150 Character Quotes

She began to see that character is a better possession than money, rank, intellect, or beauty; and to feel that if greatness is what a wise man has defined it to be,

Most incarcerated women—nearly two-thirds—are in prison for nonviolent, low-level drug crimes or property crimes. Drug laws in particular have had a huge impact on the number of women sent to prison. “Three strikes” laws have also played a considerable role. I started challenging conditions of confinement at Tutwiler in the mid-1980s as a young attorney with the Southern Prisoners Defense Committee. At the time, I was shocked to find women in prison for such minor offenses. One of the first incarcerated women I ever met was a young mother who was serving a long prison sentence for writing checks to buy her three young children Christmas gifts without sufficient funds in her account. Like a character in a Victor Hugo novel, she tearfully explained her heartbreaking tale to me. I couldn’t accept the truth of what she was saying until I checked her file and discovered that she had, in fact, been convicted and sentenced to over ten years in prison for writing five checks, including three to Toys “R” Us. None of the checks was for more than $150. She was not unique. Thousands of women have been sentenced to lengthy terms in prison for writing bad checks or for minor property crimes that trigger mandatory minimum sentences. The collateral consequences of incarcerating women are significant. Approximately 75 to 80 percent of incarcerated women are mothers with minor children. Nearly 65 percent had minor children living with them at the time of their arrest—children who have become more vulnerable and at-risk as a result of their mother’s incarceration and will remain so for the rest of their lives, even after their mothers come home. In 1996, Congress passed welfare reform legislation that gratuitously included a provision that authorized states to ban people with drug convictions from public benefits and welfare. The population most affected by this misguided law is formerly incarcerated women with children, most of whom were imprisoned for drug crimes. These women and their children can no longer live in public housing, receive food stamps, or access basic services. In the last twenty years, we’ve created a new class of “untouchables” in American society, made up of our most vulnerable mothers and their children.

It represented a monster of vaguely anthropoid outline, but with an octopus-like head whose face was a mass of feelers, a scaly, rubbery-looking body, prodigious claws on hind and fore feet, and long, narrow wings behind. This thing, which seemed instinct with a fearsome and unnatural malignancy, was of a somewhat bloated corpulence, and squatted evilly on a rectangular block or pedestal covered with undecipherable characters. The tips of the wings touched the back edge of the block, the seat occupied the centre, whilst the long, curved claws of the doubled-up, crouching hind legs gripped the front edge and extended a quarter of the way down toward the bottom of the pedestal. The cephalopod head was bent forward, so that the ends of the facial feelers brushed the backs of huge fore paws which clasped the croucher’s elevated knees.

Ah, Jo, instead of wishing that, thank God that "father and mother were particular," and pity from your heart those who have no such guardians to hedge them round with principles which may seem like prison-walls to impatient youth, but which will prove sure foundations to build character upon in womanhood.

beginning to desecrate some of the womanliest attributes of a woman's character. She was living in bad society; and, imaginary though it was, its influence affected her, for she was feeding heart and fancy on dangerous and unsubstantial food, and was fast brushing the innocent bloom from her nature by a premature acquaintance with the darker side of life, which comes soon enough to all of us.

The “IQ fundamentalist” Arthur Jensen put it thusly in his 1980 book Bias in Mental Testing (p. 113): “The four socially and personally most important threshold regions on the IQ scale are those that differentiate with high probability between persons who, because of their level of general mental ability, can or cannot attend a regular school (about IQ 50), can or cannot master the traditional subject matter of elementary school (about IQ 75), can or cannot succeed in the academic or college preparatory curriculum through high school (about IQ 105), can or cannot graduate from an accredited four-year college with grades that would qualify for admission to a professional or graduate school (about IQ 115). Beyond this, the IQ level becomes relatively unimportant in terms of ordinary occupational aspirations and criteria of success. That is not to say that there are not real differences between the intellectual capabilities represented by IQs of 115 and 150 or even between IQs of 150 and 180. But IQ differences in this upper part of the scale have far less personal implications than the thresholds just described and are generally of lesser importance for success in the popular sense than are certain traits of personality and character.

It isn't just the idea of a woman in a truck. At this point, they're everywhere. The statisticians tell us today's woman is as likely to buy a truck as a minivan. One cheers the suffrage, but the effect is dilutive. My head doesn't snap around the way it used to. Ignoring for the moment that my head (or the gray hairs upon it) may be the problem, I think it's not about women in trucks, it's about certain women in certain trucks. Not so long ago I was fueling my lame tan sedan at the Gas-N-Go when a woman roared across the lot in a dusty pickup and pulled up to park by the yellow cage in which they lock up the LP bottles. She dismounted wearing scuffed boots and dirty jeans and a T-shirt that was overwashed and faded, and at the very sight of her I made an involuntary noise that went, approximately, ohf...! I suppose ohf...! reflects as poorly on my character as wolf whistle, but I swear it escaped without premeditation. Strictly a spinal reflex. [...] The woman plucking her eyebrows in the vanity mirror of her waxed F-150 Lariat does not elicit the reflex. Even less so if her payload includes soccer gear or nothing at all. That woman at the Gas-N-Go? I checked the back of her truck. Hay bales and a coon dog crate. Ohf...!

