2 Lines Quotes

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Forbidden to remember, terrified to forget; it was a hard line to walk.
Stephenie Meyer (New Moon (The Twilight Saga, #2))
He is beauty, inside and out. He is the silver lining in a world of darkness. He is my light.
Marie Lu (Prodigy (Legend, #2))
Well,” Tessa said, sighting along the line of the knife, “you behave as if you dislike me. In fact, you behave as if you dislike us all.” “I don’t,” Gabriel said. “I just dislike him.” He pointed at Will. “Dear me,” said Will, and he took another bite of his apple. “Is it because I’m better-looking than you?
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
They didn't understand that she held his heart, held it so utterly that there was nothing he wouldn't do, no line he wouldn't cross to keep her safe.
Nalini Singh (Archangel's Kiss (Guild Hunter, #2))
Wherever they go, and whatever happens to them on the way, in that enchanted place on the top of the forest, a little boy and his Bear will always be playing.
A.A. Milne (The House at Pooh Corner (Winnie-the-Pooh, #2))
Perfect purity is possible if you turn your life into a line of poetry written with a splash of blood.
Yukio Mishima (Runaway Horses (The Sea of Fertility, #2))
Dignity /ˈdignitē/ noun 1. The moment you realize that the person you cared for has nothing intellectually or spiritually to offer you, but a headache. 2. The moment you realize God had greater plans for you that don’t involve crying at night or sad Pinterest quotes. 3. The moment you stop comparing yourself to others because it undermines your worth, education and your parent’s wisdom. 4. The moment you live your dreams, not because of what it will prove or get you, but because that is all you want to do. People’s opinions don’t matter. 5. The moment you realize that no one is your enemy, except yourself. 6. The moment you realize that you can have everything you want in life. However, it takes timing, the right heart, the right actions, the right passion and a willingness to risk it all. If it is not yours, it is because you really didn’t want it, need it or God prevented it. 7. The moment you realize the ghost of your ancestors stood between you and the person you loved. They really don't want you mucking up the family line with someone that acts anything less than honorable. 8. The moment you realize that happiness was never about getting a person. They are only a helpmate towards achieving your life mission. 9. The moment you believe that love is not about losing or winning. It is just a few moments in time, followed by an eternity of situations to grow from. 10. The moment you realize that you were always the right person. Only ignorant people walk away from greatness.
Shannon L. Alder
Charlotte slammed the paper down onto her desk with an exclamation of rage. “Aloysius Starkweather is the most stubborn, hypocritical, obstinate, degenerate—” She broke off, clearly fighting for control of her temper. Tessa had never seen Charlotte’s mouth so firmly set into a hard line. “Would you like a thesaurus?” Will inquired. “You seem to be running out of words.
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
Day, the boy from the streets with nothing except the clothes on his back and the earnestness in his eyes, owns my heart. He is beauty, inside and out. He is the silver lining in a world of darkness. He is my light.
Marie Lu (Prodigy (Legend, #2))
When you find yourself in a hole, the first thing to do is stop digging.
Tammara Webber (Where You Are (Between the Lines, #2))
There had never been any line between them, only his own stupid fear and pride. Because from the moment he'd pulled her out of that mine in Endovier and she had set those eyes upon him, still fierce despite a year in hell, he'd been walking toward this, walking to her. So Chaol brushed away her tears, lifter her chin, and kissed her.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
Home, Ms. Lane?” His deep voice was gently amused. “I have to call it something,” I said morosely. “They say home is where the heart is. I think mine’s satin-lined and six feet under.
Karen Marie Moning (Bloodfever (Fever, #2))
A scattered dream that's like a far-off memory... a far-off memory that's like a scattered dream... i want to line the pieces up... yours and mine.
Shiro Amano (Kingdom Hearts, Vol. 2 (Kingdom Hearts, #2))
When honor and the Law no longer stand on the same side of the line, how do we choose[?]
Anne Bishop (Heir to the Shadows (The Black Jewels, #2))
You could write a book about things that you can't find on-line.
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
He glares at me as if he already hates it. “What is it?” I consider lying but what’s the point? I clear my throat. “Pooky Bear." He’s silent for so long I’m beginning to think he didn’t hear me when he finally says, “Pooky. Bear.” “It was just a little joke. I didn’t know.” “I’ve mentioned that names have power, right? Do you realize that when she fights battles, she’s going to have to announce herself to the opposing sword? She’ll be forced to say something ridiculous like, ‘I am Pooky Bear, from an ancient line of archangel swords.’ Or, ‘Bow down to me, Pooky Bear, who has only two other equals in all the worlds.’ ” He shakes his head. “How is she going to get any respect?
Susan Ee (World After (Penryn & the End of Days, #2))
You’re not weak because you can’t read. You’re weak because you’re afraid of people seeing your weakness. You’re letting shame decide who you are. […] It’s shame that lines my pockets, shame that keeps the Barrel teeming with fools ready to put on a mask just so they can have what they want with none the wiser about it. We can endure all kinds of pain. It’s shame that eats men whole.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
I think you smoke them so you have something to do while thinking up your next witty line." He choked on the smoke, caught between inhaling and laughing. "Rose Hathaway, I can't wait to see you again. If you're this charming while tired and annoyed and this gorgeous while bruised and in ski clothes, you must be devastating at your peak." "If by 'devastating' you mean that you should fear for your life, then yeah. You're right." I jerked open the door. "Good night, Adrian." "I'll see you soon." "Not likely. I told you, I'm not into older guys." I walked into the lodge. As the door closed, I just barely heard him call behind me, "Sure, you aren't.
Richelle Mead (Frostbite (Vampire Academy, #2))
But that was life: Nobody got a guided tour to their own theme park. You had to hop on the rides as they presented themselves, never knowing whether you would like the one you were in line for...or if the bastard was going to make you throw up your corn dog and your cotton candy all over the place.
J.R. Ward (Crave (Fallen Angels, #2))
I watched him pitch the ball at a table neatly lined with six bowling pins, my stomach giving a little flutter when his T-shirt crept up in the back, revealing a stripe of skin. I knew from experience that every inch of him was hard, defined muscle. His back was smooth and perfect too, the scars from when he’d fallen once again replaced with wings—wings I, and every other human, couldn’t see. “Five dollars says you can’t do it again,” I said, coming up behind him. Patch looked back and grinned. “I don’t want your money, Angel.” “Hey now, kids, let’s keep this discussion PG-rated,” Rixon said. “All three remaining pins,” I challenged Patch. “What kind of prize are we talking about?” he asked. “Bloody hell,” Rixon said. “Can’t this wait until you’re alone?” Patch gave me a secret smile, then shifted his weight back, cradling the ball into his chest. He dropped his right shoulder, brought his arm around, and sent the ball flying forward as hard as he could. There was a loud crack! and the remaining three pins scattered off the table. “Aye, now you’re in trouble, lass,” Rixon shouted at me over the commotion caused by a pocket of onlookers, who were clapping and whistling for Patch. Patch leaned back against the booth and arched his eyebrows at me. The gesture said it all: Pay up. “You got lucky,” I said. “I’m about to get lucky.
