Little Feat Quotes

You were true to her, even if she was not to you. Never repent of your own goodness, child. To stay true in the face of evil is a feat of great strength.” “Strength,” she said with a little laugh. “I gave her strength, and look what she did with it.

Once upon a time in the dead of winter in the Dakota Territory, Theodore Roosevelt took off in a makeshift boat down the Little Missouri River in pursuit of a couple of thieves who had stolen his prized rowboat. After several days on the river, he caught up and got the draw on them with his trusty Winchester, at which point they surrendered. Then Roosevelt set off in a borrowed wagon to haul the thieves cross-country to justice. They headed across the snow-covered wastes of the Badlands to the railhead at Dickinson, and Roosevelt walked the whole way, the entire 40 miles. It was an astonishing feat, what might be called a defining moment in Roosevelt’s eventful life. But what makes it especially memorable is that during that time, he managed to read all of Anna Karenina. I often think of that when I hear people say they haven’t time to read.

Any capitalist . . . who had made sixty thousand pounds out of sixpence, always professed to wonder why the sixty thousand nearest Hands didn't each make sixty thousand pounds out of sixpence, and more or less reproached them every one for not accomplishing the little feat. What I did you can do. Why don't you go and do it?

Deep down, I don’t believe it takes any special talent for a person to lift himself off the ground and hover in the air. We all have it in us—every man, woman, and child—and with enough hard work and concentration, every human being is capable of…the feat….You must learn to stop being yourself. That’s where it begins, and everything else follows from that. You must let yourself evaporate. Let your muscles go limp, breathe until you feel your soul pouring out of you, and then shut your eyes. That’s how it’s done. The emptiness inside your body grows lighter than the air around you. Little by little, you begin to weigh less than nothing. You shut your eyes; you spread your arms; you let yourself evaporate. And then, little by little, you lift yourself off the ground. Like so.

You see, I have never felt the need to invent a world beyond this world, for this world has always seemed large and beautiful enough for me. I have wondered why it is not large and beautiful enough for others-- why they must dream up new and marvelous spheres, or long to live elsewhere, beyond this dominion... but that is not my business. We are all different, I suppose. All I ever wanted was to know this world. I can say now, as I reach my end, that I know quite a bit more of it than I knew when I arrived. Moreover, my little bit of knowledge has been added to all the other accumulated knowledge of history-- added to the great library, as it were. That is no small feat, sir. Anyone who can say such a thing has lived a fortunate life.

God, I scream for time to let go, to write, to think. But no. I have to exercise my memory in little feats just so I can stay in this damn wonderful place which I love and hate with all my heart. And so the snow slows and swirls, and melts along the edges. The first snow isn't good for much. It makes a few people write poetry, a few wonder if the Christmas shopping is done, a few make reservations at the skiing lodge. It's a sentimental prelude to the real thing. It's picturesque & quaint.

The Aristocrat The Devil is a gentleman, and asks you down to stay At his little place at What'sitsname (it isn't far away). They say the sport is splendid; there is always something new, And fairy scenes, and fearful feats that none but he can do; He can shoot the feathered cherubs if they fly on the estate, Or fish for Father Neptune with the mermaids for a bait; He scaled amid the staggering stars that precipice, the sky, And blew his trumpet above heaven, and got by mastery The starry crown of God Himself, and shoved it on the shelf; But the Devil is a gentleman, and doesn't brag himself. O blind your eyes and break your heart and hack your hand away, And lose your love and shave your head; but do not go to stay At the little place in What'sitsname where folks are rich and clever; The golden and the goodly house, where things grow worse for ever; There are things you need not know of, though you live and die in vain, There are souls more sick of pleasure than you are sick of pain; There is a game of April Fool that's played behind its door, Where the fool remains for ever and the April comes no more, Where the splendour of the daylight grows drearier than the dark, And life droops like a vulture that once was such a lark: And that is the Blue Devil that once was the Blue Bird; For the Devil is a gentleman, and doesn't keep his word.

For one of the first pressures that bear down on American girls is the pressure not only to be liked but to be like everyone else. This initial feat of self-transformation often involves loosening one's grip on that quiet sense of inner self and hitching one's wagon to a single standard of beauty. The stress of leaping through that hoop insinuates itself into the young heart and soul with a vengeance, and insecurities go from being hard little buds of confusion to overripe, snarled and tyrannical fruits that hang on the vine as we age.

The road of life is paved with daily successes, a great number of them penny and nickle triumphs. Sadly, these little feats are often seen as worthless―even failures―because we dream of greater gain. Our greed keeps us focused on a gleaming pot of gold waiting at the end of some elusive rainbow. And, despairing a big loss, we fail to see the value in small achievements.

