Locks Of Hair Quotes

We've searched our database for all the quotes and captions related to Locks Of Hair. Here they are! All 100 of them:

Percy, let me go" she croaked. "You can't pull me up." His face was white with effort. She could see in his eyes that he knew it was hopeless. "Never," he said. He looked up at Nico, fifteen feet above. "The other side, Nico! We'll see you there. Understand?" Nico's eyes widened. "But-" "Lead them!" Percy shouted. "Promise me!" "I-I will." Below them, the voice laughed in the darkness. Sacrifices. Beautiful sacrifices to wake the goddess. Percy tightened his grip on Annabeth's wrist. His face was gaunt, scraped and bloody, his hair dusted with cobwebs, but when he locked eyes with her, she thought he had never looked more handsome. "We're staying together," he promised. "You're not getting away from me. Never again." Only then did she understand what would happen. A one-way trip. A very hard fall. "As long as we're together," she said. She heard Nico and Hazel still screaming for help. She saw sunlight far, far above- maybe the last sunlight she would ever see. Then Percy let go of his ledge, and together, holding hands, he and Annabeth fell into the endless darkness.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
What were you dreaming about?" "You." He twisted a lock of her hair around his finger. "I always dream about you." "Oh, yeah? Because I thought you were having a nightmare." He tipped his head back to look at her. "Sometimes I dream you're gone," he said. "I keep wondering when you'll figure out how much better you could do and leave me.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
Who knows how to make love stay? 1. Tell love you are going to Junior's Deli on Flatbush Avenue in Brooklyn to pick up a cheesecake, and if loves stays, it can have half. It will stay. 2. Tell love you want a momento of it and obtain a lock of its hair. Burn the hair in a dime-store incense burner with yin/yang symbols on three sides. Face southwest. Talk fast over the burning hair in a convincingly exotic language. Remove the ashes of the burnt hair and use them to paint a moustache on your face. Find love. Tell it you are someone new. It will stay. 3. Wake love up in the middle of the night. Tell it the world is on fire. Dash to the bedroom window and pee out of it. Casually return to bed and assure love that everything is going to be all right. Fall asleep. Love will be there in the morning.
Tom Robbins (Still Life with Woodpecker)
You’re here!” Isabelle danced up to them in delight, carrying a glass of fuchsia liquid, which she thrust at Clary. “Have some of this!” Clary squinted at it. “Is it going to turn me into a rodent?” “Where is the trust? I think it’s strawberry juice,” Isabelle said. “Anyways, it’s yummy. Jace?” She offered him the glass. “I am a man,” he told her, “and men do not consume pink beverages. Get thee gone, woman, and bring me something brown.” “Brown?” Isabelle made a face. “Brown is a manly color,” said Jace, and yanked on a stray lock of Isabelle’s hair with his free hand. “In fact, look – Alec is wearing it.” Alec looked mournfully down at his sweater. “It was black,” he said. “But then it faded.” “You could dress it up with a sequined headband,” Magnus suggested, offering his boyfriend something blue and sparkly. “Just a thought.” “Resist the urge, Alec.” Simon was sitting on the edge of a low wall with Maia beside him, though she appeared to be deep in conversation with Aline. “You’ll look like Olivia Newton-John in Xanadu.” “There are worse things,” Magnus observed.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
The world is vicious.' Thomas brushed a lock of hair back from my face, his gaze thoughtful. 'The world is neither kind nor is it cruel. It simply exists. We have the ability to view it however we choose.
Kerri Maniscalco (Hunting Prince Dracula (Stalking Jack the Ripper #2))
He looked right at me as he gave me a half smile. "You're the brightest thing in the room", he said. He lifted his hand from my waist, and slowly, carefully brushed a stray lock of hair from my cheek. "You shine". My breath caught in my throat. People said those kinds of things about Sloane-not about me. "What?" frank asked, his eyes on mine. "Just..." I took a shaky breath. "Nobody's ever said something like that to me." "Then they don't see what I see," he said.
Morgan Matson (Since You've Been Gone)
Everything we need to know is locked up in your head, under those pretty red curls." Clary reached up to touch her hair protectively. "I dont think-" "So what are you going to do?" Simon asked sharply. "Cut her head open to get at it?
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
Find one thing. One thing that's beautiful. Anything. Anything that shows you you're not one of them." His eyes were back on me studying my face silently. Panic raced through me. It wasn't working. I couldn't do this. We were going to have to get out of here, regardless of whatever state he was in. I knew he'd leave, too. If i had learned anything, it was that Dimitri's warrior instincts were still working. If I said danger was coming, he would respond instantly, no matter the self-torment he felt. I didn't want him to leave in despair. I wanted him to leave here one step closer to being the man I knew he could be. I wanted him to have one less nightmare. It was beyond my abilities, though. I was no therapist. I was about to tell him we had to get out of there, about to make his soldier reflexes kick in, when he suddenly spoke. His voice was barley a whisper. "Your hair." "What?" for a second, I wondered if it was on fire or somthing. I touched a stray lock. No, nothing was wrong exept that it was a mess. I'd bound it up for battle to prevent the strgoi from using it as a handhold, like Angeline had. Much of it had come undone in the struggle, though. "Your hair," repeated Dimitri. His eyes were wide, almost awestruck. "your hair is beautiful.
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
Beware of her fair hair, for she excels All women in the magic of her locks; And when she winds them round a young man's neck, She will not ever set him free again.
Johann Wolfgang von Goethe
I was so worried that you wouldn’t want to know me once you found out.” I signed, relief flooding through me. “Are you kidding me?” Xavier reached out and curled a lock of my hair around his finger. “Surely I’ve got to be the luckiest guy in the world.” “How do you figure that?” “Isn’t it obvious? I’ve got my own little piece of Heaven right here.
Alexandra Adornetto (Halo (Halo, #1))
You live your life and continue with all of your normal activities. I'll keep you safe," he said stepping forward to sweep a lock of hair back from her face. "Or die trying.
Aprilynne Pike (Illusions (Wings, #3))
Alastair's gaze flicked to Matthew. "Why," he said, "are you not even wearing a hat? "And cover up this hair?" Matthew indicated his golden locks with a flourish. "Would you blot out the sun?
Cassandra Clare (Chain of Iron (The Last Hours, #2))
Monsters were supposed to be scary and ugly. They weren’t supposed to hide behind friendly smiles and well-trimmed hair. Goodness, twisted as it might be, was not meant to be locked away in an icy heart and anxious exterior.
Kerri Maniscalco (Stalking Jack the Ripper (Stalking Jack the Ripper, #1))
I pulled away. He stopped me with a hand on my wrist. “Wait,” he said. “I know what you’re thinking.” “What?” “It’s written all over your face.” He pushed a lock of hair out of my eyes. “I’m not going anywhere.
Jennifer Rush (Altered (Altered, #1))
Sleep, my love," He whispered, smoothing her long hair, lifting the damp locks away from the back of her neck. "I'll be here to watch over you." "You sleep too," she said groggily, her hand creeping to the center of his chest. "No." McKenna smiled and pressed a soft kiss against her temple. His voice was husky with wonder. "Not when staying awake is better than anything I could find in a dream.
Lisa Kleypas (Again the Magic (Wallflowers, #0))
She threw the door open. The room seemed to be a sort of library, the walls lined with books. It was brightly lit, light streaming through a tall picture window. In the middle of the room stood Jace. He wasn't alone, though-not by a long shot. There was a dark-haired girl with him, a girl Clary had never seen before, and the two of them were locked together in a passionate embrace
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
The moment the door closed behind him, Tessa was in Will's arms, her hands locked about his neck. "Oh, by the Angel," she said. "That was mortifying." Will slid his hands into her hair and was kissing her, kissing her eyelids and her cheeks and then her mouth, quickly but with fervor and concentration, as if nothing could be more important. "Listen to you," he said. "You said 'by the angel.' Like a Shadowhunter." He kissed the side of her mouth. "I love you. God, I love you. I waited so long to say it.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
I need you to know I never meant it. I said it because I thought that’s what you’re supposed to say, but it didn’t mean anything. And it’s different with you. This is the first time I’ve been scared. Scared you’ll change your mind. Scared I’ll screw it up. Aces, Cress, I’m terrified of you.” Her stomach fluttered. He didn’t look terrified. “Here’s the thing.” Thorne crawled over her legs and lay down beside her, boots and all. “You deserve better than some thief who’s going to end up in jail again. Everyone knows it. Even I know it. But you seem determined to believe I’m actually a decent guy who’s halfway worthy of you. So, what scares me most”—he twisted a lock of her hair between his fingers—“is that someday even you will realize that you can do better.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
Family," she announced. "They're the people in your life you don't get to pick. The ones that are given to you,as opposed to those you get to choose." "You're bound to them by blood," she continued, her voice flat. "Which, you know, gives you that much more in common. Diseases, genetics, hair, and eye color. It's like they're part of your blueprint. If something's wrong with you, you can usually trace it back to them." I nodded and kept writing. "But," she said, "even though you're stuck with them, at the same time, they're also stuck with you. So that's why they always get the front rows at christenings and funerals. Because they're the ones that are there, you know, from the beginning to the end. Like it or not.
Sarah Dessen (Lock and Key)
For several long moments we remained locked together, and I think I covered her hair with small sacred kisses, her perfume crucifying me with memories.
Anne Rice (Merrick (The Vampire Chronicles, #7))
A lover knows only humility, he has no choice. He steals into your alley at night, he has no choice. He longs to kiss every lock of your hair, don't fret, he has no choice. In his frenzied love for you, he longs to break the chains of his imprisonment, he has no choice.
Rumi (Jalal ad-Din Muhammad ar-Rumi)
You're the brightest thing in the room," he said. He lifted his hand from my waist, and slowly, carefully brushed a stray lock of hair from my cheek. "You shine.
Morgan Matson (Since You've Been Gone)
She wanted so to be tranquil, to be someone who took walks in the late-afternoon sun, listening to the birds and crickets and feeling the whole world breathe. Instead, she lived in her head like a madwoman locked in a tower, hearing the wind howling through her hair and waiting for someone to come and rescue her from feeling things so deeply that her bones burned.
Carrie Fisher (Postcards from the Edge)
Nightingale" Did I wound you, mutilate. Take away your voice. Did I cut something from you. Leave you locked in silence? This is what you do: you sing. Every part of you. Your locks of hair sing, your eyes, your hands, your smile. If I listen closely I can even hear your blood. Was I the one that took that away? Go down to the water where we used to swim. Stand under the sky at dawn when the sky is streaked with blood. Open your mouth and shout our secret to the waves. The ocean will be your voice. You won't have to carry anything alone. Little Sister, my Spring, April. Little nightingale. Sant at the edge of the water. Your voice will come back to you. Maybe. If I am silent.