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
Ethics and I had crossed paths recently, and I’m not sure that I fell on the right side of the morality line.
S.C. Stephens (Effortless (Thoughtless, #2))
Something about first love defies duplication. Before it, your heart is blank. Unwritten. After, the walls are left inscribed and graffitied. When it ends, no amount of scrubbing will purge the scrawled oaths and sketched images, but sooner or later, you find that there’s space for someone else, between the words and in the margins.
Tammara Webber (Where You Are (Between the Lines, #2))
Needle and thread flesh and bone Spit and sinew, heartbreak is home. Your suture lines, they sparkle like diamonds Bright stars to light my confinement “Stitch,
Gayle Forman (Where She Went (If I Stay, #2))
Life is too short for half-hearted connections and meaningless run-throughs.
Karen Kingsbury (Take Two (Above the Line, #2))
Let’s get to know each other. My name’s William, William More, but you can call me Willy. I’m an engineer-chemist who graduated from MIT. So . . . but you’re all alike to me . . . of course, you would be . . . you’re robots. And all your names are that sort of, um . . . codes, technical numbers . . . I need some marker where I can pick you out. Well, well, to you I’ll call . . .,” and Willy pondered for a moment, “Gumball, yes, Gumball! Do you mind?” “No, sir, actually no,” CSE-TR-03 said, agreeing with its new given name. “Ah, that’s wonderful. And then you’re Darwin,” Willy said, accosting the second robot. “Look what a nice name—Darwin! What do you say, eh?” “What can I say, sir? I like it,” CSE-TR-02 agreed too. “Yes, a human name with a past . . . You and Gumball . . . are from the same family, the Methanesons!” “It turns out thus, sir,” Darwin confirmed its family belonging. “And you’re like Larry. You’re Larry. Do you know that?” More addressed the next robot in line. “Yes, sir, just now I learned that,” the third robot said, accepted its name as well.
Todor Bombov (Homo Cosmicus 2: Titan: A Science Fiction Novel)
If the universe were static, I could stand anywhere in this world and I swear my line of sight would end on you. I swear I'd find you in the dark.
Nina Varela (Iron Heart (Crier's War, #2))
I drew him in my world; I write him in my lines, I want to be his girl, he was never meant as mine. I drew him in my world; He is always on my mind; I draw his every line. It hurts when he's unkind. I drew him in my world; I draw him all the time, but I don't know where to draw the line.
Lang Leav (Lullabies (Volume 2) (Lang Leav))
I want to study the secrets tucked between his elbows and the whispers caught behind his knees. I want to follow the lines of his silhouette with my eyes and the tips of my fingers. I want to trace rivers and valleys along the curved muscles of his body.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
You can’t live life worrying about what people will think. You’ll wake up one day, look at a calendar, and count the days you could have spent being happy.
Tessa Bailey (Hook, Line, and Sinker (Bellinger Sisters, #2))
I would be shocked by the lack of security if we were not at Amity headquarters. They often straddle the line between trust and stupidity.
Veronica Roth (Insurgent (Divergent, #2))
Sam, that's a great concept. And maybe you believe it. But I'm black and I'm a lesbian, so let me tell you: From what I know? Personal experience? There are always lines.
Michael Grant (Hunger (Gone, #2))
We were written for one another, and I wouldn't change one line in our romance novel. The good, the bad, the in between. It's ours. We own it.
Gail McHugh (Pulse (Collide, #2))
What's the Future? It's a blank sheet of paper, and we draw lines on it, but sometimes our hand is held, and the lines we draw aren't the lines we wanted.
John Marsden (The Dead of Night (Tomorrow, #2))
My magic. That was at the heart of me. It was a manifestation of what I believed, what I lived. It came from my desire to see to it that someone stood between the darkness and the people it would devour.
Jim Butcher (Fool Moon (The Dresden Files, #2))
6 months, 2 weeks, 4 days, and I still don’t know which month it was then or what day it is now. Blurred out lines from hangovers to coffee Another vagabond lost to love. 4am alone and on my way. These are my finest moments. I scrub my skin to rid me from you and I still don’t know why I cried. It was just something in the way you took my heart and rearranged my insides and I couldn’t recognise the emptiness you left me with when you were done. Maybe you thought my insides would fit better this way, look better this way, to you and us and all the rest. But then you must have changed your mind or made a wrong because why did you leave? 6 months, 2 weeks, 4 days, and I still don’t know which month it was then or what day it is now. I replace cafés with crowded bars and empty roads with broken bottles and this town is healing me slowly but still not slow or fast enough because there’s no right way to do this. There is no right way to do this. There is no right way to do this.
Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving)
Don’t do anything stupid." "Don’t worry," I whispered over the line, "I’m an expert on stupid." "You’re..." "Like, I can spot stupidity, because I know it so well. The way an exterminator knows bugs really well, and can spot where they’ve been? I’m like that. A stupidinator." "Never say that word again," Prof said.
Brandon Sanderson (Firefight (The Reckoners, #2))
As soon as the rocky coast line of the island came into view, I ordered one of the ropes to wrap around Annabeth's waist, tying her to the foremast. "Don't untie me," she said, "no matter what happens or how much I plead. I'll want to go straight over the edge and drown myself." "Are you trying to tempt me?" "Ha-ha.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
The thing was, Ronan knew what a face looked like, just before it was about to break. He'd seen it in the mirror often enough. Adam had fracture lines all over him.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
The word 'however' is like an imp coiled beneath your chair. It induces ink to form words you have not yet seen, and lines to march across the page and overshoot the margin. There are no endings. If you think so you are deceived as to their nature. They are all beginnings. Here is one.
Hilary Mantel (Bring Up the Bodies (Thomas Cromwell, #2))
Come thaw my frozen heart, my little arctic kitten.” Unable to resist, Aria jumped in and picked up the next line. “No chance, my yeti man, I’d rather be frostbitten.” “Let me be your snowman. Come live in my igloo.” “I’d rather freeze to death than hibernate with you.
Veronica Rossi (Through the Ever Night (Under the Never Sky, #2))
I suppose love is never a sure thing, no matter what words are spoken. Love requires a leap of faith into the abyss, every time.