A man going quietly about his business all day long expends far more muscular energy than an athlete who lifts a huge weight once a day. This has been proved physiologically, and so the social sum total of everybody's little everyday efforts, especially when added together, doubtless releases far more energy into the world than do rare heroic feats. This total even makes the single heroic feat look positively minuscule, like a grain of sand on a mountaintop with a megalomaniacal sense of its own importance.

I don’t know if I ever liked you,” I say, and bathroom acoustics being what they are, the declaration is magnified and that much more unkind, which makes me feel bad until I see that he is missing a shoe, and I feel it anew, this terrible disappointment in myself that I am happy to take out on him. He is the most obvious thing that has ever happened to me, and all around the city it is happening to other silly, half-formed women excited by men who’ve simply met the prerequisite of living a little more life, a terribly unspecial thing that is just what happens when you keep on getting up and brushing your teeth and going to work and ignoring the whisper that comes to you at night and tells you it would be easier to be dead. So, sure, an older man is a wonder because he has paid thirty-eight years of Con Ed bills and suffered food poisoning and seen the climate reports and still not killed himself, but somehow, after being a woman for twenty-three years, after the ovarian torsion and student loans and newfangled Nazis in button-downs, I too am still alive, and actually this is the more remarkable feat. Instead I let myself be awed by his middling command of the wine list.

God, I scream for time to let go, to write, to think. But no. I have to exercise my memory in little feats just so I can stay in this damn wonderful place which I love and hate with all my heart.

and I feel it anew, this terrible disappointment in myself that I am happy to take out on him. He is the most obvious thing that has ever happened to me, and all around the city it is happening to other silly, half-formed women excited by men who’ve simply met the prerequisite of living a little more life, a terribly unspecial thing that is just what happens when you keep on getting up and brushing your teeth and going to work and ignoring the whisper that comes to you at night and tells you it would be easier to be dead. So, sure, an older man is a wonder because he has paid thirty-eight years of Con Ed bills and suffered food poisoning and seen the climate reports and still not killed himself, but somehow, after being a woman for twenty-three years, after the ovarian torsion and student loans and newfangled Nazis in button-downs, I too am still alive, and actually this is the more remarkable feat. Instead I let myself be awed by his middling command of the wine list.

I’m in awe of the people who manage their difficult lives with little complaint, those who have suffered more than their fair share of pain, and understand things could have been much worse, those who take the time to be grateful for the important things, and who never give up on themselves or their lives. It's no easy feat to stay optimistic when life has shown you too much darkness, yet our world is filled with these steady, strong, resilient warriors of the light. From them, we have so much to learn.

...I have read but little of Madame Glyn. I did not know that things like "It" were going on. I have misspent my days. When I think of all those hours I flung away in reading William James and Santayana, when I might have been reading of life, throbbing, beating, perfumed life, I practically break down. Where, I ask you, have I been, that no true word of Madame Glyn's literary feats has come to me? But even those far, far better informed than I must work a bit over the opening sentence of Madame Glyn's foreword to her novel" "This is not," the says, drawing her emeralds warmly about her, "the story of the moving picture entitled It, but a full character study of the story It, which the people in the picture read and discuss." I could go mad, in a nice way, straining to figure that out. ...Well it turns out that Ava and John meet, and he begins promptly to "vibrate with passion." ... ...It goes on for nearly three hundred pages, with both of them vibrating away like steam launches." -Review of the book, It, by Elinor Glyn. Review title: Madame Glyn Lectures on "It," with Illustrations; November 26, 1927.

I sat down in the middle of the garden, where snakes could scarcely approach unseen, and leaned my back against a warm yellow pumpkin. There were some ground-cherry bushes growing along the furrows, full of fruit. I turned back the papery triangular sheaths that protected the berries and ate a few. All about me giant grasshoppers, twice as big as any I had ever seen, were doing acrobatic feats among the dried vines. The gophers scurried up and down the ploughed ground. There in the sheltered draw-bottom the wind did not blow very hard, but I could hear it singing its humming tune up on the level, and I could see the tall grasses wave. The earth was warm under me, and warm as I crumbled it through my fingers. Queer little red bugs came out and moved in slow squadrons around me. Their backs were polished vermilion, with black spots. I kept as still as I could. Nothing happened. I did not expect anything to happen. I was something that lay under the sun and felt it, like the pumpkins, and I did not want to be anything more. I was entirely happy. Perhaps we feel like that when we die and become a part of something entire, whether it is sun and air, or goodness and knowledge. At any rate, that is happiness; to be dissolved into something complete and great. When it comes to one, it comes as naturally as sleep.

