2 Dimensional Quotes

Love is made up of three unconditional properties in equal measure: 1. Acceptance 2. Understanding 3. Appreciation Remove any one of the three and the triangle falls apart. Which, by the way, is something highly inadvisable. Think about it — do you really want to live in a world of only two dimensions? So, for the love of a triangle, please keep love whole.

Life is three-dimensional, but there are other dimensions we can't see, can only feel, and those are the ones I want to explore.

The problem of the librarian is that books are multi-dimensional in their subject matter but must be ordered on one-dimensional shelves.

And carefully... tenderly... taking my time with every brushstroke, I sketch the curve of her neck, apply the crimson of her lips, form her face into a two-dimensional tribute to her beauty.

Lindsey was beautiful and cute, innocent and sexy, sweet and a smart-ass. That was what fascinated me so much about her. She was multi-dimensional, yet not complicated.

Think of it as an eight-dimensional onion.’ Justine straightened her back and gave her father an exasperated look. ‘Thanks, Dad. That’s helpful. I always think in those terms, it really helps a lot.

One minute walking along, the next minute dead. Why?" THINK OF IT BEING MORE... DIMENSIONALLY DISADVANTAGED. "Yes. I know." Beano relaxed, and stopped wondering too much about events in an increasingly irrelevant world. Death found that people often did, after the initial confusion. After all, the worst had already happened. At least... with any luck.

Our leading candidate for a theory of everything is known as M-theory. It grew from a merger of the two seemingly different approaches: 11-dimensional supergravity and 10-dimensional superstring theory. Could this be the final theory of everything?

Oh, Martin, is that it? I seem too nice and too harmless, so I must be hiding some sinister secret, like we're nothing but two-dimensional characters in some bad novel?

Yes, dimensional warping. Someone had to have done this for the first time in the past. I don’t know who they were, but they must have had a pair on them bigger than my dungeon to be messing around with forces like these.

Fourteenthly, if infinite active power doth actuate corporeal and dimensional being, this being must necessarily be infinite; otherwise there would be derogation from the nature and dignity both of creator and of creation.

This is not checkers; this is motherfuckin’ chess. Technology businesses tend to be extremely complex. The underlying technology moves, the competition moves, the market moves, the people move. As a result, like playing three-dimensional chess on Star Trek, there is always a move. You think you have no moves? How about taking your company public with $2 million in trailing revenue and 340 employees, with a plan to do $75 million in revenue the next year? I made that move. I made it in 2001, widely regarded as the worst time ever for a technology company to go public. I made it with six weeks of cash left. There is always a move.

which had required enough dimensional finagling to make an entire university of theoretical physicists beg for mercy,

a wicked problem: 1. Is multi-dimensional 2. Has multiple stakeholders 3. Has multiple causes 4. Has multiple symptoms 5. Has multiple solutions, and 6. Is constantly evolving

She was so beautiful, you see. Not in any two-dimensional sense: she wasn’t young, she wasn’t innocent, she didn’t have that pristine symmetry so favored by ad-men and photographers. Her face was plainly that of a woman in her early forties: it had been used to laugh and cry, and usage leaves its marks. But she had a power to transform herself, in the subtlest way, making that face as various as the sky.

Eso tampoco lo sé; sólo sé que puede ser una especie de... cerrojo. Un eje central que contiene en sí mismo todo el conjunto de la existencia. Toda la existencia, todos los tiempos y todas las dimensiones.

The shadows on the flat screen of a shadow play are projections from more complex objects. Our three-dimensional hands can cast a variety of two-dimensional shadows to delight the audience. In the same way there are fabulous beasts that swim in the seas of mathematics. Multidimensional behemoths of incredible beauty that even the best of minds struggle to glimpse. The equations we battle with, the proofs that we use to nibble at the edges of such wonders: these are the shadows cast by those we hunt.

Why wouldst thou that God should in power, in act and in effect (which in him are identical) be determined as the limit of the convexity of a sphere, rather than that he should be as we may say the undetermined limit of the boundless? The limit I say, without limit, that I may differentiate the one infinity from the other. For He is the whole, comprehensive [26] and complete totality of the infinite, but the universe is the explicit though not the all-comprehensive totality (if indeed we may in any wise use the term totality where there is neither part nor boundary). Therefore the nature of the one doth comprehend boundaries; that of the other is bounded. And this is not the distinction between infinite and finite. The distinction is rather that the one is infinite, while the other doth limit according to the nature of the totality and of the whole being thereof. So that although it is entirely infinite, the infinity thereof is not completely comprehensive, for this would be repugnant to dimensional infinity.

Cascade Towers!” Jupiter shouted over the roaring, rushing sound of a waterfall as they lunged out from between the alley walls, gasping for breath. Not just a waterfall, though—a dozen waterfalls, maybe more. Some were vast, impenetrable white-water curtains that crashed spectacularly to the ground; others delicate and crystalline with a sound like tinkling glass chimes. It was a symphony of water, falling from nowhere and disappearing into nothing, arranged in the three-dimensional form of a glorious, glittering skyscraper.

Parsons (born Marvel Whiteside Parsons on October 2, 1914 – died June 17, 1952) was an American rocket propulsion researcher at the California Institute of Technology. He was one of the principal founders of the Jet Propulsion Laboratory and the Aerojet Corp. As an enthusiastic occultist and Thelemite he was one of the first Americans to

Bohm believes the same is true at our own level of existence. Space is not empty. It is full, a plenum as opposed to a vacuum, and is the ground for the existence of everything, including ourselves. The universe is not separate from this cosmic sea of energy, it is a ripple on its surface, a comparatively small "pattern of excitation" in the midst of an unimaginably vast ocean. "This excitation pattern is relatively autonomous and gives rise to approximately recurrent, stable and separable projections into a three-dimensional explicate order of manifestation, " states Bohm.1 2 In other words, despite its apparent materiality and enormous size, the universe does not exist in and of itself, but is the stepchild of something far vaster and more ineffable. More than that, it is not even a major production of this vaster something, but is only a passing shadow, a mere hiccup in the greater scheme of things. This infinite sea of energy is not all that is enfolded in the implicate order. Because the implicate order is the foundation that has given birth to everything in our universe, at the very least it also contains every subatomic particle that has been or will be; every configuration of matter, energy, life, and consciousness that is possible, from quasars to the brain of Shakespeare, from the double helix, to the forces that control the sizes and shapes of galaxies. And even this is not all it may contain. Bohm concedes that there is no reason to believe the implicate order is the end of things. There may be other undreamed of orders beyond it, infinite stages of further development.

I find three basic characteristics that fundamentally distinguish the novel in principle from other genres: (i) its stylistic three-dimensionality, which is linked with the multi-languaged consciousness realized in the novel; (2) the radical change it effects in the temporal coordinates of the literary image; (3) the new zone opened by the novel for structuring literary images, namely, the zone of maximal contact with the present (with contemporary reality) in all its openendedness. These three characteristics of the novel are all organically interrelated and have all been powerfully affected by a very specific rupture in the history of European civilization: its emergence from a socially isolated and culturally deaf semipatriarchal society, and its entrance into international and interlingual contacts and relationships.

It sure is,” I said matter-of-factly. “In fact, we might just be a power couple like Brad Pitt and Angelina Jolie…minus the twenty kids. They’d call us Finnastasia.” “That sounds like a foot fungus.” “Anafinn?” I tried again. “Sounds like a blood pressure medicine.” “Well, it’s definitely your name throwing it off,” I teased him. “’Anastasia’ has a slew of possibilities, but ‘Finn’ is pretty one dimensional.” I scrunched my nose at him in dissatisfaction.