Francesca Lia Block (Wasteland)
Locks of blue hair fell across his forehead, but they didn't hide his eyes. They were wide, broken star-bright, and full of something that looked a lot like hope.
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
Why do you look?” I mutter. I half expect Magiano to tease me, spitting back one of his sarcastic phrases. But he doesn’t smile. “We are drawn to stories," he says in a soft voice, “and every scar carries one.” He lifts a hand and places his palm gently against the ruined side of my face, covering the scar. I look down, embarrassed now. Instinctively, I reach up to brush some of my hair over my face—only to remember that I no longer have long locks. “Hiding it makes you more beautiful,” Magiano says. Then he takes his hand away, exposing my scar again. “But revealing it makes you you.” He nods at me. “So wear it proudly.
Marie Lu (The Rose Society (The Young Elites, #2))
Except fang. I glared at him. "Go on, try to stop me, I dare you." It was like the old days when we used to wrestle, each trying to get the better of the other. I was ready to take him down, my hands curled into fist. "I was just going to say be careful," Fang told me. He stepped closer and brushed some hair out of my eyes. "And I've got your back." He motioned with his head toward the torpedo chamber. Oh my God. It hit me like a tsunami then, how perfect he was for me, how no one else would ever, could ever, be so perfect for me, how he was everything I could possibly hope for, as a friend, boyfriend, maybe even more. He was it for me. There would be no more looking. I really, really loved him, with a whole new kind of love I'd never felt before, something that made every other kind of love I'd ever felt feel washed out and wimpy in comparison. I loved him with every cell in my body, every thought in my head, every feather in my wings, every breathe in my lungs. and air sacs. Too bad I was going out to face almost certain death. Right there in front of everyone, I threw my arms around his neck and smashed my mouth against his. He was startled for a second, then his strong arms wrapped around me so tightly I could hardly breathe. "ZOMG," I heard Nudge whisper, but still fang and I kissed slanting our heads this way and that to get closer. I could have stood there and kissed him happily for the next millennium, but Angel, or what was left of her was still out there in the could dark ocean. Reluctantly, I ended the kiss, took a step back. Fang's obsidian eyes were glittering brightly and his stoic face had a look of wonder on it."Gotta go," I said quietly. A half smile quirked his mouth. "Yeah. Hurry back." I nodded and he stepped out of the air lock chamber, keeping his eyes fixed on me, memorizing me as he hit the switch that sealed the chamber. The doors hissed shut with a kind of finality, and I realized that my heart was beating so hard it felt like it was going to start snapping ribs. I was scared. I was crazily, deeply, incredibly, joyously, terrifyingly in love. I was on a death mission. Before my head simply exploded from so much emotion, I hit the large button that pressurized the air lock enough for the doors to open to the ocean outside. I really, really hoped that I would prove somewhat uncrushable, like Angel did. The door cracked open below me and I saw the first dark glint of frigid water.
James Patterson (Maximum Ride Five-Book Set)
His face was gaunt, scraped and bloody, his hair dusted with cobwebs, but when he locked eyes with her, she thought he had never looked more handsome. Percy & Annabeth
Rick Riordan
You’re only boobs, hair, and talk, Crown,” said the guard. “No,” said Crown. “I’m boobs and hair and talk and a hell of a sword hand.
Tamsyn Muir (Nona the Ninth (The Locked Tomb, #3))
Bryn?" Chase's voice was a whisper in my mind, and the sensation sent a single chill up my spine. "Yes?" "You asked me what I liked, before." He paused, and all the silence tickled my mind, the chill in my spine climbing its way to the hairs on the back of my neck. "Before, I loved cars, Yeats, having a bedroom that locked from the inside, and you.
Jennifer Lynn Barnes (Raised by Wolves (Raised by Wolves, #1))
Percy tightened his grip on Annabeth's wrist. His face was gaunt, scraped and bloody, his hair dusted with cobwebs, but when he locked eyes with her, she thought he had never looked more handsome. "We're staying together," he promised. "You're not getting away from me. Never again." Only then did she understand what would happen. A one-way trip. A very hard fall. "As long as we're together," she said. She heard Nico and Hazel still screaming for help. She saw the sunlight far,f ar above-maybe the last sunlight she would ever see. Then Percy let go of his tiny ledge, and together, holding hands, he and Annabeth fell into the endless darkness.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
Damn, cher, you still smell like a blossom. Been so long since I've seen a flower that I'd nearly forgotten what they smelled like." He took a lock of my hair, rubbing it between his thumb and forefinger. "You're dressing up and using expensive perfume? Ole Jack senses a trap. Consider me snared.
Kresley Cole (Poison Princess (The Arcana Chronicles, #1))
The newcomer stood well over six feet, as tall as any Warden. His hair was dark, the color of obsidian, and it reflected blue in the dim light. Lazy locks slipped over his forehead and curled just below his ears. Brows arched over golden eyes and his cheekbones were broad and high. He was attractive. Very attractive. Mind-bendingly beautiful, actually, but the sardonic twist to his full lips chilled his beauty. The black T-shirt stretched across his chest and flat stomach. A huge tattoo of a snake curled around his forearm, the tail disappearing under his sleeve and the diamond-shaped head rested on the top of his hand. He looked my age. Total crush material—if it wasn’t for the fact that he had no soul.
Jennifer L. Armentrout (White Hot Kiss (The Dark Elements, #1))
All right," Shannen says slowly, tucking a lock of dark brown hair behind her ear. "Why did you glue that dolphin upside down?" Okay, so I'm a little distracted. "He's doing the back stroke.
Tera Lynn Childs (Forgive My Fins (Fins, #1))
He turned his head and caught her with his eyes. She froze, locked by the intensity of his stare. His eyes were stark and cold, the concentrated green of pale jade. Outlined in smudged black kohl, those eyes focused on her, unblinking through the feathery strands of his jet black hair, and it was like being watched through a cage by a complacent and calculating cat. Discomfort welled in her, thick and black as an oil spring. Who was this guy and what was his royal problem? Her gaze flicked briefly to the small metal loop that hugged one corner of his bottom lip. He blinked once, then slowly lifted one hand and crooked a beckoning finger at her. Isobel hesitated but then as though spellbound to obey, she found herself leaning in. “What are you staring at?” he whispered.
Kelly Creagh (Nevermore (Nevermore, #1))
And sure enough, in seeking to become superhuman this foolhardy young man renders himself inhuman. The heart that he has locked away slowly shrivels and grows hair, symbolising his own descent to beasthood.
J.K. Rowling (The Tales of Beedle the Bard)
Well I see you there with the rose in your teeth One more thin gypsy thief Yes, and thanks, for the trouble you took from her eyes I thought it was there for good so I never tried. And Jane came by with a lock of your hair She said that you gave it to her That night that you planned to go clear
Leonard Cohen
You deserve better than some thief who's going to end up in jail again. Everyone knows it. Even I know it. But you seem determined to believe I'm a actually a decent guy who's halfway worthy of you. So, what scares me most" - he twisted a lock of hair between his fingers - "is that someday even you will realize that you can do better." "Thorne..." "Not to worry." He kissed the lock of hair. "I am a criminal mastermind, I have a plan." Clearing his throat, he started to check things off in the air. "First, get a legitimate job - check. Legally buy my ship - in progress. Prove that I'm hero material by helping Cinder save the world - oh, wait, I did that already." He winked. "Oh, and I have to stop stealing things, but that's probably a given. So I figure, by the time you realize how much I don't deserve you... I might kind of deserve you
Marissa Meyer (Winter (The Lunar Chronicles, #4))
Girls don’t fight fair. They pull your hair and gauge you and pinch you; then they run off gasping to mommy when you try and defend yourself with a fist. Then you get locked into time out, and for what? No, my friend, the secret is, don’t snap at the bait. Let it dangle. Swim around it. Laugh it off. After a while they’ve given up and try to lure someone else.
Wendelin Van Draanen
I know your character. I know you're going to be a great guardian.” His confidence made that warm feeling return. "I'm glad someone does. Everyone else thinks I'm totally irresponsible.” "With the way you worry more about Lissa than yourself…" He shook his head. "No. You understand your responsibilities better than guardians twice your age. You'll do what you have to do to succeed.” I thought about that. "I don't know if I can do everything I have to do.” He did that cool one-eyebrow thing. "I don't want to cut my hair," I explained. He looked puzzled. "You don't have to cut your hair. It's not required.” "All the other guardian women do. They show off their tattoos.” Unexpectedly, he released my hands and leaned forward. Slowly, he reached out and held a lock of my hair, twisting it around one finger thoughtfully. I froze, and for a moment, there was nothing going on in the world except him touching my hair. He let my hair go, looking a little surprised—and embarrassed—at what he'd done. "Don't cut it," he said gruffly. Somehow, I remembered how to talk again. "But no one'll see my tattoos if I don't.” He moved toward the doorway, a small smile playing over his lips. "Wear it up.
Richelle Mead (Vampire Academy (Vampire Academy, #1))
I could a tale unfold whose lightest word Would harrow up thy soul, freeze thy young blood, Make thy two eyes like stars start from their spheres, Thy knotted and combined locks to part, And each particular hair to stand on end Like quills upon the fretful porpentine. But this eternal blazon must not be To ears of flesh and blood. List, list, O list!
William Shakespeare (Hamlet)
I unbuckled her. She barely stirred. A lock of hair had fallen in her face so I gave in to the urge to touch it. Reaching up I tucked the hair behind her ear. She was so damn beautiful. I'd never move on from her. It wasn't possible. I had to find a way to get her back.
Abbi Glines (Never Too Far (Rosemary Beach, #2; Too Far, #2))
Wait. You don't understand. I just wanted it to stop. Wanted the hurting to stop." I smoothed a bloodied lock of hair from her eyes and felt very tired as I said, "The only people who never hurt are dead." The light died out of her eyes, her breath slowing. She whispered, barely audible, "I don't understand." I answered, "I don't either." A tear slid from her eye and mixed with the blood. Then she died.
Jim Butcher (Summer Knight (The Dresden Files, #4))
A semicolon is where a writer can choose to end the sentence,” she said, tucking a lock of brown hair behind her ear. “But they don’t. The story goes on. It’s a symbol of hope. To keep going.” She smiled tremulously. “Sometimes I need that reminder.