The journey of a thousand miles begins with a single step?” I asked intuitively. “Precisely. And getting good at accomplishing little feats prepares you for realizing the big ones. So, to answer your question squarely, there is nothing wrong with mapping out a full range of smaller goals in the process of planning your bigger ones.

The least effort is the feat most likely to be accomplished.

It is no great feat to burn a little man. It is a great achievement to persuade him. ERASMUS, LETTER

This, again, was among the fictions of Coketown. Any capitalist there, who had made sixty thousand pounds out of sixpence, always professed to wonder why the sixty thousand nearest Hands didn’t each make sixty thousand pounds out of sixpence, and more or less reproached them every one for not accomplishing the little feat. What I did you can do. Why don’t you go and do it?

Moral for psychologists. -- Not to go in for backstairs psychology. Never to observe in order to observe! That gives a false perspective, leads to squinting and something forced and exaggerated. Experience as the wish to experience does not succeed. One must not eye oneself while having an experience; else the eye becomes "an evil eye." A born psychologist guards instinctively against seeing in order to see; the same is true of the born painter. He never works "from nature"; he leaves it to his instinct, to his camera obscura, to sift through and express the "case," "nature," that which is "experienced." He is conscious only of what is general, of the conclusion, the result: he does not know arbitrary abstractions from an individual case. What happens when one proceeds differently? For example, if, in the manner of the Parisian novelists, one goes in for backstairs psychology and deals in gossip, wholesale and retail? Then one lies in wait for reality, as it were, and every evening one brings home a handful of curiosities. But note what finally comes of all this: a heap of splotches, a mosaic at best, but in any case something added together, something restless, a mess of screaming colors. The worst in this respect is accomplished by the Goncourts; they do not put three sentences together without really hurting the eye, the psychologist's eye. Nature, estimated artistically, is no model. It exaggerates, it distorts, it leaves gaps. Nature is chance. To study "from nature" seems to me to be a bad sign: it betrays submission, weakness, fatalism; this lying in the dust before petit faits [little facts] is unworthy of a whole artist. To see what is--that is the mark of another kind of spirit, the anti-artistic, the factual. One must know who one is. Toward a psychology of the artist. -- If there is to be art, if there is to be any aesthetic doing and seeing, one physiological condition is indispensable: frenzy. Frenzy must first have enhanced the excitability of the whole machine; else there is no art. All kinds of frenzy, however diversely conditioned, have the strength to accomplish this: above all, the frenzy of sexual excitement, this most ancient and original form of frenzy. Also the frenzy that follows all great cravings, all strong affects; the frenzy of feasts, contests, feats of daring, victory, all extreme movement; the frenzy of cruelty; the frenzy in destruction, the frenzy under certain meteorological influences, as for example the frenzy of spring; or under the influence of narcotics; and finally the frenzy of will, the frenzy of an overcharged and swollen will. What is essential in such frenzy is the feeling of increased strength and fullness. Out of this feeling one lends to things, one forces them to accept from us, one violates them--this process is called idealizing. Let us get rid of a prejudice here: idealizing does not consist, as is commonly held, in subtracting or discounting the petty and inconsequential. What is decisive is rather a tremendous drive to bring out the main features so that the others disappear in the process. In this state one enriches everything out of one's own fullness: whatever one sees, whatever one wills, is seen swelled, taut, strong, overloaded with strength. A man in this state transforms things until they mirror his power--until they are reflections of his perfection. This having to transform into perfection is--art. Even everything that he is not yet, becomes for him an occasion of joy in himself; in art man enjoys himself as perfection.

He is the most obvious thing that has ever happened to me, and all around the city it is happening to other silly, half-formed women excited by men who’ve simply met the prerequisite of living a little more life, a terribly unspecial thing that is just what happens when you keep getting up and brushing your teeth and going to work and ignoring the whisper that comes to you at night and tells you it would be easier to be dead. So sure, an older man is a wonder because he has paid thirty-eight years of Con Ed bills and suffered food poisoning and seen the climate reports and still not killed himself, but somehow, after being a woman for twenty-three years, after the ovarian torsion and student loans and newfangled Nazis in button-downs, I too am still alive, and actually this is the more remarkable feat. Instead I let myself be awed by his middling command of the wine list.

Relax,” she said. “We’re supposed to be parents inspecting the school for our little girl.” She slipped her arm through his, and although she would have thought such a feat impossible, the Lieutenant stood even straighter.

