms bound behind its back, its suit scuffed-looking. Beneath it, crawling around an intricately scribed circle, a woman with short, curly red hair drew binding symbols with a gold stick. She looked up as I fanned away the smoke that was billowing up from the crack in the tile. "You're a Summoner. Hullo. I'm Noelle. Did you know that you have mismatched eyes?" I walked around the demon. It glared at me. "Yes, I know. Why do you have Sarra strung up by one leg?" She drew another symbol. It flared bright green as soon as the stick lifted from the circle. "It was getting a bit stroppy with me. The Hanged Man always teaches them a few manners. It's retaliating with the smoke. Are those spirits I saw yours, then?" "Yes, they are. There are four others as well. I hate to be a bother, but I'm in a bit of a hurry, what with Christian being held by this one's master and all, so if you could possibly just give me the abbreviated version of what's going on here, I'll be on my way to rescue him." She leaned back on her heels and sucked the tip of her gold stick. "Asmodeus, eh?" The demon snarled. A chunk of ceiling fell behind me. We both ignored it. It just never does to give a demon the satisfaction of knowing it's startled you. "It's a nasty bag of tricks, but I heard through the demonic grapevine that it was weakened and searching for a suitable sacrifice to regain its power," she added. "Well, it can't have Christian; he's mine. Back to the demon, if you don't mind…" She looked up at Sarra, still sucking the stick. "It's a pretty specimen, isn't it? I like the hair gel. Nice touch. The mustache is a bit much, though, don't you think? Makes it look so smarmy." "Um…" "I'm destroying it, so I suppose it really doesn't matter." I blinked and avoided two wine bottles as they flew out of a rack when the demon hissed at the Guardian.
Katie MacAlister (Sex and the Single Vampire (Dark Ones #2))
Bless the LORD, O My Soul Of David.     PSALM 103  y Bless the LORD, O my soul,         and all that is within me,         bless his holy name! 2     y Bless the LORD, O my soul,         and  z forget not all his benefits, 3    who  a forgives all your iniquity,         who  b heals all your diseases, 4    who  c redeems your life from the pit,         who  d crowns you with steadfast love and mercy, 5    who  e satisfies you with good         so that your youth is renewed like  f the eagle’s.
Anonymous (Holy Bible: English Standard Version (ESV))
So . . . fuck you.” My finger pokes him in the center of his rock-hard chest. “And double fuck you for being jealous when you have no right. If I smell like him, you smell like bullshit.” I spin away, but Cade is faster. His hand shoots out and wraps around my arm, stopping me in my tracks. I jolt around to face him, my body drawing into his so naturally. “Keep talking like that and I’m going to fuck the filth right out of your pretty mouth.” I arch a brow at him as goose bumps break out over my body. The air between us sizzles. “Excuse me?” He swipes the back of his hand over his mouth, like he’s pulling away the filter that’s been there all along. “You heard me, Red. You keep barking at me like that and I’m going to put you on your knees, open those strawberry lips, and fuck your face just to shut you up.” My mind whirs. The man before me is not the same man I’ve been living with this past month. This is another version of him. A version he’s hidden. A version I can work with. A version I like.
Elsie Silver (Heartless (Chestnut Springs, #2))
Why would God have inspired the words of the Bible if he chose not to preserve these words for posterity? Put differently, what should make me think he had inspired the words in the first place if I knew for certain (as I did) that he had not preserved them? This became a major problem for me in trying to figure out which Bible I thought was inspired. Another big problem is one that I don’t deal with in Misquoting Jesus. If God inspired certain books in the decades after Jesus died, how do I know that the later church fathers chose the right books to be included in the Bible? I could accept it on faith—surely God would not allow noninspired books in the canon of Scripture. But as I engaged in more historical study of the early Christian movement, I began to realize that there were lots of Christians in lots of places who fully believed that other books were to be accepted as Scripture; conversely, some of the books that eventually made it into the canon were rejected by church leaders in different parts of the church, sometimes for centuries. In some parts of the church, the Apocalypse of John (the book of Revelation) was flat out rejected as containing false teaching, whereas the Apocalypse of Peter, which eventually did not make it in, was accepted. There were some Christians who accepted the Gospel of Peter and some who rejected the Gospel of John. There were some Christians who accepted a truncated version of the Gospel of Luke (without its first two chapters), and others who accepted the now noncanonical Gospel of Thomas. Some Christians rejected the three Pastoral Epistles of 1 and 2 Timothy and Titus, which eventually made it in, and others accepted the Epistle of Barnabas, which did not. If God was making sure that his church would have the inspired books of Scripture, and only those books, why were there such heated debates and disagreements that took place over three hundred years? Why didn’t God just make sure that these debates lasted weeks, with assured results, rather than centuries?1
Bart D. Ehrman (Jesus, Interrupted: Revealing the Hidden Contradictions in the Bible (and Why We Don't Know About Them))
It’s a long story,” he said, taking a sip of Mr. Braeburn’s whiskey, “so I will tell only a very condensed version of it. “Mrs. Marsden and I grew up on adjacent properties in the Cotswold. But the Cotswold, as fair as it is, plays almost no part in this tale. Because it was not in the green, unpolluted countryside that we fell in love, but in gray, sooty London. Love at first sight, of course, a hunger of the soul that could not be denied.” Bryony trembled somewhere inside. This was not their story, but her story, the determined spinster felled by the magnificence and charm of the gorgeous young thing. He glanced at her. “You were the moon of my existence; your moods dictated the tides of my heart.” The tides of her own heart surged at his words, even though his words were nothing but lies. “I don’t believe I had moods,” she said severely. “No, of course not. ‘Thou art more lovely and more temperate’—and the tides of my heart only rose ever higher to crash against the levee of my self-possession. For I loved you most intemperately, my dear Mrs. Marsden.” Beside her Mrs. Braeburn blushed, her eyes bright. Bryony was furious at Leo, for his facile words, and even more so at herself, for the painful pleasure that trickled into her drop by drop. “Our wedding was the happiest hour of my life, that we would belong to each other always. The church was filled with hyacinths and camellias, and the crowd overflowed to the steps, for the whole world wanted to see who had at last captured your lofty heart. “But alas, I had not truly captured your lofty heart, had I? I but held it for a moment. And soon there was trouble in Paradise. One day, you said to me, ‘My hair has turned white. It is a sign I must wander far and away. Find me then, if you can. Then and only then will I be yours again.’” Her heart pounded again. How did he know that she had indeed taken her hair turning white as a sign that the time had come for her to leave? No, he did not know. He’d made it up out of whole cloth. But even Mr. Braeburn was spellbound by this ridiculous tale. She had forgotten how hypnotic Leo could be, when he wished to beguile a crowd. “And so I have searched. From the poles to the tropics, from the shores of China to the shores of Nova Scotia. Our wedding photograph in hand, I have asked crowds pale, red, brown, and black, ‘I seek an English lady doctor, my lost beloved. Have you seen her?’” He looked into her eyes, and she could not look away, as mesmerized as the hapless Braeburns. “And now I have found you at last.” He raised his glass. “To the beginning of the rest of our lives.