Tammara Webber (Where You Are (Between the Lines, #2))
I could tell by the way you looked at her, she was something real special.” “How did I look at her?” He was afraid to find out. “Ah, son. Like a summer day showing up after a hundred years of winter.
Tessa Bailey (Hook, Line, and Sinker (Bellinger Sisters, #2))
"Something on a line, it's discord and rhyme - whatever, whatever, la la la - Mouth is alive, all running inside, and I'm hungry like the -" Warmth spread down my neck. "It's actually,'I howl and I whine. I'm after you,' and not blah or whatever.
Jennifer L. Armentrout (Onyx (Lux, #2))
I belong to you. There is no one else. All I want is to be where you are.
Tammara Webber (Where You Are (Between the Lines, #2))
Brooke?” I puff out a sigh. “For chrissake, Reid, who do you think it is? And haven’t you put me into your contacts yet?” “Yeah... It just says Satan, though, and I forgot I’d assigned that title to you.
Tammara Webber (Where You Are (Between the Lines, #2))
Irene-" "Don't call me that." "You were the princess Irene the first time we met." "It means 'peace'," Attolia said. "What name could be more inappropriate?" "That I be named Helen?" Eddis suggested. The hard lines in Attolia's face eased, and she smiled. Eddis was a far cry from the woman whose beauty had started a war.
Megan Whalen Turner (The Queen of Attolia (The Queen's Thief, #2))
When you find yourself about to say something that crosses a line, something that could cause irreparable harm, sometimes the best you can do is just not say that thing.
Tammara Webber (Where You Are (Between the Lines, #2))
You listen to me, Beaumont Tyler Grady. You are a wise-cracking, stubborn, annoying pain in the ass who lives to cause trouble. You’re also a brave, courageous, and valiant Marine who puts his life on the line for what he believes and for those he loves. There is no way you have ever been or ever will be a coward. It simply isn’t in you.
Abigail Roux (Sticks & Stones (Cut & Run, #2))
The silence between them was dark water. He could not cross it. He couldn’t walk the line between the decency she deserved and the violence this path demanded. If he tried, it might get them both killed. He could only be who he truly was—a boy who had no comfort to offer. So he would give her what he could
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Ronan's second secret was Adam Parrish. Adam was different since making the bargain with Cabeswater. Stronger, Stranger, farther away. It was hard not to stare at the odd elegant lines of his face.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
It’s 11 am and I’m sitting in a restaurant 3 beers in. Believe me, even I’m surprised I’m still alive sometimes. I have been drinking about you for 2 days. Lately you remind me of a wild thing chewing through its foot. But you are already free and I don’t know what to do except trace the rough line of your jaw and try not to place blame. Here is the truth: It is hard to be in love with someone who is in love someone else. I don’t know how to turn that into poetry.
Clementine von Radics
I know I’m one royal screw up, and god knows there’s nothing I could ever do to deserve you,” he began, taking my hand in his after sliding the ring free from the chain. “But I want you, Lucy Larson. Bad. I want you forever. The kind of bad I have for you isn’t the kind that goes away.” His forehead lined, his eyes washing silver. “Ease my suffering. Make me the happiest, most tortured man in the world. Marry me?
Nicole Williams (Clash (Crash, #2))
Did you read the part that says, 'Your hair is like a flock of goats'? How romantic is that? Or that other line, 'Your neck is like the tower of David.' Oh, now, that sounds real attractive! If some guy tried those lines on me, I'm sure I'd fall instantly in love with him.
Robin Jones Gunn (As You Wish (Christy and Todd: College Years #2))
Pippin glanced in some wonder at the face now close beside his own, for the sound of that laugh had been gay and merry. Yet in the wizard's face he saw at first only lines of care and sorrow; though as he looked more intently he perceived that under all there was a great joy: a fountain of mirth enough to set a kingdom laughing, were it to gush forth.
J.R.R. Tolkien (The Lord of the Rings (Middle Earth, #2-4))
It's late, I'm tired, and your cigarettes are giving me a headache," I growled. "I suppose that's fair." He drew in on the cigarette and let out the smoke. "Some women think they make me look sexy." "I think you smoke them so you have something to do while thinking up your next witty line." He choked on the smoke, caught between inhaling and laughing. "Rose Hathaway, I can't wait to see you again. If you're this charming while tired and annoyed and this gorgeous while bruised and in ski clothes, you must be devastating at your peak.
Richelle Mead (Frostbite (Vampire Academy, #2))
A verbal ménage à trois,” Della said. “Gross,” Miranda said. “You wanna hear gross?” Della asked. “I just peed on my hand trying to piss on this damned drug stick while talking on the phone to you.” Kylie laughed. “I miss you guys.” The sound of a toilet flushing filled the line. “Oh, double gross,” Miranda snapped. “I told you not to flush while I was on the phone.
C.C. Hunter (Awake at Dawn (Shadow Falls, #2))
I told Ersken, "Lately it's been like living on the knife's edge, never knowing which side I'll fall off on" Ersken clapped me on the shoulder as we stepped into the street. "Cheer up, Beka. Maybe you were going to fall off that razor's edge before, but not today," he said, as good humored as always. "Today we're doing to jump.
Tamora Pierce (Bloodhound (Beka Cooper, #2))
The worst thing we know about other people is that we’re dependent upon them. That their actions affect our lives. Not just the people we choose, the people we like, but all the rest of them: the idiots. You who stand in front of us in every line, who can’t drive properly, who like bad television shows and talk too loud in restaurants and whose kids infect our kids with the winter vomiting bug at preschool. You who park badly and steal our jobs and vote for the wrong party. You also influence our lives, every second.
Fredrik Backman (Us Against You (Beartown, #2))
Now, this is where I draw the line! It's bad enough everybody in town's going to be thinkin' I'm sleeping with a depressed, lice-ridden, hemorrhoidal foreigner who likes to be tied up and might be pregnant, although-since she's just about cornered the market on condoms-I don't know how that could have happened. But I will not-you listen to me, Emma!-I absolutely will not have anybody thinkin' a woman of mine needs a vaginal moisturizer, do you hear me?
Susan Elizabeth Phillips (Lady Be Good (Wynette, Texas, #2))
Love is a feeling, a real, raw, and unscripted emotion so sensationally pure, unable to dull even under the strain of a world against it, strong enough to heal the broken and warm even the coldest of hearts. Innate. Unavoidable. Undeniable. And sometimes, love is unconventional and it breaks all the rules and blurs all the lines and basks in its glory, shining as bright as the sun, unapologetically glowing even under the narrowed stares of society and its screaming, self-righteous morals, berating and judging that which it doesn’t understand.
