Roofing Supplies Quotes

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You know you're down and out when Okies laugh at you,' she said. With our garbage bag taped window, our tied down hood, and art supplies strapped to the roof, we'd out-Okied the Okies.
Jeannette Walls (The Glass Castle)
LADY CROOM: ....My lake is drained to a ditch for no purpose I can understand, unless it be that snipe and curlew have deserted three counties so that they may be shot in our swamp. What you painted as forest is a mean plantation, your greenery is mud, your waterfall is wet mud, and your mount is an opencast mine for the mud that was lacking in the dell. (Pointing through the window) What is that cowshed? NOAKES: The hermitage, my lady? LADY CROOM: It is a cowshed. NOAKES: It is, I assure you, a very habitable cottage, properly founded and drained, two rooms and a closet under a slate roof and a stone chimney -- LADY CROOM: And who is to live in it? NOAKES: Why, the hermit. LADY CROOM: Where is he? NOAKES: Madam? LADY CROOM: You surely do not supply an hermitage without a hermit? NOAKES: Indeed, madam -- LADY CROOM: Come, come, Mr Noakes. If I am promised a fountain I expect it to come with water. What hermits do you have? NOAKES: I have no hermits, my lady. LADY CROOM: Not one? I am speechless. NOAKES: I am sure a hermit can be found. One could advertise. LADY CROOM: Advertise? NOAKES: In the newspapers. LADY CROOM: But surely a hermit who takes a newspaper is not a hermit in whom one can have complete confidence.
Tom Stoppard (Arcadia)
That's how, on the second-to-last day of the job, the convict crew that tarred the plate-factory roof in 1950 ending up sitting in a row at ten o'clock on a spring morning, drinking Black Label beer supplied by the hardest screw that ever walked a turn at Shawshank Prison. That beer was piss-warm, but it was still the best I ever had in my life. We sat and drank it and felt the sun on our shoulders, and not even the expression of half-amusement, half-contempt on Hadley's face - as if he was watching apes drink beer instead of men - could spoil it. It lasted twenty minutes, that beer-break, and for those twenty minutes we felt like free men. We could have been drinking beer and tarring the roof of one of our own houses.
Stephen King (Different Seasons)
My Uncle Reed is in heaven, and can see all you do and think; and so can papa and mama: they know how you shut me up all day long, and how you wish me dead.” Mrs. Reed soon rallied her spirits: she shook me most soundly, she boxed both my ears, and then left me without a word. Bessie supplied the hiatus by a homily of an hour’s length, in which she proved beyond a doubt that I was the most wicked and abandoned child ever reared under a roof. I half believed her; for I felt indeed only bad feelings surging in my breast.
Charlotte Brontë (Jane Eyre)
First, I loaded up on Vicodin for my back. Hooray for Beck’s medical supplies! Then I drove out to the RTG. It was right where I left it, in a hole four kilometers away. Only an idiot would keep that thing near the Hab. So anyway, I brought it back to the Hab. Either it’ll kill me or it won’t. A lot of work went into making sure it doesn’t break. If I can’t trust NASA, who can I trust? (For now I’ll forget that NASA told us to bury it far away.) I stored it on the roof of the rover for the trip back. That puppy really spews heat.
Andy Weir (The Martian)
Mom waved at the crowd. “You know you’re down and out when Okies laugh at you,” she said. With our garbage-bag-taped window, our roped-down hood, and the art supplies tied to the roof, we’d out-Okied the Okies. The thought gave her a fit of the giggles.
Jeannette Walls (The Glass Castle)
That huge old house, which had an entrance on two streets, was one-story tall with a mansard roof, and it harbored a tribe of great-grandparents, maiden aunts, cousins, servants, poor relatives, and guests who became permanent residents; no one tried to throw them out because in Chile “visitors” are protected by the sacred code of hospitality. There was also an occasional ghost of dubious authenticity, always in plentiful supply in my family.