Sherry Thomas (Not Quite a Husband (The Marsdens, #2))
ROMANS 15  sWe who are strong  thave an obligation to bear with the failings of the weak, and not to please ourselves. 2 uLet each of us please his neighbor for his good, to build him up. 3For  vChrist did not please himself, but as it is written,  w“The reproaches of those who reproached you fell on me.” 4For  xwhatever was written in former days was written for our  yinstruction, that through endurance and through  zthe encouragement of the Scriptures we might have hope. 5May the God of endurance and encouragement grant you  ato live in such harmony with one another, in accord with Christ Jesus,
Anonymous (Holy Bible: English Standard Version (ESV))
My Chemical Romance, “I Don’t Love You” New Order, “Bizarre Love Triangle” Coheed and Cambria, “The Afterman” U2, “Ordinary Love” Coheed and Cambria, “Pearl of the Stars” Tears for Fears, “Woman in Chains” (with Oleta Adams) U2, “Every Breaking Wave” The Arcadian Project, “Hey There, Pretty Girl” Joy Division, “Love Will Tear Us Apart” Everything But The Girl, “I Don’t Understand Anything” The Airborne Toxic Event, “The Fifth Day” Gnarls Barkley, “Smiley Faces” The Airborne Toxic Event, “This Is London” My Chemical Romance, “Planetary (GO!)” U2, “Sometimes You Can’t Make It on Your Own” The Airborne Toxic Event, “The Way Home” Coldplay, “Fix You” The Strokes, “Reptilia” Simple Minds, “When Two Worlds Collide” The Smashing Pumpkins, “1979” The Arcadian Project, “The Windmill” Leonard Cohen, “Anthem” My Chemical Romance, “The Only Hope for Me Is You” Heaven 17, “Let Me Go” (extended version) Our Last Night, “Skyfall” My Chemical Romance, “The Kids from Yesterday” The Airborne Toxic Event, “The Graveyard near the House” Green Day, “Troublemaker” James Taylor, “Carolina in My Mind” Simple Minds, “Waterfront” Muse, “Exogenesis: Symphony Part 3 (Redemption)” U2, “Kite” The Arcadian Project, “The Disappearance Symphony: One Last Question
Barbara Claypole White (The Perfect Son)
I’ve bought a town house,” said Oswald. “In Aphrany. A huge black and white timbered monstrosity. The kind a very rich merchant lives in.” “Why in god’s name?” asked Mason. “Because Fenella once said she likes them,” said Oswald. “In a purely throw-away conversation. But for some reason, every word she speaks is seared on my brain.” Roland cleared his throat. “Bit impulsive for you, isn’t it?” “A bit?” echoed Oswald. “I forced the King to sign annulment papers to an eight-year marriage. Simply because I feel sick to my stomach at the idea of her ever belonging to another man. And the worst of it is, that the annulment is the least drastic course of action that occurred to me. For the last three months, in my head I have been drawing up legal papers to sue Thane for the eight years he spent at my wife’s side, masquerading in my rightful place. In her life, in her heart and in her bed.” He heard his voice shake with anger and realized his brothers must too. Taking a deep breath, he continued more evenly. “Each time I mentally draft the petition, I request a more severe punishment befitting of his crime.” “What kind of punishments?” asked Mason with interest, sitting back in his seat. Oswald blew out a shaky breath. “In the latest version, it was beheading.
Alice Coldbreath (His Forsaken Bride (Vawdrey Brothers, #2))
I would have, Damien! I would have! I would have rather died a thousand painful, torturous deaths than watch you die one! I would have given up anything to go back to that day and relive it!” Damien takes a step back as I run shaky fingers through my hair. I lower my voice and cry, “When you died, I thought I lost everything. I was empty. Numb inside. And the pain...the pain of feeling my heart break over and over again was never ending. I'm sorry about what happened. I think you know that. But what I think you know more than anything is you haunting me and reminding me of what you sacrificed is the most mean-spirited thing you've ever done.” More tears well in my eyes, and I suck them back trying to be strong. “The Damien, I knew wouldn't want this for me. He wouldn't want me to live the rest of my life, loving his ghost. My Damien was too proud, good, and selfless for that.” The one thing that I forgot was that in this dream, this is not my Damien. He's a sinister, sick, and twisted version of the boy I loved. And I know this when he lunges at me, wraps both of his hands around my neck, cuts off the air in my throat, and whispers in a deadly voice, “Love me.” “No!” I bolt upright in my bed choking on air. “No!” I try to steady my breathing, but I'm too shaken up to concentrate
Lauren Hammond (White Walls (Asylum, #2))
Matt’s housekeeper let him in with a grimace. “I’m harmless today,” Tate assured the woman as she led the way to where Matt Holden was standing just outside the study door. “Right. You and two odd species of cobra,” Matt murmured sarcastically, glaring at his son from a tanned face. “What do you want, a bruise to match the other one?” Tate held up both hands. “Don’t start,” he said. Matt moved out of the way with reluctance and closed the study door behind them. “Your mother’s gone shopping,” he said. “Good. I don’t want to talk to her just yet.” Matt’s eyebrows levered up. “Oh?” Tate dropped into the wing chair across from the senator’s bulky armchair. “I need some advice.” Matt felt his forehead. “I didn’t think a single malt whiskey was enough to make me hallucinate,” he said to himself. Tate glowered at him. “You’re not one of my favorite people, but you know Cecily a little better than I seem to lately.” “Cecily loves you,” Matt said shortly, dropping into his chair. “That’s not the problem,” Tate said. He leaned forward, his hands clasped loosely between his splayed knees. “Although I seem to have done everything in my power to make her stop.” The older man didn’t speak for a minute or two. “Love doesn’t die that easily,” he said. “Your mother and I are a case in point. We hadn’t seen each other for thirty-six years, but the instant we met again, the years fell away. We were young again, in love again.” “I can’t wait thirty-six years,” Tate stated. He stared at his hands, then he drew in a long breath. “Cecily’s pregnant.” The other man was quiet for so long that Tate lifted his eyes, only to be met with barely contained rage in the older man’s face. “Is it yours?” Matt asked curtly. Tate glowered at him. “What kind of woman do you think Cecily is? Of course it’s mine!” Matt chuckled. He leaned back in the easy chair and indulged the need to look at his son, to find all the differences and all the similarities in that younger version of his face. It pleased him to find so many familiar things. “We look alike,” Tate said, reading the intent scrutiny he was getting. “Funny that I never noticed that before.” Matt smiled. “We didn’t get along very well.” “Both too stubborn and inflexible,” Tate pointed out. “And arrogant.” Tate chuckled dryly. “Maybe.
Diana Palmer (Paper Rose (Hutton & Co. #2))
PSALM 91 He who dwells in  athe shelter of the Most High will abide in  bthe shadow of the Almighty. 2 I will say [1] to the LORD, “My  crefuge and my  dfortress, my God, in whom I  etrust.” 3 For he will deliver you from  fthe snare of the fowler and from the deadly pestilence. 4 He will  gcover you with his pinions, and under his  hwings you will  ifind refuge; his  jfaithfulness is  ka shield and buckler. 5  lYou will not fear  mthe terror of the night, nor the arrow that flies by day, 6 nor the pestilence that stalks in darkness, nor the destruction that wastes at noonday. 7 A thousand may fall at your side, ten thousand at your right hand, but it will not come near you. 8 You will only look with your eyes and  nsee the recompense of the wicked. 9 Because you have made the LORD your  odwelling place— the Most High, who is my  crefuge [2]— 10  pno evil shall be allowed to befall you, qno plague come near your tent. 11  rFor he will command his  sangels concerning you to  tguard you in all your ways. 12 On their hands they will bear you up, lest you  ustrike your foot against a stone. 13 You will tread on  vthe lion and the  wadder; the young lion and  xthe serpent you will  ytrample underfoot. 14 “Because he  zholds fast to me in love, I will deliver him; I will protect him, because he  aknows my name. 15 When he  bcalls to me, I will answer him; I will be with him in trouble; I will rescue him and  chonor him. 16 With  dlong life I will satisfy him and  eshow him my salvation.” How Great Are Your Works A Psalm. A Song for the Sabbath.
Anonymous (Holy Bible: English Standard Version (ESV))
PSALM 139 O LORD, you have  p searched me and known me! 2    You  q know when I sit down and when I rise up;         you  r discern my thoughts from afar. 3    You search out my path and my lying down         and are acquainted with all my ways. 4    Even before a word is on my tongue,         behold, O LORD,  s you know it altogether. 5    You  t hem me in, behind and before,         and  u lay your hand upon me. 6     v Such knowledge is  w too wonderful for me;         it is high; I cannot attain it.     7  x Where shall I go from your Spirit?         Or where  y shall I flee from your presence? 8     z If I ascend to heaven, you are there!          a If I make my bed in Sheol, you are there! 9    If I take the wings of the morning         and dwell in the uttermost parts of the sea, 10    even there your hand shall  b lead me,         and your right hand shall hold me. 11    If I say,  c “Surely the darkness shall cover me,         and the light about me be night,” 12     d even the darkness is not dark to you;         the night is bright as the day,         for darkness is as light with you.     13 For you  e formed my inward parts;         you  f knitted me together in my mother’s womb. 14    I praise you, for I am fearfully and wonderfully made. [1]      g Wonderful are your works;         my soul knows it very well. 15     h My frame was not hidden from you,     when I was being made in secret,         intricately woven in  i the depths of the earth. 16    Your eyes saw my unformed substance;     in your  j book were written, every one of them,         the days that were formed for me,         when as yet there was none of them.