Emma Scott (All In (Full Tilt, #2))
Taking Mike home is a great idea," Donny said. "See you tomorrow. Thanks for your help." Gabe kissed her hand. "I'll be back in an hour, honey." She snatched her hand away. "No need, sweetheart. We're all fine here. See you tomorrow at school. We'll lock up when we leave." "Sixty minutes, sugarplum." He leaned in for a kiss. "Get you pleather-wearing, long-haired paws off me--" Gabe kissed her soundly, cutting off her protest.
Gwen Hayes (Falling Under (Falling Under, #1))
They told of dripping stone walls in uninhabited castles and of ivy-clad monastery ruins by moonlight, of locked inner rooms and secret dungeons, dank charnel houses and overgrown graveyards, of footsteps creaking upon staircases and fingers tapping at casements, of howlings and shriekings, groanings and scuttlings and the clanking of chains, of hooded monks and headless horseman, swirling mists and sudden winds, insubstantial specters and sheeted creatures, vampires and bloodhounds, bats and rats and spiders, of men found at dawn and women turned white-haired and raving lunatic, and of vanished corpses and curses upon heirs.
Susan Hill
Perhaps we don't like what we see: our hips, our loss of hair, our shoe size, our dimples, our knuckles too big, our eating habits, our disposition. We have disclosed these things in secret, likes and dislikes, behind doors with locks, our lonely rooms, our messy desks, our empty hearts, our sudden bursts of energy, our sudden bouts of depression. Don’t worry. Put away your mirrors and your beauty magazines and your books on tape. There is someone right here who knows you more than you do, who is making room on the couch, who is fixing a meal, who is putting on your favorite record, who is listening intently to what you have to say, who is standing there with you, face to face, hand to hand, eye to eye, mouth to mouth. There is no space left uncovered. This is where you belong.
Sufjan Stevens
Insist on going to the cremation, insist on going to the burial. Insist on being involved, even if it is just brushing your mother’s hair as she lies in her casket. Insist on applying her favorite shade of lipstick, the one she wouldn’t dream of going to the grave without. Insist on cutting a small lock of her hair to place in a locket or a ring. Do not be afraid. These are human acts, acts of bravery and love in the face of death and loss.
Caitlin Doughty (From Here to Eternity: Traveling the World to Find the Good Death)
Jean grinned down at her, and she handed him something in a small silk bag. 'What's this?' 'Lock of my hair, ' she said. 'Meant to give it to you days ago, but we got busy with all the raiding. You know. Piracy. Hectic life. ' 'Thank you, love, ' he said. 'Now, if you find yourself in trouble wherever you go, you can hold up that little bag to whoever's bothering you, and you can say, "You have no idea who you're fucking with. I'm under the protection of the lady who gave me this object of her favour. "' 'And that's supposed to make them stop?' 'Shit no, that's just to confuse them. Then you kill them while they're standing there looking at you funny.
Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
Fine," Strider said tightly. "You can. But you wont. Because you know that if you take the woman out of this home, I'll go gray from worry. And you like my hair the way it is." "Stridey-man. Are you hitting on my? Trying to get me to run my fingers through those mangy locks?" Gideon chuckled. "Sweetie pie." Striders lips even twitched into a grin. "You know I hate when you get mushy like that." Boy loved it. No question.
Gena Showalter (The Darkest Lie (Lords of the Underworld, #6))
Outside my bike, never has anything important in my life been just mine." My body stilled, so did my heart, and my eyes locked with his. He started moving again, slowly, deeply and he kept talking. "Always castoffs, leftovers, used, sometimes even food from the dumpsters." My heart started beating again, only to trip over itself; my breath came fast, not only from what was happening to my body but what he was saying. "Vance-" His lips came to mine, his hands moved out of my hair and went to the side of my face and he stared in my eyes, pressing deep inside. "Mine," he muttered, his deep voice hoarse, that fierce undercurrent there. His tone caused a shiver to run through me, straight through to my soul. Then he kissed me.
Kristen Ashley (Rock Chick Renegade (Rock Chick, #4))
I find things hidden in books: dried flowers, locks of hair, tickets, labels, receipt, invoices, photographs, postcards, all manner of cards. I find letters, unpublished works by the ordinary, the anguished, the illiterate. Clumsily written or eloquent, they are love letters, everyday letters, secret letters and mundane letters talking about fruit and babies and tennis matches, from people signing themselves as Majorie or Jean....I can't bring myself to dispose of these snippets and snapshots of lives that once meant (or still do mean) so much.
Louise Walters (Mrs. Sinclair's Suitcase)
And still on a winter's night, they say, when the wind is in the trees, When the moon is a ghostly galleon tossed upon cloudy seas, When the road is a gypsy's ribbon looping the purple moor, The highwayman comes riding-- Riding--riding-- The highwayman comes riding, up to the old inn-door. Over the cobbles he clatters and clangs in the dark inn-yard, He taps with his whip on the shutters, but all is locked and barred, He whistles a tune to the window, and who should be waiting there But the landlord's black-eyed daughter-- Bess, the landlord's daughter-- Plaiting a dark red love-knot into her long black hair.
Alfred Noyes (The Highwayman)
He cleared his throat. “You know this means that what we did what we almost did in Paris...” “Going to the Eiffel Tower?” He tucked a lock of hair behind her ear. “You never let me off the hook for a single minute, do you? Never mind. It’s one of the things I love about you. Anyway, that other thing we almost did in Paris, that’s probably off the table for a while. Unless you want that whole baby-I’m-on-fire-when-we kiss thing to become freakishly literal.” “No kissing?” “Well, kissing, probably. But as for the rest of it…” She brushed her cheek lightly against his. “It’s okay with me if it’s okay with you.” “Of course it’s not okay with me. I’m a teenage boy. As far as I’m concerned, this is the worst thing that’s happened since I found out why Magnus was banned from Peru.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
What do Marta the Second, Naberius the Third, Jeannemary the Fourth, Magnus the Fifth, Camilla the Sixth, Protesilaus the Seventh, Colum the Eighth, and Gideon the Ninth all have in common?” You could have heard a hair flutter to the floor. Everyone stared, poker-faced, in the thick ensuing silence. Magnus looked pleased with himself. “The same middle name,” he said.
Tamsyn Muir (Gideon the Ninth (The Locked Tomb, #1))
He was lounging in a cubicle beside an outdated computer, hands shoved into the pockets of his faded jeans. A wavy lock of hair covered his forehead, brushing against thick lashes. His lips curled into a half smile. “I was wondering if you were ever going to find me.” He made no move to clear up any space in the tiny 6x6 hole. I dropped my bag outside the walls and hopped up on the desk opposite him. “Embarrassed someone would see you and think you’re capable of reading?” “I do have a reputation to maintain.” “And what a lovely reputation that is.” He stretched out his legs so that his feet were under mine. “So what did you want to talk about”—his voice lowered to a deep, sexy whisper—“in private?” I shivered—and it had nothing to do with the temperature. “Not what you’re hoping.” Daemon gave me a sexy smirk.
Jennifer L. Armentrout (Onyx (Lux, #2))
I know what she smells like. This little freckle on her neck when she pulls up her hair. Her upper lip is a little plumper than the lower. The curve of her wrist, when she holds a pen. It’s wrong, really wrong, but I know the shape of her. I go to sleep thinking about it, and then I wake up, go to work, and she is there, and it’s impossible. I tell her stuff I know she’ll agree to, just to hear her hum back at me. It’s like hot water down my fucking spine. She’s married. She’s brilliant. She trusts me, and all I think about is taking her to my office, stripping her, doing unspeakable things to her. And I want to tell her. I want to tell her that she’s luminous, she’s so bright in my mind, sometimes I can’t focus. Sometimes I forget why I came into the room. I’m distracted. I want to push her against a wall, and I want her to push back. I want to go back in time and punch her stupid husband on the day I met him and then travel back to the future and punch him again. I want to buy her flowers, food, books. I want to hold her hand, and I want to lock her in my bedroom. She’s everything I ever wanted and I want to inject her into my veins and also to never see her again. There’s nothing like her and these feelings, they are fucking intolerable. They were half-asleep while she was gone, but now she’s here and my body thinks it’s a fucking teenager and I don’t know what to do. I don’t know what to do. There is nothing I can do, so I’ll just . . . not.
Ali Hazelwood (Love on the Brain)
So what do you wear to dump somebody?" she asked me, twirling a lock of hair around one finger. "Black, for mourning? Or something cheerful and colorful, to distract them from their pain? Or maybe you wear some sort of camouflage, something that will help you disappear quickly in case they don't take it well.
Sarah Dessen (This Lullaby)
You’ll hate me,” she said, her arms locked around him because she couldn’t not hold him when he was close. “One day, you’ll hate me.” It was the thing she most feared. Hand fisting in her hair, he pressed his forehead to her own, his eyes night-glow in the dark. “I will love you until the day they put me in the earth.
Nalini Singh (Tangle of Need (Psy-Changeling, #11))
Why would anyone trade a lifetime of talent for a few years of glory?” Luc’s smile darkens. “Because time is cruel to all, and crueler still to artists. Because vision weakens, and voices wither, and talent fades.” He leans close, twists a lock of her hair around one finger. “Because happiness is brief, and history is lasting, and in the end,” he says, “everyone wants to be remembered.
V.E. Schwab (The Invisible Life of Addie LaRue)
I started to respond, but Bambi slithered up and placed its horse-sized head on my shoulder. Every muscle in my body locked up and I squeezed my eyes shut. There was a puff of air, stirring the hair along my temple. Bambi’s forked tongue shot out, tickling the side of my neck. “Hey, look, Bambi likes you.” I pried one eye open. “And if she didn’t?” “Oh, you’d know, ’cause she would’ve eaten you by now.
Jennifer L. Armentrout (White Hot Kiss (The Dark Elements, #1))
The shudder went all through him. Bones pressed me so close that his body ground into mine, jerking my head back with a thick handful of hair until our eyes locked. What had started out as a game was now an open challenge, as well as a direct threat. Any further action would bear results, it was clear from the way his gaze smoldered into mine. All of this should have frightened me, but it was as if my mind were incapable of rational thought. He was a vampire, a hit man, and had almost killed me...and nothing mattered more than the feel of him. I licked my lips and didn't pull away, and it was all the invitation he needed.