Isabel Allende (My Invented Country: A Nostalgic Journey Through Chile)
In (largely) gloomy Germany the area needed by PV panels to supply all electricity generation (nearly 560 TWh in 2012) would be considerably larger. With an average PV output of 100 kWh/m2 (the recent annual mean for both roof - and ground-based installations), it would require about 5,600 km2 covered with modules. That would be the equivalent of nearly 1.6% of Germany's total area, 25% of the country's built-up area, or almost 15% of land claimed by settlements and transportation infrastructure; and roughly 2.7 times the total area of all German roofs, based on an estimate of roughly 25 m2 of roof area per person (Waffenschmidt 2008).
Vaclav Smil (Power Density: A Key to Understanding Energy Sources and Uses)
Matthew? “Finn, what was Matthew like before he left? Did he bring supplies with him? Food?” He was always hungry. “A metric shit ton of food.” “Did he tell you good-bye before leaving?” “Kinda. You know Matto. He said a bunch of weird stuff.” “Like what?” Weird stuff from him could be critical. Finn peered at the tent roof. “He told me, ‘I see far’ and ‘the gods mark us all.’ And something like ‘All is not what it seems.’ I thought he was kind of joking around, but he didn’t laugh.” “Anything else?” Finn snapped his fingers. “Oh, oh, and right before he rode out, he caught my eye and said, ‘I’ve made peace with it.’” With what?
Kresley Cole (Dead of Winter (The Arcana Chronicles, #3))
Our most heated argument concerned the preponderance of women in my epic and Athene’s ubiquity, and the precedence given to famous women when Odysseus meets the ghosts of the departed. I had mentioned only Tyro, Antiope, Alcmene, Jocasta, Chloris, Leda, Iphimedeia, Phaedra, Procris, Ariadne, Maera, Clymene and, naturally, Eriphyle, and let Odysseus describe them to Alcinous. “My dear Princess,” said Phemius, “if you really think that you can pass off this poem as the work of a man, you deceive yourself. A man would give pride of place to the ghosts of Agamemnon, Achilles, Ajax, Odysseus’s old comrades, and other more ancient heroes such as Minos, Orion, Tityus, Salmoneus, Tantalus, Sisyphus and Hercules; and mention their wives and mothers incidentally, if at all; and make at least one god help Odysseus at some stage or other.” I admitted the force of his argument, which explains why, now, Odysseus first meets a comrade who has fallen off a roof at Circe’s house—I call him Elpenor—and cracks a mild joke about Elpenor’s having come more quickly to the Grove of Persephone by land than he by sea. I also allow Alcinous to ask after Agamemnon, Achilles and the rest, and Odysseus to satisfy his curiosity. For Phemius’s sake I have even let Hermes supply the moly in passages adapted from my uncle Mentor’s story of Ulysses. In my original version I had given all the credit to Athene.
Robert Graves (Homer's Daughter)
… But I should tell you that, come the apple festival of Transfiguration Day, when the sky begins to change from summer to autumn, it is the usual thing for our town to be overrun by an absolute plague of cicadas, so that by night, much as you might wish to sleep, you never can, what with all that interminable trilling on all sides, and the stars hanging down low over your head, and especially with the moon dangling just above the tops of the bell towers, for all the world like one of our renowned “smetana” apples, the kind that the local merchants supply to the royal court and even take to shows in Europe. If someone should ever happen to glance down at Zavolzhsk from those heavenly spheres out of which the lamps of the night pour forth their bright rays, then the picture presented to that fortunate person’s eyes would surely be one of some enchanted kingdom: the River sparkling lazily, the roofs glittering, the gas lamps flickering in the streets, and, hovering over all the shimmer and glimmer of this multifarious radiance, the tremulous silvery chiming of the cicada choir.
Boris Akunin (Sister Pelagia and the White Bulldog (Sister Pelagia Mysteries, #1))
Reality,' Essex said. 'Reality. What is real, Aunt Fanny?' 'The Truth,' said Aunt Fanny at once. 'Mrs. Willow, what is real?' 'Comfort, ' said Mrs. Willow. 'Miss Ogilvie, what is real?' 'Oh, dear.' Miss Ogilvie looked for help to Mrs. Willow, to Julia. 'I couldn't really say, not having had that much experience. Well... food, I guess.' 'Maryjane,' said Essex, 'what is reality?' 'What?' Maryjane stared with her mouth open. 'You mean, something real, like something not in the movies?' 'A dream world,' Arabella supplied. Julia laughed. 'Essex,' she said, 'what is real?' Essex bowed to her gravely. 'I am real,' he said. 'I am not at all sure about the rest of you.' [...] 'Well, reality,' Mrs. Willow said finally, 'all it means is money. A roof over your head, of course, and a little something three times a day and maybe a drop to drink. But mostly money. Clothes. Looking nice, and feeling a little chipper, and of course,' she added, giving Essex a wink -- and provoking Arabella into saying 'Mother, dear!' -- 'a man in your bed. Reality!' and now it sounded as though Mrs. Willow might be saying 'May wine,' or even possibly 'tropical moonlight,' and she gave a happy little sigh.