Anonymous (Holy Bible: English Standard Version (ESV))
PSALM 91 He who dwells in  a the shelter of the Most High         will abide in  b the shadow of the Almighty. 2    I will say [1] to the LORD, “My  c refuge and my  d fortress,         my God, in whom I  e trust.”     3 For he will deliver you from  f the snare of the fowler         and from the deadly pestilence. 4    He will  g cover you with his pinions,         and under his  h wings you will  i find refuge;         his  j faithfulness is  k a shield and buckler. 5     l You will not fear  m the terror of the night,         nor the arrow that flies by day, 6    nor the pestilence that stalks in darkness,         nor the destruction that wastes at noonday.     7 A thousand may fall at your side,         ten thousand at your right hand,         but it will not come near you. 8    You will only look with your eyes         and  n see the recompense of the wicked.     9 Because you have made the LORD your  o dwelling place—         the Most High, who is my  c refuge [2]— 10     p no evil shall be allowed to befall you,          q no plague come near your tent.     11  r For he will command his  s angels concerning you         to  t guard you in all your ways. 12    On their hands they will bear you up,         lest you  u strike your foot against a stone. 13    You will tread on  v the lion and the  w adder;         the young lion and  x the serpent you will  y trample underfoot.     14 “Because he  z holds fast to me in love, I will deliver him;         I will protect him, because he  a knows my name. 15    When he  b calls to me, I will answer him;         I will be with him in trouble;         I will rescue him and  c honor him. 16    With  d long life I will satisfy him         and  e show him my salvation.
Anonymous (Holy Bible: English Standard Version (ESV))
If you haven’t sent them an email yet, send an email as soon as you leave them the voicemail—give them more than one way to get back to you. Example 1: “Hi John, this is Aaron Ross from Salesforce.com. My number is 555-555-5555. John, I sent you an email a couple of days ago and hadn’t heard back, and I was hoping you could give me a quick courtesy response. I’ll resend it here in a minute. Again, Aaron Ross, 555-555-5555. Thank you and have a great day.” Example 2: “Hi John, this is Aaron Ross from Salesforce.com. My number is 555-555-5555. John, I’m calling to follow up on the email I sent you, I’d love to hear either way if you can please help me out or not. Again, Aaron Ross, 555-555-5555. Thank you and have a great day.” Example 3: (the mysterious version): “Hi John, this is Aaron Ross following up. My number is 555-555-5555. I’m free after 3pm today. Again, Aaron Ross, from Salesforce.com, 555-555-5555. Thanks and have a great day.
Aaron Ross (Predictable Revenue: Turn Your Business Into A Sales Machine With The $100 Million Best Practices Of Salesforce.com)
Well, it was a kind of back-to-front program. It’s funny how many of the best ideas are just an old idea back-to-front. You see there have already been several programs written that help you to arrive at decisions by properly ordering and analysing all the relevant facts so that they then point naturally towards the right decision. The drawback with these is that the decision which all the properly ordered and analysed facts point to is not necessarily the one you want.’ ‘Yeeeess...’ said Reg’s voice from the kitchen. ‘Well, Gordon’s great insight was to design a program which allowed you to specify in advance what decision you wished it to reach, and only then to give it all the facts. The program’s task, which it was able to accomplish with consummate ease, was simply to construct a plausible series of logical-sounding steps to connect the premises with the conclusion. ‘And I have to say that it worked brilliantly. Gordon was able to buy himself a Porsche almost immediately despite being completely broke and a hopeless driver. Even his bank manager was unable to find fault with his reasoning. Even when Gordon wrote it off three weeks later.’ ‘Heavens. And did the program sell very well?’ ‘No. We never sold a single copy.’ ‘You astonish me. It sounds like a real winner to me.’ ‘It was,’ said Richard hesitantly. ‘The entire project was bought up, lock, stock and barrel, by the Pentagon. The deal put WayForward on a very sound financial foundation. Its moral foundation, on the other hand, is not something I would want to trust my weight to. I’ve recently been analysing a lot of the arguments put forward in favour of the Star Wars project, and if you know what you’re looking for, the pattern of the algorithms is very clear. ‘So much so, in fact, that looking at Pentagon policies over the last couple of years I think I can be fairly sure that the US Navy is using version 2.00 of the program, while the Air Force for some reason only has the beta-test version of 1.5. Odd, that.
Douglas Adams (Dirk Gently's Holistic Detective Agency (Dirk Gently, #1))
the Cool Girl. Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl. Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men – friends, coworkers, strangers – giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them. I’d want to grab the poor guy by his lapels or messenger bag and say: The bitch doesn’t really love chili dogs that much – no one loves chili dogs that much! And the Cool Girls are even more pathetic: They’re not even pretending to be the woman they want to be, they’re pretending to be the woman a man wants them to be. Oh, and if you’re not a Cool Girl, I beg you not to believe that your man doesn’t want the Cool Girl. It may be a slightly different version – maybe he’s a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe he’s a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesn’t ever complain. (How do you know you’re not Cool Girl? Because he says things like: ‘I like strong women.’ If he says that to you, he will at some point fuck someone else. Because ‘I like strong women’ is code for ‘I hate strong women.’)
Gillian Flynn (Gone Girl)
All 250 + episodes to date can be found at tim.blog/ podcast and itunes.com/ timferriss Jamie Foxx on Workout Routines, Success Habits, and Untold Hollywood Stories (# 124)—tim.blog/ jamie The Scariest Navy SEAL I’ve Ever Met . . . and What He Taught Me (# 107)—tim.blog/ jocko Arnold Schwarzenegger on Psychological Warfare (and Much More) (# 60)—tim.blog/ arnold Dom D’Agostino on Fasting, Ketosis, and the End of Cancer (# 117)—tim.blog/ dom2 Tony Robbins on Morning Routines, Peak Performance, and Mastering Money (# 37)—tim.blog/ tony How to Design a Life—Debbie Millman (# 214)—tim.blog/ debbie Tony Robbins—On Achievement Versus Fulfillment (# 178)—tim.blog/ tony2 Kevin Rose (# 1)—tim.blog/ kevinrose [If you want to hear how bad a first episode can be, this delivers. Drunkenness didn’t help matters.] Charles Poliquin on Strength Training, Shredding Body Fat, and Increasing Testosterone and Sex Drive (# 91)—tim.blog/ charles Mr. Money Mustache—Living Beautifully on $ 25–27K Per Year (# 221)—tim.blog/ mustache Lessons from Warren Buffett, Bobby Fischer, and Other Outliers (# 219)—tim.blog/ buffett Exploring Smart Drugs, Fasting, and Fat Loss—Dr. Rhonda Patrick (# 237)—tim.blog/ rhonda 5 Morning Rituals That Help Me Win the Day (# 105)—tim.blog/ rituals David Heinemeier Hansson: The Power of Being Outspoken (# 195)—tim.blog/ dhh Lessons from Geniuses, Billionaires, and Tinkerers (# 173)—tim.blog/ chrisyoung The Secrets of Gymnastic Strength Training (# 158)—tim.blog/ gst Becoming the Best Version of You (# 210)—tim.blog/ best The Science of Strength and Simplicity with Pavel Tsatsouline (# 55)—tim.blog/ pavel Tony Robbins (Part 2) on Morning Routines, Peak Performance, and Mastering Money (# 38)—tim.blog/ tony How Seth Godin Manages His Life—Rules, Principles, and Obsessions (# 138)—tim.blog/ seth The Relationship Episode: Sex, Love, Polyamory, Marriage, and More (with Esther Perel) (# 241)—tim.blog/ esther The Quiet Master of Cryptocurrency—Nick Szabo (# 244)—tim.blog/ crypto Joshua Waitzkin (# 2)—tim.blog/ josh The Benevolent Dictator of the Internet, Matt Mullenweg (# 61)—tim.blog/ matt Ricardo Semler—The Seven-Day Weekend and How to Break the Rules (# 229)—tim.blog/ ricardo
Timothy Ferriss (Tribe Of Mentors: Short Life Advice from the Best in the World)
I Will Walk with Integrity A Psalm of David.     PSALM 101 I will sing of steadfast love and justice;         to you, O LORD, I will make music. 2    I will ponder the way that is blameless.         Oh when will you come to me?     I will walk with integrity of heart         within my house; 3    I will not set before my eyes         anything that is worthless.     I hate the work of those who fall away;         it shall not cling to me. 4    A perverse heart shall be far from me;         I will know nothing of evil.     5 Whoever slanders his neighbor secretly         I will destroy.     Whoever has a haughty look and an arrogant heart         I will not endure.     6 I will look with favor on the faithful in the land,         that they may dwell with me;     he who walks in the way that is blameless         shall minister to me.     7 No one who practices deceit         shall dwell in my house;     no one who utters lies         shall continue before my eyes.     8 Morning by morning I will destroy         all the wicked in the land,     cutting off all the evildoers         from the city of the LORD.