For the society to sustain itself and progress at the same time, there must be a healthy interaction between order and chaos. Remember, every feat of originality is born of chaos, but to make that feat effective in society, a little order is required.

Legacies are not just for legends. Whether a million people know your name, or only one person does, you still have the right to leave your mark on the world, even if it’s only in your tiny corner of it, in the tiniest of ways. Not all of us will achieve great heights and feats. Most of us will never leave our hometown or country, let alone conquer Everest. And you know what? That’s okay. Because real life is what happens in between moments of greatness. It’s the little things that at the end of it all, you realize were greater than the sum of their parts. It’s the amount of times you laughed, or cried, danced, sang, created, inspired, and made someone smile. The best kind of legacies are the ones that are unseen. You’ll never fully be able to measure the effect of a smile or a kind word, but I promise you, the most whispered phrase can send a shockwave around the world that lasts for centuries, or even an eternity.

Our chambers were always full of chemicals and of criminal relics which had a way of wandering into unlikely positions, and of turning up in the butter-dish or in even less desirable places. But his papers were my great crux. He had a horror of destroying documents, especially those which were connected with his past cases, and yet it was only once in every year or two that he would muster energy to docket and arrange them; for, as I have mentioned somewhere in these incoherent memoirs, the outbursts of passionate energy when he performed the remarkable feats with which his name is associated were followed by reactions of lethargy during which he would lie about with his violin and his books, hardly moving save from the sofa to the table. Thus month after month his papers accumulated, until every corner of the room was stacked with bundles of manuscript which were on no account to be burned, and which could not be put away save by their owner. One winter's night, as we sat together by the fire, I ventured to suggest to him that, as he had finished pasting extracts into his common-place book, he might employ the next two hours in making our room a little more habitable. He could not deny the justice of my request, so with a rather rueful face he went off to his bedroom, from which he returned presently pulling a large tin box behind him. This he placed in the middle of the floor and, squatting down upon a stool in front of it, he threw back the lid. I could see that it was already a third full of bundles of paper tied up with red tape into separate packages.

Jay insisted on carrying her up the back steps and into the kitchen, and this time Violet didn’t complain when he lifted her. He set her down gently on the kitchen counter, and then he rummaged through the cupboard while Violet told him where the Band-Aids were. He came with bandages, gauze, cotton balls, antibacterial wash, and two tubes of ointment. It seemed like overkill to Violet, but she didn’t say anything. She wanted to see what he planned to do. “Okay, this is probably gonna sting,” he warned as he leaned over and began cleaning her wounds. It did sting, more than Violet let on, and she had to bite her lip as the tears came back all over again. But she let him keep working without even flinching, which was no small feat as he stripped away the layers of dirt from her skin. The wounds were big, and round, and raw. She thought she looked like a little kid with the giant scrapes on her knees, and she imagined that they were going to scab over and possibly even scar. She felt like such an idiot for falling over her own two clumsy feet. But Jay was gentle, and he took his time, being careful not to hurt her. She admired his patience and took perverse pleasure in his touch. He didn’t look up to see how she was doing; he just kept working until he was satisfied that her scrapes were cleaned out. And then he picked up the antibacterial wash and some cotton balls. Violet sucked in her breath when he brushed the soaked cotton ball against the angry red abrasions. Jay looked up at her but didn’t stop dabbing at them. Instead he blew on her knees as he labored over them, just like her mother used to do when Violet was a little girl. She thought it was sweet, and she swore that she was even more attracted to him than ever in that tender moment. When he finished with the wash, he gingerly patted an antibiotic ointment on her knees before covering them with bandages. “There,” he said, admiring his own handiwork. “Good as new.” Violent glanced at the ridiculously huge Band-Aids on her knees and looking at him doubtfully. “You really think so? ‘Good as new’?” He smiled. “I think I did pretty good. It’s not my fault you can’t walk.

I know that everything is connected like a worldwide version of the six-degrees-of-separation game. I know that history is simultaneously a bloody mess and a collection of feats so inspiring and amazing they make you proud to share the same DNA structure with the rest of humanity. I know you’d better focus on the good stuff or you’re screwed. I know that the race does not go to the swift, nor the bread to the wise, so you should soak up what enjoyment you can. I know not to take cinnamon for granted. I know that morality lies in even the smallest decisions, like whether to pick up and throw away a napkin... I know firsthand the oceanic volume of information in the world. I know that I know very little of that ocean… I know I’ve contradicted myself hundreds of times over the last year, and that history has contradicted itself thousands of times… I know that you should always say yes to adventures or you’ll lead a very dull life. I know that knowledge and intelligence are not the same thing—but they do live in the same neighborhood. I know once again, firsthand, the joy of learning.