We end up populating what we call the intelligentsia with people who are delusional, literally mentally deranged, simply because they never have to pay for the consequences of their actions, repeating moderniest slogans stripped of all depth...The principle of intervention, like that of healers, is first do not harm; even more we will argue, those who don't take risks should never be involved in decision making (p.10). Their three flaws 1) they think in statics not dynamics 2) they think in low, not high dimensions 3) they think in terms of actions, never interactions....The first flaw is they are incapable in thinking in second steps and unaware of the need of them...The second flaw is that they are also incapable of distinguishing between multidimensional problems and their single dimensional representations. The third flaw is they can't forecast the evolution of those one helps by attaching, or the magnification one gets from feedback. (p.9)

Every time someone thinks about me and imagines who I'd be in another life, they take away the choices I've made in this life. They make it seem like I was crammed into a life I didn't want.” He closed his eyes. “They take away my power in my own life. Build me up in their minds into a person I'm not. How is that any different than the people who only see me as a tool or a monster?” - Kovit “I suppose it's not. Just a different side of one-dimensional.” - Nita •pg.181 - Kovit, Nita

gene plays a role, are quite tractable, but anything entailing higher dimensionality falls apart. Understanding the genetic makeup of a unit will never allow us to understand the behavior of the unit itself. A reminder that what I am writing here isn’t an opinion. It is a straightforward mathematical property. The mean-field approach is when one uses the average interaction between, say, two people, and generalizes to the group—it is only possible if there are no asymmetries. For instance, Yaneer Bar-Yam has applied the failure of mean-field to evolutionary theory of the selfish-gene narrative trumpeted by such aggressive journalistic minds as Richard Dawkins and Steven Pinker, with more mastery of English than probability theory. He shows that local properties fail and the so-called mathematics used to prove the selfish gene are woefully naive and misplaced. There has been a storm around work by Martin Nowack and his colleagues (which include the biologist E. O. Wilson) about the terminal flaws in the selfish gene theory.fn2

space-time is not flat, as had been previously assumed: it is curved, or ‘warped,’ by the distribution of mass and energy in it. Bodies like the earth are not made to move on curved orbits by a force called gravity; instead, they follow the nearest thing to a straight path in a curved space, which is called a geodesic. A geodesic is the shortest (or longest) path between two nearby points. For example, the surface of the earth is a two-dimensional curved space. A geodesic on the earth is called a great circle, and is the shortest route between two points (Fig. 2.7). As the geodesic is the shortest path between any two airports, this is the route an airline navigator will tell the pilot to fly along. In general relativity, bodies always follow straight lines in four-dimensional space-time, but they nevertheless appear to us to move along curved paths in our three-dimensional space. (This is rather like watching an airplane flying over hilly ground. Although it follows a straight line in three-dimensional space, its shadow follows a curved path on the two-dimensional ground.)

I steal things.” “You do what?” She wanted to smile at the incredulous tone. “Is stealing worse than killing? I thought it was all bad.” “You just surprised me.” He didn’t flinch at her candid assessment of what he did, but it bothered him—and people’s opinions didn’t bother him. He had his own moral code, a code of strict honor. It shouldn’t matter what she said . . . but it did. She wasn’t accusing or even judgmental, just matter-of-fact and perhaps that was what got under his skin. That she just accepted what he was. One-dimensional, as if that was all he was. And all he would ever be.

La hipótesis predominante es que lo que nosotros, los humanos, llamamos «ética» o «moralidad» es una estructura de conducta social en cuatro dimensiones que viene determinada por la interrelación de distintos procesos cerebrales: (1) el cuidado o la atención a los demás (enraizado en el apego a nuestros familiares y la preocupación por su bienestar),11 (2) el reconocimiento de los estados psicológicos de los demás (basado en las ventajas de predecir la conducta de terceros), (3) la resolución de problemas en un contexto social (por ejemplo, cómo deberíamos distribuir los bienes cuando son escasos, cómo resolver disputas territoriales

His next major proof (which you'll notice still concerns point sets) is an attempt to show that the 2D plane contains a (Infinity symbol) of points that's greater than the 1D Real Line's c in the same way that c is greater than the Number Line's (Aleph0). This is the proof of whose final result Cantor famously wrote to Dedekind "Je le vois, mais je'n le crois pas" in 1877. It's known in English as his Dimension Proof. The general idea is to show that the real numbers cannot be put into a 1-1C with the set of points in an n-dimensional space, here a plane, and hence that the cardinality of the plane's point set is greater than the cardinality of the set of all reals.

To summarize all of this, we have the following: (1) Archaeologists discovered 7 pits for boats around the Great Pyramid. (2) The longest of which is 44 meters; it is called the solar barque. (3) That boat (hypothetically speaking) needs [230/44]*4 steps to complete one single rotation (which looks like a square around the pyramid). (4) It therefore covers a distance which equals to the pyramid's height if it completes seven full rotations around the pyramid's base. (5) This mimics the application of Kaaba; even though the Kaaba has no dimensional merit for its structure (according to pure orthodox Islamic tradition) but the number seven is dominant and serves as an evidence that Egypt tried to plagiarize Adam's heritage and remodeled its theology accordingly.

Because a lake is conceived as having only two primary dimensions, you can't swim inside the lake, though that would seem to make geometric sense. Lederer asks why we say that something can be underwater or underground even though it's surrounded by, not beneath, the water or the ground. It's because water and ground are conceived as 2-D surfaces, not 3-D volumes, geologically improbable though that is. The dimensionality of an object is also the aspect of its geometry that modifiers "see" when they combine with it in a phrase. A big CD, for example, has to have an above-average diameter, not an above-standard thickness (that could only be a thick CD), and a big lake has to be one with an unusually large area, regardless of its depth; it can't be a few yards wide and a mile deep.

The Pythagoreans were fascinated by the regular solids, symmetrical three-dimensional objects all of whose sides are the same regular polygon. The cube is the simplest example, having six squares as sides. There are an infinite number of regular polygons, but only five regular solids. (The proof of this statement, a famous example of mathematical reasoning, is given in Appendix 2.) For some reason, knowledge of a solid called the dodecahedron having twelve pentagons as sides seemed to them dangerous. It was mystically associated with the Cosmos. The other four regular solids were identified, somehow, with the four “elements” then imagined to constitute the world; earth, fire, air and water. The fifth regular solid must then, they thought, correspond to some fifth element that could only be the substance of the heavenly bodies. (This notion of a fifth essence is the origin of our word quintessence.) Ordinary people were to be kept ignorant of the dodecahedron.

Philotheo. I will do so. If the world is finite and if nothing lieth beyond, I ask you Where is the world? Where is the universe? Aristotle replieth, it is in itself. [1] The convex surface of the primal heaven is universal space, which being the primal container is by naught contained. For position in space is no other than the surfaces and limit of the containing body, so that he who hath no containing body hath no position in space. [2] What then dost thou mean, O Aristotle, by this phrase, that "space is within itself"? What will be thy conclusion concerning that which is beyond the world? If thou sayest, there is nothing, then the heaven [3] and the world will certainly not be anywhere. Fracastoro. The world will then be nowhere. Everything will be nowhere. Philotheo. The world is something which is past finding out. If thou sayest (and it certainly appeareth to me that thou seekest to say something in order to escape Vacuum and Nullity), if thou sayest that beyond the world is a divine intellect, so that God doth become the position in space of all things, why then thou thyself wilt be much embarrassed to explain to us how that which is incorporeal [yet] intelligible, and without dimension can be the very position in space occupied by a dimensional body; and if thou sayest that this incorporeal space containeth as it were a form, as the soul containeth the body, then thou dost not reply to the question of that which lieth beyond, nor to the enquiry concerning that which is outside the universe. And if thou wouldst excuse thyself by asserting that where naught is, and nothing existeth, there can be no question of position in space nor of beyond or outside, yet I shall in no wise be satisfied. For these are mere words and excuses, which cannot form part of our thought. For it is wholly impossible that in any sense or fantasy (even though there may be various senses and various fantasies), it is I say impossible that I can with any true meaning assert that there existeth such a surface, boundary or limit, beyond which is neither body, nor empty space, even though God be there. For divinity hath not as aim to fill space, nor therefore doth it by any means appertain to the nature of divinity that it should be the boundary of a body. For aught which can be termed a limiting body must either be the exterior shape or else a containing body. And by no description of this quality canst thou render it compatible with the dignity of divine and universal nature. [4]