Anonymous (The Holy Bible, English Standard Version (without Cross-References))
Psalm 56a For the director of music. To the tune of “A Dove on Distant Oaks.” Of David. A miktam.b When the Philistines had seized him in Gath. 1Be merciful to me, my God, for my enemies are in hot pursuit; all day long they press their attack. 2My adversaries pursue me all day long; in their pride many are attacking me. 3When I am afraid, I put my trust in you. 4In God, whose word I praise— in God I trust and am not afraid. What can mere mortals do to me? 5All day long they twist my words; all their schemes are for my ruin. 6They conspire, they lurk, they watch my steps, hoping to take my life. 7Because of their wickedness do notc let them escape; in your anger, God, bring the nations down. 8Record my misery; list my tears on your scrolld— are they not in your record? 9Then my enemies will turn back when I call for help. By this I will know that God is for me. 10In God, whose word I praise, in the LORD, whose word I praise— 11in God I trust and am not afraid. What can man do to me? 12I am under vows to you, my God; I will present my thank offerings to you. 13For you have delivered me from death and my feet from stumbling, that I may walk before God in the light of life.
Anonymous (Holy Bible: NIV, New International Version)
You’ve got spirit, I’ll give you that,” Ezmia said. “Perhaps this will humble you.” Ezmia placed the glass jar she had been carrying on a small table close to Charlotte’s cage. Charlotte was horrifed to see a miniature ghostly version of the Fairy Godmother trapped inside. “That’s my… my… grandmother!” Charlotte said, almost forgetting she was still pretending to be her own daughter. “What have you done to her?” A smile appeared on Ezmia’s face, matching the satisfaction in her eyes. “I captured her soul,” she said. The thought almost made Charlotte sick. She’d had no idea such a thing was possible, even in the fairy-tale world. “What do you want with her soul?” Charlotte asked. “It’s a bit of a hobby of mine, actually,” Ezmia said and walked to her fireplace. Displayed proudly on the mantel were five other turquoise jars, each containing a ghostly substance. “You’re a soul collector?” Charlotte asked. “Is it to make up for being soulless?” “What a clever play on words,” Ezmia said mockingly. “You know that phrase forgive and forget? Well, I always disagreed with it—I found it impossible, actually. People would do me wrong and then forget about me, as if their actions didn’t matter—because I didn’t matter. How was I supposed to forgive people like that?” “So you imprisoned their souls instead of forgiving?” Charlotte said. “Precisely,” Ezmia said. “I found taking away their life force to be much more appealing than simply forgiving. To forgive would be to allow them to continue living their lives, free of consequence. But by taking their souls and preventing them from all future happiness, I could heal and find peace.” Charlotte couldn’t believe what she was hearing. “Do you honestly expect anyone to sympathize with that?” Charlotte asked her. Ezmia stared into the fire at the burning skulls, almost in a trance. “I don’t want the world to understand; I want it to grovel,” she said. The confession made Charlotte’s heart heavier. She wondered if she would ever escape the clutches of a person who thought like this. But thinking about her children, Bob, and the life she had been stolen from gave Charlotte the strength to survive the Enchantress’s imprisonment. “I find it hard to believe that the Fairy Godmother, who is known for her generosity, would harm you in any way,” Charlotte said. “Sometimes help can be just as destructive as harm,” Ezmia said. “But I imagine someone who helps for a
Chris Colfer (The Enchantress Returns (The Land of Stories, #2))
Alice's Cutie Code TM Version 2.1 - Colour Expansion Pack (aka Because this stuff won’t stop being confusing and my friends are mean edition) From Red to Green, with all the colours in between (wait, okay, that rhymes, but green to red makes more sense. Dang.) From Green to Red, with all the colours in between Friend Sampling Group: Fennie, Casey, Logan, Aisha and Jocelyn Green  Friends’ Reaction: Induces a minimum amount of warm and fuzzies. If you don’t say “aw”, you’re “dead inside”  My Reaction: Sort of agree with friends minus the “dead inside” but because that’s a really awful thing to say. Puppies are a good example. So is Walter Bishop. Green-Yellow  Friends’ Reaction: A noticeable step up from Green warm and fuzzies. Transitioning from cute to slightly attractive. Acceptable crush material. “Kissing.”  My Reaction: A good dance song. Inspirational nature photos. Stuff that makes me laugh. Pairing: Madison and Allen from splash Yellow  Friends’ Reaction: Something that makes you super happy but you don’t know why. “Really pretty, but not too pretty.” Acceptable dating material. People you’d want to “bang on sight.”  My Reaction: Love songs for sure! Cookies for some reason or a really good meal. Makes me feel like it’s possible to hold sunshine, I think. Character: Maxon from the selection series. Music: Carly Rae Jepsen Yellow-Orange  Friends’ Reaction: (When asked for non-sexual examples, no one had an answer. From an objective perspective, *pushes up glasses* this is the breaking point. Answers definitely skew toward romantic or sexual after this.)  My Reaction: Something that really gets me in my feels. Also art – oil paintings of landscapes in particular. (What is with me and scenery? Maybe I should take an art class) Character: Dean Winchester. Model: Liu Wren. Orange  Friends’ Reaction: “So pretty it makes you jealous. Or gay.”  “Definitely agree about the gay part. No homo, though. There’s just some really hot dudes out there.”(Feenie’s side-eye was so intense while the others were answering this part LOLOLOLOLOL.) A really good first date with someone you’d want to see again.  My Reaction: People I would consider very beautiful. A near-perfect season finale. I’ve also cried at this level, which was interesting. o Possible tie-in to romantic feels? Not sure yet. Orange-Red  Friends’ Reaction: “When lust and love collide.” “That Japanese saying ‘koi no yokan.’ It’s kind of like love at first sight but not really. You meet someone and you know you two have a future, like someday you’ll fall in love. Just not right now.” (<-- I like this answer best, yes.) “If I really, really like a girl and I’m interested in her as a person, guess. I’d be cool if she liked the same games as me so we could play together.”  My Reaction: Something that gives me chills or has that time-stopping factor. Lots of staring. An extremely well-decorated room. Singers who have really good voices and can hit and hold superb high notes, like Whitney Houston. Model: Jasmine Tooke. Paring: Abbie and Ichabod from Sleepy Hollow o Romantic thoughts? Someday my prince (or princess, because who am I kidding?) will come? Red (aka the most controversial code)  Friends’ Reaction: “Panty-dropping levels” (<-- wtf Casey???).  “Naked girls.” ”Ryan. And ripped dudes who like to cook topless.”  “K-pop and anime girls.” (<-- Dear. God. The whole table went silent after he said that. Jocelyn was SO UNCOMFORTABLE but tried to hide it OMG it was bad. Fennie literally tried to slap some sense into him.)  My Reaction: Uncontrollable staring. Urge to touch is strong, which I must fight because not everyone is cool with that. There may even be slack-jawed drooling involved. I think that’s what would happen. I’ve never seen or experienced anything that I would give Red to.