As a first-generation Ethiopian immigrant, Sheba had lived in Charleston since she turned five years of age. She was Ethiopian by birth, but American by preference. She had worked hard, studied and sacrificed plenty to get where she was today, no easy feat for someone who had just celebrated her twenty-sixth birthday. According to her friends, Sheba was a beauty, though when she looked in the mirror, she saw inevitable flaws; her cheekbones were too pronounced, her mouth a little too wide, her nose with that perturbing slant to it. Still, she accepted compliments gratefully, especially from her roommate, Janelle. Janelle was the true beauty, Sheba thought, with dark ebony skin so smooth that she could be a walking ad for Ghirardelli Dark Chocolate.

It will be long before everyone is wiped out. People live in war time, they always have. There was terror down through history - and the men who saw the Spanish Armada sail over the rim of the world, who saw the Black death wipe out half of Europe, those men were frightened, terrified. But though they lived and died in fear, I am here; we have built again. And so I will belong to a dark age, and historians will say "We have few documents to show how the common people lived at this time. Records lead us to believe that a majority were killed. But there were glorious men." And school children will sigh and learn the names of Truman and Senator McCarthy. Oh, it is hard for me to reconcile myself to this. But maybe this is why I am a girl - - - so I can live more safely than the boys I have known and envied, so I can bear children, and instill in them the biting eating desire to learn and love life which I will never quite fulfill, because there isn't time, because there isn't time at all, but instead the quick desperate fear, the ticking clock, and the snow which comes too suddenly upon the summer. Sure, I'm dramatic and sloppily semi-cynical and semi-sentimental. But in leisure years I could grow and choose my way. Now I am living on the edge. We all are on the brink, and it takes a lot of nerve, a lot of energy, to teeter on the edge, looking over, looking down into the windy blackness and not being quite able to make out, through the yellow, stinking mist, just what lies below in the slime, in the oozing, vomit-streaked slime; and so I could go on, into my thoughts, writing much, trying to find the core, the meaning for myself. Perhaps that would help, to synthesize my ideas into a philosophy for me, now, at the age of eighteen, but the clock ticks, ah yes, "At my back I hear, time's winged chariot hovering near." And I have too much conscience, too much habit to sit and stare at snow, thick now, and evenly white and muffling on the ground. God, I scream for time to let go, to write, to think. But no. I have to exercise my memory in little feats just so I can stay in this damn wonderful place which I love and hate with all my heart. And so the snow slows and swirls, and melts along the edges. The first snow isn't good for much. It makes a few people write poetry, a few wonder if the Christmas shopping is done, a few make reservations at the skiing lodge. It's a sentimental prelude to the real thing. It's picturesque & quaint.

Thank you, for creating this vast and flexible playground. Thank you for creating one of the twentieth century's most popular myths, a gift that has brought billions of happy viewing hours at a critical time in world history, a time when perhaps, we need more than ever to blieve in honor, sacrifice, heart, and that special magic called life itself. As long as I live I will never forget The Moment when Luke Skywalker flew so desperately into the Death Star's trench, John William's score soaring magnificently, and the audience overwhelmed by Industrial Light and Magic's mind-bending inaugural. At that pulse-pounding moment, a moment when it seemed the individual human being could have no point or purpose, no meaning in a universe so vast and cybernetic, we heard Obi-Wan Kenobi whisper that we should trust our feelings. The Force flows through us. It controls us. We control it. Life creates it. It is more powerful than any Death Star. Hundreds of millions of people said yes, and sighed, and applauded, and went home or turned off their videos feeling just a little more empowered than they did before the lights went down and the Twentieth Century-Fox fanfare came up. No small feat. May the Force be with you, Mr. Lucas. And with us all. Always".

Harold Macmillan observed at the start of the ministry, ‘he has used these days to give a demonstration of energy and vitality. He has voted in every division; made a series of brilliant little speeches; shown all his qualities of humour and sarcasm, and crowned it all by a remarkable breakfast (at 7.30 a.m.) of eggs, bacon, sausages and coffee, followed by a large whisky and soda and a huge cigar. The latter feat commanded general admiration.