Jeaniene Frost
Viewed from a distance, his character projected an impression of solidity and wholeness which was in fact as insubstantial as a hologram; up close, he was all motes and light, you could pass your hand right through him. If you stepped back far enough, however, the illusion would click in again and there he would be, bigger than life, squinting at you from behind his little glasses and raking back a dank lock of hair with one hand.
Donna Tartt (The Secret History)
She kept her stare locked on his as she let go of his face and slowly, making sure he understood every step of the way,tilted her head back until her throat was arched and bared before him. "Aelin," he breathed. Not in reprimand or warning, but... a plea. It sounded like a plea. He lowered his head to her exposed neck and hovered a hair's breath away. She arched her neck farther, a silent invitation. Rowan let out a soft groan and grazed his teeth against her skin. One bite, one movement, was all it would take for him to rip out her throat. His elongated canines slid along her flesh-gently, precisely. She clenched the sheets to keep from running her fingers down on his bare back and drawing him closer. He braced one hand beside her head, his fingers twining in her hair. "No one else," she whispered. "I would never allow anyone else at my throat." Showing him was the only way he'd understand that trust, in a manner that only the predatory, Fae side of him would comprehend. "No one else," she said again. He let out another low groan, answer and confirmation and request, and the rumble echoed inside her. Carefully, he closed his teeth over the spot where her lifeblood thrummed and pounded, his breath hot on her skin. She shut her eyes, every sense narrowing on that sensation, on the teeth and mouth at her throat, on the powerful body trembling with restraint above hers. His tongue flicked against her skin. She made a small noise that might have been a moan, or a word, or his name. He shuddered and pulled back, the cool air kissing her neck. Wildness-pure wildness sparked in those eyes.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
Behold your future, Cavendish the Younger. You will not apply for membership, but the tribe of the elderly will claim you. Your present will not keep pace with the world's. This slippage will stretch your skin, sag your skeleton, erode your hair and memory, make your skin turn opaque so your twitching organs and blue-cheese veins will be semivisible. You will venture out only in daylight, avoiding weekends and school holidays. Language, too, will leave you behind, betraying your tribal affiliations whenever you speak. On escalators, on trunk roads, in supermarket aisles, the living will overtake you, incessantly. Elegant women will not see you. Store detectives will not see you. Salespeople will not see you, unless they sell stair lifts or fraudulent insurance policies. Only babies, cats, and drug addicts will acknowledge your existence. So do not fritter away your days. Sooner than you fear, you will stand before a mirror in a care home, look at your body, and think, E.T., locked in a ruddy cupboard for a fortnight.
David Mitchell (Cloud Atlas)
She threw her arms around my neck and pressed her head into my shoulder. Everything within me stilled. I wrapped my arms around her warmth and softness, closing my eyes to savor the peace Echo's presence brought to me. Life would almost be enjoyable if i could feel this way all the time. I nuzzled the top of her hair with my chin, sending Isaiah a glance of gratidute. Using my arms as chains, i kept Echo locked against me when she pulled her head off my shoulder.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
Was that too much?” I turned my face into his chest and placed my lips above his heart. “No, never.” And I meant it. “I …” I trailed off, my voice turning into a whisper. “I liked how you lost control. I liked it a lot.” “Careful.” I felt his hand on my hair, his palm brushing down the tousled locks. “If you get any more perfect, I’m going to believe you were made just for me.
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
Roarke glanced over at the monitor briefly, saw Eve on screen facing a woman who'd tried to make herself her twin. The hair, the eyes. She didn't come close, he thought, then forced himself to look away from the beat of his heart, and work to save her. Roarke tuned it out, all of it. Just the sound of Eve's voice - not the words, just the sound of her voice - was all he let in as he worked to lift the most important lock of his life.
J.D. Robb (Obsession in Death (In Death, #40))
Nico leaned over the edge o the chasm, thrusting out his hand, but he was much too far away to help. Hazel was yelling for the others, but even if they heard her over the chaos, they'd never make it in time. Annabeth's leg felt like it was pulling free of her body. Pain washed everything in red. The force of the Underworld tugged at her like dark gravity. She didn't have the strength to fight. She knew she was too far down to be saved. "Percy, let me go," she croaked. "You can't pull me up." His face was white with effort. She could see in his eyes that he knew it was hopeless. "Never," he said. He looked up at Nico, fifteen feet above. "The other side, Nico We'll see you there. Understand?" Nico's eyes widened. "But-" "Lead them there!" Percy shouted. "Promise me!" "I- will." Below them, the voice laughed in the darkness. Sacrifices. Beautiful sacrifices to wake the goddess. Percy tightened his grip on Annabeth's wrist. His face was gaunt, scraped and bloody, his hair dusted with cobwebs, but when he locked eyes with her, she thought he had never been more handsome. "We're staying together," he promised. "You're not getting away from me. Never again." Only then did she understand what would happen. A oneway trip. A very hard fall. "As long as we're together," she said. She heard Nico and Hazel still screaming for help. She saw the sunlight far, far above- maybe the last sunlight she would ever see. Then Percy let go of his tiny ledge, and together, holding hands, he and Annabeth fell into the endless darkness.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
Jace?" She offered him the glass. "I am a man," he told her. "And men do not consume pink beverages. Get the gone, woman and bring me something brown." "Brown?" Isabelle made a face. "Brown is a manly colour," said Jace and yanked on a stray lock of Isabelle's hair with his free hand. "In fact, look-Alec is wearing it." Alec looked mournfully down at his sweater. "It was black," he said. "But then it faded." "You could dress it up with a sequined headband," Magnus suggested.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
What do you see when you think of me, A figure cloaked in mystery With eyes downcast and hair covered, An oppressed woman yet to be discovered? Do you see backward nations and swirling sand, Humpbacked camels and the domineering man? Whirling veils and terrorists Or maybe fanatic fundamentalists? Do you see scorn and hatred locked Within my eyes and soul, Or perhaps a profound ignorance of all the world as a whole? Yet . . . You fail to see The dignified persona Of a woman wrapped in maturity. The scarf on my head Does not cover my brain. I think, I speak, but still you refrain From accepting my ideals, my type of dress, You refuse to believe That I am not oppressed. So the question remains: What do I see when I think of you? I see another human being Who doesn’t have a clue.
Uzma Jalaluddin (Ayesha at Last)
What had survived - maybe all that had survived of Trism - was Liir's sense of him. A catalog of impressions that arose from time to time, unbidden and often upsetting. From the sandy smell of his sandy hair to the locked grip of his muscles as they had wrestled in sensuous aggression - unwelcome nostalgia. Trism lived in Liir's heart like a full suit of clothes in a wardrobe, dress habillards maybe, hollow and real at once. The involuntary memory of the best of Trism's glinting virtues sometimes kicked up unquietable spasms of longing.
Gregory Maguire (Out of Oz (The Wicked Years, #4))
You know what my favorite part was?" he says, stepping closer. "Hmm?" "We didn't fight. Not once. I hate fighting with you." "I do, too. It seems like a waste of time when..." He leans impossibly closer, holding her gaze. "When?" "When we could be enjoying each other's company instead," she whispers. "But you probably don't enjoy my company here lately. I haven't been very nice-" He brushes his lips against hers, cutting her off. They're softer than he ever imagined. And it's not enough. Moving his hand from her jawline to entwine it in her damp locks, he pulls her to him. She tips up on her toes to meet him and as he lifts her from the ground, she folds her arms around his neck. Just as hungry for him as he is for her, she opens her mouth for a deeper kiss, pressing her soft curves into him. And Galen decides there is nothing better than kissing Emma. Everything about her seems made for him. The way her mouth moves in perfect rhythm with his. The way she combs her fingers through his hair, sending a stirring jolt down his spine. The way her cool lips ignite heat through his whole being. She fits in his arms, as if her every curve fills a place on his own body...
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Spectacles, on that strong-featured face…and his hair mussed as if he had been tugging absently on the front locks. All that combined with a plenitude of muscles and masculine virility was astonishingly…erotic. “When did you start wearing those?” Daisy managed to ask. “About a year ago.” He smiled ruefully and removed the spectacles with one hand. “I need them to read. Too many late nights poring over contracts and reports.” “They…they are very becoming.” “Are they?” Continuing to smile, Swift shook his head, as if it had not occurred to him to wonder about his appearance.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
Winter’s head snapped around, away from Scarlet. Scarlet’s pace slowed, dread pulsing through her as she, too, heard the footsteps. Pounding footsteps, like someone was running at full speed toward them. She reached for the knife Jacin had given her. A man barrelled around the corner, heading straight for the princess. Winter tensed half a second before he reached her. Grabbing Winter’s elbow, he yanked back the red hood. Scarlet gasped. Her knees weakened. The man stared at Winter with a mixture of confusion and disappointment and maybe even anger, all locked up in eyes so vividly green that Scarlet could see them glowing from here. She was the one hallucinating now. She took a stumbling, uncertain step forward. Wanting to run toward him, but terrified it was a trick. Her hand tightened around the knife handle as Wolf, ignoring how Winter was trying to pull away, grabbed her arm and smelled the filthy red sleeve of Scarlet’s hoodie, streaked with dirt and blood. He growled, ready to tear the princess apart. “Where did you get this?” So desperate, so determined, so him. The knife slipped out of Scarlet’s hand. Wolf’s attention snapped to her. “Wolf?” she whispered. His eyes brightened, wild and hopeful. Releasing Winter, he strode forward. His tumultuous eyes scooped over her. Devoured her. When he was in arm’s reach, Scarlet almost collapsed into him, but at the last moment she had the presence of mind to step back. She planted a hand on his chest. Wolf froze, hurt flickering across his face. “I’m sorry,” said Scarlet, her voice teetering with exhaustion. “It’s just…I smell so awful, I can hardly stand to be around myself right now, so I can’t even imagine what it’s like for you with your sense of sm-“ Batting her hand away, Wolf dug his fingers into Scarlet’s hair and crushed his mouth against hers. Her protests died with a muffled gasp. This time, she did collapse, her legs unable to hold her a second longer. Wolf fell with her, dropping his knees to break Scarlet’s fall and cradling her body against his. He was here. He was here.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
Sobre la falda tenia el libro abierto; en mi mejilla tocaban sus rizos negros; no veiamos las letras ninguno, creo; mas guardabamos entrambos hondo silencio. Cuanto duro? Ni aun entonces pude saberlo; solo se que no se oia mas que el aliento, que apresurado escapaba del labio seco. Solo se que nos volvimos los dos a un tiempo, y nuestros ojos se hallaron, y sono un beso. Creacion de Dante era el libro, era su Infierno. Cuando a el bajamos los ojos, yo dije, tremulo: Comprendes ya que un poema cabe en un verso?" Y ella respondio, encendida: Ya lo comprendo!" On her skirt she had an open book on my cheek her black locks of hair we didn't see the letters any of them, I think though we kept between us a deep silence How much did it last? Not even then I could know I only know that I couldn't hear anything more than her breath that fastly went out of her dry lips I only know that we both turned our sight at same time and our eyes met the other and a kiss was heard The creation of Dante was the book it was its Inferno when we both turned down the eyes to it I said, trembling: 'Do you already understand that a poem fits in a verse?'' And she answered lightened up: I understand!