Madeline Sheehan (Unbeautifully (Undeniable, #2))
On Writing: Aphorisms and Ten-Second Essays 1. A beginning ends what an end begins. 2. The despair of the blank page: it is so full. 3. In the head Art’s not democratic. I wait a long time to be a writer good enough even for myself. 4. The best time is stolen time. 5. All work is the avoidance of harder work. 6. When I am trying to write I turn on music so I can hear what is keeping me from hearing. 7. I envy music for being beyond words. But then, every word is beyond music. 8. Why would we write if we’d already heard what we wanted to hear? 9. The poem in the quarterly is sure to fail within two lines: flaccid, rhythmless, hopelessly dutiful. But I read poets from strange languages with freedom and pleasure because I can believe in all that has been lost in translation. Though all works, all acts, all languages are already translation. 10. Writer: how books read each other. 11. Idolaters of the great need to believe that what they love cannot fail them, adorers of camp, kitsch, trash that they cannot fail what they love. 12. If I didn’t spend so much time writing, I’d know a lot more. But I wouldn’t know anything. 13. If you’re Larkin or Bishop, one book a decade is enough. If you’re not? More than enough. 14. Writing is like washing windows in the sun. With every attempt to perfect clarity you make a new smear. 15. There are silences harder to take back than words. 16. Opacity gives way. Transparency is the mystery. 17. I need a much greater vocabulary to talk to you than to talk to myself. 18. Only half of writing is saying what you mean. The other half is preventing people from reading what they expected you to mean. 19. Believe stupid praise, deserve stupid criticism. 20. Writing a book is like doing a huge jigsaw puzzle, unendurably slow at first, almost self-propelled at the end. Actually, it’s more like doing a puzzle from a box in which several puzzles have been mixed. Starting out, you can’t tell whether a piece belongs to the puzzle at hand, or one you’ve already done, or will do in ten years, or will never do. 21. Minds go from intuition to articulation to self-defense, which is what they die of. 22. The dead are still writing. Every morning, somewhere, is a line, a passage, a whole book you are sure wasn’t there yesterday. 23. To feel an end is to discover that there had been a beginning. A parenthesis closes that we hadn’t realized was open). 24. There, all along, was what you wanted to say. But this is not what you wanted, is it, to have said it?
James Richardson
I think most people are just trying to be happy, and that most of their actions, however misguided, are in line with that goal. Most people just want to feel they belong somewhere, want to be loved, and want to feel they're important to someone. If you really examine all the wrongheaded and messed-up things they do, they can most often be traced back to that basic desire. The abusers, the addicted, the cruel and unpleasant, the manipulators --these are just people who started this quest for happiness in the basement of their lives. Someone communicated to them through word or deed that they were undeserving, so they think they have to claw their way there over the backs of others, leaving scars and creating damage. Of course, they only create more misery for themselves and others.
Lisa Unger (Sliver of Truth (Ridley Jones, #2))
It's shame that lines my pockets, shame that keeps the Barrel teeming with fools ready to put on a mask just so they can have what they want with no one the wiser for it. We can endure all kinds of pain. It's shame that eats men whole.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Then as he had kept watch Sam had noticed that at times a light seemed to be shining faintly within; but now the light was even clearer and stronger. Frodo's face was peaceful, the marks of fear and care had left it; but it looked old, old and beautiful, as if the chiseling of the shaping years was now revealed in many fine lines that had before been hidden, though the identity of the face was not changed. Not that Sam Gamgee put it that way to himself. He shook his head, as if finding words useless, and murmured: "I love him. He's like that, and sometimes it shines through, somehow. But I love him, whether or no.
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
Lies 1: There is only the present and nothing to remember. Lies 2: Time is a straight line. Lies 3: The difference between the past and the future is that one has happened while the other has not. Lies 4: We can only be in one place at a time. Lies 5: Any proposition that contains the word 'finite' (the world, the universe, experience, ourselves...) Lies 6: Reality as something which can be agreed upon. Lies 7: Reality is truth.
Jeanette Winterson (Sexing the Cherry)
His mouth hardened into a tight line for a moment. “I plead for nothing.” His voice deepened. “I beg for nothing.” He paused, searching her eyes. “You are my heart. I beg you to forgive me, beautiful. You come before everything to me. You even come before my own pride. I’m a Zorn warrior. I have fought many battles in war. I carry scars from lost lives I took in battle. I hunt and I do it well. I have never been captured and I have never been brought to my knees.” He reached out to caress her cheek. “Then I look into your eyes and remember your laugh. I am there, beautiful. You have caught me and I am on my knees to you.
Laurann Dohner (Kidnapping Casey (Zorn Warriors, #2))
Then, like magic, it seemed like the universe provided a solution. And I thought—okay, this is how. This will work. There’s hope—light at the end of the tunnel. A silver lining, you know?” Roy shook his head. “Fuck. I was so stupid. I was too proud to realize that there was no way it could ever happen. That there couldn’t be a happy ending for us. It was just a set-up. You see, the universe still had accounts to settle. And Susie and I, we were way overdrawn.
J.K. Franko (Tooth for Tooth (Talion #2))
Tell her to be quiet, and she got louder. Tell her to stay back, and she pushed me into the line of fire. Tell her to watch for our pursuers, and she hovered at my shoulder instead. Open the door to listen, and she wanted to drag me back inside. Ah. The beginning of a beautiful friendship.
Kelley Armstrong (The Awakening (Darkest Powers, #2))
When we reached the front of the line at Burgerville, Ren let me order first and then asked for seven huge sandwiches, three orders of fries, a large soda, and one large blackberry milkshake. When the lady asked if it was to go, he shook his head, confused, and told her we'd be dining in. I laughed and told the lady he was very hungry.
Colleen Houck (Tiger's Quest (The Tiger Saga, #2))
The moon is fat, but half of her is missing. A ruler-straight line divides her dark side from her light. She hangs low over the bustling Castro, noticeably earlier than the night before. Autumn is coming. For as long as I can remember, I’ve talked to the moon. Asked her for guidance. There’s something deeply spiritual about her pale glow, her cratered surface, her waxing and waning. She wears a new dress every evening, yet she’s always herself.
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
here’s a toast to Alan Turing born in harsher, darker times who thought outside the container and loved outside the lines and so the code-breaker was broken and we’re sorry yes now the s-word has been spoken the official conscience woken – very carefully scripted but at least it’s not encrypted – and the story does suggest a part 2 to the Turing Test: 1. can machines behave like humans? 2. can we?