Each woman was valued at 150 pounds of tobacco, which was the same price exacted from Jane Dickenson when she eventually purchased her freedom. Not surprisingly, then, with their value calculated in tobacco, women in Virginia were treated as fertile commodities. They came with testimonials to their moral character, impressing on “industrious Planters” that they were not being sold a bad bill of goods. One particular planter wrote that an earlier shipment of females was “corrupt,” and he expected a new crop that was guaranteed healthy and favorably disposed for breeding. Accompanying the female cargo were some two hundred head of cattle, a reminder that the Virginia husbandman needed both species of breeding stock to recover his English roots.37 Despite

Lovecraft also likes to play with the idea of fate. In many of Lovecraft’s stories the protagonist is not in control of his own actions but must follow the path of fate. Many of his characters would be free from danger if they were simply able to run away but this is not possible as the course of their fate must be followed.

Think of the last 150 years as a three-act drama. In Act I, the Industrial Age, massive factories and efficient assembly lines powered the economy. The lead character in this act was the mass production worker, whose cardinal traits were physical strength and personal fortitude. In Act II, the Information Age, the United States and other nations began to evolve. Mass production faded into the background, while information and knowledge fueled the economies of the developed world. The central figure in this act was the knowledge worker, whose defining characteristic was proficiency in L-Directed Thinking. Now, as the forces of Abundance, Asia, and Automation deepen and intensify, the curtain is rising on Act III. Call this act the Conceptual Age. The main characters now are the creator and the empathizer, whose distinctive ability is mastery of R-Directed Thinking.

In stark contrast, almost all the literature in the first 150 years or so focused on what could be called the Character Ethic as the foundation of success—things like integrity, humility, fidelity, temperance, courage, justice, patience, industry, simplicity, modesty, and the Golden Rule.

Significantly, “compassion” in Luke’s Gospel is used only of God (1:78, cf. 1:50, 54) and of Jesus (7:13), and of the two most extraordinary parabolic characters of all: the father of the Prodigal Son (15:20) and the Good Samaritan (10:33).21

literature in the first 150 years or so focused on what could be called the Character Ethic as the foundation of success—things like integrity, humility, fidelity, temperance, courage, justice, patience, industry, simplicity, modesty, and the Golden Rule.

I’d expected to stare at one page for twenty minutes, caught in the hamster wheel of anxiety. Instead I’d read 150 pages and then accidentally stuffed the book in my purse when it was time to go home. It was the first wave of relief I’d felt in weeks, and from there, I binge-read every romance novel I could get my hands on. And then, without any true plans, I started writing one, and that feeling, that feeling of falling head over heels in love with a story and its characters as they sprang out of me, was unlike anything else.

Raising Junior, a domestic comedy, has as its chief claim to fame discovery of Walter Tetley as a major radio character actor. According to the legend, collaborator Ray Knight snatched Tetley, then 9, off an elevator and thrust him before the microphone when the child scheduled to play Bobby failed to arrive. Tetley, of course, went on to thousands of radio broadcasts (an estimated 2,300 appearances on 150 separate series by the late 1930s, with the bulk of his work still ahead), specializing in wiseguy kid roles on The Fred Allen Show, Easy Aces, The Great Gildersleeve, and The Phil Harris/Alice Faye Show.

In stark contrast, almost all the literature in the first 150 years or so focused on what could be called the Character Ethic as the foundation of success—things like integrity, humility, fidelity, temperance, courage, justice, patience, industry, simplicity, modesty, and the Golden Rule. Benjamin Franklin’s autobiography is representative of that literature. It is, basically, the story of one man’s effort to integrate certain principles and habits deep within his nature.