Gustavo Adolfo Bécquer
The part that wasn't a jackpot was his baseball mound of red pubic hair that looked like it had literally been attached with a glue gun. I couldn't believe how much there was, and wondered how he had never heard of scissors, or--more appropriate for that kind of growth--hedge trimmers. I didn't understand what porn he was watching to not be aware of the trimming that was happening all across the world among his compatriots. I'm not a finicky person when it comes to pubic hair maintenance and I certainly don't expect men to shave it all off, leaving themselves to look like a hairless cat. That's even creepier then than seeing what Austin had, which could really only be compared to one thing: A clown in a leg lock.
Chelsea Handler (Are You There, Vodka? It's Me, Chelsea)
His tender tone turned her heart over. She obliged, tilting her head back slightly and looking up at him in the firelit darkness. When he bent his head and his mouth met hers, she gave a little sigh, her lips parting slightly in surprise and expectation. He kissed her with the same sure decisiveness with which he did everything else, his mouth trailing to her cheek and chin and ear, returning again and again to her mouth and lingering there, his breath mingling with her own. She felt adrift in small, sharp bursts of pleasure. Was this how a man was suppose to kiss a woman? Tenderly... firmly... repeatedly? His fingers fanned through her hair till the pins gave way and wayward locks spilled like black ribbon to the small of her back. In answer, her arms circled his neck, bringing him nearer, every kiss sweeter and surer than the one before. Soon they were lost in a haze of sighs and murmurs and caresses.
Laura Frantz (The Colonel's Lady)
You make concessions when you're married a long time that you don't believe you'll ever make when you're beginning. You say to yourself when you're young, oh, I wouldn't tolerate this or that or the other thing, you say love is the most important thing in the world and there's only one kind of love and it makes you feel different than you feel the rest of the time, like you're all lit up. But time goes by and you've slept together a thousand nights and smelled like spit-up when babies are sick and seen your body droop and get soft. And some nights you say to yourself, it's not enough, I won't put up with another minute. And then the next morning you wake up and the kitchen smells like coffee and the children have their hair all brushed and the birds are eating out of the feeder and you look at your husband and he's not the person you used to think he was but he's your life. The house and the children and so much more of what you do is built around him and your life, too, your history. If you take him out it's like cutting his face out of all the pictures, there's a big hole and it's ugly. It would ruin everything. It's more than love, it's more important than love... It's hard. And it's hard to understand unless you're in it. And it's hard for you to understand now because of where you are and what you're feeling. But I wanted to say it...because I won't be able to say it when I need to, when it's one of those nights and you're locking the front door because of foolishness about romance, about how things are supposed to be. You can be hard, and you can be judgmental, and with those two things alone you can make a mess of your life the likes of which you won't believe. It's so much easier...the being happy. It's so much easier, to learn to love what you have instead of yearning always for what you're missing, or what you imagine you're missing. It's so much more peaceful.
Anna Quindlen (One True Thing)
Then what do you want?" she asked softly. He shook his head without answering. But Sara knew. He wanted to be safe. If he were rich and powerful enough, he would never be hurt, lonely, or abandoned. He would never have to trust anyone. She continued to stroke his hair, playing lightly with the thick raven locks. 'Take a chance on me," she urged. "Do you really have so much to lose?" He gave a harsh laugh and loosened his arms to release her. "More than you know." Clinging to him desperately, Sara kept her mouth at his ear. "Listen to me." All she could do was play her last card. Her voice trembled with emotion. "You can't change the truth. You can act as though you're deaf and blind, you can walk away from me forever, but the truth will still be there, and you can't make it go away. I love you." She felt an involuntary tremor run through him. "I love you," she repeated. "Don't lie to either of us by pretending you're leaving for my good. All you'll do is deny us both a chance at happiness. I'll long for you every day and night, but at least my conscience will be clear. I haven't held anything back from you, out of fear or pride or stubbornness." She felt the incredible tautness of his muscles, as if he were carved from marble. "For once have the strength not to walk away," she whispered. "Stay with me. Let me love you, Derek." He stood there frozen in defeat, with all the warmth and promise of her in his arms ... and he couldn't allow himself to take what she offered. He'd never felt so worthless, so much a fraud. Perhaps for a day, a week, he could be what she wanted. But no longer than that. He had sold his honor, his conscience, his body, anything he could use to escape the lot he'd been given in life. And now, with all his great fortune, he couldn't buy back what he'd sacrificed. Were he capable of tears, he would have shed them. Instead he felt numbing coldness spread through his body, filling up the region where his heart should have been. It wasn't difficult to walk away from her. It was appallingly easy. Sara made an inarticulate sound as he extricated himself from her embrace. He left her as he had left the others, without looking back.
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
Hamlet's Cat's Soliloquy "To go outside, and there perchance to stay Or to remain within: that is the question: Whether 'tis better for a cat to suffer The cuffs and buffets of inclement weather That Nature rains on those who roam abroad, Or take a nap upon a scrap of carpet, And so by dozing melt the solid hours That clog the clock's bright gears with sullen time And stall the dinner bell. To sit, to stare Outdoors, and by a stare to seem to state A wish to venture forth without delay, Then when the portal's opened up, to stand As if transfixed by doubt. To prowl; to sleep; To choose not knowing when we may once more Our readmittance gain: aye, there's the hairball; For if a paw were shaped to turn a knob, Or work a lock or slip a window-catch, And going out and coming in were made As simple as the breaking of a bowl, What cat would bear the houselhold's petty plagues, The cook's well-practiced kicks, the butler's broom, The infant's careless pokes, the tickled ears, The trampled tail, and all the daily shocks That fur is heir to, when, of his own will, He might his exodus or entrance make With a mere mitten? Who would spaniels fear, Or strays trespassing from a neighbor's yard, But that the dread of our unheeded cries And scraches at a barricaded door No claw can open up, dispels our nerve And makes us rather bear our humans' faults Than run away to unguessed miseries? Thus caution doth make house cats of us all; And thus the bristling hair of resolution Is softened up with the pale brush of thought, And since our choices hinge on weighty things, We pause upon the threshold of decision.
Henry N. Beard (Poetry for Cats: The Definitive Anthology of Distinguished Feline Verse)
James eyed Matthew. “Thomas,” he said, in a low voice. “Maybe a healing rune?” Thomas nodded and approached Matthew cautiously, as one might approach a stray cat on the street. Some time ago James had discovered that healing runes sobered Matthew up: not entirely, but enough. “Push up your sleeve, then, there’s a good fellow,” Thomas said, seating himself on the arm of Matthew’s chair. “Let’s wake you up and James can tell us whatever mad thing he has planned.” “It seems somehow blasphemous to use Marks to rid oneself of the effects of alcohol,” Matthew added, as Thomas put his stele away. The Mark in question gleamed, new-made, on Matthew’s wrist. He looked already more clear-eyed, and less as if he were about to fall asleep or be sick. “I’ve seen you use your stele to part your hair,” said James dryly, as he began to examine the window locks. “The Angel gave me this hair,” replied Matthew. “It’s one of the Shadowhunters’ gifts. Like the Mortal Sword.” “Now that is blasphemy,” said Thomas.
Cassandra Clare (Chain of Gold (The Last Hours, #1))
I should’ve just made something up and gotten the favor over with.” “You probably should have. But you didn’t, so . . . I win!” He shook his hair, flashing his most adorably confident smile, “And I gotta say, I kinda get why you hesitated with this. It’s a big decision. I mean, on the one hand, I could go for the obvious and make you share whatever secret you keep almost telling me.” Sophie’s mouth turned to sandpaper. “So that still freaks you out, huh? That might be proof that it needs to happen.” His eyes locked onto hers, refusing to let her look away. And when she swallowed, it was so loud, she was sure the entire world heard it. “Or,” he said. “We could skip the talking.” “And do what?” she asked, hating her voice for cracking. “Any ideas?” He was so close now, she could feel his breath warming her cheeks. He leaned a tiny bit closer and someone cleared his throat—very loudly.
Shannon Messenger (Lodestar (Keeper of the Lost Cities, #5))
We were all trapped in stories, she said, just as he used to say, his wavy hair, his naughty smile, his beautiful mind, each of us the prisoner of our own solipsistic narrative, each family the captive of the family story, each community locked within its own tale of itself, each people the victims of their own versions of history, and there were parts of the world where the narratives collided and went to war, where there were two or more incompatible stories fighting for space on, to speak, the same page. She came from one such place, his place, from which he had been forever displaced, they exiled his body but his spirit, never. And maybe now every place was becoming that place, maybe Lebanon was everywhere and nowhere, so that we were all exiles, even if our hair wasn't so wavy, our smiles not so naughty, our minds less beautiful, even the name Lebanon wasn't necessary, the name of every place or any place would do just as well, maybe that's why she felt nameless, unnamed, unnameable, Lebanonymous.