I turn on my heel, which is no easy feat in a gravel parking lot. Not losing eye contact with Galen, I stare him down until I get to the door he's opened for me. He seems unconcerned. In fact, he seems downright emotionless. "This better be good," I tell him as I plop down. "You should have returned my calls. Or my texts," he says, his voice tight. As he backs out of the parking space, I yank my cell out of my purse, perusing the texts. "Well, doesn't look like anyone died, so why the hell did you ruin my date?" It's the first time I've ever cursed at royalty and it's liberating. "Or is this a kidnapping? Is Grom in the trunk? Are you taking us on our honeymoon?" You're supposed to be hurting him, not yourself, moron. My lip trembles like the traitor it is. Even though I'm looking away, I can tell Galen's impassive expression has softened because of the way he says, "Emma." "Leave me alone, Galen." He pulls my chin to face him. I knock his hand away. "You can't go forty miles an hour on the interstate, Galen. You need to speed up.” He sighs and presses the gas. By the time we reach a less-embarrassing speed, I’ve abandoned my hurt for rage-o-plenty, struck by the realization that I’ve turned into “that girl.” Not the one who exchanges her doctorate for some kids and a three-bedroom two-bath, but the other kind. That girl who exchanges her dignity and chances for happiness for some possessive loser who beats her when she makes eye contact with some random guy working the hot dog stand. Not that Galen beats me, but after his little show, what will people think? He acted like a lunatic tonight, stalking me to Atlantic City, blowing up my phone, and threatening my date with physical violence. He made serial-killer eyes, for crying out loud. That might be acceptable in the watery grave, but by dry-land standards, it’s the ingredients for a restraining order. And why are we getting off the interstate? “Where are you taking me? I told you I want to go home.” “We need to talk,” he says quietly, taking a dark road just off the exit. “I’ll take you home after I feel you understand.” “I don’t want to talk. You might have realized that when I didn’t answer your calls.” He pulls over on the shoulder of Where-Freaking-Are-We Street. Shutting off the engine, he turns to me, putting his arm around the back of my seat. “I don’t want to break up.” One Mississippi…two Mississippi…”You followed me like a crazy person to tell me that? You ruined my date for that? Mark is a nice guy. I deserve a nice guy, don’t I, Galen?” “Absolutely. But I happen to be a nice guy, too.” Three Mississippi…four Mississippi…”Don’t you mean Grom? And you’re not a nice guy. You threatened Mark with physical pain.” “You threw Rayna through a window. Call it even?” “When are you going to get over that? Besides, she provoked me!” “Mark provoked me, too. He put his hand on your leg. We won’t even talk about the kiss on your cheek. Don’t think I didn’t hear you give him permission either.” “Oh, now that’s rich,” I snort, getting out of the car. Slamming the door, I scream at him. “Now you’re acting jealous on behalf of your brother,” I say, spinning in place. “Can Grom do anything without the almighty Galen helping him?

Heroic poetry tends in its simplest form to be concerned with immediate events and local heroes. A certain length of tradition is required before the epic poem, telling the story of the hero, becomes current. Heroic poetry assumes that the audience knew what the outcome of the battle was, and is concerned with individual feats; the context is of little importance. Epic poems only become attractive as a form when the audience needs to be told who the heroes were.

Well, I was able to write in further reply to Dennis Prager, now you have your answer. The nineteen suicide murderers of New York and Washington and Pennsylvania were beyond any doubt the most sincere believers on those planes. Perhaps we can hear a little less about how "people of faith" possess moral advantages that others can only envy. And what is to be learned from the jubilation and the ecstatic propaganda with which this great feat of fidelity has been greeted in the Islamic world? At the time, the United States has an attorney general named John Ashcroft, who had stated that America had "no king but Jesus" (a claim that was exactly two words too long). It had a president who wanted to hand over the care of the poor to "faith based" institutions. Might this not be a moment where the light of reason, and the defense of a society that separated church and state and valued free expression and free inquiry, be granted a point or two?

As you will,” Malice agreed, not surprised at Zak’s desire to prove her wrong. Zak placed little value in wizardry, preferring the hilt of a blade to the crystal rod component of a lightning bolt. Zak moved to stand before Drizzt and handed him the coin. “Flip it.” Drizzt shrugged, wondering what this vague conversation between his mother and the weapons master was all about. Until now, he had heard nothing of any future profession being planned for him, or of this place called Sorcere. With a consenting shrug of his shoulders, he slid the coin onto his curled index finger and snapped it into the air with his thumb, easily catching it. He then held it back out to Zak and gave the weapons master a confused look, as if to ask what was so important about such an easy task. Instead of taking the coin, the weapons master pulled another from his neck-purse. “Try both hands,” he said to Drizzt, handing it to him. Drizzt shrugged again, and in one easy motion, put the coins up and caught them. Zak turned an eye on Matron Malice. Any drow could have performed that feat, but the ease with which this one executed the catch was a pleasure to observe. Keeping a sly eye on the matron, Zak produced two more coins. “Stack two on each hand and send all four up together,” he instructed Drizzt. Four coins went up. Four coins were caught. The only parts of Drizzt’s body that had even flinched were his arms. “Two-hands,” Zak said to Malice. “This one is a fighter. He belongs in Melee-Magthere.