Philotheo. I will do so. If the world is finite and if nothing lieth beyond, I ask you Where is the world? Where is the universe? Aristotle replieth, it is in itself. [1] The convex surface of the primal heaven is universal space, which being the primal container is by naught contained. For position in space is no other than the surfaces and limit of the containing body, so that he who hath no containing body hath no position in space. [2] What then dost thou mean, O Aristotle, by this phrase, that "space is within itself"? What will be thy conclusion concerning that which is beyond the world? If thou sayest, there is nothing, then the heaven [3] and the world will certainly not be anywhere. Fracastoro. The world will then be nowhere. Everything will be nowhere. Philotheo. The world is something which is past finding out. If thou sayest (and it certainly appeareth to me that thou seekest to say something in order to escape Vacuum and Nullity), if thou sayest that beyond the world is a divine intellect, so that God doth become the position in space of all things, why then thou thyself wilt be much embarrassed to explain to us how that which is incorporeal [yet] intelligible, and without dimension can be the very position in space occupied by a dimensional body; and if thou sayest that this incorporeal space containeth as it were a form, as the soul containeth the body, then thou dost not reply to the question of that which lieth beyond, nor to the enquiry concerning that which is outside the universe. And if thou wouldst excuse thyself by asserting that where naught is, and nothing existeth, there can be no question of position in space nor of beyond or outside, yet I shall in no wise be satisfied. For these are mere words and excuses, which cannot form part of our thought. For it is wholly impossible that in any sense or fantasy (even though there may be various senses and various fantasies), it is I say impossible that I can with any true meaning assert that there existeth such a surface, boundary or limit, beyond which is neither body, nor empty space, even though God be there. For divinity hath not as aim to fill space, nor therefore doth it by any means appertain to the nature of divinity that it should be the boundary of a body. For aught which can be termed a limiting body must either be the exterior shape or else a containing body. And by no description of this quality canst thou render it compatible with the dignity of divine and universal nature. [4]

Yet another unexpected development emerged from this bizarre duality, called the holographic principle. Holograms are two-dimensional flat sheets of plastic, containing the image of three-dimensional objects that have been specially encoded within them. By shining a laser beam at the flat screen, the three-dimensional image suddenly emerges. In other words, all the information needed to create a three-dimensional image has been encoded onto a flat two-dimensional screen using lasers, like the image of Princess Leia projected by R2-D2 or the haunted mansion at Disneyland where three-dimensional ghosts sail around us. This principle also works for black holes. As we saw earlier, if we throw an encyclopedia into a black hole, the information contained inside the books cannot disappear, according to quantum mechanics. So where does the information go? One theory posits that it is distributed onto the surface of the event horizon of the black hole. So the two-dimensional surface of a black hole contains all the information of all the three-dimensional objects that have been thrown into it. This also has implications for our conception of reality. We are convinced, of course, that we are three-dimensional objects that can move in space, defined by three numbers, length, width, and height. But perhaps this is an illusion. Perhaps we are living in a hologram. Perhaps the three-dimensional world we experience is just a shadow of the real world, which is actually ten- or eleven-dimensional. When we move in the three dimensions of space, we experience our real selves actually moving in ten or eleven dimensions. When we walk down the street, our shadow follows us and moves like us, except the shadow exists in two dimensions. Likewise, perhaps we are shadows moving in three dimensions, but our real selves are moving in ten or eleven dimensions.

Aurobindo’s orientation has yielded important new insights into the thought of the Vedic seers (rishi), who “saw” the truth. He showed a way out of the uninspiring scholarly perspective, with its insistence that the Vedic seers were “primitive” poets obsessed with natural phenomena like thunder, lightning, and rain. The one-dimensional “naturalistic” interpretations proffered by other translators missed out on the depth of the Vedic teachings. Thus Sūrya is not only the visible material Sun but also the psychological-spiritual principle of inner luminosity. Agni is not merely the physical fire that consumes the sacrificial offerings but the spiritual principle of purifying transformation. Parjanya does not only stand for rain but also the inner “irrigation” of grace. Soma is not merely the concoction the sacrificial priests poured into the fire but also (as in the later Tantric tradition) the magical inner substance that transmutes the body and the mind. The wealth prayed for in many hymns is not just material prosperity but spiritual riches. The cows mentioned over and over again in the hymns are not so much the biological animals but spiritual light. The Panis are not just human merchants but various forces of darkness. When Indra slew Vritra and released the floods, he not merely inaugurated the monsoon season but also unleashed the powers of life (or higher energies) within the psyche of the priest. For Indra also stands for the mind and Vritra for psychological restriction, or energetic blockage. Aurobindo contributed in a major way to a thorough reappraisal of the meaning of the Vedic hymns, and his work encouraged a number of scholars to follow suit, including Jeanine Miller and David Frawley.2 There is also plenty of deliberate, artificial symbolism in the hymns. In fact, the figurative language of the Rig-Veda is extraordinarily rich, as Willard Johnson has demonstrated.3 In special sacrificial symposia, the hymn composers met to share their poetic creations and stimulate each other’s creativity and comprehension of the subtle realities of life. Thus many hymns are deliberately enigmatic, and often we can only guess at the solutions to their enigmas and allegorical riddles. Heinrich Zimmer reminded us: The myths and symbols of India resist intellectualization and reduction to fixed significations. Such treatments would only sterilize them of their magic.

The top surface of the computer is smooth except for a fisheye lens, a polished glass dome with a purplish optical coating. Whenever Hiro is using the machine, this lens emerges and clicks into place, its base flush with the surface of the computer. The neighborhood loglo is curved and foreshortened on its surface. Hiro finds it erotic. This is partly because he hasn't been properly laid in several weeks. But there's more to it. Hiro's father, who was stationed in Japan for many years, was obsessed with cameras. He kept bringing them back from his stints in the Far East, encased in many protective layers, so that when he took them out to show Hiro, it was like watching an exquisite striptease as they emerged from all that black leather and nylon, zippers and straps. And once the lens was finally exposed, pure geometric equation made real, so powerful and vulnerable at once, Hiro could only think it was like nuzzling through skirts and lingerie and outer labia and inner labia. . . . It made him feel naked and weak and brave. The lens can see half of the universe -- the half that is above the computer, which includes most of Hiro. In this way, it can generally keep track of where Hiro is and what direction he's looking in. Down inside the computer are three lasers -- a red one, a green one, and a blue one. They are powerful enough to make a bright light but not powerful enough to burn through the back of your eyeball and broil your brain, fry your frontals, lase your lobes. As everyone learned in elementary school, these three colors of light can be combined, with different intensities, to produce any color that Hiro's eye is capable of seeing. In this way, a narrow beam of any color can be shot out of the innards of the computer, up through that fisheye lens, in any direction. Through the use of electronic mirrors inside the computer, this beam is made to sweep back and forth across the lenses of Hiro's goggles, in much the same way as the electron beam in a television paints the inner surface of the eponymous Tube. The resulting image hangs in space in front of Hiro's view of Reality. By drawing a slightly different image in front of each eye, the image can be made three-dimensional. By changing the image seventy-two times a second, it can be made to move. By drawing the moving three-dimensional image at a resolution of 2K pixels on a side, it can be as sharp as the eye can perceive, and by pumping stereo digital sound through the little earphones, the moving 3-D pictures can have a perfectly realistic soundtrack. So Hiro's not actually here at all. He's in a computer-generated universe that his computer is drawing onto his goggles and pumping into his earphones. In the lingo, this imaginary place is known as the Metaverse. Hiro spends a lot of time in the Metaverse. It beats the shit out of the U-Stor-It.