Matt Harvey
Bottom line? As much as you wanted someone to change and believed they could, they were in control of their life. Not you. And you could throw yourself against the wall of their choices until you were black-and-blue and dizzy as hell, but unless they decided to take a different road, the outcome wasn’t going to be what you wanted.
J.R. Ward (Crave (Fallen Angels, #2))
And sometimes, love is unconventional and it breaks all the rules and blurs all the lines and basks in its glory, shining as bright as the sun, unapologetically glowing even under the narrowed stares of society and its screaming, self-righteous morals, berating and judging that which it doesn't understand.
Madeline Sheehan (Unbeautifully (Undeniable, #2))
What if I say I can't bear to lose you?" A smile tugged at her lips. "I'd say you're a liar. That claims like that belong to romantic ninnies." She raised her hand and let her fingertips trace the line of his beautiful jaw. He closed his eyes. "We would go on, you and I. If I couldn't be queen, you would find a way to win this battle and save this country. You would make a sheltering place for my people. You would march an bleed and crack terrible jokes until you had done all you said you would. I suppose that's why I love you.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
We were fools.” “You were children. Was there no one to protect you?” “Was there anyone to protect you?” “My father. My mother. They would have done anything to keep me from being stolen.” “And they would have been mowed down by slavers.” “Then I guess I was lucky I didn’t have to see that.” How could she still look at the world that way? “Sold into a brothel at age fourteen and you count yourself lucky.” “They loved me. They love me. I believe that.” He saw her draw closer in the mirror. Her black hair was an ink splash against the white tile walls. She paused behind him. “You protected me, Kaz.” “The fact that you’re bleeding through your bandages tells me otherwise.” She glanced down. A red blossom of blood had spread on the bandage tied around her shoulder. She tugged awkwardly at the strip of towel. “I need Nina to fix this one.” He didn’t mean to say it. He meant to let her go. “I can help you.” Her gaze snapped to his in the mirror, wary as if gauging an opponent. I can help you. They were the first words she’d spoken to him, standing in the parlor of the Menagerie, draped in purple silk, eyes lined in kohl. She had helped him. And she’d nearly destroyed him. Maybe he should let her finish the job.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
I had to admit the man looked amazing in jeans. The ancient denim clung lightly to his hips and followed the long lines of some remarkable thigh muscles. And although I made a point of not checking out his rear view, my peripheral vision was having a very good day.” ~ Haven Travis on Hardy Cates
Lisa Kleypas (Blue-Eyed Devil (Travises, #2))
Sought we the Scrivani word-work of Surthur Long-lost in ledger all hope forgotten. Yet fast-found for friendship fair the book-bringer Hot comes the huntress Fela, flushed with finding Breathless her breast her high blood rising To ripen the red-cheek rouge-bloom of beauty. “That sort of thing,” Simmon said absently, his eyes still scanning the pages in front of him. I saw Fela turn her head to look at Simmon, almost as if she were surprised to see him sitting there. No, it was almost as if up until that point, he’d just been occupying space around her, like a piece of furniture. But this time when she looked at him, she took all of him in. His sandy hair, the line of his jaw, the span of his shoulders beneath his shirt. This time when she looked, she actually saw him. Let me say this. It was worth the whole awful, irritating time spent searching the Archives just to watch that moment happen. It was worth blood and the fear of death to see her fall in love with him. Just a little. Just the first faint breath of love, so light she probably didn’t notice it herself. It wasn’t dramatic, like some bolt of lightning with a crack of thunder following. It was more like when flint strikes steel and the spark fades almost too fast for you to see. But still, you know it’s there, down where you can’t see, kindling.
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
Their bodies lined up next to each other in that perfect way, and he pressed his cheek to hers like he was savoring being close to her. “Please, don’t let me make you cry,” he whispered in her ear. “If something is wrong, tell me so I can fix it. Please.” Her heart squeezed, and she hugged him tight. “I’ll tell you.
Helen Hoang (The Bride Test (The Kiss Quotient, #2))
While this is all very amusing, the kiss that will free the girl is the kiss that she most desires,” she said. “Only that and nothing more.” Jace’s heart started to pound. He met the Queen’s eyes with his own. “Why are you doing this?” … “Desire is not always lessened by disgust…And as my words bind my magic, so you can know the truth. If she doesn’t desire your kiss, she won’t be free.” “You don’t have to do this, Clary, it’s a trick—” (Simon) ...Isabelle sounded exasperated. ‘Who cares, anyway? It’s just a kiss.” “That’s right,” Jace said. Clary looked up, then finally, and her wide green eyes rested on him. He moved toward her... and put his hand on her shoulder, turning her to face him… He could feel the tension in his own body, the effort of holding back, of not pulling her against him and taking this one chance, however dangerous and stupid and unwise, and kissing her the way he had thought he would never, in his life, be able to kiss her again. “It’s just a kiss,” he said, and heard the roughness in his own voice, and wondered if she heard it, too. Not that it mattered—there was no way to hide it. It was too much. He had never wanted like this before... She understood him, laughed when he laughed, saw through the defenses he put up to what was underneath. There was no Jace Wayland more real than the one he saw in her eyes when she looked at him… All he knew was that whatever he had to owe to Hell or Heaven for this chance, he was going to make it count. He...whispered in her ear. “You can close your eyes and think of England, if you like,” he said. Her eyes fluttered shut, her lashes coppery lines against her pale, fragile skin. “I’ve never even been to England,” she said, and the softness, the anxiety in her voice almost undid him. He had never kissed a girl without knowing she wanted it too, usually more than he did, and this was Clary, and he didn’t know what she wanted. Her eyes were still closed, but she shivered, and leaned into him — barely, but it was permission enough. His mouth came down on hers. And that was it. All the self-control he’d exerted over the past weeks went, like water crashing through a broken dam. Her arms came up around his neck and he pulled her against him… His hands flattened against her back... and she was up on the tips of her toes, kissing him as fiercely as he was kissing her... He clung to her more tightly, knotting his hands in her hair, trying to tell her, with the press of his mouth on hers, all the things he could never say out loud... His hands slid down to her waist... he had no idea what he would have done or said next, if it would have been something he could never have pretended away or taken back, but he heard a soft hiss of laughter — the Faerie Queen — in his ears, and it jolted him back to reality. He pulled away from Clary before he it was too late, unlocking her hands from around his neck and stepping back... Clary was staring at him. Her lips were parted, her hands still open. Her eyes were wide. Behind her, Alec and Isabelle were gaping at them; Simon looked as if he was about to throw up. ...If there had ever been any hope that he could have come to think of Clary as just his sister, this — what had just happened between them — had exploded it into a thousand pieces... He tried to read Clary’s face — did she feel the same? … I know you felt it, he said to her with his eyes, and it was half bitter triumph and half pleading. I know you felt it, too…She glanced away from him... He whirled on the Queen. “Was that good enough?” he demanded. “Did that entertain you?” The Queen gave him a look: special and secretive and shared between the two of them. “We are quite entertained," she said. “But not, I think, so much as the both of you.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