Shirley Jackson (The Sundial)
The arrival of winter made the matter even more acute, for it multiplied the daily hardships imposed by the German air campaign. Winter brought rain, snow, cold, and wind. Asked by Mass-Observation to keep track of the factors that most depressed them, people replied that weather topped the list. Rain dripped through roofs pierced by shrapnel; wind tore past broken windows. There was no glass to repair them. Frequent interruptions in the supply of electricity, fuel, and water left homes without heat and their residents without a means of getting clean each day. People still had to get to work; their children still needed to go to school. Bombs knocked out telephone service for days on end. What most disrupted their lives, however, was the blackout. It made everything harder, especially now, in winter, when England’s northern latitude brought the usual expansion of night. Every December, Mass-Observation also asked its panel of diarists to send in a ranked list of the inconveniences caused by the bombings that most bothered them. The blackout invariably ranked first, with transport second, though these two factors were often linked. Bomb damage turned simple commutes into hours-long ordeals, and forced workers to get up even earlier in the darkness, where they stumbled around by candlelight to prepare for work. Workers raced home at the end of the day to darken their windows before the designated start of the nightly blackout period, a wholly new class of chore. It took time: an estimated half hour each evening—more if you had a lot of windows, and depending on how you went about it. The blackout made the Christmas season even bleaker. Christmas lights were banned. Churches with windows that could not easily be darkened canceled their night services.
Erik Larson (The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz)
LXXII In sooth, it was no vulgar sight to see Their barbarous, yet their not indecent, glee, And as the flames along their faces gleam’d, Their gestures nimble, dark eyes flashing free, The long wild locks that to their girdles stream’d, While thus in concert they this lay half sang, half scream’d: Tambourgi! Tambourgi! thy ’larum afar Gives hope to the valiant, and promise of war; All the sons of the mountains arise at the note, Chimariot, Illyrian, and dark Suliote! Oh! who is more brave than a dark Suliote, To his snowy camese and his shaggy capote? To the wolf and the vulture he leaves his wild flock, And descends to the plain like the stream from the rock. Shall the sons of Chimari, who never forgive The fault of a friend, bid an enemy live? Let those guns so unerring such vengeance forego? What mark is so fair as the breast of a foe? Macedonia sends forth her invincible race; For a time they abandon the cave and the chase: But those scarves of blood-red shall be redder, before The sabre is sheathed and the battle is o’er. Then the pirates of Parga that dwell by the waves, And teach the pale Franks what it is to be slaves, Shall leave on the beach the long galley and oar, And track to his covert the captive on shore. I ask not the pleasure that riches supply, My sabre shall win what the feeble must buy; Shall win the young bride with her long flowing hair, And many a maid from her mother shall tear. I love the fair face of the maid in her youth, Her caresses shall lull me, her music shall soothe; Let her bring from her chamber the many-toned lyre, And sing us a song on the fall of her sire. Remember the moment when Previsa fell, The shrieks of the conquer’d, the conquerors’ yell; The roofs that we fired, and the plunder we shared, The wealthy we slaughter’d, the lovely we spared. I talk not of mercy, I talk not of fear; He neither must know who would serve the Vizier: Since the days of our prophet, the Crescent ne’er saw A chief ever glorious like Ali Pasha. Dark Muchtar his son to the Danube is sped, Let the yellow-haired Giaours view his horsetail with dread; When his Delhis come dashing in blood o’er the banks, How few shall escape from the Muscovite ranks! Selictar, unsheath then our chief’s scimitar: Tambourgi! thy ’larum gives promise of war; Ye mountains, that see us descend to the shore, Shall view us as victors, or view us no more!