Or think of the tale of the blind men who encounter an elephant for the first time. One wise man, touching the ear of the elephant, declares the elephant is flat and two-dimensional like a fan. Another wise man touches the tail and assumes the elephant is like rope or a one-dimensional string. Another, touching a leg, concludes the elephant is a three-dimensional drum or a cylinder. But actually, if we step back and rise into the third dimension, we can see the elephant as a three-dimensional animal. In the same way, the five different string theories are like the ear, tail, and leg, but we still have yet to reveal the full elephant, M-theory. Holographic Universe As we mentioned, with time new layers have been uncovered in string theory. Soon after M-theory was proposed in 1995, another astonishing discovery was made by Juan Maldacena in 1997. He jolted the entire physics community by showing something that was once considered impossible: that a supersymmetric Yang-Mills theory, which describes the behavior of subatomic particles in four dimensions, was dual, or mathematically equivalent, to a certain string theory in ten dimensions. This sent the physics world into a tizzy. By 2015, there were ten thousand papers that referred to this paper, making it by far the most influential paper in high-energy physics. (Symmetry and duality are related but different. Symmetry arises when we rearrange the components of a single equation and it remains the same. Duality arises when we show that two entirely different theories are actually mathematically equivalent. Remarkably, string theory has both of these highly nontrivial features.) As we saw, Maxwell’s equations have a duality between electric and magnetic fields—that is, the equations remain the same if we reverse the two fields, turning electric fields into magnetic fields. (We can see this mathematically, because the EM equations often contain terms like E2 + B2, which remain the same when we rotate the two fields into each other, like in the Pythagorean theorem). Similarly, there are five distinct string theories in ten dimensions, which can be proven to be dual to each other, so they are really a single eleven-dimensional M-theory in disguise. So remarkably, duality shows that two different theories are actually two aspects of the same theory. Maldacena, however, showed that there was yet another duality between strings in ten dimensions and Yang-Mills theory in four dimensions. This was a totally unexpected development but one that has profound implications. It meant that there were deep, unexpected connections between the gravitational force and the nuclear force defined in totally different dimensions. Usually, dualities can be found between strings in the same dimension. By rearranging the terms describing those strings, for example, we can often change one string theory into another. This creates a web of dualities between different string theories, all defined in the same dimension. But a duality between two objects defined in different dimensions was unheard of.

EXERCISE 10: DEVELOPING A GRAND VISION You may want to do this exercise alone, out in a natural setting somewhere. 1. See Your Interests, Values, and Abilities. The next step is to discover how your interests and your deep values connect into and form your mission. It can be accomplished by seeing a grand, whole, meaningful image of what purpose you could dedicate your life to. This will be formed from your interests, values, and present goals. Begin to play with the images that you see, which represent some kind of direction that you want to take. As you get a sense of what your mission can be, see various snapshots of yourself doing what you love to do, snapshots of your abilities. 2. Focus on Heroes and Heroines. Take a look at what your favorite heroes or heroines do. See yourself doing things that give you the same feeling you get when you think of them. See snapshots of the person you want to become. Any images you don’t like can fade away. 3. Direct a Movie of Yourself. See yourself the way you want to be—doing the things you love to do. Whatever you choose to put on the screen, you’re the Spielberg, you’re the director. See the images that you feel passionate about. You can play with the images in front of you. Pretend that you’re in the middle of an inner, three-dimensional movie theater. It’s a place where you can see and hear and feel with great fidelity. Notice how much you can see, letting the wisdom from within guide the visual display that you see in front of you. Visualize it, feel it, enjoy it. The images are often up close and in full, rich color. See yourself living out a scenario that gives you tingles in your spine. You can zoom in on that glorious, fun-filled, exciting future that you see. It allows you to do what you love to do and accomplish what you believe in. 4. Recall Your Deep Values. List your deep values as you watch your mission scenario. Notice how your values and your images can fit together with a remarkable consistency. 5. Ask for Help from Your Inner Wisdom. Ask for your inner wisdom, the higher powers, or God to guide your grand vision. This vision is going to be more of a discovery than a creation. Let it come to you. Ask and it will come. Take the time to see and hear those aspects of life that unify into a whole that you feel a powerful passion for. See some more images. See some time going by. See various bright, radiant, up-close, colorful images of what it is that you could create in your life. They can begin going in a certain direction, coalescing and representing many of your current goals, some of the things that you want. See them develop into a kind of grand visionary collection of images that represents your purpose and your mission. 6. Do What It Takes. Take whatever time you need—five minutes, an hour, a whole afternoon. This is your life, your future that you are creating. When you finish, write it down. Your images are so attractive, you have some glimpses of what your mission is. Now you can develop it more fully. Ask the visionary in you to give you the gift of this grand vision. Now that you can see your grand vision of what you want to contribute to, you can make that vision into a cause to work for—a specific direction to channel your efforts to.

La cábala es una búsqueda espiritual. Su aprendizaje no puede ser teórico ni venir enlatado. Debe hacer un trabajo íntimo, apoyado en tres dimensiones:     l. Personal. De buceo, de búsqueda, de autorreferencia. 2.  De apoyo. Identificada con un maestro o referente que, como se mencionó, no dice lo que hay que hacer, sino que se muestra como un ejemplo para que veamos su manera de traducir ideas o valores en acciones, virtudes y prácticas. Atención: la idea no  es imitarlo (mucho menos idolatrado),  sino respetar la sabiduría que encarna sólo como un camino para adquirir la propia. 3.  Sociocultural. El contexto, el grupo de pertenencia, el lugar en el que se vive, los contratos sociales establecidos. La existencia del texto,  no en el sentido enciclopédico, sino como la vivencia existencial de un grupo de personas a su alrededor a partir de los valores o las propuestas que registra, como un contenedor que guarda acciones o maneras de organizarse, de ver el mundo, de interpretarlo y de discutirlo.

Psi technology had come far enough to use coercion, if necessary, as well as the usual inter-dimensional cloaking to avoid detection. And if she refused to come willingly, rather than force the issue he would do everything in his power to make sure she was stuck there for the rest of her life.

three-dimensional model of wisdom did not fit the Chinese data, χ2(699)=1228.24 (p <.001); CFI=. 47;

Four-Step Dimensional Design Process The four key decisions made during the design of a dimensional model include: 1. Select the business process. 2. Declare the grain. 3. Identify the dimensions. 4. Identify the facts.

A k-form tells us how to assign a value to an infinitesimal k-dimensional parallelepiped with dimensions Δxl ∧. . .∧Δxk, and hence to a portion of k-dimensional “surface,” in much the same way as we have seen when k = 2. By convention, if k ≠ k’, the integral of a k-dimensional form on a k’-dimensional surface is understood to be zero. We refer to 0-forms, 1-forms, 2-forms, etc. (and formal sums and differences thereof), collectively as differential forms.

fundamentally distinguish the novel in principle from other genres: (i) its stylistic three-dimensionality, which is linked with the multi-languaged consciousness realized in the novel; (2) the radical change it effects in the temporal coordinates of the literary image; (3) the new zone opened by the novel for structuring literary images, namely, the zone of maximal contact with the present (with contemporary reality) in all its openendedness.