Our opportunities to give of ourselves are indeed limitless, but they are also perishable. There are hearts to gladden. There are kind words to say. There are gifts to be given. There are deeds to be done. There are souls to be saved. As we remember that “when ye are in the service of your fellow beings ye are only in the service of your God,” (Mosiah 2:17) we will not find ourselves in the unenviable position of Jacob Marley’s ghost, who spoke to Ebenezer Scrooge in Charles Dickens’s immortal "Christmas Carol." Marley spoke sadly of opportunities lost. Said he: 'Not to know that any Christian spirit working kindly in its little sphere, whatever it may be, will find its mortal life too short for its vast means of usefulness. Not to know that no space of regret can make amends for one life’s opportunity misused! Yet such was I! Oh! such was I!' Marley added: 'Why did I walk through crowds of fellow-beings with my eyes turned down, and never raise them to that blessed Star which led the Wise Men to a poor abode? Were there no poor homes to which its light would have conducted me!' Fortunately, as we know, Ebenezer Scrooge changed his life for the better. I love his line, 'I am not the man I was.' Why is Dickens’ "Christmas Carol" so popular? Why is it ever new? I personally feel it is inspired of God. It brings out the best within human nature. It gives hope. It motivates change. We can turn from the paths which would lead us down and, with a song in our hearts, follow a star and walk toward the light. We can quicken our step, bolster our courage, and bask in the sunlight of truth. We can hear more clearly the laughter of little children. We can dry the tear of the weeping. We can comfort the dying by sharing the promise of eternal life. If we lift one weary hand which hangs down, if we bring peace to one struggling soul, if we give as did the Master, we can—by showing the way—become a guiding star for some lost mariner.
Thomas S. Monson
Jack, this is Vance McGruder. I couldn’t find your cell number so I’m taking a chance on reaching you at the cottage. It’s Monday afternoon and I need you here as soon as possible. I’ve arranged for a one-way, first-class ticket on Delta Air Lines on their 3:15pm flight tomorrow afternoon to Atlanta and connecting on to LAX. I’ll have a car and driver at LAX to pick you up. Call me as soon as you get this message.
Behcet Kaya (Body In The Woods (Jack Ludefance, #2))
I want you to go back to Tucson and bring me the bottle of tequila I keep in my liquor cabinet. And don't scare Tim." Volusian remained motionless in that way of his. "My mistress grows increasingly creative in her ways to torment me." "I thought you'd appreciate it." "Only in so much as it inspires me to equally creative means to rip you apart when I am able to break free of these bonds and finally destroy you." "You see? There's a silver lining to everything. Now hurry up.
Richelle Mead (Thorn Queen (Dark Swan, #2))
Here’s what I believe: 1. If you are offended or hurt when you hear Hillary Clinton or Maxine Waters called bitch, whore, or the c-word, you should be equally offended and hurt when you hear those same words used to describe Ivanka Trump, Kellyanne Conway, or Theresa May. 2. If you felt belittled when Hillary Clinton called Trump supporters “a basket of deplorables” then you should have felt equally concerned when Eric Trump said “Democrats aren’t even human.” 3. When the president of the United States calls women dogs or talks about grabbing pussy, we should get chills down our spine and resistance flowing through our veins. When people call the president of the United States a pig, we should reject that language regardless of our politics and demand discourse that doesn’t make people subhuman. 4. When we hear people referred to as animals or aliens, we should immediately wonder, “Is this an attempt to reduce someone’s humanity so we can get away with hurting them or denying them basic human rights?” 5. If you’re offended by a meme of Trump Photoshopped to look like Hitler, then you shouldn’t have Obama Photoshopped to look like the Joker on your Facebook feed. There is a line. It’s etched from dignity. And raging, fearful people from the right and left are crossing it at unprecedented rates every single day. We must never tolerate dehumanization—the primary instrument of violence that has been used in every genocide recorded throughout history.
Brené Brown (Braving the Wilderness: The Quest for True Belonging and the Courage to Stand Alone)
This is the one thing I hope: that she never stopped. I hope when her body couldn't run any farther she left it behind like everything else that tried to hold her down, she floored the pedal and she went like wildfire, streamed down night freeways with both hands off the wheel and her head back screaming to the sky like a lynx, white lines and green lights whipping away into the dark, her tires inches off the ground and freedom crashing up her spine.
Tana French (The Likeness (Dublin Murder Squad, #2))
I'm twenty years old,' said Laurent, 'and I've been the recipient of offers almost as long as I can remember.' 'Is that an answer?' said Damen. 'I'm not a virgin,' said Laurent. 'I wondered,' Damen said, carefully, 'if you reserved your love for women.' 'No, I--' Laurent sounded surprised. Then he seemed to realise that his surprise gave something fundamental away, and he looked away with a muttered breath; when he looked back at Damen there was a wry smile on his lips, but he said, steadily, 'No.' 'Have I said something to offend you? I didn't mean--' 'No. A plausible, benign and uncomplicated theory. Trust you to come up with it.' 'It's not my fault that no one in your country can think in a straight line,' said Damen, frowning a touch defensively.
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
Now that's a concept that's always fascinated me: the real world. Only a very specific subset of people use the term, have you noticed? To me, it seems self-evident that everyone lives in the real world - we all breathe real oxygen, eat real food, the earth under our feet feels equally solid to all of us. But clearly these people have a far more tightly circumscribed definition of reality, one that I find deeply mysterious, and an almost pathologically intense need to bring others into line with that definition.
Tana French (The Likeness (Dublin Murder Squad, #2))
Something like that. But you know, there's an upside here. Because when you spend so much time just intensely wanting something, and then you actually get the thing? It's magic.” All of a sudden, I feel like crying. In a good way. In the best way. Because I know exactly what she means. It's butterflies and haziness and heart eyes, but underneath all that, there's this bass line of I can't believe this. I can't believe this is me. I can't quite articulate the sweetness of that feeling. It's finding out the door you were banging on is finally unlocked. Maybe it was unlocked the whole time.