For Penina Mezei petrify motive in folk literature stems from ancient, mythical layers of culture that has undergone multiple transformations lost the original meaning. Therefore, the origin of this motif in the narrative folklore can be interpreted depending on the assumptions that you are the primary elements of faith in Petrify preserved , lost or replaced elements that blur the idea of integrity , authenticity and functionality of the old ones . Motif Petrify in different genres varies by type of actor’s individuality, time and space, properties and actions of its outcome, the relationship of the narrator and singers from the text. The particularity of Petrify in particular genres testifies about different possibilities and intentions of using the same folk beliefs about transforming, says Penina Mezei. In moralized ballads Petrify is temporary or eternal punishment for naughty usually ungrateful children. In the oral tradition, demonic beings are permanently Petrifying humans and animals. Petrify in fairy tales is temporary, since the victims, after entering into the forbidden demonic time and space or breaches of prescribed behavior in it, frees the hero who overcomes the demonic creature, emphasizes Mezei. Faith in the power of magical evocation of death petrifaction exists in curses in which the slanderer or ungrateful traitor wants to convert into stone. In search of the magical meaning of fatal events in fairy tales, however, it should be borne in mind that they concealed before, but they reveal the origin of the ritual. The work of stone - bedrock Penina Mezei pointed to the belief that binds the soul stone dead or alive beings. Penina speaks of stone medial position between earth and sky, earth and the underworld. Temporary or permanent attachment of the soul to stone represents a state between life and death will be punished its powers cannot be changed. Rescue petrified can only bring someone else whose power has not yet subjugated the demonic forces. While the various traditions demons Petrifying humans and animals, as long as in fairy tales, mostly babe, demon- old woman. Traditions brought by Penina Mezei , which describe Petrify people or animals suggest specific place events , while in fairy tales , of course , no luck specific place names . Still Penina spotted chthonic qualities babe, and Mezei’s with plenty of examples of comparative method confirmed that they were witches. Some elements of procedures for the protection of the witch could be found in oral stories and poems. Fairy tales keep track of violations few taboos - the hero , despite the ban on the entry of demonic place , comes in the woods , on top of a hill , in a demonic time - at night , and does not respect the behaviors that would protect him from demons . Interpreting the motives Petrify as punishment for the offense in the demon time and space depends on the choice of interpretive method is applied. In the book of fairy tales Penina Mezei writes: Petrify occurs as a result of unsuccessful contact with supernatural beings Petrify is presented as a metaphor for death (Penina Mezei West Bank Fairytales: 150). Psychoanalytic interpretation sees in the form of witches character, and the petrification of erotic seizure of power. Female demon seized fertilizing power of the masculine principle. By interpreting the archetypal witch would chthonic anima, anabaptized a devastating part unindividualized man. Ritual access to the motive of converting living beings into stone figure narrated narrative transfigured magical procedures some male initiation ceremonies in which the hero enters into a community of dedicated, or tracker sacrificial rites. Compelling witches to release a previously petrified could be interpreted as the initiation mark the conquest of certain healing powers and to encourage life force, highlights the Penina.

Is It Possible to Transfer a Copa Airlines Ticket to Another Person? Copa Airlines allows name corrections on tickets, but there are some restrictions. Who can request a name change: You can request a name change through the online name correction form. What names can be ☎ [+1-(800)21~150~32] changed: You can correct your first, middle, or last name, but the combined change can't be more than three characters. What fares are eligible: Name corrections are free for Economy classic, Economy Flex, Economy [+1-866-8(2)9-100(5)] ( Full, Business Promo,[+1-866-8(2)9-100(5)] ( and Business Full classes. Basic fare tickets may have a $50 fee if issued through an indirect channel. How many name changes are allowed: You can only request one name correction per ticket. What portion of the flight is ☎ [+1-(800)21~150~32] eligible: The name change only applies to the unused portion of the flight. What documents are required: You may need to [+1-866-8(2)9-100(5)] (provide a photo or copy of a passport for each passenger on the reservation. Copa Airlines tickets are non-transferable and can't be given to someone else.

Copa Airlines allows name corrections on tickets, but there are some restrictions. Who can request a name change: You can request a name change through the online name correction form. What names can be ☎ [+1-(800)21~150~32] changed: You can correct your first, middle, or last name, but the combined change can't be more than three characters. What fares are eligible: Name corrections are free for Economy classic, Economy Flex, Economy [+1-866-8(2)9-100(5)] ( Full, Business Promo,[+1-866-8(2)9-100(5)] ( and Business Full classes. Basic fare tickets may have a $50 fee if issued through an indirect channel. How many name changes are allowed: You can only request one name correction per ticket. What portion of the flight is ☎ [+1-(800)21~150~32] eligible: The name change only applies to the unused portion of the flight. What documents are required: You may need to [+1-866-8(2)9-100(5)] (provide a photo or copy of a passport for each passenger on the reservation. Copa Airlines tickets are non-transferable and can't be given to someone else.

Copa Airlines allows name corrections on tickets, but there are some restrictions. Who can request a name change: You can request a name change through the online name correction form. What names can be ☎ [+1-(800)21~150~32] changed: You can correct your first, middle, or last name, but the combined change can't be more than three characters. What fares are eligible: Name corrections are free for Economy classic, Economy Flex, Economy [+1-866-8(2)9-100(5)] ( Full, Business Promo,[+1-866-8(2)9-100(5)] ( and Business Full classes. Basic fare tickets may have a $50 fee if issued through an indirect channel. How many name changes are allowed: You can only request one name correction per ticket. What portion of the flight is ☎ [+1-(800)21~150~32] eligible: The name change only applies to the unused portion of the flight. What documents are required: You may need to [+1-866-8(2)9-100(5)] (provide a photo or copy of a passport for each passenger on the reservation. Copa Airlines tickets are non-transferable and can't be given to someone else.