Whenever we describe the genome we talk about it in very two-dimensional terms, almost like a railway track. Peter Fraser’s laboratory at the Babraham Institute outside Cambridge has published some extraordinary work showing it’s probably nothing like this at all. He works on the genes that code for the proteins required to make haemoglobin, the pigment in red blood cells that carries oxygen all around the body. There are a number of different proteins needed to create the final pigment, and they lie on different chromosomes. Doctor Fraser has shown that in cells that produce large amounts of haemoglobin, these chromosome regions become floppy and loop out like tentacles sticking out of the body of an octopus. These floppy regions mingle together in a small area of the cell nucleus, waving about until they can find each other. By doing this, there is an increased chance that all the proteins needed to create the functional haemoglobin pigment will be expressed together at the same time2

The inescapable suggestion is that reality has both local and nonlocal aspects; that there exists a more fundamental level than our macroscopic world, which corresponds to Heisenberg's potentia, Bohm's implicate order, Seth's Framework 2, and the world of light outside Plato's cave. All of these denote the timeless level of reality, the world of the wave function before collapse – the level from which, through the act of observation, our three-dimensional world is created.

He was dark, threatening, and sexually magnetic, all rolled into one three-dimensional package of fuck me.

In this chapter we will look at the entire edifice of QFT. We will see that it is based on three simple principles. We will also list some of its achievements, including some new insights and understandings not previously mentioned. THE FOUNDATION QFT is an axiomatic theory that rests on a few basic assumptions. Everything you have learned so far, from the force of gravity to the spectrum of hydrogen, follows almost inevitably from these three basic principles. (To my knowledge, Julian Schwinger is the only person who has presented QFT in this axiomatic way, at least in the amazing courses he taught at Harvard University in the 1950's.) 1. The field principle. The first pillar is the assumption that nature is made of fields. These fields are embedded in what physicists call flat or Euclidean three-dimensional space-the kind of space that you intuitively believe in. Each field consists of a set of physical properties at every point of space, with equations that describe how these particles or field intensities influence each other and change with time. In QFT there are no particles, no round balls, no sharp edges. You should remember, however, that the idea of fields that permeate space is not intuitive. It eluded Newton, who could not accept action-at-a-distance. It wasn't until 1845 that Faraday, inspired by patterns of iron filings, first conceived of fields. The use of colors is my attempt to make the field picture more palatable. 2. The quantum principle (discetization). The quantum principle is the second pillar, following from Planck's 1900 proposal that EM fields are made up of discrete pieces. In QFT, all physical properties are treated as having discrete values. Even field strengths, whose values are continues, are regarded as the limit of increasingly finer discrete values. The principle of discretization was discovered experimentally in 1922 by Otto Stern and Walther Gerlach. Their experiment (Fig. 7-1) showed that the angular momentum (or spin) of the electron in a given direction can have only two values: +1/2 or -1/2 (Fig. 7-1). The principle of discretization leads to another important difference between quantum and classical fields: the principle of superposition. Because the angular momentum along a certain axis can only have discrete values (Fig. 7-1), this means that atoms whose angular momentum has been determined along a different axis are in a superposition of states defined by the axis of the magnet. This same superposition principle applies to quantum fields: the field intensity at a point can be a superposition of values. And just as interaction of the atom with a magnet "selects" one of the values with corresponding probabilities, so "measurement" of field intensity at a point will select one of the possible values with corresponding probability (see "Field Collapse" in Chapter 8). It is discretization and superposition that lead to Hilbert space as the mathematical language of QFT. 3. The relativity principle. There is one more fundamental assumption-that the field equations must be the same for all uniformly-moving observers. This is known as the Principle of Relativity, famously enunciated by Einstein in 1905 (see Appendix A). Relativistic invariance is built into QFT as the third pillar. QFT is the only theory that combines the relativity and quantum principles.

Robert E. Lee (general of the Army of Northern Virginia and famed southern preacher) once wrote of this, saying, “intercessory prayer is our mightiest weapon and the supreme call for all Christians today.”[106] Lee found this important because in 2 Chronicles 7:14, the intercessory role of God’s people is directly tied to the

Three car doors slammed in quick staccato as we got out. For a long moment we looked around at the lot, where we were just one in a massive sea of cars. Patrons who parked in the lot of the Willow Creek Faire could see the entrance when they got out of their cars: a two-dimensional castle façade that some volunteers had put together about five years ago. But not here. Our entire Faire could probably fit in this parking lot, and all we could see around us was row after row of cars. Like parking at Disney World, but without the trams or mouse ears. “Holy shit.” April wasn’t part of our Faire, but even she sounded impressed. “Where’s the entrance?” “Up that way.” I couldn’t see the gates I was pointing toward, but the stream of people told me I was indicating the right way. “A little bit of a hike, then.” April looked behind us, where the grassy lot continued to fill slowly with cars. “Holy shit,” she said again. “This isn’t a Faire. This is a town.” “Yeah.” Mitch had been here before—so had I; if you grew up around here you went to the Maryland Renaissance Festival at least once during your childhood—but even his eyes were a little wide at the vastness of it all. “This place is . . . It’s pretty big.” He paused. “That’s what she said.” I was too nervous to snicker, but April elbowed him in the ribs, and that was good enough. “Okay. We’re going in.” He reached over his head for the back of his T-shirt, pulling it off and tossing it into the back of the truck. April sighed. “All right, Kilty. Naked enough?” “Look on the bright side.” He wiggled his eyebrows at her as he stuck his keys into the sporran he wore attached to the kilt. “I’m not working this Faire. Which means I get to wear this kilt the way it’s meant to be worn.” I coughed. I didn’t want to think about what Mitch was or was not wearing under there. Which was sad, because thinking about Mitch in a kilt used to be one of my favorite hobbies. The man was born to wear that green plaid

fases. No hay final. Los humanos tienen muchas dimensiones. Pero el tiempo no es como lo vemos, sino lecciones que hay que aprender.[2]

stunning woman elevated her from the one-dimensional being implied by the pithy descriptor beautiful

In a particular approach to quantum gravity, Robert Geroch and James Hartle (1986) found themselves confronted with a computationally unsolvable problem, namely the topological equivalence problem for 4-manifolds. Basically, their approach involved the questions of deciding when two four-dimensional spaces are 'the same', from the topological point of view (i.e. when it is possible to deform one of them continuously until it coincides with the other, where the deformation does not allow tearing or gluing the spaces in any way). In Fig. 7.14, this is illustrated in the two-dimensional case, where we see that the surface of a ball is different. In two dimensions, the topological equivalence problem is computationally solvable, but it was shown by A.A. Markov in 1958 that there is not algorithm for solving this problem in the four-dimensional case. In fact, what is shown effectively demonstrates that if there were such an algorithm, then one could convert that algorithm into another algorithm which could solve the halting problem, i.e. it could decide whether or not a Turing-machine action will stop. Since, as we have seen in 2.5, there is no such algorithm, it follows that there cannot be any algorithm for solving the equivalence problem for 4-manifolds either.

One minute walking along, the next minute dead. Why?” THINK OF IT MORE AS BEING…DIMENSIONALLY DISADVANTAGED.

What up you guys, I'm back!