Lord Byron (Childe Harold's Pilgrimage)
SCENE 24 “Tiens, Ti Jean, donne ce plat la a Shammy,” my father is saying to me, turning from the open storage room door with a white tin pan. “Here, Ti Jean, give this pan to Shammy.” My father is standing with a peculiar French Canadian bowleggedness half up from a crouch with the pan outheld, waiting for me to take it, anxious till I do so, almost saying with his big frowning amazed face “Well my little son what are we doing in the penigillar, this strange abode, this house of life without roof be-hung on a Friday evening with a tin pan in my hand in the gloom and you in your raincoats—” “II commence a tombez de la neige” someone is shouting in the background, coming in from the door (“Snow’s startin to fall”)—my father and I stand in that immobile instant communicating telepathic thought-paralysis, suspended in the void together, understanding something that’s always already happened, wondering where we were now, joint reveries in a dumb stun in the cellar of men and smoke … as profound as Hell … as red as Hell.—I take the pan; behind him, the clutter and tragedy of old cellars and storage with its dank message of despair–mops, dolorous mops, clattering tear-stricken pails, fancy sprawfs to suck soap suds from a glass, garden drip cans–rakes leaning on meaty rock–and piles of paper and official Club equipments– It now occurs to me my father spent most of his time when I was 13 the winter of 1936, thinking about a hundred details to be done in the Club alone not to mention home and business shop–the energy of our fathers, they raised us to sit on nails– While I sat around all the time with my little diary, my Turf, my hockey games, Sunday afternoon tragic football games on the toy pooltable white chalkmarked … father and son on separate toys, the toys get less friendly when you grow up–my football games occupied me with the same seriousness of the angels–we had little time to talk to each other. In the fall of 1934 we took a grim voyage south in the rain to Rhode Island to see Time Supply win the Narragansett Special–with Old Daslin we was … a grim voyage, through exciting cities of great neons, Providence, the mist at the dim walls of great hotels, no Turkeys in the raw fog, no Roger Williams, just a trolley track gleaming in the gray rain– We drove, auguring solemnly over past performance charts, past deserted shell-like Ice Cream Dutchland Farms stands in the dank of rainy Nov.—bloop, it was the time on the road, black tar glisten-road of thirties, over foggy trees and distances, suddenly a crossroads, or just a side-in road, a house, or bam, a vista gray tearful mists over some half-in cornfield with distances of Rhode Island in the marshy ways across and the secret scent of oysters from the sea–but something dark and rog-like.— J had seen it before … Ah weary flesh, burdened with a light … that gray dark Inn on the Narragansett Road … this is the vision in my brain as I take the pan from my father and take it to Shammy, moving out of the way for LeNoire and Leo Martin to pass on the way to the office to see the book my father had (a health book with syphilitic backs)— SCENE 25 Someone ripped the pooltable cloth that night, tore it with a cue, I ran back and got my mother and she lay on it half-on-floor like a great poolshark about to take a shot under a hundred eyes only she’s got a thread in her mouth and’s sewing with the same sweet grave face you first saw in the window over my shoulder in that rain of a late Lowell afternoon. God bless the children of this picture, this bookmovie. I’m going on into the Shade.