Salman Rushdie (Two Years Eight Months and Twenty-Eight Nights)
When he heard light, rushing footfalls, he turned his head. Someone was racing along the second-floor balcony. Then laughter drifted down from above. Glorious feminine laughter. He leaned out the archway and glanced at the grand staircase. Bella appeared on the landing above, breathless, smiling, a black satin robe gathered in her hands. As she slowed at the head of the stairs, she looked over her shoulder, her thick dark hair swinging like a mane. The pounding that came next was heavy and distant, growing louder until it was like boulders hitting the ground. Obviously, it was what she was waiting for. She let out a laugh, yanked her robe up even higher, and started down the stairs, bare feet skirting the steps as if she were floating. At the bottom, she hit the mosaic floor of the foyer and wheeled around just as Zsadist appeared in second-story hallway. The Brother spotted her and went straight for the balcony, pegging his hands into the rail, swinging his legs up and pushing himself straight off into thin air. He flew outward, body in a perfect swan dive--except he wasn't over water, he was two floors up over hard stone. John's cry for help came out as a mute, sustained rush of air-- Which was cut off as Zsadist dematerialized at the height of the dive. He took form twenty feet in front of Bella, who watched the show with glowing happiness. Meanwhile, John's heart pounded from shock...then pumped fast for a different reason. Bella smiled up at her mate, her breath still hard, her hands still gripping the robe, her eyes heavy with invitation. And Zsadist came forward to answer her call, seeming to get even bigger as he stalked over to her. The Brother's bonding scent filled the foyer, just as his low, lionlike growl did. The male was all animal at the moment....a very sexual animal. "You like to be chased, nalla, " Z said in a voice so deep it distorted. Bella's smile got even wider as she backed up into a corner. "Maybe." "So run some more, why don't you." The words were dark and even John caught the erotic threat in them. Bella took off, darting around her mate, going for the billiards room. Z tracked her like prey, pivoting around, his eyes leveled on the female's streaming hair and graceful body. As his lips peeled off his fangs, the white canines elongated, protruding from his mouth. And they weren't the only response he had to his shellan. At his hips, pressing into the front of his leathers, was an erection the size of a tree trunk. Z shot John a quick glance and then went back to his hunt, disappearing into the room, the pumping growl getting louder. From out of the open doors, there was a delighted squeal, a scramble, a female's gasp, and then....nothing. He'd caught her. ......When Zsadist came out a moment later, he had Bella in his arms, her dark hair trailing down his shoulder as she lounged in the strength that held her. Her eyes locked on Z's face while he looked where he was going, her hand stroking his chest, her lips curved in a private smile. There was a bite mark on her neck, one that had very definitely not been there before, and Bella's satisfaction as she stared at the hunger in her hellren's face was utterly compelling. John knew instinctively that Zsadist was going to finish two things upstairs: the mating and the feeding. The Brother was going to be at her throat and in between her legs. Probably at the same time. God, John wanted that kind of connection.
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
You will leave now," she said softly, " or I will drag you out of here by your hair." The man had breath like a day-old tuna sandwich. "I hate dykes. You always think you're tougher than you really----" Xhex grabbed the man's wrist, turned him in a little circle, and cranked him arm up to the middle of his back. Then she clipped her leg around his ankles and shoved him off balance. He landed like a side of beef, the wind getting knocked out of him on a curse, his body plowing into the short-napped carpet. In a quick move, she bent down, buried one hand in his gelled-up hair, and locked the other on the collar of his suit jacket. As she draggep him face-first to the side exit, she was multitasking : creating a scene, commiting both an assault and a battery, and running the risk of a brawl if his buddies in the Hall of Fucktards got involved. But you had to put on a show every once in a while. To keep the peace, you had to get your hands dirty every once in a while.
J.R. Ward (Lover Enshrined (Black Dagger Brotherhood, #6))
The Death of Allegory I am wondering what became of all those tall abstractions that used to pose, robed and statuesque, in paintings and parade about on the pages of the Renaissance displaying their capital letters like license plates. Truth cantering on a powerful horse, Chastity, eyes downcast, fluttering with veils. Each one was marble come to life, a thought in a coat, Courtesy bowing with one hand always extended, Villainy sharpening an instrument behind a wall, Reason with her crown and Constancy alert behind a helm. They are all retired now, consigned to a Florida for tropes. Justice is there standing by an open refrigerator. Valor lies in bed listening to the rain. Even Death has nothing to do but mend his cloak and hood, and all their props are locked away in a warehouse, hourglasses, globes, blindfolds and shackles. Even if you called them back, there are no places left for them to go, no Garden of Mirth or Bower of Bliss. The Valley of Forgiveness is lined with condominiums and chain saws are howling in the Forest of Despair. Here on the table near the window is a vase of peonies and next to it black binoculars and a money clip, exactly the kind of thing we now prefer, objects that sit quietly on a line in lower case, themselves and nothing more, a wheelbarrow, an empty mailbox, a razor blade resting in a glass ashtray. As for the others, the great ideas on horseback and the long-haired virtues in embroidered gowns, it looks as though they have traveled down that road you see on the final page of storybooks, the one that winds up a green hillside and disappears into an unseen valley where everyone must be fast asleep.
Billy Collins
Cam’s grin was wicked as his hand coasted up my waist to cup my breast. He squeezed it, setting off a weird mixture of painful tenderness and a bolt of lust to my sex. “My eyes!” Cole yelled. Cam and I jerked apart, and I twisted my head to see my brother standing in the doorway in his pyjamas, his hair falling in wet locks across his forehead. His forearm covered his eyes. “I’m fucking blind,” he growled and turned around, bumping into the wall before remembering to drop his arm. After that he stomped out of the flat, the door slamming in his wake. Horrified, I looked up into Cam’s face, my eyes wide. “I think I should let him get away with using the ‘f’ word on this occasion.” Cam snorted, laughter sputtering as he dropped his head to my chest, his whole body shaking with amusement. I felt an irrepressible giggle escape me despite my mortification for myself and Cole. “It’s not funny. We’ve scarred him. I better check on him.” Cam shook his head, his eyes bright with mirth. “You’re the last person he wants to see right now … I’m sure he’s barricaded himself in his room and is doing anything he can to burn the image of me dry-humping his sister out of his mind.
Samantha Young (Down London Road (On Dublin Street, #2))
In Chloe, a great city, the people who move through the streets are all strangers. At each encounter, they imagine a thousand things about one another; meetings which could take place between them, conversations, surprises, caresses, bites. But no one greets anyone; eyes lock for a second, then dart away, seeking other eyes, never stopping. A girl comes along, twirling a parasol on her shoulder, and twirling slightly also her rounded hips. A woman in black comes along, showing her full age, her eyes restless beneath her veil, her lips trembling. At tattooed giant comes along; a young man with white hair; a female dwarf; two girls, twins, dressed in coral. Something runs among them, an exchange of glances link lines that connect one figure with another and draws arrows, stars, triangles, until all combinations are used up in a moment, and other characters come on to the scene: a blind man with a cheetah on a leash, a courtesan with an ostrich-plume fan, an ephebe, a Fat Woman. And thus, when some people happen to find themselves together, taking shelter from the rain under an arcade, or crowding beneath an awning of the bazaar, or stopping to listen to the band in the square, meetings, seductions, copulations, orgies are consummated among them without a word exchanged, without a finger touching anything, almost without an eye raised. A voluptuous vibration constantly stirs Chloe, the most chaste of cities. If men and women began to live their ephemeral dreams, every phantom would become a person with whom to begin a story of pursuits, pretenses, misunderstandings, clashes, oppressions, and the carousel of fantasies would stop.
Italo Calvino
Who knew?’ he says. ‘I had no idea that someone could be such a thorn in your foot during a death march and still be irresistibly attractive in some magical, undeniable way.’ ‘So is that what people call sweet nothings? Because somehow, I expected it to be a little more . . . complimentary.’ ‘Don’t you know a heartfelt declaration of love when you hear one?’ I blink dumbly at him with my heart pounding. He caresses a lock of my hair out of my face. ‘Look, I know that we’re from different worlds and different people. But I’ve realized that it doesn’t matter.’ ‘You don’t care about the angelic rules anymore?’ ‘My Watchers have helped me realize that angelic rules are for angels. Without our wings, we can never be fully accepted back into the fold. There will always be talk of taking a newly Fallen’s wings and transplanting them onto us. Angels are perfect. Even with transplanted wings, we’ll never again be perfect. You accept me just the way I am, regardless of whether or not I even have wings. Even when I had my demon wings, you’ve never looked at me with pity. You’ve never wavered in your loyalty. That’s who you are – my brave, loyal, lovable Daughter of Man.
Susan Ee (End of Days (Penryn & the End of Days, #3))
Tristan?” He turned his face to me, and it was streaked with tears. I wanted to wipe them away, tell him that everything would be all right, but my body was locked stiff with pain. “Promise me you’ll get better,” he whispered. “Tell me you’ll grow strong again. That you’ll gallop on horseback through summer meadows. Dance in spring rains and let snowflakes melt on your tongue in winter. That you’ll travel wherever the wind takes you. That you’ll live.” He stroked my hair. “Promise me.” Confusion crept over me. “You’ll be with me, though. You’ll do those things too?” He kissed my lips, silencing my questions. “Promise me.” “No,” I said, struggling against him.. “No, you said you were coming with me. You said. You promised.” He had to be coming with me - he said he was and Tristan couldn’t lie. Wouldn’t lie. He got to his feet and stepped into the water. I tried to struggle, but he was too strong. “Tristian, no, no, no!” I tried to scream, but I couldn’t. I tried to hold on to him, but my fingers wouldn’t work. The cold of the water bit into my skin and I sobbed, terrified. “You said you would never leave me!” He stopped, the weight of his sorrow greater than any mountain. “And if I had the choice, I never would. I love you, Cécile. I will love you until the day I take my last breath and that is the truth. “ He kissed me hard. “Forgive me.