Se querían tanto como para no volver a verse jamás, a menos que una guerra cayese entre ellos y las dimensiones

En síntesis: las teorías clásicas siguen proveyendo el instrumentario básico para nuestra comprensión del Estado, así como de qué puede significar “construirlo”. De hecho, pese a las enormes diferencias que hay entre ellas, eventualmente se remiten a un núcleo duro que confluye en la idea “preteórica” (jurídica, esto es, ajena a alguna conceptualización del poder político) del Estado como ente de jure que ejerce la soberanía sobre un territorio. Posiblemente la mejor recapitulación la han hecho Hall e Ikenberry (1989), quienes aparte de hacer énfasis en las dimensiones organizacionales del Estado, muestran cuán amplio es el consenso alrededor de los rasgos fundamentales de la estatalidad. Para ellos, está compuesta de las siguientes características: El Estado es un conjunto de instituciones […]. La más importante es la relacionada con los medios de violencia y coerción. Estas instituciones son el centro de un territorio geográficamente acotado. El Estado monopoliza la capacidad de enunciar las reglas (rule making) dentro de este territorio36 (Hall e Ikenberry, 1989, pp. 1 y 2).   A la luz de estas teorías clásicas, y de la manera en que fueron adoptadas por actores políticos y canalizadas hacia el espacio público, estaba más bien clara la noción de Estado, pero la idea de “construcción” seguramente no era fundamental. Cierto,

Energy, we have noted, is the capacity to do work. In human economy work may be (1) useful or (2) neutral or (3) harmful. These words have no significance except in human economy. The energy of the human intellect is a time-binding energy, for it is able to direct, to use, to transform other energies. This time-binding energy is of higher rank—of higher dimensionality—than the other natural energies which it directs, controls, uses, and transforms. [pg 089] This higher energy—which is commonly called the mental or spiritual power of man—is time-binding because it makes past achievements live in the present and present activities in time-to-come. It is an energy that initiates; it is an energy that creates; it is an energy that can understand the past and foretell the future—it is both historian and prophet; it is an energy that loads abstract time—the vehicle of events—with an ever-increasing burden of intellectual achievements, of spiritual wealth, destined for the civilization of posterity. And what is the natural law of the increase? What is the natural law of human advancements in all great matters of human concern?

It is necessary that a line, as a trace of movements, must be a rhythm, a law...a field of possibilities beyond the probable. This spatiality is meta-spatial...A line arouses the field that gives it sense by deforming the field given...It is a systematic error, 'coherent deformation'--thus each painting is the creation of a dimensionality--thus (1) the painting is a world for itself, not a copy of the world; (2) it expresses indirectly and not by returning to the object.

By drawing a slightly different image in front of each eye, the image can be made three-dimensional. By changing the image seventy-two times a second, it can be made to move. By drawing the moving three-dimensional image at a resolution of 2K pixels on a side, it can be as sharp as the eye can perceive, and by pumping stereo digital sound through the little earphones, the moving 3-D pictures can have a perfectly realistic sound track. So Hiro’s not actually here at all. He’s in a computer-generated universe that his computer is drawing onto his goggles and pumping into his earphones. In the lingo, this imaginary place is known as the Metaverse. Hiro spends a lot of time in the Metaverse.

This second metaphysical premise dates back to the time of Parmenides. It may be summed up as follows: “From nothing, only nothing comes.” If we don’t put any content into “nothing” (such as continuity, dimensionality, or orientability, as might be found in a spatial continuum), then “nothing” will not mistakenly refer to “something”; it will not mistakenly be thought to have characteristics, do something, or be somewhere, etc. Nothing is nothing. There is no such thing as “nothing.” To say anything else argues the most fundamental of contradictions. We may now proceed to our conclusion—combining a first premise from physics and a second premise from metaphysics. (1) If there is a reasonable likelihood of a beginning of the universe (prior to which there was no physical reality whatsoever), and (2) if it is apriori true that “from nothing, only nothing comes,” then it is reasonably likely that the universe came from something which is not physical reality. This is commonly referred to as a “transcendent cause of the universe (physical reality)” or “a creator of the universe.

To Jackson, she may have been merely beautiful. To me, she existed as a multi-dimensional angel and devil, owner of my heart, my joy and my pain, light-years beyond beautiful, or celestial, or exquisite. Because when I saw Jenn, I saw all of her, all versions of her, and all our history, and all the wonderous and frightening possibilities of our future.

Depictions of communism on campus paint the ideology as revolutionary or idealistic, overlooking its authoritarian violence,” she writes. “Instead of deepening our understanding of the world, the college experience teaches us to reduce one of the most destructive ideologies in human history to a one-dimensional, sanitized narrative.”2

Hiro’s view of Reality. By drawing a slightly different image in front of each eye, the image can be made three-dimensional. By changing the image seventy-two times a second, it can be made to move. By drawing the moving three-dimensional image at a resolution of 2K pixels on a side, it can be as sharp as the eye can perceive, and by pumping stereo digital sound through the little earphones, the moving 3-D pictures can have a perfectly realistic sound track. So Hiro’s not actually here at all. He’s in a computer-generated universe that his computer is drawing onto his goggles and pumping into his earphones. In the lingo, this imaginary place is known as the Metaverse. Hiro spends a lot of time in the Metaverse.

tableau /tablo/ I. nm 1. (œuvre d'art) picture; (peinture) painting voir aussi: galerie, vieux 2. (description) picture • brosser un ~ sombre de la situation | to paint a black picture of the situation • et pour achever or compléter le ~ | and to cap it all 3. (spectacle) picture • des enfants jouant dans un jardin, quel ~ charmant! | children playing in a garden, what a charming picture! • le ~ général est plus sombre | the overall picture is more gloomy • en plus, il était ivre, tu vois un peu le ~○! | on top of that he was drunk, you can just imagine! 4. (présentation graphique) table, chart • ‘voir ~’ | ‘see table’ • ~ des marées | tide table • ~ des températures | temperature chart • ~ synchronique/synoptique | historical/synoptic chart • ~ à double entrée | (Ordinat) two-dimensional array • présenter qch sous forme de ~ | to present sth in tabular form 5. blackboard • écrire qch au ~ | to write sth on the blackboard • passer or aller au ~ | to go (up) to the blackboard 6. (affichant des renseignements) board; (Rail) indicator board • ~ des départs/arrivées | departures/arrivals indicator • ~ horaire | timetable 7. (support mural) board • ~ des clés | key rack • ~ pour fusibles | fuse box 8. (liste) register (GB), roll (US) 9. short scene II. Idiomes 1. jouer or miser sur les deux tableaux | to hedge one's bets 2. gagner/perdre sur tous les tableaux | to win/to lose on all counts

The easiest way for you to make sense of this is to imagine that you’re a two-dimensional being. A being flatter than the flattest pancake, living on the surface of a giant, empty, plastic box. As a 2D being, you can only see the surface of the

While chapter 2 asks how one-dimensional discourses of queerness underpin liberal capitalism, chapter 3 attends to how those discourses undergirded transformations within US cities. More specifically, this chapter examines how the mainstreaming of queerness and the closeting of race have promoted the development of neoliberal urban space. This version of neoliberalization involves the use of queerness as an alibi for an economic and racial cleansing of disfranchised neighborhoods, a move that requires the ideological separation of sexuality from other struggles. Indeed, if single-issue politics have worked to deradicalize homosexuality and separate it from issues of racial, gender, and class justice, then the neoliberal city is the embodiment of that deradicalization. As a result, the chapter looks at gentrifying practices in metropolitan areas as an instance in which queerness helps to define hipness, a hipness that is established by spatially dislocating working-class communities and people of color.