Jack Kerouac (Dr. Sax)
SCENE 24 “Tiens, Ti Jean, donne ce plat la a Shammy,” my father is saying to me, turning from the open storage room door with a white tin pan. “Here, Ti Jean, give this pan to Shammy.” My father is standing with a peculiar French Canadian bowleggedness half up from a crouch with the pan outheld, waiting for me to take it, anxious till I do so, almost saying with his big frowning amazed face “Well my little son what are we doing in the penigillar, this strange abode, this house of life without roof be-hung on a Friday evening with a tin pan in my hand in the gloom and you in your raincoats—” “II commence a tombez de la neige” someone is shouting in the background, coming in from the door (“Snow’s startin to fall”)—my father and I stand in that immobile instant communicating telepathic thought-paralysis, suspended in the void together, understanding something that’s always already happened, wondering where we were now, joint reveries in a dumb stun in the cellar of men and smoke … as profound as Hell … as red as Hell.—I take the pan; behind him, the clutter and tragedy of old cellars and storage with its dank message of despair–mops, dolorous mops, clattering tear-stricken pails, fancy sprawfs to suck soap suds from a glass, garden drip cans–rakes leaning on meaty rock–and piles of paper and official Club equipments– It now occurs to me my father spent most of his time when I was 13 the winter of 1936, thinking about a hundred details to be done in the Club alone not to mention home and business shop–the energy of our fathers, they raised us to sit on nails– While I sat around all the time with my little diary, my Turf, my hockey games, Sunday afternoon tragic football games on the toy pooltable white chalkmarked … father and son on separate toys, the toys get less friendly when you grow up–my football games occupied me with the same seriousness of the angels–we had little time to talk to each other. In the fall of 1934 we took a grim voyage south in the rain to Rhode Island to see Time Supply win the Narragansett Special–with Old Daslin we was … a grim voyage, through exciting cities of great neons, Providence, the mist at the dim walls of great hotels, no Turkeys in the raw fog, no Roger Williams, just a trolley track gleaming in the gray rain– We drove, auguring solemnly over past performance charts, past deserted shell-like Ice Cream Dutchland Farms stands in the dank of rainy Nov.—bloop, it was the time on the road, black tar glisten-road of thirties, over foggy trees and distances, suddenly a crossroads, or just a side-in road, a house, or bam, a vista gray tearful mists over some half-in cornfield with distances of Rhode Island in the marshy ways across and the secret scent of oysters from the sea–but something dark and rog-like.— J had seen it before … Ah weary flesh, burdened with a light … that gray dark Inn on the Narragansett Road … this is the vision in my brain as I take the pan from my father and take it to Shammy, moving out of the way for LeNoire and Leo Martin to pass on the way to the office to see the book my father had (a health book with syphilitic backs)— SCENE 25 Someone ripped the pooltable cloth that night, tore it with a cue, I ran back and got my mother and she lay on it half-on-floor like a great poolshark about to take a shot under a hundred eyes only she’s got a thread in her mouth and’s sewing with the same sweet grave face you first saw in the window over my shoulder in that rain of a late Lowell afternoon. God bless the children of this picture, this bookmovie. I’m going on into the Shade.
Jack Kerouac (Dr. Sax)
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Ace Hardware Stetson Hills
The most remarkable thing is that even in Adam Smith’s examples of fish and nails and tobacco being used as money, the same sort of thing was happening. In the years following the appearance of the Wealth of Nations, scholars checked into most of these examples and discovered that in just about every case, the people involved were quite familiar with the use of money, and in fact, were using money- as a unit of account. Take the example of dried cod, supposedly used as money in Newfoundland. As the British diplomat A. Mitchell pointed out almost a century ago, what Smith describes was really an illusion, created by a simple credit arrangement: In the early days of the Newfoundland fishing industry, there was no permanent European population, the fishers went there for the fishing season only, and those who were not fishers were traders who bought the dried fish and sold to the fishers their daily supplies. The latter sold their catch to the traders at the market price in pounds, shilling and pence, and obtained in return a credit on their books, which they paid for the supplies. Balances due by the traders were paid for by drafts on England or France. It was quite the same in the Scottish village. It’s not as if anyone actually walked into the local pub, plunked down a roofing nail, and asked for a pint of beer. Employers in Smith’s day often lacked coin to pay their workers; wages could be delayed by a year or more; in the meantime, it was considered acceptable for employees to carry off either some of their own products or leftover work materials, lumber, fabric, cord, and so on. The nails were de facto interest on what their employers owed to them. So they went to the pub, ran up a tab, and when occasion permitted, brought in a bag of nails to charge off against the debt. The law making tobacco legal tender in Virginia seems to have been an attempt by planters to oblige local merchants to accept their products as a credit around harvest time. In effect, the law forced all merchants in Virginia to become middlemen in tobacco business, whether they liked it or not; just as all West Indian merchants were obliged to become sugar dealers, since that’s what all their wealthier customers brought in to write off against their debt. The primary examples, then, were ones in which people were improvising credit systems, because actual money- gold and silver coinage- was in short supply.