Claire Kann (Let's Talk About Love)
Early on it is clear that Addie has a rebellious streak, joining the library group and running away to Rockport Lodge. Is Addie right to disobey her parents? Where does she get her courage? 2. Addie’s mother refuses to see Celia’s death as anything but an accident, and Addie comments that “whenever I heard my mother’s version of what happened, I felt sick to my stomach.” Did Celia commit suicide? How might the guilt that Addie feels differ from the guilt her mother feels? 3. When Addie tries on pants for the first time, she feels emotionally as well as physically liberated, and confesses that she would like to go to college (page 108). How does the social significance of clothing and hairstyle differ for Addie, Gussie, and Filomena in the book? 4. Diamant fills her narrative with a number of historical events and figures, from the psychological effects of World War I and the pandemic outbreak of influenza in 1918 to child labor laws to the cultural impact of Betty Friedan. How do real-life people and events affect how we read Addie’s fictional story? 5. Gussie is one of the most forward-thinking characters in the novel; however, despite her law degree she has trouble finding a job as an attorney because “no one would hire a lady lawyer.” What other limitations do Addie and her friends face in the workforce? What limitations do women and minorities face today? 6. After distancing herself from Ernie when he suffers a nervous episode brought on by combat stress, Addie sees a community of war veterans come forward to assist him (page 155). What does the remorse that Addie later feels suggest about the challenges American soldiers face as they reintegrate into society? Do you think soldiers today face similar challenges? 7. Addie notices that the Rockport locals seem related to one another, and the cook Mrs. Morse confides in her sister that, although she is usually suspicious of immigrant boarders, “some of them are nicer than Americans.” How does tolerance of the immigrant population vary between city and town in the novel? For whom might Mrs. Morse reserve the term Americans? 8. Addie is initially drawn to Tessa Thorndike because she is a Boston Brahmin who isn’t afraid to poke fun at her own class on the women’s page of the newspaper. What strengths and weaknesses does Tessa’s character represent for educated women of the time? How does Addie’s description of Tessa bring her reliability into question? 9. Addie’s parents frequently admonish her for being ungrateful, but Addie feels she has earned her freedom to move into a boardinghouse when her parents move to Roxbury, in part because she contributed to the family income (page 185). How does the Baum family’s move to Roxbury show the ways Betty and Addie think differently from their parents about household roles? Why does their father take such offense at Herman Levine’s offer to house the family? 10. The last meaningful conversation between Addie and her mother turns out to be an apology her mother meant for Celia, and for a moment during her mother’s funeral Addie thinks, “She won’t be able to make me feel like there’s something wrong with me anymore.” Does Addie find any closure from her mother’s death? 11. Filomena draws a distinction between love and marriage when she spends time catching up with Addie before her wedding, but Addie disagrees with the assertion that “you only get one great love in a lifetime.” In what ways do the different romantic experiences of each woman inform the ideas each has about love? 12. Filomena and Addie share a deep friendship. Addie tells Ada that “sometimes friends grow apart. . . . But sometimes, it doesn’t matter how far apart you live or how little you talk—it’s still there.” What qualities do you think friends must share in order to have that kind of connection? Discuss your relationship with a best friend. Enhance
Anita Diamant (The Boston Girl)
His hand felt odd against her swollen belly. She started to speak at the same moment that the baby suddenly moved. Tate’s hand jerked back as if it had been stung. He stared at her stomach with pure horror as it fluttered again. She couldn’t help it. She burst out laughing. “Is that…normal?” he wanted to know. “It’s a baby,” she said softly. “They move around. He kicks a little. Not much, just yet, but as he grows, he’ll get stronger.” “I never realized…” He drew in a long breath and put his hand back against her body. “Cecily, does it hurt you when he…” He hesitated. His black, stunned eyes met hers. “He?” She nodded. “They can tell, so soon?” “Yes,” she said simply. “They did an ultrasound.” His fingers became caressing. A son. He was going to have a son. He swallowed. It was a shock. He hadn’t thought past her pregnancy, but now he realized that there was going to be a miniature version of himself and Cecily, a child who would embody the traits of all his ancestors. All his ancestors. It made him feel humble. “How did you find me?” she asked. He glared into her eyes. “Not with any help from you, let me tell you! It took me forever to track down the driver who brought you to Nashville. He was off on extended sick leave, and it wasn’t until this week that anybody remembered he’d worked that route before Christmas.” She averted her eyes. “I didn’t want to be found.” “So I noticed. But you have been, and you’re damned well coming home,” he said furiously. “I’m damned if I’m going to leave you here at the mercy of people who go nuts over an inch of snow!” She sat up, displacing his hand, noticed that she was too close to him for comfort, swung her legs off the sofa and got up. “I’m not going as far as the mailbox with you!” she told him flatly. “I’ve made a new life for myself here, and I’m staying!” “That’s what you think.” He got up, too, and went toward the bedroom. He found her suitcase minutes later, threw it open on the bed and started filling it. “I’m not going with you,” she told him flatly. “You can pack. You can even take the suitcase and all my clothes. But I’m not leaving. This is my life now. You have no place in it!” He whirled. He was furious. “You’re carrying my child!” The sight of him was killing her. She loved him, wanted him, needed him, but he was here only out of a sense of duty, maybe even out of guilt. She knew he didn’t want ties or commitments; he’d said so often enough. He didn’t love her, either, and that was the coldest knowledge of all. “Colby asked me to marry him for the baby’s sake,” she said bitterly. “Maybe I should have.” “Over my dead body,” he assured her.
Diana Palmer (Paper Rose (Hutton & Co. #2))
LUKE 5 On one occasion, while the crowd was pressing in on him to hear the word of God, he was standing by  uthe lake of Gennesaret, 2 vand he saw two boats by the lake, but the fishermen had gone out of them and were  wwashing their nets. 3Getting into one of the boats, which was Simon’s, he asked him to put out a little from the land. And  xhe sat down and taught the people from the boat. 4And when he had finished speaking, he said to Simon,  y“Put out into the deep and let down your nets for a catch.” 5And Simon answered, “Master,  zwe toiled all night and took nothing! But at your word I will let down the nets.” 6And when they had done this,  athey enclosed a large number of fish, and  atheir nets were breaking. 7They signaled to their partners in the other boat to come and help them.  bAnd they came and filled both the boats, so that they began to sink. 8But when Simon Peter saw it, he fell down at Jesus’ knees, saying,  c“Depart from me, for  dI am a sinful man, O Lord.” 9For he and all who were with him were astonished at the catch of fish that they had taken, 10and so also were James and John, sons of Zebedee, who were partners with Simon. And Jesus said to Simon, “Do not be afraid; from now on you will be catching men.” [1] 11And when they had brought their boats to land,  ethey left everything and followed him.
Anonymous (Holy Bible: English Standard Version (ESV))
The LORD Is My Strength and My Shield Of David.     PSALM 28 To you, O LORD, I call;          j my rock, be not deaf to me,     lest, if you  k be silent to me,         I become like those who  l go down to the pit.     2  m Hear the voice of my pleas for mercy,         when I cry to you for help,     when I  n lift up my hands          o toward your most holy sanctuary. [1]     3 Do not  p drag me off with the wicked,         with the workers of evil,      q who speak peace with their neighbors         while evil is in their hearts.     4  r Give to them according to their work         and according to the evil of their deeds;     give to them according to the work of their hands;          s render them their due reward.     5 Because they  t do not regard the works of the LORD         or the work of his hands,     he will tear them down and build them up no more.     6 Blessed be the LORD!         For he has  u heard the voice of my pleas for mercy.     7 The LORD is my strength and  v my shield;         in him my heart  w trusts, and I am helped;     my heart exults,         and with my  x song I give thanks to him.     8 The LORD is the strength of his people; [2]         he is  y the saving refuge of his anointed.     9 Oh, save your people and bless  z your heritage!          a Be their shepherd and  b carry them forever.