(PuzzleBoxGPL) Inventor, Jonathan Roy McKinney >Unique 1< >Diadem Ring Circlet 8, 6, 1< >Mana Pi Sphere Abstracter 14, 2, 6, 2< >Golden Items 5, 3< >Hexagonal Prism 9, 5< “PuzzleBoxGPL forsees rainbow facets Inna hash table, and gets prefixes, suffixes, searches, and sorts randomized objects Inna standard normal distribution, inspired by Blizzard Entertainment’s Diablo, SNES'S Secret Of Mana, B2B/B2C Business Intelligence, Knowledge Management, and Blockchain, given that the five pointed star encapsulates the hexagon Inna Model View Projection Matrix, it halves the coins Inna three-dimensional P2P hashing scheme

*>PGEMSIX< GPL >Unique 1< >Diadem Ring Circlet 8, 6, 1< >Abstracter 2< >Golden Items 5, 3< >Hexagonal Prism 9, 5< “>PGEMSIX< GPL forsees rainbow facets in randomized hash tables, prefixes, suffixes, searches, and sorts globs Inna standard normal distribution, inspired by Blizzard Entertainment’s Diablo, SNES'S Secret Of Mana, B2B/B2C Business Intelligence, Knowledge Management, and Blockchain. The five pointed star forgoes Model View Projection Matrices, and halves coins Inna 3-dimensional P2P hashing scheme

(PuzzleBoxGPL) Inventor, Jonathan Roy McKinney >Unique 1< >Diadem Ring Circlet 8, 6, 1< >Mana Pi Sphere Abstracter 14, 2, 6, 2< >Golden Items 5, 3< >Hexagonal Prism 9, 5< “PuzzleBoxGPL forsees rainbow facets in hash tables, prefixes, suffixes, searches, and sorts randomized glob objects in the standard normal distribution, inspired by Blizzard Entertainment’s Diablo, SNES'S Secret Of Mana, B2B/B2C Business Intelligence, Knowledge Management, and Blockchain. The five pointed star gives out the Model View Projection Matrix vertices, and halves the coins Inna three-dimensional P2P hashing scheme

<> >Diadem Ring Circlet 8, 6, 1< >Mana Pi Sphere Abstracter 14, 8, 2< >Golden Items 5, 3< >Hexagonal Prism 9, 5< “Paisbox randomizer finds Rainbow Facets Inna hash table, prefixes, suffixes, searches, and sorts globs Inna standard normal distribution, inspired by Blizzard Entertainment’s Diablo, Secret Of Mana on Nintendo, Altered Carbon, B2B B2C Business Intelligence, Knowledge Management, and Blockchain. The Five pointed star forges the model view projection matrix, and binds coins Inna two-dimensional P2P hashing scheme.

*PO GPL >Diadem Ring Circlet 8, 6, 1< >Mana Pi Sphere Abstracter 14, 8, 2< >Golden Items 5, 3< >Hexagonal Prism 9, 5< “Paisbox randomizer finds Rainbow Facets Inna hash table, prefixes, suffixes, searches and sorts globs Inna standard normal distribution, inspired by Blizzard Entertainment’s Diablo, Secret Of Mana on Super Nintendo, Altered Carbon, B2B/B2C Business Intelligence, Knowledge Management, and Blockchain. The Five pointed star forges the Model View Projection Matrix, binds or halves coins Inna 3-dimensional P2P hashing scheme.

>Diadem Ring Circlet 8, 6, 1< >Mana Pi Sphere Abstracter 14, 8, 2< >Golden Items 5, 3< >Hexagonal Prism 9, 5< “Paisbox randomizer finds Rainbow Facets Inna hash table, prefixes, suffixes, searches, and sorts globs Inna standard normal distribution, inspired by Blizzard Entertainment’s Diablo, Secret Of Mana on Nintendo, Altered Carbon, B2B/B2C Business Intelligence, Knowledge Management, and Blockchain. The Five pointed star forges the model view projection matrix, binds, and halves coins Inna 3-dimensional P2P hashing scheme.

(PuzzleBoxGPL) Inventor, Jonathan Roy McKinney >Unique 1< >Diadem Ring Circlet 8, 6, 1< >Mana Pi Sphere Abstracter 14, 2, 6, 2< >Golden Items 5, 3< >Hexagonal Prism 9, 5< “PuzzleBoxGPL ingots rainbow facets Inna hash table, forges prefixes, suffixes, and finds randomized objects Inna standard normal distribution, inspired by Blizzard Entertainment’s Diablo, SNES'S Secret Of Mana, LOTR, B2B/B2C Business Intelligence, Knowledge Management, and Blockchain, given the five pointed star binds the hexagon Inna Model View Projection Matrix, it halves the coins Inna three-dimensional P2P hashing scheme. "Three Rings for the Elven-kings under the sky, Seven for the Dwarf-lords in their halls of stone, Nine for Mortal Men doomed to die, One for the Dark Lord on his dark throne In the Land of Mordor where the Shadows lie. One Ring to rule them all...”-LOTR. Given that the one ring was forged from one too many golden ingots, it was forseen that Sauron's deception poisoned all the land and covered it in a sickened darkness for the one ring that finds them, and one ring that binds them, for they were all deceived...I before E except after C.

*PO >Diadem Ring Circlet 8, 6, 1< >Mana Pi Sphere Abstracter 14, 8, 2< >Golden Items 5, 3< >Hexagonal Prism 9, 5< “Paisbox randomizer finds Rainbow Facets Inna hash table, prefixes, suffixes, searches and sorts globs Inna standard normal distribution, inspired by Blizzard Entertainment’s Diablo, Secret Of Mana on Nintendo, Altered Carbon, B2B/B2C Business Intelligence, Knowledge Management, and Blockchain. The Five pointed star forges the Model View Projection Matrix, binds or halves coins Inna 3-dimensional P2P hashing scheme.

(PuzzleBoxGPL) Inventor, Jonathan Roy McKinney >Unique 1< >Diadem Ring Circlet 8, 6, 1< >Mana Pi Sphere Abstracter 14, 2, 6, 2< >Golden Items 5, 3< >Hexagonal Prism 9, 5< “PuzzleBoxGPL ingots rainbow facets Inna hash table, forges prefixes, suffixes, and finds randomized objects Inna standard normal distribution, inspired by Blizzard Entertainment’s Diablo, SNES'S Secret Of Mana, LOTR, B2B/B2C Business Intelligence, Knowledge Management, and Blockchain, given the five pointed star binds the hexagon Inna Model View Projection Matrix, it halves the coins Inna three-dimensional P2P hashing scheme. "Three Rings for the Elven-kings under the sky, Seven for the Dwarf-lords in their halls of stone, Nine for Mortal Men doomed to die, One for the Dark Lord on his dark throne In the Land of Mordor where the Shadows lie. One Ring to rule them all...”-LOTR. Given that the one ring was forged from one too many golden ingots, it was forseen that Sauron's deception poisoned all the land and covered it in a sickened darkness for the one ring that finds them and one ring that binds them, for they were all deceived...I before E except after C.

Fig. 148. Cartesian Equation of the Cone Mid-point of base as Origin. The distance (d) between two points (P1 and P2) in 3-dimensional space (Fig. 147) is given by: d2 = (x2 − x1)2 + (y2 − y1)2 + (z2 − z1)2 It is sometimes easier to obtain the Cartesian equation of a figure by first defining it in cylindrical co-ordinates and substituting: y = r sin A; x = r cos A Figs. 148 and 149 disclose the genesis of Cartesian equations which describe the cone and the sphere:

dominados por inversores “racionales”, aversos al riesgo. Estas simplificaciones permiten trabajar en un mundo de 2 dimensiones para tomar decisiones de inversión: la rentabilidad esperada y el riesgo.

Dreams are a different level of awareness, ranging from ego ranting to dimensional doorways.

As soon as there was a being, there was both the giver and the recipient, and there was no separate period of existence of "one". The primordial dimensional space came from the endless nothingness, but then there was everything, and we called this "0" with the possibility of incubating entities as 0. Minus Zero was the self-awareness of this space, it didn’t have the possibility of going from "nothing" to "something", so we called the "0" that don’t have the possibility of hatching an entity -0, which was also the origin of its code name. The emergence from nothing to 0 and -0, the emergence of 2 concepts from 0, established a basic principle of the primordial dimensional space: the principle of multiplier increase.