David Graeber (Debt: The First 5,000 Years)
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Remarkable Roofing and Construction
If I were in this patio shade sail business, a method I would do it is to head out to the setting up resource enterprise and ask some of the guys behind the workplace about personnel who conduct your size job - they sure as heck not necessarily going to recommend technicians who not necessarily paying their bills and that will be a lifesaver there as well. It's impossible those men at the setting up source would become obtaining kickbacks from companies. Some of those men will not recommend contractors, but some will. Get four or five advice. We prepare subcontractor deals for our Standard Builder construction organization and just before preparing the arrangements, often check with the state office that gives away builder contractor licenses to make certain they're listed under the trade they state to get proficient in and find if there are any complaints filed. I also contact the talk about organization commission to see if they're posted now there and how lengthy they've been in business, and then have got their insurance agent to send us a copy of their insurance certificate showing that they have general liability and worker's compensation insurance (and make sure the name of their company on the contract matches the builder's license, the listed corporate entity, and insurance). And, you definitely want to make sure your contract has start and finish dates with liquidated damages for failure to finish on time, that the contractor supplies all materials and labor, that if the contractor breaches the contract that the contractor will be in charge of your legal fees, progress payments with lien waivers, as well as many other clauses AND a very detailed scope of work. It is important to specify the manufacturer and the exact type/quality & color of shingle, the underlayment brand and quality, the valleys' ice and water shield, tear-off or not of the existing shingles, how much will be charged if the sheathing is rotten per sheet for labor and material and type that it is to be replaced with, disposal of all construction debris, protection of your landscaping and personal property below the roof. I also attach a copy of the manufacturer's installation instructions and state that the product will be installed according to them. I prepare our contract and attach the subcontractor's contract to ours as an addendum (and our clauses supersede theirs). You want to get your scope of work ready to give to contractors to bid on so everyone is bidding on the same thing. When I first started, I would get several bids and cobble together a scope of work and then ask people to rework their bids based on it if their bids didn't include my new scope of work. So, this is going to be a large, important expense for you, and you probably want a good attorney, experienced in contracts, to review your contract. It will be worth the couple hundred extra dollars. (Ask how much the charge is up front.)
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Donny scowled. “And people think I’m crazy. Where’s Pepper? At least she’s got some sense in her, marrying a Fontenot. You married Trap. Got crazy hair and a crazy husband. What the hell are you doing with that man?” “He’s amazing in the sack, Donny. Ah. Mazing,” Cayenne taunted. Donny rolled his eyes. “Stop talking. In fact, go away. I’m going to take my supplies and go lie up on the roof until your men come home. I hope your ah-mazing man spends a lot of time on spanking your ass.” “Oh.” Cayenne fanned herself. “He does. Hurts so good.” “Cayenne.” Nonny said her name. A warning. “Sorry, Nonny.” Cayenne blew her a kiss. “I’ll behave myself. I just can’t help it, especially when he calls my man crazy.” “He is crazy,” Donny argued. “Like a fox,” Nonny said
Christine Feehan (Power Game (GhostWalkers, #13))
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Connor Building
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THIS IS THE STORY OF how a middle-aged spinster lost her mind, deserted her domestic gods in the city, took a furnished house for the summer out of town, and found herself involved in one of those mysterious crimes that keep our newspapers and detective agencies happy and prosperous. For twenty years I had been perfectly comfortable; for twenty years I had had the window-boxes filled in the spring, the carpets lifted, the awnings put up and the furniture covered with brown linen; for as many summers I had said good-by to my friends, and, after watching their perspiring hegira, had settled down to a delicious quiet in town, where the mail comes three times a day, and the water supply does not depend on a tank on the roof.
Mary Roberts Rinehart (The Circular Staircase)
The soldier carries a sack on his back, with dry crusts of bread and raw vegetables collected on the march from the fields and villages. The horses eat the straw from the roofs – they get very little else. The Russians are accustomed to carry on for as long as three weeks in this primitive way, when advancing. You can’t stop them, like an ordinary army, by cutting their communications, for you rarely find any supply columns to strike.