Anonymous (Holy Bible: English Standard Version (ESV))
The LORD Is My Rock and My Fortress To the choirmaster. A Psalm of David,  f the servant of the LORD,  g who addressed the words of this  h song to the LORD on the day when the LORD delivered him from the hand of all his enemies, and from the hand of Saul. He said: PSALM 18 I love you, O LORD, my strength. 2 The LORD is my  i rock and my  j fortress and my deliverer, my God, my i rock, in k whom I take refuge, my l shield, and m the horn of my salvation, my n stronghold. 3 I call upon the LORD, who is  o worthy to be praised, and I am saved from my enemies. 4  p The cords of death encompassed me; q the torrents of destruction assailed me; [1] 5  p the cords of Sheol entangled me; the snares of death confronted me. 6  r In my distress I called upon the LORD; to my God I cried for help. From his  s temple he heard my voice, and my cry to him reached his ears. 7 Then the earth  t reeled and rocked; the foundations also of the mountains trembled and quaked, because he was angry. 8 Smoke went up from his nostrils, [2] and devouring  u fire from his mouth; glowing coals flamed forth from him. 9 He v bowed the heavens and w came down;  x thick darkness was under his feet. 10 He rode on a cherub and flew; he came swiftly on  z the wings of the wind. 11 He made darkness his covering, his  a canopy around him, thick clouds b dark with water.
Anonymous (Holy Bible: English Standard Version (ESV))
English Gingerbread Cake Serves: 12 to 16 Baking Time: 50 to 60 minutes Kyle Cathie, editor for the British version of The Cake Bible (and now a publisher), informed me in no uncertain terms that a book could not be called a cake "bible" in England if it did not contain the beloved gingerbread cake. When I went to England to retest all the cakes using British flour and ingredients, I developed this gingerbread recipe. Now that I have tasted it, I quite agree with Kyle. It is a moist spicy cake with an intriguing blend of buttery, lemony, wheaty, and treacly flavors. Cut into squares and decorated with pumpkin faces, it makes a delightful "treat" for Halloween. Batter Volume Ounce Gram unsalted butter (65° to 75°F/19° to 23°C) 8 tablespoons (1 stick) 4 113 golden syrup or light corn syrup 1¼ cups (10 fluid ounces) 15 425 dark brown sugar, preferably Muscovado ¼ cup, firmly packed 2 60 orange marmalade 1 heaping tablespoon 1.5 40 2 large eggs, at room temperature ¼ cup plus 2 tablespoons (3 fluid ounces) 3.5 100 milk 2/3 cup (5.3 fluid ounces) 5.6 160 cake flour (or bleached all-purpose flour) 1 cup plus 2 tablespoons (or 1 cup), sifted into the cup and leveled off 4 115 whole wheat flour 1 cup minus 1 tablespoon (lightly spooned into the cup) 4 115 baking powder 1½ teaspoons . . cinnamon 1 teaspoon . . ground ginger 1 teaspoon . . baking soda ½ teaspoon . . salt pinch . . Special Equipment One 8 by 2-inch square cake pan or 9 by 2-inch round pan (see Note), wrapped with a cake strip, bottom coated with shortening, topped with a parchment square (or round), then coated with baking spray with flour Preheat the Oven Twenty minutes or more before baking, set an oven rack in the lower third of the oven and preheat the oven to 325°F/160°C. Mix the Liquid Ingredients In a small heavy saucepan, stir together the butter, golden syrup, sugar, and marmalade over medium-low heat until melted and uniform in color. Set aside uncovered until just barely warm, about 10 minutes. Whisk in the eggs and milk. Make the Batter In a large bowl, whisk together the cake flour, whole wheat flour, baking powder, cinnamon, ginger, baking soda, and salt. Add the butter mixture, stirring with a large silicone spatula or spoon just until smooth and the consistency of thick soup. Using the silicone spatula, scrape the batter into the prepared pan. Bake the Cake Bake for 50 to 60 minutes, or until a wire cake tester inserted in the center comes out clean and the cake springs back when pressed lightly in the center. The cake should start to shrink from the sides of the pan only after removal from the oven. Cool the Cake Let the cake cool in the pan on a wire rack for 10 minutes. While the cake is cooling, make the syrup.
Rose Levy Beranbaum (Rose's Heavenly Cakes)
So in a different version of my life, I had a bicycle. My father gave it to me when I was a little girl. And I could use this bicycle to find lost things. I would ride it across an imaginary covered bridge, and the bridge would always take me wherever I needed to go. Like once my mother lost a bracelet and I rode my bike across this bridge and came out in New Hampshire, forty miles away from home. And the bracelet was there, in a restaurant called Terry’s Primo Subs. With me so far?” “Imaginary bridge, superpowered bike. Got it.” “Over the years I used my bicycle and the bridge to find all kinds of things. Missing stuffed animals or lost photos. Things like that. I didn’t go ‘finding’ often. Just once or twice a year. And as I got older, even less. It started to scare me, because I knew it was impossible, that the world isn’t supposed to work that way. When I was little, it was just pretend. But as I got older, it began to seem crazy. It began to frighten me.” “I’m surprised you didn’t use your special power to find someone who could tell you there was nothing wrong with you,” Lou said. Her eyes widened and lit with surprise, and Lou understood that in fact she had done just that. “How did you—” she began. “I read a lot of comics. It’s the logical next step,” Lou said. “Discover magic ring, seek out the Guardians of the Universe. Standard operating procedure. Who was it?” “The bridge took me to a librarian in Iowa.” “It would be a librarian.
Joe Hill (NOS4A2)
EPHESIANS 3 For this reason I, Paul,  o a prisoner for Christ Jesus  p on behalf of you Gentiles— 2assuming that you have heard of  q the stewardship of  r God’s grace that was given to me for you, 3 s how the mystery was made known to me  t by revelation,  u as I have written briefly. 4 v When you read this, you can perceive my insight into  w the mystery of Christ, 5which was not made known to the sons of men in other generations as it has now been revealed to his holy apostles and prophets by the Spirit. 6This mystery is [1] that the Gentiles are  x fellow heirs,  y members of the same body, and  z partakers of the promise in Christ Jesus through the gospel. 7 a Of this gospel I was made  b a minister according to the gift of  c God’s grace, which was given me  d by the working of his power. 8To me,  e though I am the very least of all the saints, this grace was given,  f to preach to the Gentiles the  g unsearchable  h riches of Christ, 9and  i to bring to light for everyone what is the plan of the mystery  j hidden for ages in [2] God  k who created all things, 10so that through the church the manifold  l wisdom of God  m might now be made known to  n the rulers and authorities  o in the heavenly places. 11This was  p according to the eternal purpose that he has realized in Christ Jesus our Lord, 12in whom we have  q boldness and  r access with  s confidence through our  t faith in him. 13So I ask you not to lose heart over what I am suffering  u for you,  v which is your glory.