This chain of metachange reactions across dimensions continued to occur in the debris, promoting the creation of D-1 dimensional space and D-1 dimensional elements in D-dimensional space, and D-2 dimensional space and D-2 dimensional elements in D-1 dimensional space, until the metachange effect disappeared or reached 0-dimensional space after each metachange changed resulting in the loss of a spatial dimension.

saddles. Furthermore, by Eq. 2 their two-dimensional stable or unstable manifolds lie completely on the boundary. The eigenvalue belonging to the remaining eigenvector is real-valued. Its

As soon as there was a being, there was both the giver and the recipient, and there was no separate period of existence of "one". The primordial dimensional space came from the endless nothingness, but then there was everything, and we called this "0" with the possibility of incubating entities as 0. Minus Zero was the self-awareness of this space, it didn’t have the possibility of going from "nothing" to "something", so we called the "0" that don’t have the possibility of hatching an entity -0, which was also the origin of its code name. The emergence from nothing to 0 and -0, the emergence of 2 concepts from 0, established a basic principle of the primordial dimensional space: the principle of multiplier increase.

Only three fundamental variables – mass (M), length (L), and time (T) – are needed to derive the units repeatedly encountered in energy studies. Area is obviously L2, and volume L3, mass density M/L3, speed L/T, acceleration (change of speed per unit of time) L/T2, and force, according to Newton’s second law of motion, ML/T2 (mass multiplied by acceleration). Energy is expended (work is done) when a force is exerted over a distance: energy’s dimensional formula is thus ML2/T2.

In our third-dimensional world on Earth alone you have a rough estimate of around seven billion humans, however half of that population are just illusion that are created, [1] and the other half is a part of each of the Twelve Omnipotent beings.” [2]

In that case, maybe I will immortalize myself in one-eighth scale." Months ago, I toured a startup specializing in personal clones. For 108,000 yen, roughly one thousand dollars, a clerk will create a 3D model of your head, then print it and attach it to the body of a doll. I'd teased Akio with a pocket-sized Izumi. He'd been appropriately horrified.

What do we have here?” she asked him putting hers away. “Open it.” Aurora let the tiny volume fall open. Inside there were not pages but a summer’s sky graced with towering white clouds. She poked her fingers into the book and watched the clouds part around them. The sky was in the book; it was also over the book, a page and a sky, two-dimensional and three-dimensional at once as it towered upward. “Look at you, Mister Impossible,” Aurora whispered fondly. She opened and closed it several times to see if the sky would change. It did. From day to night to day again. Sun to stars to sun. “Now, let’s bury it.” “Bury it?” echoed Ronan. He wanted to show it to Declan, to Niall. He wanted to put it on his shelf. Aurora stood up and brushed the grass off her skirt. “Little things like this are best as secrets. It’s very important to remember that.” It didn’t feel important to remember that. It felt important to show it to someone. Ronan tried to understand. “For how long?” She kissed the top of his head. “Forever.” Forever?

Lesser Avatar of Nidhogg Nidhogg, the serpent that gnaws on the World Tree’s roots, was the first Planeswalker. His powers started as the ability to store Yggdrassil’s root and earth in subdimensional spaces. After absorbing enough of the great tree’s power, he transcended into a four-dimensional being with the power to move freely through space but not time. As a lesser avatar, the wyrm is no Planeswalker but has the power of spatial creation and manipulation. Until she masters her powers, the wyrm can only create sub-dimensional, vacuum-filled spaces. Sucking living entities into the space will satiate her almost endless hunger and add to her intelligence. However, a small mana pool limits how often she can use the ability. Would

My eyes don’t quite glaze over when he starts talking about eleven-dimensional reality.

They are both ways to measure the information dimension. The more dimensional an object is, the less differentiable it is. The more differentiable it is, the less dimensional it is. Dimensions are what objects share together. Any value, if it's unknown, can be a dimension. It's only NOT a dimension if it's known, in which case it becomes a unit of information, called a bit. A bit denotes ONE (1) difference between two (2) objects.

Ghosts are just one of the possible causes of these phenomena. Other such causes include, but are not limited to, the following: poltergeists, psychic children, magic, aliens, hallucinatory drugs, an alternate dimension analog of my apartment, a Hollywood special effects team, intergalactic space wizards, LASERS, ninjas, demons, vengeful deities, mischievous deities, uncaring impersonal but very clumsy and unapologetic deities, Silent Hill, that little kid from the Twilight Zone, Old Scratch himself, a curse, trapped spirits and/or demons, a building with hemophilia that cuts itself, one really really pissed ex girlfriend, a dimensional portal to Hell, an erection lasting more than four hours, a manifestation of a horror movie into the real world caused by a djinn or other bad wishing, fever dreams, a sentient building, Bizarro Elvis, the Antichrist, the Best Little Demonic Whorehouse in Texas, mental illness, brain damage, living downstairs from a cut-rate blood bank, a vision from God, or even a cursed sword.

The answer is that in RS2, the influence of four-dimensional gravity is inescapable, no matter where you are in the fifth dimension. Although the graviton’s probability function is largest on the Gravitybrane, objects everywhere can interact with one another by exchanging a graviton, and therefore all objects would experience four-dimensional gravity, independently of location. Gravity everywhere looks four-dimensional because the graviton’s probability function is never actually zero—it continues on for ever. In the localized scenario, objects far from a brane would have extremely weak gravitational interactions, but weak gravity would nonetheless behave in a four-dimensional manner.

Admittedly, the sciences so created were masterly symbolic fabrications: unfortunately those who utilized these symbols implicitly believed that they represented a higher order of reality, when in fact they expressed only a higher order of abstraction. Human experience itself remained, necessarily, multi-dimensional: one axis extends horizontally through the world open to external observation, the so-called objective world, and the other axis, at right angles, passes vertically through the depths and heights of the subjective world; while reality itself can only be represented by a figure composed of an indefinite number of lines drawn through both planes and intersecting at the center, in the mind of a living person.

In fact, confusion over units was not confined to electricity and magnetism. When two people spoke of a quantity like 'force' or 'power' you could not be sure that they meant the same thing. James saw a prime opportunity to straighten out the muddle. He went beyond his brief for the paper and proposed a systematic way of defining all physical quantities in terms of mass, length and time, symbolised by the letters M, L and T. For example, velocity was defined L/T, acceleration L/T^2, and force ML/T^2, since, by Newton's second law, force=mass x acceleration. His method is used in exactly this form today. Called dimensional analysis, it seems to us so simple and so natural a part of all physical science that almost nobody wonders who first thought of it.

There is no need to use classical mechanics because Lagrangian formalism (and its use in relation to differential equations) has proven to be adaptable enough to study continuous media, such as the vibrations of uninterrupted η-dimensional objects (like 1D strings and 2D membranes) and the flows of fluids.

Diffusion tensor imaging (DTI), or tractography, is an in vivo MRI technology that uses water diffusion in brain tissue to visualize in stunning detail the brain's three-dimensional white matter anatomy. DTI is made possible by characterizing water diffusion in tissues by means of a mathematical tool called a tensor, based on matrix algebra: (1) a 3 x 3 matrix, called a diffusion tensor, is used to characterize the three-dimensional properties of water molecule diffusion; (2) from each diffusion tensor, the three pairs of eigenvalues and eigenvectors are calculated using matrix diagonalization; and (3) the eigenvector that corresponds to the largest eigenvalue is selected as the primary eigenvector. A 'streamline' algorithm then creates "tracts" by connecting adjacent voxels if their directional bias is above some treshold level. Does the orientation of the primary eigenvector coincide with that of the actual axon fibers in most white matter tracts ? Takahashi et al. (2011), for example, have demonstrated that radial organization of the subplate revealed via tractography directly correlates with its radial cellular organization, and G. Xu et al. (2014) were able to determine that transient radial coherence of white matter in the developing fetus reflected a composite of radial glial fibers, penetrating blood vessels, and radial axons.

Seriously, if my life were a story—which it’s not—the author would be bashed for creating one-dimensional villains.

Only people like us still kept a watchful eye on Lud’s Drum, because dimensional barriers in and around the town had been dangerously weak ever since Timothy Leary dropped a heroic dose of LSD and peyote there and tried to perform a remote exorcism on the Pentagon.