Robin Cross (Fallen Eagle: The last days of the Third Reich)
When Chapin tested these novel photovoltaics, they converted about five times more solar energy to electricity than the older selenium panels. But they were still terribly inefficient. Chapin estimated the cost of silicon panels that could supply electricity for a typical middle-class home at $1.43 million (about $13 million in today’s dollars). It would be cheaper to cover the entire roof in gold leaf. Daunted by the economics, most researchers gave up on photovoltaics until the oil shocks of the 1970s revived peak-oil fears—and hopes that the sun might be the way to escape them. The numbers seemed so overwhelming, so alluring.
Charles C. Mann (The Wizard and the Prophet: Two Remarkable Scientists and Their Dueling Visions to Shape Tomorrow's World)
Some flows, like sunlight or wind, cannot be affected by human action. No matter how many solar panels I put on my roof to absorb sunlight, they will have no effect on what the sun does tomorrow. But other flows—“critical-zone resources,” in the jargon—can be exploited to exhaustion. Consider an archetypical critical-zone flow: the run of salmon swimming upstream to spawn. Drop a net across the watercourse and the fish will swim right into it. As long as the number of fish taken from the river every year doesn’t exceed the number of survivors from that year’s crop of newborns, fishing can continue indefinitely—the supply won’t go down, no matter how many years people put in nets. But leave the net in too long one year and it will take every single salmon and there will be no more fishing after that. Catching the last fish is just as easy as catching the first—laying the net across the stream doesn’t get more costly as the supply diminishes. With critical-zone flows, things typically go fine until they suddenly don’t.
Charles C. Mann (The Wizard and the Prophet: Two Remarkable Scientists and Their Dueling Visions to Shape Tomorrow's World)
Contained within the small circle of the wedding band are vastly contradictory ideals. We want our chosen one to offer stability, safety, predictability, and dependability—all the anchoring experiences. And we want that very same person to supply awe, mystery, adventure, and risk. Give me comfort and give me edge. Give me familiarity and give me novelty. Give me continuity and give me surprise. Lovers today seek to bring under one roof desires that have forever had separate dwellings.
Esther Perel (The State of Affairs: Rethinking Infidelity)
You weren't supposed to pay for our supplies.' ... 'I was hungry, and I didn't want to be bashed on the head by Mrs. Denwortle.' ... Her lips twitched into a half grin, nearly as compelling as the blinding smile that had convinced him to scale the walls and fortify the roof of the estate. Swiftly she ran her eyes up and down his historically clothed form, and the color in her cheeks deepened. 'You are our guest.' So the other party was interested, as well. Good. That would make things easier. 'If you'd come in here a few moments earlier, I'd have been your half naked guest. Then whatever would we have done?
Suzanne Enoch (Taming Rafe (Bancroft Brothers, #2))
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I wanted something for myself, a cake that was complicated and beautiful, a cake that would take up time I didn't have with enough tricky steps to keep my mind completely off of the matters at hand. I thought about a chocolate layer cake with burnt orange icing and the orange in the icing made me consider a Grand Marnier cake instead. Finally, in a complete non sequitur, I settled on a charlotte. I would make a scarlet empress. I closed my eyes and imagined myself making a jelly roll, the soft sheet of sponge cake laid across my counter. I spread the cake with a seedless raspberry preserve and then I rolled it up with even ends. I was nearly asleep. My parents were floating away from me. I took a knife and started slicing off the roll, but I didn't let it end. No matter how many rounds I cut, there was more there for me, an endless supply of delicate spirals of cake. It was the baker's equivalent to counting sheep, lulling myself to sleep through spongy discs of jam. There were enough slices of jelly roll for me to shingle the roof, to cover the house, to lay a walkway out to the street. In my dreams I made the house a cake, and inside the cake our lives were warm and sweet and infinitely protected.