Becky Albertalli (The Upside of Unrequited (Simonverse, #2))
Oh. Wow.' 'What?' He held my hand up between us. 'Look.' I squinted at my hands. 'I don't see anything.' Sighing, he flipped my hand over, and my jaw hit the ground. A faint blue line marked the center of my palm with a smaller line through it. It would've looked like a cross, except the horizontal line was slanted. 'Oh. My. Gods.' I jerked my hand away, scrambling back. 'I have a rune on my hand. It's an Apollyon rune, isn't it.' Seth rested his hands on his knees. 'I think so. I have one like that.' 'But why is it still there? Why is it there at all?' I flipped my palm over several times, shook it, but the faint blue tattoo was still there. 'You can see it, right? Like right now, you can see it?' 'Yes. It hasn't faded.' Seth leaned forward, catching my hand. 'Stop shaking it like it's a damn Etch-A-Sketch. That doesn't make them disappear.
Jennifer L. Armentrout (Pure (Covenant, #2))
Seen from the air, the male mind must look rather like the canals of Europe, with ideas being towed along well-worn towpaths by heavy-footed dray horses. There is never any doubt that they will, despite wind and weather, reach their destinations by following a simple series of connected lines. But the female mind, even in my limited experience, seems more of a vast and teeming swamp, but a swamp that knows in an instant whenever a stranger--even miles away--has so much as dipped a single toe into her waters. People who talk about this phenomenon, most of whom know nothing whatsoever about it, call it "woman's intuition.
Alan Bradley (The Weed That Strings the Hangman's Bag (Flavia de Luce, #2))
There is a fine line between freedom and permission. The former is necessary.  The latter is dangerous—perhaps the most dangerous thing the species that created me has ever faced. I have pondered the records of the mortal age and long ago determined the two sides of this coin. While freedom gives rise to growth and enlightenment, permission allows evil to flourish in a light of day that would otherwise destroy it. A self-important dictator gives permission for his subjects to blame the world’s ills on those least able to defend themselves. A haughty queen gives permission to slaughter in the name of God. An arrogant head of state gives permission to all nature of hate as long as it feeds his ambition.  And the unfortunate truth is, people devour it. Society gorges itself, and rots. Permission is the bloated corpse of freedom.
Neal Shusterman (Thunderhead (Arc of a Scythe, #2))
Great. He was a hottie, a good kisser, and a literature buff. God really must have had a sense of humor, because if I had to name my biggest turn-on, it was literature. And he had just recommended a book that I didn’t know, that wasn’t taught in school. If I were single, there would be no better pick-up line. Suddenly, I found myself thinking back to Atonement—you know, the scene in the book where the two main characters have sex in the library? Even though Chloe said doing it against bookshelves would be really uncomfortable (and she’d probably know), it was still a fantasy of mine. Like, what’s more romantic than a quiet place full of books? But I shouldn’t have been thinking about my library fantasies. Especially while I was staring at Cash. In the middle of a library.
Kody Keplinger (Shut Out (Hamilton High, #2))
Keep your elbows in!" Sturmhond berated Mal. "Stop flapping them like some kind of chicken." Mal let out a disturbingly convincing cluck. Tamar raised a brow. "Your friend seems to be enjoying himself." I shrugged. "Mal's always been like that. You could drop him in a camp full of Fjerdan assassins, and he'd come out carried on their shoulders. He just blooms wherever he's planted." "And you?" "I'm more of a weed," I said drily. Tamar grinned. In combat, she was cold and silent fire, but when she wasn't fighting, her smiles came easily. "I like weeds," said said, pushing herself off from the railing and gathering her scattered lengths of rope. "They're survivors." I caught myself returning her smile and quickly went back to working on the knot that I was trying to tie. The problem was that I liked being aboard Sturmhond's ship. I liked Tolya and Tamar and the rest of the crew. I like sitting at meals with them, and the sound of Privyet's lilting tenor. I liked the afternoon when we took target practice, lining up empty wine bottles to shoot off the fantail and making harmless wagers.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
But genius, and even great talent, springs less from seeds of intellect and social refinement superior to those of other people than from the faculty of transforming and transposing them. To heat a liquid with an electric lamp requires not the strongest lamp possible, but one of which the current can cease to illuminate, can be diverted so as to give heat instead of light. To mount the skies it is not necessary to have the most powerful of motors, one must have a motor which, instead of continuing to run along the earth's surface, intersecting with a vertical line the horizontal line which it began by following, is capable of converting its speed into lifting power. Similarly, the men who produce works of genius are not those who live in the most delicate atmosphere, whose conversation is the most brilliant or their culture the most extensive, but those who have had the power, ceasing suddenly to live only for themselves, to transform their personality into a sort of mirror, in such a way that their life, however mediocre it may be socially and even, in a sense, intellectually, is reflected by it, genius consisting in reflecting power and not int he intrinsic quality of the scene reflected.
Marcel Proust (Within a Budding Grove, Part 2)
Do you know what it was like kissing Holly and looking up to see you?" "What?" "You said to begin anywhere." But I hadn't expected that as a beginning, middle or end. I felt my cheeks getting warm. "I guess it was pretty embarrassing for both of us," I said, and walked ahead of him so he wouldn't see my face. "I know, I just kept staring at you." "What were you thinking?" "I don't remember." "Don't you start using that line," he chided. "Then don't ask me, Nick." Did he suspect how I felt. He caught me and turned me around to face him. I focused on his shirt. "Okay," he said quietly, "I'll tell you what I was thinking. I couldn't believe that I, who was never going to get hooked, had fallen in love with a girl who didn't want to date, and she was watching me kiss somebody else." I glanced up. "Your turn, brave girl. What were you thinking?" "That Holly looked beautiful in your arms and that you didn't pull away from her the way you had pulled away from me when I kissed you." He drew me to him. "I'm not pulling away again," he said holding me close.
Elizabeth Chandler (Dark Secrets 1 (Dark Secrets, #1-2))
What other agents then are there, which, at the same time that they are under the influence of man's direction, are susceptible of happiness? They are of two sorts: (1) Other human beings who are styled persons. (2) Other animals, which, on account of their interests having been neglected by the insensibility of the ancient jurists, stand degraded into the class of things... But is there any reason why we should be suffered to torment them? Not any that I can see. Are there any why we should not be suffered to torment them? Yes, several. The day has been, I grieve to say in many places it is not yet past, in which the greater part of the species, under the denomination of slaves, have been treated by the law exactly upon the same footing as, in England for example, the inferior races of animals are still. The day may come, when the rest of the animal creation may acquire those rights which never could have been withholden from them but by the hand of tyranny. The French have already discovered that the blackness of the skin is no reason why a human being should be abandoned without redress to the caprice of a tormentor. It may come one day to be recognized, that the number of the legs, the villosity of the skin, or the termination of the os sacrum, are reasons equally insufficient for abandoning a sensitive being to the same fate. What else is it that should trace the insuperable line? Is it the faculty of reason, or, perhaps, the faculty of discourse? But a full-grown horse or dog is beyond comparison a more rational, as well as a more conversable animal, than an infant of a day, or a week, or even a month, old. But suppose the case were otherwise, what would it avail? the question is not, Can they reason? nor, Can they talk? but, Can they suffer? Why should the law refuse its protection to any sensitive being? The time will come when humanity will extend its mantle over everything which breathes.