Gideon rose up to his full height, watching their progress as they faded into the night. He then turned his diamondlike eyes until they narrowed on the female Demon who had remained so still and quiet that she had gone unremembered. An interesting feat, considering the remarkable presence of the beauty. “You have grown strong, Legna,” he remarked quietly. “In only a decade? I am sure it has not made much of a difference.” “To teleport me from such a great distance took respectful skill and strength. You well know it.” “Thank you. I shall have to remember to feel weak and fluttery inside now that you complimented me.” Gideon narrowed his eyes coldly on her. “You sound like that acerbic little human. It does not become you.” “I sound like myself,” Legna countered, her irritation crackling through his thoughts as the emotion overflowed her control. “Or have you forgotten that I am far too immature for your tastes?” “I never said such a thing.” “You did. You said I was too young to even begin to understand you.” She lifted her chin, so lost in her wounded pride that she spoke before she thought. “At least I was never so immature that Jacob had to punish me for stalking a human.” Gideon’s spine went extremely straight, his eyes glittering with warning as she hit home on the still-raw wound. “Maturity had nothing to do with that, and you well know it. It is below you to be so petty, Magdelegna.” “I see, so I am groveling around in the gutter now? How childish of me. However can you bear it? I shall leave immediately.” Before Gideon could speak, Legna burst into smoke and sulfur, disappearing but for her laughter that rang through his mind. Gideon sighed, easily acknowledging her that her laughter was a taunt meant to remind him that with her departure, so too went his easy transportation home. Nevertheless, he was more perturbed to realize that he’d once against managed to say all the wrong things to her. Perhaps someday he would manage to speak with her without irritating her. However, he didn’t think that was likely to happen this millennium.

The most commonly identified reason for women leaving the field [law practice] is that they cannot handle the stress of both work and family. Implicit in this, at least for women, is that they should be handling both alone or at least with very little help. Did anyone stop to ask themselves how it was that our male colleagues were able for years to manage the startling feat of having a career and a family without being driven from their chosen profession? The answer was obvious. They had help. Enormous help that allowed them the freedom to focus on themselves and their careers.

Critical or adoring scholars and readers might agree about one thing: the Little House books are not history. They are not, as Wilder and her daughter had claimed, true in every particular. Yet the truth about our history is in them. The truth about settlement, about homesteading, about farming is there, if we look for it—embedded in the novels’ conflicted, nostalgic portrayal of transient joys and satisfactions, their astonishing feats of survival and jarring acts of dispossession, their deep yearning for security. Anyone who would ask where we came from, and why, must reckon with them.

The early dictionaries in English were frequently created by a single author, but they were small works, and not what we think of today as dictionaries. Robert Cawdrey’s A Table Alphabeticall, published in 1604, is generally regarded as the first English dictionary. It was an impressive feat in many respects, but it contained fewer than 2,500 entries, the defining of which would not be a lifetime’s work. This and the other dictionaries of the seventeenth century were mostly attempts to catalog and define “difficult words”; little or no attention was given to the nuts and bolts of the language or to such concerns as etymology and pronunciation. For

The little trees, the sapling sugar maples and the baby red oaks squatting close to the ground, were the first to turn, as if green were a feat of strength, and the smallest weaken first. Early in October, the Virginia creeper had suddenly drenched in alizarin crimson the tumbled boulder wall at the back of her property, where the bog began; the drooping parallel daggers of the sumac then showed a red suffused with orange. Like the slow sound of a great gong, yellow overspread the woods, from the tan of beech and ash to the hickory’s spotty gold and the Hat butter color of the mitten-shaped leaves of the sassafras, mitten that can have a thumb or two or none.

You see, I have never felt the need to invent a world beyond this world, for this world has always seemed large and beautiful enough for me. I have wondered why it is not large and beautiful enough for others—why they must dream up new and marvelous spheres, or long to live elsewhere, beyond this dominion . . . but that is not my business. We are all different, I suppose. All I ever wanted was to know this world. I can say now, as I reach my end, that I know quite a bit more of it than I knew when I arrived. Moreover, my little bit of knowledge has been added to all the other accumulated knowledge of history—added to the great library, as it were. That is no small feat, sir. Anyone who can say such a thing has lived a fortunate life.