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
It's a physical sickness. Etienne. How much I love him. I love Etienne. I love it when he cocks an eyebrow whenever I say something he finds clever or amusing. I love listening to his boots clomp across my bedroom ceiling. I love that the accent over his first name is called an acute accent, and that he has a cute accent. I love that. I love sitting beside him in physics. Brushing against him during lands. His messy handwriting on our worksheets. I love handing him his backpack when class is over,because then my fingers smell like him for the next ten minutes. And when Amanda says something lame, and he seeks me out to exchange an eye roll-I love that,too. I love his boyish laugh and his wrinkled shirts and his ridiculous knitted hat. I love his large brown eyes,and the way he bites his nails,and I love his hair so much I could die. There's only one thing I don't love about him. Her. If I didn't like Ellie before,it's nothing compared to how I feel now. It doesn't matter that I can count how many times we've met on one hand. It's that first image, that's what I can't shake. Under the streeplamp. Her fingers in his hair. Anytime I'm alone, my mind wanders back to that night. I take it further. She touches his chest. I take it further.His bedroom.He slips off her dress,their lips lock, their bodies press,and-oh my God-my temperature rises,and my stomach is sick. I fantasize about their breakup. How he could hurt her,and she could hurt him,and of all the ways I could hurt her back. I want to grab her Parisian-styled hair and yank it so hard it rips from her skull. I want to sink my claws into her eyeballs and scrape. It turns out I am not a nice person. Etienne and I rarely discussed her before, but she's completely taboo now. Which tortures me, because since we've gotten back from winter break, they seem to be having problems again. Like an obsessed stalker,I tally the evenings he spend with me versus the evening he spends with her. I'm winning.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
A quiet but indomitable voice behind me said, “I believe this is my dance.” It was Ren. I could feel his presence. The warmth of him seeped into my back, and I quivered all over like spring leaves in a warm breeze. Kishan narrowed his eyes and said, “I believe it is the lady’s choice.” Kishan looked down at me. I didn’t want to cause a scene, so I simply nodded and removed my arms from his neck. Kishan glared at his replacement and stalked angrily off the dance floor. Ren stepped in front of me, took my hands gently in his, and placed them around his neck, bringing my face achingly close to his. Then he slid his hands slowly and deliberately over my bare arms and down my sides, until they encircled my waist. He traced little circles on my exposes lower back with his fingers, squeezed my waist, and drew my body up tightly against him. He guided me expertly through the slow dance. He didn’t say anything, at least not with words, but he was still sending lots of signals. He pressed his forehead against mine and leaned down to nuzzle my ear. He buried his face in my hair and lifted his hand to stroke down the length of it. His fingers played along my bare arm and at my waist. When the song ended, it took both of us a min to recover our senses and remember where we were. He traced the curve of my bottom lip with his finger then reached up to take my hand from around his neck and led me outside to the porch. I thought he would stop there, but he headed down the stairs and guided me to a wooded area with stone benches. The moon made his skin glow. He was wearing a white shirt with dark slacks. The white made me think of him as the tiger. He pulled me under the shadow of a tree. I stood very still and quiet, afraid that if I spoke I’d say something I’d regret. He cupped my chin and tilted my face up so he could look in my eyes. “Kelsey, there’s something I need to say to you, and I want you to be silent and listen.” I nodded my head hesitantly. “First, I want to let you know that I heard everything you said to me the other night, and I’ve been giving your words some very serious thought. It’s important for you to understand that.” He shifted and picked up a lock of hair, tucked it behind my ear, and trailed his fingers down my cheek to my lips. He smiled sweetly at me, and I felt the little love plant bask in his smile and turn toward it as if it contained the nourishing rays of the sun. “Kelsey,” he brushed a hand through his hair, and his smile turned into a lopsided grin, “the fact is…I’m in love with you, and I have been for some time.” I sucked in a deep breath. He picked up my hand and played with my fingers. “I don’t want you to leave.” He began kissing my fingers while looking directly into my eyes. It was hypnotic. He took something out of his pocket. “I want to give you something.” He held out a golden chain covered with small tinkling bell charms. “It’s an anklet. They’re very popular here, and I got this one so we’d never have to search for a bell again.” He crouched down, wrapping his hand around the back of my calf, and then slid his palm down to my ankle and attached the clasp. I swayed and barely stopped myself from falling over. He trailed his warm fingers lightly over the bells before standing up. Putting his hands on my shoulders, he squeezed, and pulled me closer. “Kells . . . please.” He kissed my temple, my forehead, and my cheek. Between each kiss, he sweetly begged, “Please. Please. Please. Tell me you’ll stay with me.” When his lips brushed lightly against mine, he said, “I need you,” then crushed his lips against mine.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
I see things in windows and I say to myself that I want them. I want them because I want to belong. I want to be liked by more people, I want to be held in higher regard than others. I want to feel valued, so I say to myself to watch certain shows. I watch certain shows on the television so I can participate in dialogues and conversations and debates with people who want the same things I want. I want to dress a certain way so certain groups of people are forced to be attracted to me. I want to do my hair a certain way with certain styling products and particular combs and methods so that I can fit in with the In-Crowd. I want to spend hours upon hours at the gym, stuffing my body with what scientists are calling 'superfoods', so that I can be loved and envied by everyone around me. I want to become an icon on someone's mantle. I want to work meaningless jobs so that I can fill my wallet and parentally-advised bank accounts with monetary potential. I want to believe what's on the news so that I can feel normal along with the rest of forever. I want to listen to the Top Ten on Q102, and roll my windows down so others can hear it and see that I am listening to it, and enjoying it. I want to go to church every Sunday, and pray every other day. I want to believe that what I do is for the promise of a peaceful afterlife. I want rewards for my 'good' deeds. I want acknowledgment and praise. And I want people to know that I put out that fire. I want people to know that I support the war effort. I want people to know that I volunteer to save lives. I want to be seen and heard and pointed at with love. I want to read my name in the history books during a future full of clones exactly like me. The mirror, I've noticed, is almost always positioned above the sink. Though the sink offers more depth than a mirror, and mirror is only able to reflect, the sink is held in lower regard. Lower still is the toilet, and thought it offers even more depth than the sink, we piss and shit in it. I want these kind of architectural details to be paralleled in my every day life. I want to care more about my reflection, and less about my cleanliness. I want to be seen as someone who lives externally, and never internally, unless I am able to lock the door behind me. I want these things, because if I didn't, I would be dead in the mirrors of those around me. I would be nothing. I would be an example. Sunken, and easily washed away.
Dave Matthes
Ms. Terwilliger didn’t have a chance to respond to my geological ramblings because someone knocked on the door. I slipped the rocks into my pocket and tried to look studious as she called an entry. I figured Zoe had tracked me down, but surprisingly, Angeline walked in. "Did you know," she said, "that it’s a lot harder to put organs back in the body than it is to get them out?" I closed my eyes and silently counted to five before opening them again. “Please tell me you haven’t eviscerated someone.” She shook her head. “No, no. I left my biology homework in Miss Wentworth’s room, but when I went back to get it, she’d already left and locked the door. But it’s due tomorrow, and I’m already in trouble in there, so I had to get it. So, I went around outside, and her window lock wasn’t that hard to open, and I—” "Wait," I interrupted. "You broke into a classroom?" "Yeah, but that’s not the problem." Behind me, I heard a choking laugh from Ms. Terwilliger’s desk. "Go on," I said wearily. "Well, when I climbed through, I didn’t realize there was a bunch of stuff in the way, and I crashed into those plastic models of the human body she has. You know, the life size ones with all the parts inside? And bam!" Angeline held up her arms for effect. "Organs everywhere." She paused and looked at me expectantly. "So what are we going to do? I can’t get in trouble with her." "We?" I exclaimed. "Here," said Ms. Terwilliger. I turned around, and she tossed me a set of keys. From the look on her face, it was taking every ounce of self-control not to burst out laughing. "That square one’s a master. I know for a fact she has yoga and won’t be back for the rest of the day. I imagine you can repair the damage—and retrieve the homework—before anyone’s the wiser.” I knew that the “you” in “you can repair” meant me. With a sigh, I stood up and packed up my things. “Thanks,” I said. As Angeline and I walked down to the science wing, I told her, “You know, the next time you’ve got a problem, maybe come to me before it becomes an even bigger problem.” "Oh no," she said nobly. "I didn’t want to be an inconvenience." Her description of the scene was pretty accurate: organs everywhere. Miss Wentworth had two models, male and female, with carved out torsos that cleverly held removable parts of the body that could be examined in greater detail. Wisely, she had purchased models that were only waist-high. That was still more than enough of a mess for us, especially since it was hard to tell which model the various organs belonged to. I had a pretty good sense of anatomy but still opened up a textbook for reference as I began sorting. Angeline, realizing her uselessness here, perched on a far counter and swing her legs as she watched me. I’d started reassembling the male when I heard a voice behind me. "Melbourne, I always knew you’d need to learn about this kind of thing. I’d just kind of hoped you’d learn it on a real guy." I glanced back at Trey, as he leaned in the doorway with a smug expression. “Ha, ha. If you were a real friend, you’d come help me.” I pointed to the female model. “Let’s see some of your alleged expertise in action.” "Alleged?" He sounded indignant but strolled in anyways. I hadn’t really thought much about asking him for help. Mostly I was thinking this was taking much longer than it should, and I had more important things to do with my time. It was only when he came to a sudden halt that I realized my mistake. "Oh," he said, seeing Angeline. "Hi." Her swinging feet stopped, and her eyes were as wide as his. “Um, hi.” The tension ramped up from zero to sixty in a matter of seconds, and everyone seemed at a loss for words. Angeline jerked her head toward the models and blurted out. “I had an accident.” That seemed to snap Trey from his daze, and a smile curved his lips. Whereas Angeline’s antics made me want to pull out my hair sometimes, he found them endearing.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
Smiling victoriously, he crushed me against his chest and kissed me again. This time, the kiss was bolder and playful. I ran my hands from his powerful shoulders, up to his neck, and pressed him close to me. When he pulled away, his face brightened with an enthusiastic smile. He scooped me up and spun me around the room, laughing. When I was thoroughly dizzy, he sobered and touched his forehead to mine. Shyly, I reached out to touch his face, exploring the angles of his cheeks and lips with my fingertips. He leaned into my touch like the tiger did. I laughed softly and ran my hands up into his hair, brushing it away from his forehead, loving the silky feel of it. I felt overwhelmed. I didn’t expect a first kiss to be so…life altering. In a few brief moments, the rule book of my universe had been rewritten. Suddenly I was a brand new person. I was as fragile as a newborn, and I worried that the deeper I allowed the relationship to progress, the worse that the deeper I allowed the relationship to progress, the worse it would be if Ren left. What would become of us? There was no way to know, and I realized what a breakable and delicate thing a heart was. No wonder I’d kept mine locked away. He was oblivious to my negative thoughts, and I tried to push them into the back of my mind and enjoy the moment with him. Setting me down, he briefly kissed me again and pressed soft kisses along my hairline and neck. Then, he gathered me into a warm embrace and just held me close. Stroking my hair while caressing my neck, he whispered soft words in his native language. After several moments, he sighed, kissed my cheek, and nudged me toward the bed. “Get some sleep, Kelsey. We both need some.” After one last caress on my cheek with the back of his fingers, he changed into his tiger form and lay down on the mat beside my bed. I climbed into bed, settled under my quilt, and leaned over to stroke his head. Tucking my other arm under my cheek, I softly said, “Goodnight, Ren.” He rubbed his head against my hand, leaned into it, and purred quietly. Then he put his head on his paws and closed his eyes. Mae West, a famous vaudeville actress, once said, “A man’s kiss is his signature.” I grinned to myself. If that was true, then Ren’s signature was the John Hancock of kisses.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Children write essays in school about the unhappy, tragic, doomed life of Anna Karenina. But was Anna really unhappy? She chose passion and she paid for her passion—that's happiness! She was a free, proud human being. But what if during peacetime a lot of greatcoats and peaked caps burst into the house where you were born and live, and ordered the whole family to leave house and town in twenty-four hours, with only what your feeble hands can carry?... You open your doors, call in the passers-by from the streets and ask them to buy things from you, or to throw you a few pennies to buy bread with... With ribbon in her hair, your daughter sits down at the piano for the last time to play Mozart. But she bursts into tears and runs away. So why should I read Anna Karenina again? Maybe it's enough—what I've experienced. Where can people read about us? Us? Only in a hundred years? "They deported all members of the nobility from Leningrad. (There were a hundred thousand of them, I suppose. But did we pay much attention? What kind of wretched little ex-nobles were they, the ones who remained? Old people and children, the helpless ones.) We knew this, we looked on and did nothing. You see, we weren't the victims." "You bought their pianos?" "We may even have bought their pianos. Yes, of course we bought them." Oleg could now see that this woman was not yet even fifty. Yet anyone walking past her would have said she was an old woman. A lock of smooth old woman's hair, quite incurable, hung down from under her white head-scarf. "But when you were deported, what was it for? What was the charge?" "Why bother to think up a charge? 'Socially harmful' or 'socially dangerous element'—S.D.E.', they called it. Special decrees, just marked by letters of the alphabet. So it was quite easy. No trial necessary." "And what about your husband? Who was he?" "Nobody. He played the flute in the Leningrad Philharmonic. He liked to talk when he'd had a few drinks." “…We knew one family with grown-up children, a son and a daughter, both Komsomol (Communist youth members). Suddenly the whole family was put down for deportation to Siberia. The children rushed to the Komsomol district office. 'Protect us!' they said. 'Certainly we'll protect you,' they were told. 'Just write on this piece of paper: As from today's date I ask not to be considered the son, or the daughter, of such-and-such parents. I renounce them as socially harmful elements and I promise in the future to have nothing whatever to do with them and to maintain no communication with them.