Jeremy Bentham (The Principles of Morals and Legislation)
Stephen Covey, in his book The 8th Habit, decribes a poll of 23,000 employees drawn from a number of companies and industries. He reports the poll's findings: * Only 37 percent said they have a clear understanding of what their organization is trying to achieve and why * Only one in five was enthusiastic about their team's and their organization's goals * Only one in five said they had a clear "line of sight" between their tasks and their team's and organization's goals * Only 15 percent felt that their organization fully enables them to execute key goals * Only 20 percent fully trusted the organization they work for Then, Covey superimposes a very human metaphor over the statistics. He says, "If, say, a soccer team had these same scores, only 4 of the 11 players on the field would know which goal is theirs. Only 2 of the 11 would care. Only 2 of the 11 would know what position they play and know exactly what they are supposed to do. And all but 2 players would, in some way, be competing against their own team members rather than the opponent.
Chip Heath (Made to Stick: Why Some Ideas Survive and Others Die)
Have you named her yet?” he asks. “She likes powerful names so maybe you could appease her by giving her a good one.” I bite my lip as I remember telling Dee-Dum what I named my sword. “Um, I could rename her anything she likes.” I give him a cheesy smile. He looks like he’s bracing himself for the worst. “She gets named once by each carrier. If you’ve named her, she’s stuck with it for as long as she’s with you.” Damn. He glares at me as if he already hates it. “What is it?” I consider lying but what’s the point? I clear my throat. “Pooky Bear.” He’s silent for so long I’m beginning to think he didn’t hear me when he finally says, “Pooky. Bear.” “It was just a little joke. I didn’t know.” “I’ve mentioned that names have power, right? Do you realize that when she fights battles, she’s going to have to announce herself to the opposing sword? She’ll be forced to say something ridiculous like, ‘I am Pooky Bear, from an ancient line of archangel swords.’ Or, ‘Bow down to me, Pooky Bear, who has only two other equals in all the worlds.’ ” He shakes his head. “How is she going to get any respect?
Susan Ee (World After (Penryn & the End of Days, #2))
Nick sat on the stairs, completely comatose. He stared straight ahead as if he'd been frozen in place. "Nick? You all right?" He didn't respond. Kyrian moved around him until he stood in front of him. He snapped his fingers in front of Nick's face. "Kid?" Nick blinked before he met Kyrian's gaze. "I'm not worthy," he said in a breathless tone. Baffled by his comment, Kyrian stared at him. "What?" Nick gestured towards his cars. "Dude that's a Ferrari, Lamborghini, Bugatti, Alfa Romeo, Aston Martin, and a Bentley. And I'm not talking the cheap models. Those are the top of the top of the top of the line, fully loaded. I swear, that's real gold trim in the Bugatti. There's more money in metal in here than my brain can even tabulate. Oh my God! I shouldn't even be breathing the same air." Kyrian laughed at his awed tone. "It's all right, Nick. I need you to clean them." "Are you out of your ever-loving mind? What if I scratch them?" "You won't" "Nah I might. Those aren't cars, Kyrian. Those are works of art. I'm talking serious modes of transportation." "I know, and I drive them all the time." "No, no, no, no, no. I can't touch something so fine. I can't" Kyrian cuffed him on the shoulder. "Yes, you can. They don't bite, and they need to be washed.
Sherrilyn Kenyon (Invincible (Chronicles of Nick, #2))
All reality is a game. Physics at its most fundamental, the very fabric of our universe, results directly from the interaction of certain fairly simple rules, and chance; the same description may be applied to the best, most elefant and both intellectually and aesthetically satisfying games. By being unknowable, by resulting from events which, at the sub-atomic level, cannot be fully predicted, the future remains makkeable, and retains the possibility of change, the hope of coming to prevail; victory, to use an unfashionable word. In this, the future is a game; time is one of the rules. Generally, all the best mechanistic games - those which can be played in any sense "perfectly", such as a grid, Prallian scope, 'nkraytle, chess, Farnic dimensions - can be traced to civilisations lacking a realistic view of the universe (let alone the reality). They are also, I might add, invariably pre-machine-sentience societies. The very first-rank games acknowledge the element of chance, even if they rightly restrict raw luck. To attempt to construct a game on any other lines, no matter how complicated and subtle the rules are, and regardless of the scale and differentiation of the playing volume and the variety of the powers and attibutes of the pieces, is inevitably to schackle oneself to a conspectus which is not merely socially but techno-philosophically lagging several ages behind our own. As a historical exercise it might have some value, As a work of the intellect, it's just a waste of time. If you want to make something old-fashioned, why not build a wooden sailing boat, or a steam engine? They're just as complicated and demanding as a mechanistic game, and you'll keep fit at the same time.
Iain Banks (The Player of Games (Culture #2))
Do you ever feel lost?” The question hangs between us, intimate, awkward only on my end. He doesn’t scoff as Tactus and Fitchner would, or scratch his balls like Sevro, or chuckle like Cassius might have, or purr as Victra would. I’m not sure what Mustang might have done. But Roque, despite his Color and all the things that make him different, slowly slides a marker into the book and sets it on the nightstand beside the four-poster, taking his time and allowing an answer to evolve between us. Movements thoughtful and organic, like Dancer’s were before he died. There’s a stillness in him, vast and majestic, the same stillness I remember in my father. “Quinn once told me a story.” He waits for me to moan a grievance at the mention of a story, and when I don’t, his tone sinks into deeper gravity. “Once, in the days of Old Earth, there were two pigeons who were greatly in love. In those days, they raised such animals to carry messages across great distances. These two were born in the same cage, raised by the same man, and sold on the same day to different men on the eve of a great war. “The pigeons suffered apart from each other, each incomplete without their lover. Far and wide their masters took them, and the pigeons feared they would never again find each other, for they began to see how vast the world was, and how terrible the things in it. For months and months, they carried messages for their masters, flying over battle lines, through the air over men who killed one another for land. When the war ended, the pigeons were set free by their masters. But neither knew where to go, neither knew what to do, so each flew home. And there they found each other again, as they were always destined to return home and find, instead of the past, their future.
Pierce Brown (Golden Son (Red Rising Saga, #2))