Anonymous (Holy Bible: English Standard Version (ESV))
The Saints will reign in celestial splendor—Christ will come, and men will be judged—Blessed are they who keep His commandments. 1 And he shewed me a pure river of awater of life, clear as crystal, proceeding out of the throne of God and of the Lamb. 2 In the midst of the street of it, and on either side of the river, was there the atree of blife, which bare twelve manner of fruits, and yielded her fruit every month: and the cleaves of the tree were for the healing of the nations. 3 And there shall be no more acurse: but the bthrone of God and of the cLamb shall be in it; and his servants shall serve him: 4 And they shall asee his bface; and his cname shall be in their foreheads. 5 And there shall be no night there; and they need no candle, neither light of the asun; for the Lord God giveth them blight: and they shall creign dfor ever and ever. 6 And he said unto me, These sayings are faithful and atrue: and the Lord God of the holy prophets sent his angel to shew unto his servants the things which must bshortly be done. 7 Behold, I acome quickly: bblessed is he that keepeth the csayings of the prophecy of this book. 8 And I John saw these things, and heard them. And when I had heard and seen, I afell down to worship before the feet of the angel which shewed me these things. 9 Then saith he unto me, See thou do it not: for I am thy fellowservant, and of thy brethren the prophets, and of them which keep the sayings of this book: worship God. 10 And he saith unto me, Seal not the sayings of the prophecy of this book: for the time is at hand. 11 He that is aunjust, let him be bunjust still: and he which is cfilthy, let him be filthy still: and he that is righteous, let him be righteous still: and he that is holy, let him be holy still. 12 And, behold, I acome quickly; and my breward is with me, to give every man according as his cwork shall be. 13 I am Alpha and Omega, the beginning and the end, the afirst and the last. 14 Blessed are they that ado his bcommandments, that they may have right to the tree of life, and may enter in through the gates into the city. 15 For without are dogs, and asorcerers, and bwhoremongers, and cmurderers, and idolaters, and whosoever loveth and maketh a dlie. 16 I Jesus have sent mine aangel to testify unto you these things in the churches. I am the broot and the offspring of David, and the bright and morning cstar. 17 And the Spirit and the bride say, aCome. And let him that heareth say, Come. And let him that is athirst come. And whosoever will, let him take the bwater of life freely. 18 For I testify unto every man that heareth the words of the prophecy of this book, If any man shall aadd unto these things, God shall add unto him the bplagues that are written in this book: 19 And if any man shall take away from the words of the book of this prophecy, God shall take away his part out of the abook of life, and out of the holy city, and from the things which are written in this book. 20 He which testifieth these things saith, Surely I acome quickly. Amen. Even so, come, Lord Jesus. 21 The agrace of our bLord Jesus Christ be with you all. Amen.
Anonymous (Holy Bible, King James Version (KJV))
The Ten Commandments EXODUS 20  z And  a God spoke all these words, saying, 2 b “I am the LORD your God, who brought you out of the land of Egypt, out of the house of slavery. 3 c “You shall have no other gods before [1] me. 4 d “You shall not make for yourself a carved image, or any likeness of anything that is in heaven above, or that is in the earth beneath, or that is in the water under the earth. 5 e You shall not bow down to them or serve them, for I the LORD your God am  f a jealous God,  g visiting the iniquity of the fathers on the children to the third and the fourth generation of those who hate me, 6but showing steadfast love to thousands [2] of those who love me and keep my commandments. 7 h “You shall not take the name of the LORD your God in vain, for the LORD will not hold him guiltless who takes his name in vain. 8 i “Remember the Sabbath day, to keep it holy. 9 j Six days you shall labor, and do all your work, 10but the  k seventh day is a Sabbath to the LORD your God. On it you shall not do any work, you, or your son, or your daughter, your male servant, or your female servant, or your livestock, or the  l sojourner who is within your gates. 11For  m in six days the LORD made heaven and earth, the sea, and all that is in them, and rested on the seventh day. Therefore the LORD blessed the Sabbath day and made it holy. 12 n “Honor your father and your mother,  o that your days may be long in the land that the LORD your God is giving you. 13 p “You shall not murder. [3] 14 q “You shall not commit adultery. 15 r “You shall not steal. 16 s “You shall not bear false witness against your neighbor. 17 t “You shall not covet  u your neighbor’s house;  v you shall not covet your neighbor’s wife, or his male servant, or his female servant, or his ox, or his donkey, or anything that is your neighbor’s.
Anonymous (Holy Bible: English Standard Version (ESV))
You know," he said, 'for what it's worth, the justice system is supposed to be this purveyor of right and wrong, good and had. But sometimes, I think it gets it wrong almost as much as it gets it right. I've had to learn that, too, and it's hard to accept. What do you do when the things that are supposed to protect you, fail you like that?? 'I was so naïve,' Pip said. 'I practically handed Max Hastings to them, after everything came out last year. And I truly believed it was some kind of victory, that the bad would be punished. Because it was the truth, and the truth was the most important thing to me. It's all I believed in, all I cared about: finding the truth, no matter the cost. And the truth was that Max was guilty and he would face justice. But justice doesn't exist, and the truth doesn't matter, not in the real world, and now they've just handed him right back. 'Oh, justice exists,' Charlie said, looking up at the rain. 'Maybe not the kind that happens in police stations and courtrooms, but it does exist. And when you really think about it, those words - good and bad, right and wrong- they don't really matter in the real world. Who gets to decide what they mean: those people who just got it wrong and let Max walk free? No,' he shook his head. 'I think we all get to decide what good and bad and right and wrong mean to us, not what we're told to accept. You did nothing wrong. Don't beat yourself up for other people's mistakes.' She turned to him, her stomach clenching. But that doesn't matter now. Max has won.' 'He only wins if you let him.' 'What can I do about it?' she asked. 'From listening to your podcast, sounds to me like there's not much you can't do.' 'I haven't found Jamie.' She picked at her nails. "And now people think he's not really missing, that I made it all up. That I'm a liar and I'm bad and -' 'Do you care?' Charlie asked. 'Do you care what people think, if you know you're right?' She paused, her answer sliding back down her throat. Why did she care? She was about to say she didn't care at all, but hadn't that been the feeling in the pit of her stomach all along? The pit that had been growing these last six months. Guilt about what she did last time, about her dog dying, about not being good, about putting her family in danger, and every day reading the disappointment in her mum's eyes. Feeling bad about the secrets she was keeping to protect Cara and Naomi. She was a liar, that part was true. And worse, to make herself feel better about it all, she'd said it wasn't really her and she'd never be that person again. That she was different now... good. That she'd almost lost herself last time and it wouldn't happen again. But that wasn't it, was it? She hadn't almost lost herself, maybe she'd actually been meeting herself for the very first time. And she was tired of feeling guilty about it. Tired of feeling shame about who she was. She bet Max Hastings had never felt ashamed a day in his life. 'You're right,' she said. And as she straightened up, untwisted, she realized that the pit in her stomach, the one that had been swallowing her from inside out, it was starting to go, Filling in until it was hardly there at all. "Maybe I don't have to be good, or other people's versions of good. And maybe I don't have to be likeable.' She turned to him, her movements quick and light despite her water-heavy clothes. "Fuck likeable You know who's likeable? People like Max Hastings who walk into a courtroom with fake glasses and charm their way out. I don't want to be like that." 'So don't, Charlie said. 'And don't give up because of him. Someone's life might depend on you. And I know you can find him, find Jamie. He turned a smile to her. "Other people might
Holly Jackson (Good Girl, Bad Blood (A Good Girl's Guide to Murder, #2))
1 The holes in this story are not lamps, they are not wheels. I walked and walked, grew a beard so I could drag it in the dirt, into a forest that wasn't there. I want to give you more but not everything. You don't need everything. 2 This is what they found on the dead man's desk when the landlord let them in: twenty-eight pages, esoteric and unfollowable, written with perfect penmanship and a total disregard for any reader, as it the intended audience was a population not quite human. Angelic script, says the detective, lifting the pages, feeling their heft and he wonders what he means because it isn't. His partner nods but ignores him. A park bench, white roses, dark coats and white roses, snow and repetitions of snow--it's hard to read but pretty much how they found him: dead on a bench in a black coat, the snow falling down. Twigs and blackbirds, snow and red horses, the ghosts floating up, the snow falling down--the detective is weeping--and the black coat. 3 Someone has to leave first. This is a very old story. There is no other version of this story. 4 It's getting late, Little Moon. Finish the song. It's not that late. You are my moon, Little Moon, and it's late enough. So climb down out of the tree. Is it safe? Safe enough. Are you dead as well? The night is cold, it is silver, it is a coin. Not everyone is dead, Little Moon. But the big moon needs the tree. There is a ghost at the end of the song. Yes, there is. And you see his hand and then you see the moon. Am I the ghost at the end of the song? We are very close now, Little Moon. Thank you for shining on me. 5 He was pointing at the moon but I was looking at his hand. He was dead anyway, a ghost. I'm surprised I saw his hand at all. All this was prepared for me. All this was set in motion a long time ago. I live in someone else's future. I stayed as long as I could, he said. Now look at the moon. The Worm King’s Lullaby
Richard Siken
Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl. Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men – friends, coworkers, strangers – giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them. I’d want to grab the poor guy by his lapels or messenger bag and say: The bitch doesn’t really love chili dogs that much – no one loves chili dogs that much! And the Cool Girls are even more pathetic: They’re not even pretending to be the woman they want to be, they’re pretending to be the woman a man wants them to be. Oh, and if you’re not a Cool Girl, I beg you not to believe that your man doesn’t want the Cool Girl. It may be a slightly different version – maybe he’s a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe he’s a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesn’t ever complain. (How do you know you’re not Cool Girl? Because he says things like: “I like strong women.” If he says that to you, he will at some point fuck someone else. Because “I like strong women” is code for “I hate strong women.