Aleksandr Solzhenitsyn (Cancer Ward)
I don’t know what to . . . to think.” There was a horrifying burn of tears crawling up my throat. “This is all overwhelming for you, I imagine. The whole world as you know it is on the brink of great change, and you’re here and don’t even know my name.” The man smiled so broadly, I wondered if it hurt. “You can call me Rolland.” Then he extended a hand. My gaze dropped to it and I made no attempt to take it. Rolland chuckled as he turned and strolled back to the desk. “So, you’re a hybrid? Mutated and linked to him on such an intense level that if one of you dies, so does the other?” His question caught me off guard, but I kept quiet. He sat on the edge of the desk. “You’re actually the first hybrid I’ve seen.” “She really isn’t anything special.” The redhead sneered. “Frankly, she’s rather filthy, like an unclean animal.” As stupid as it was, my cheeks heated, because I was filthy, and Daemon had just physically removed me from him. My pride—my everything—was officially wounded. Rolland chuckled. “She’s had a rough day, Sadi.” At her name, every muscle in my body locked up, and my gaze swung back to her. That was Sadi? The one Dee said was trying to molest Daemon—my Daemon? Anger punched through the confusion and hurt. Of course it would have to be a freaking walking and talking model and not a hag. “Rough day or not, I can’t imagine she cleans up well.” Sadi looked at Daemon as she placed a hand on his chest. “I’m kind of disappointed.” “Are you?” Daemon replied.
 Every hair on my body rose as my arms unfolded.
 “Yes,” she purred. “I really think you can do better. Lots better.” As she spoke, she trailed red-painted fingers down the center of his chest, over his abdomen, heading straight for the button on his jeans. And oh, hell to the no. “Get your hands off him.”
 Sadi’s head snapped in my direction. “Excuse me?”
 “I don’t think I stuttered.” I took a step forward. “But it looks like you need me to repeat it. Get your freaking hands off him.” One side of her plump red lips curled up. “You want to make me?”
 In the back of my head, I was aware that Sadi didn’t move or speak like the other Luxen. Her mannerisms were too human, but then that thought was quickly chased away when Daemon reached down and pulled her hand away. “Stop it,” he murmured, voice dropped low in that teasing way of his. I saw red. The pictures on the wall rattled and the papers on the desk started to lift up. Static charged over my skin. I was about to pull a Beth right here, seconds away from floating to the ceiling and ripping out every strand of red— “And you stop it,” Daemon said, but the teasing quality was gone from his words. There was a warning in them that took the wind right out of my pissed-off sails. The pictures settled as I gaped at him. Being slapped in the face would’ve been better.
Jennifer L. Armentrout (Opposition (Lux, #5))
Things I Used to Get Hit For: Talking back. Being smart. Acting stupid. Not listening. Not answering the first time. Not doing what I’m told. Not doing it the second time I’m told. Running, jumping, yelling, laughing, falling down, skipping stairs, lying in the snow, rolling in the grass, playing in the dirt, walking in mud, not wiping my feet, not taking my shoes off. Sliding down the banister, acting like a wild Indian in the hallway. Making a mess and leaving it. Pissing my pants, just a little. Peeing the bed, hardly at all. Sleeping with a butter knife under my pillow. Shitting the bed because I was sick and it just ran out of me, but still my fault because I’m old enough to know better. Saying shit instead of crap or poop or number two. Not knowing better. Knowing something and doing it wrong anyway. Lying. Not confessing the truth even when I don’t know it. Telling white lies, even little ones, because fibbing isn’t fooling and not the least bit funny. Laughing at anything that’s not funny, especially cripples and retards. Covering up my white lies with more lies, black lies. Not coming the exact second I’m called. Getting out of bed too early, sometimes before the birds, and turning on the TV, which is one reason the picture tube died. Wearing out the cheap plastic hole on the channel selector by turning it so fast it sounds like a machine gun. Playing flip-and-catch with the TV’s volume button then losing it down the hole next to the radiator pipe. Vomiting. Gagging like I’m going to vomit. Saying puke instead of vomit. Throwing up anyplace but in the toilet or in a designated throw-up bucket. Using scissors on my hair. Cutting Kelly’s doll’s hair really short. Pinching Kelly. Punching Kelly even though she kicked me first. Tickling her too hard. Taking food without asking. Eating sugar from the sugar bowl. Not sharing. Not remembering to say please and thank you. Mumbling like an idiot. Using the emergency flashlight to read a comic book in bed because batteries don’t grow on trees. Splashing in puddles, even the puddles I don’t see until it’s too late. Giving my mother’s good rhinestone earrings to the teacher for Valentine’s Day. Splashing in the bathtub and getting the floor wet. Using the good towels. Leaving the good towels on the floor, though sometimes they fall all by themselves. Eating crackers in bed. Staining my shirt, tearing the knee in my pants, ruining my good clothes. Not changing into old clothes that don’t fit the minute I get home. Wasting food. Not eating everything on my plate. Hiding lumpy mashed potatoes and butternut squash and rubbery string beans or any food I don’t like under the vinyl seat cushions Mom bought for the wooden kitchen chairs. Leaving the butter dish out in summer and ruining the tablecloth. Making bubbles in my milk. Using a straw like a pee shooter. Throwing tooth picks at my sister. Wasting toothpicks and glue making junky little things that no one wants. School papers. Notes from the teacher. Report cards. Whispering in church. Sleeping in church. Notes from the assistant principal. Being late for anything. Walking out of Woolworth’s eating a candy bar I didn’t pay for. Riding my bike in the street. Leaving my bike out in the rain. Getting my bike stolen while visiting Grandpa Rudy at the hospital because I didn’t put a lock on it. Not washing my feet. Spitting. Getting a nosebleed in church. Embarrassing my mother in any way, anywhere, anytime, especially in public. Being a jerk. Acting shy. Being impolite. Forgetting what good manners are for. Being alive in all the wrong places with all the wrong people at all the wrong times.
Bob Thurber (Paperboy: A Dysfunctional Novel)
I was acutely aware of him, and the thought that he was walking me back to my room and would most likely try to kiss me again sent shivers down my spine. For self-preservation purposes, I had to get away. Every minute I spent with him just made me want him more. Since merely annoying him wasn’t working, I’d have to up the ante. Apparently, I needed him not only to fall out-of-like with me, but to hate me as well. I’d frequently been told that I was an all-or-nothing kind of girl. If I were going to push him away, it was going to be so far away that there would be absolutely no change of him ever coming back. I tried to wrench my elbow out of his grasp, but he just held on more tightly. I grumbled at him, “Stop using your tiger strength on me, Superman.” “Am I hurting you?” “No, but I’m not a puppet to be dragged around.” He trailed his fingers down my arm and took my hand instead. “Then you play nice, and I will too.” “Fine.” He grinned. “Fine.” I hissed back. “Fine!” We walked to the elevator, and he pushed the button to my floor. “My room is on the same floor,” Ren edxplained. I scowled and then grinned lopsidedly and just a little bit evilly, “And umm, how exactly is that going to work for you in the morning, Tiger? You really shouldn’t get Mr. Kadam in trouble for having a rather large…pet.” Ren returned my sarcasm as he walked me to my door. “Are you worried about me, Kells? Well, don’t. I’ll be fine.” “I guess there’s no point in asking how you knew which door belong to me, huh, Tiger Nose?” He looked at me in a way that turned my insides to jelly. I spun around but awareness of him shot through my limbs, and I could feel him standing close behind me watching, waiting. I put my key in the lock, and he moved closer. My hand started shaking, and I couldn’t twist the key the right way. He took my hand and gently turned me around. He then put both hands on the door on either side of my head and leaned in close, pinning me against it. I trembled like a downy rabbit caught in the clutches of a wolf. The wolf came closer. He bent his head and began nuzzling my cheek. The problem was…I wanted the wolf to devour me. I began to get lost in the thick sultry fog that overtook me every time Ren put his hands on me. So much for asking for permission…and so much for sticking to my guns, I thought as I felt all my defenses slip away. He whispered warmly, “I can always tell where you are, Kelsey. You smell like peaches and cream.” I shivered and put my hands on his chest to push him away, but I ended up grabbing fistfuls of shirt and held on for dear life. He trailed kisses from my ear down my cheek and then pressed soft kisses along the arch of my neck. I pulled him closer and turned my head so he could really kiss me. He smiled and ignored my invitation, moving instead to the other ear. He bit my earlobe lightly, moved from there to my collarbone, and trailed kisses out to my shoulder. Then he lifted his head and brought his lips about one inch from mine and the only thought in my head was…more. With a devastating smile, he reluctantly pulled away and lightly ran his fingers through the strands of my hair. “By the way, I forgot to mention that you look beautiful tonight.” He smiled again then turned and strolled off down the hall.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))