Jeanne Ray (Eat Cake)
5.5 Specific Signs You Should Avoid A Van Rental Supplier! Here are 5.5 specific sign that you should avoid a van rental supplier: 1. Automated answering services: If you cannot get access to a human on the phone when you call to make a van reservation, where are they going to be when you have a mechanical breakdown? If the company cannot afford to provide a live person to receive your call, how will they afford to take care of your group when you have broken down on the side of the road or have been in an accident! 2. Rude or incompetent rental agents: If the rental company’s agents do not answer the phone cheerfully and sound like they are less than ecstatic to hear from you, they have set a negative tone for the entire van rental experience. If they place you on hold until you grow old, or refuse to acknowledge you immediately when you walk through the door of their office, get out of there! 3. Charging for mileage: Any van rental firm worth doing business with will offer you unlimited miles going anywhere in the USA. Anything else does not allow you the peace of mind needed when you are required to maximize your budget and do not need any unaccounted variables. 4. Encouraging drop-offs after business hours: This practice gives the rental company an unwritten power of attorney to charge you for any damages they find until the next business day! This leaves you or your organization wide open to paying for damages you did not cause or create! 5. Yield management systems: When a van rental firm employs this system, it skyrockets the van rental rates through the roof as demand gets tight and supply gets low. This system has been designed to squeeze every last dollar out of the client’s pocket and takes serious advantage of those groups that are forced to reserve later due to budget constraints or lack of commitments! 5.5 Accidents handled by a third party vendor: If you have an accident in a van, and the rental firm outsources this function to an outside agency, you will lose all power of negotiation and pay much more on the damage claim because the rental firm has to give that agency a substantial percentage. In addition, the agency employees have nothing to lose by treating you horribly.
Craig Speck (The Ultimate Common Sense Ground Transportation Guide For Churches and Schools: How To Learn Not To Crash and Burn)
A brief survey of Mere Christianity supplies the following list: becoming a Christian (passing over from life to death) is like joining a campaign of sabotage, like falling at someone’s feet or putting yourself in someone’s hands, like taking on board fuel or food, like laying down your rebel arms and surrendering, saying sorry, laying yourself open, turning full speed astern; it is like killing part of yourself, like learning to walk or to write, like buying God a present with his own money; it is like a drowning man clutching at a rescuer’s hand, like a tin soldier or a statue coming alive, like waking after a long sleep, like getting close to someone or becoming infected, like dressing up or pretending or playing; it is like emerging from the womb or hatching from an egg; it is like a compass needle swinging to north, or a cottage being made into a palace, or a field being plowed and resown, or a horse turning into a Pegasus, or a greenhouse roof becoming bright in the sunlight; it is like coming around from anesthetic, like coming in out of the wind, like going home.
Holly Ordway (Apologetics and the Christian Imagination: An Integrated Approach to Defending the Faith (Living Faith Series))
Meanwhile the rain continued to beat sonorously down upon the wooden roof, and could be heard trickling into a water butt; nor for a single moment did the dogs cease to bark with all the strength of their lungs. One of them, throwing up its head, kept venting a howl of such energy and duration that the animal seemed to be howling for a handsome wager; while another, cutting in between the yelpings of the first animal, kept restlessly reiterating, like a postman's bell, the notes of a very young puppy. Finally, an old hound which appeared to be gifted with a peculiarly robust temperament kept supplying the part of contrabasso, so that his growls resembled the rumbling of a bass singer when a chorus is in full cry, and the tenors are rising on tiptoe in their efforts to compass a particularly high note, and the whole body of choristers are wagging their heads before approaching a climax, and this contrabasso alone is tucking his bearded chin into his collar, and sinking almost to a squatting posture on the floor, in order to produce a note which shall cause the windows to shiver and their panes to crack. Naturally,
Fyodor Dostoevsky (8 Classic Russian Novels You Should Read)
WITH A NEW DECADE LOOMING, Aloysius Archer was on a creaky bus headed west to California to seek as much of a life as someone like him could reasonably expect. A roof over his head, three squares a day, a pint of decent liquor every now and then, and a steady supply of his Lucky Strikes to keep his mouth supple and amused. And a job. Actually, more of a profession. He needed that right now. It was like seeking water while in a desert, you just required it and didn’t care how you got it. Otherwise, he’d be a chump, and there was no future in that
David Baldacci (A Gambling Man (Archer, #2))
Yet another report: lobster prices had skyrocketed. A quick call to Ken to confirm: yup—demand had outpaced supply, and prices had gone through the roof. A call to the chef: Were we undercharging for the dish? Definitely, given what we were paying for the ingredient, but he couldn’t raise the price high enough to get costs in line without sticker-shocking our guests. So the path forward was clear: the dish, popular as it was, had to come off the menu, at least until lobster prices dropped.
Will Guidara (Unreasonable Hospitality: The Remarkable Power of Giving People More Than They Expect)