Gillian Flynn (Gone Girl)
Hey,” Sean said as he stretched. “I just took Scout out.” “Thanks,” Cade said. Sean glanced back and noticed me. “Hey, Fallon.” He smirked at Cade. “Well, guess I’ll be heading to my room now.” Scout raised his head and his tail slapped against the couch. “Three’s a crowd, and all that.” Sean ruffled the fur along Scout’s neck. “Unless, of course, you’re a dog.” He stood and stretched again. “Oh, to be a dog in a crate.” Cade rolled his eyes at Sean’s fly-on-a-wall reference. “ ’Night, Sean,” he grumbled. “See you two crazy kids later.” He strolled out of the room but paused and patted the kitchen wall. “Oh, and FYI, the shower in Cade’s room backs to the kitchen.” God, Sean was like a male version of me. Poor Brinley, always having to put up with my crap. She was a damn good sport. Cade just shook his head and muttered, “Jealous?” “Fuck yeah, I am,” Sean called back as he wandered down the hall. “I’m going to start calling you magic hands.” Though Sean was still fucking around, I sensed Cade losing his patience. “It’s not just his hands,” I said. Sean looked over his shoulder at me. “I mean, call him what you want, but don’t sell him short.” Sean just stared at me, surprised by either what I’d said or the fact I’d said anything at all. I smiled in the way that always drove guys crazy, totally fake but filled with flirtation. “Listen close tonight and maybe you can figure out what I like to call him.” He leaned his head against his door frame and groaned. “Just not even fair.” He picked his head up and glanced at me. “If you get bored, you know I live right down the hall.” I laughed, though Cade didn’t seem to find quite the humor in it I did. He slipped his hand in mine. “Not happening, bro.” Sean raised his hands. “Just throwing it out there.” “Thanks,” I said sweetly. “But my schedule is pretty full with Cade RSVPing to my fuckfest and all…” Cade chuckled. Sean gaped at me then, with a pointed look at Cade, said, “Marry her, dude. Seriously, if you don’t, I will.” He stepped into his room grumbling something about fuckfests. “My roommate is in love with you now. You’re like this hot female version of him. His dream girl.
Renita Pizzitola (Just a Little Flirt (Crush, #2))
A word of explanation about how the information in this book was obtained, evaluated and used. This book is designed to present, as best my reporting could determine, what really happened. The core of this book comes from the written record—National Security Council meeting notes, personal notes, memos, chronologies, letters, PowerPoint slides, e-mails, reports, government cables, calendars, transcripts, diaries and maps. Information in the book was supplied by more than 100 people involved in the Afghanistan War and national security during the first 18 months of President Barack Obama’s administration. Interviews were conducted on “background,” meaning the information could be used but the sources would not be identified by name. Many sources were interviewed five or more times. Most allowed me to record the interviews, which were then transcribed. For several sources, the combined interview transcripts run more than 300 pages. I have attempted to preserve the language of the main characters and sources as much as possible, using their words even when they are not directly quoted, reflecting the flavor of their speech and attitudes. Many key White House aides were interviewed in-depth. They shared meeting notes, important documents, recollections of what happened before, during and after meetings, and assisted extensively with their interpretations. Senior and well-placed military, intelligence and diplomatic officials also provided detailed recollections, read from notes or assisted with documents. Since the reporting was done over 18 months, many interviews were conducted within days or even hours after critical discussions. This often provided a fresher and less-calculated account. Dialogue comes mostly from the written record, but also from participants, usually more than one. Any attribution of thoughts, conclusions or feelings to a person was obtained directly from that person, from notes or from a colleague whom the person told. Occasionally, a source said mid-conversation that something was “off-the-record,” meaning it could not be used unless the information was obtained elsewhere. In many cases, I was able to get the information elsewhere so that it could be included in this book. Some people think they can lock up and prevent publication of information by declaring it “off-the-record” or that they don’t want to see it in the book. But inside any White House, nearly everyone’s business and attitudes become known to others. And in the course of multiple, extensive interviews with firsthand sources about key decision points in the war, the role of the players became clear. Given the diversity of sources, stakes and the lives involved, there is no way I could write a sterilized or laundered version of this story. I interviewed President Obama on-the-record in the Oval Office for one hour and 15 minutes on Saturday, July 10, 2
Bob Woodward (Obama's Wars)
You know," he said, 'for what it's worth, the justice system is supposed to be this purveyor of right and wrong, good and had. But sometimes, I think it gets it wrong almost as much as it gets it right. I've had to learn that, too, and it's hard to accept. What do you do when the things that are supposed to protect you, fail you like that?? 'I was so naïve,' Pip said. 'I practically handed Max Hastings to them, after everything came out last year. And I truly believed it was some kind of victory, that the bad would be punished. Because it was the truth, and the truth was the most important thing to me. It's all I believed in, all I cared about: finding the truth, no matter the cost. And the truth was that Max was guilty and he would face justice. But justice doesn't exist, and the truth doesn't matter, not in the real world, and now they've just handed him right back. 'Oh, justice exists,' Charlie said, looking up at the rain. 'Maybe not the kind that happens in police stations and courtrooms, but it does exist. And when you really think about it, those words - good and bad, right and wrong- they don't really matter in the real world. Who gets to decide what they mean: those people who just got it wrong and let Max walk free? No,' he shook his head. 'I think we all get to decide what good and bad and right and wrong mean to us, not what we're told to accept. You did nothing wrong. Don't beat yourself up for other people's mistakes.' She turned to him, her stomach clenching. But that doesn't matter now. Max has won.' 'He only wins if you let him.' 'What can I do about it?' she asked. 'From listening to your podcast, sounds to me like there's not much you can't do.' 'I haven't found Jamie.' She picked at her nails. "And now people think he's not really missing, that I made it all up. That I'm a liar and I'm bad and -' 'Do you care?' Charlie asked. 'Do you care what people think, if you know you're right?' She paused, her answer sliding back down her throat. Why did she care? She was about to say she didn't care at all, but hadn't that been the feeling in the pit of her stomach all along? The pit that had been growing these last six months. Guilt about what she did last time, about her dog dying, about not being good, about putting her family in danger, and every day reading the disappointment in her mum's eyes. Feeling bad about the secrets she was keeping to protect Cara and Naomi. She was a liar, that part was true. And worse, to make herself feel better about it all, she'd said it wasn't really her and she'd never be that person again. That she was different now... good. That she'd almost lost herself last time and it wouldn't happen again. But that wasn't it, was it? She hadn't almost lost herself, maybe she'd actually been meeting herself for the very first time. And she was tired of feeling guilty about it. Tired of feeling shame about who she was. She bet Max Hastings had never felt ashamed a day in his life. 'You're right,' she said. And as she straightened up, untwisted, she realized that the pit in her stomach, the one that had been swallowing her from inside out, it was starting to go, Filling in until it was hardly there at all. "Maybe I don't have to be good, or other people's versions of good. And maybe I don't have to be likeable.' She turned to him, her movements quick and light despite her water-heavy clothes. "Fuck likeable You know who's likeable? People like Max Hastings who walk into a courtroom with fake glasses and charm their way out. I don't want to be like that." 'So don't, Charlie said. 'And don't give up because of him. Someone's life might depend on you. And I know you can find him, find Jamie. He turned a smile to her. "Other people might not believe in you but, for what it's worth, your neighbour from four doors down does.
Holly Jackson (Good Girl, Bad Blood (A Good Girl's Guide to Murder, #2))