Most potent, grave, and reverend signiors, My very noble and approved good masters, That I have ta'en away this old man's daughter, It is most true; true, I have married her: The very head and front of my offending Hath this extent, no more. Rude am I in my speech, And little bless'd with the soft phrase of peace: For since these arms of mine had seven years' pith, Till now some nine moons wasted, they have used Their dearest action in the tented field, And little of this great world can I speak, More than pertains to feats of broil and battle, And therefore little shall I grace my cause In speaking for myself. Yet, by your gracious patience, I will a round unvarnish'd tale deliver Of my whole course of love; what drugs, what charms, What conjuration and what mighty magic, For such proceeding I am charged withal, I won his daughter.

Hymn to Mercury : Continued 11. ... Seized with a sudden fancy for fresh meat, He in his sacred crib deposited The hollow lyre, and from the cavern sweet Rushed with great leaps up to the mountain's head, Revolving in his mind some subtle feat Of thievish craft, such as a swindler might Devise in the lone season of dun night. 12. Lo! the great Sun under the ocean's bed has Driven steeds and chariot—the child meanwhile strode O'er the Pierian mountains clothed in shadows, Where the immortal oxen of the God Are pastured in the flowering unmown meadows, And safely stalled in a remote abode.— The archer Argicide, elate and proud, Drove fifty from the herd, lowing aloud. 13. He drove them wandering o'er the sandy way, But, being ever mindful of his craft, Backward and forward drove he them astray, So that the tracks which seemed before, were aft; His sandals then he threw to the ocean spray, And for each foot he wrought a kind of raft Of tamarisk, and tamarisk-like sprigs, And bound them in a lump with withy twigs. 14. And on his feet he tied these sandals light, The trail of whose wide leaves might not betray His track; and then, a self-sufficing wight, Like a man hastening on some distant way, He from Pieria's mountain bent his flight; But an old man perceived the infant pass Down green Onchestus heaped like beds with grass. 15. The old man stood dressing his sunny vine: 'Halloo! old fellow with the crooked shoulder! You grub those stumps? before they will bear wine Methinks even you must grow a little older: Attend, I pray, to this advice of mine, As you would 'scape what might appal a bolder— Seeing, see not—and hearing, hear not—and— If you have understanding—understand.' 16. So saying, Hermes roused the oxen vast; O'er shadowy mountain and resounding dell, And flower-paven plains, great Hermes passed; Till the black night divine, which favouring fell Around his steps, grew gray, and morning fast Wakened the world to work, and from her cell Sea-strewn, the Pallantean Moon sublime Into her watch-tower just began to climb. 17. Now to Alpheus he had driven all The broad-foreheaded oxen of the Sun; They came unwearied to the lofty stall And to the water-troughs which ever run Through the fresh fields—and when with rushgrass tall, Lotus and all sweet herbage, every one Had pastured been, the great God made them move Towards the stall in a collected drove. 18. A mighty pile of wood the God then heaped, And having soon conceived the mystery Of fire, from two smooth laurel branches stripped The bark, and rubbed them in his palms;—on high Suddenly forth the burning vapour leaped And the divine child saw delightedly.— Mercury first found out for human weal Tinder-box, matches, fire-irons, flint and steel. 19. And fine dry logs and roots innumerous He gathered in a delve upon the ground— And kindled them—and instantaneous The strength of the fierce flame was breathed around: And whilst the might of glorious Vulcan thus Wrapped the great pile with glare and roaring sound, Hermes dragged forth two heifers, lowing loud, Close to the fire—such might was in the God. 20. And on the earth upon their backs he threw The panting beasts, and rolled them o'er and o'er, And bored their lives out. Without more ado He cut up fat and flesh, and down before The fire, on spits of wood he placed the two, Toasting their flesh and ribs, and all the gore Pursed in the bowels; and while this was done He stretched their hides over a craggy stone.

The phrase “self-love” misleads us when we imagine that searching for it would mean striving to acquire a conceited pompous view of ourselves. True release from self-loathing tends to be a great deal more modest: we are only after a sane, fair, and more accurate perspective on our ordinary earthly nature. We can with kindness and good humour accept that being silly is entirely normal, wasting opportunities is universal, average sexuality is to be expected. Self-love shouldn’t be predicated on the competitive idea that we must pull off extraordinary feats of courage or intelligence. True love is only ever the compassion of the fallen for the fallen, it’s the search by one radically imperfect being to express their tenderness at the sight of the struggles and pains of another. We should – henceforth – allow ourselves enough self-love to be able to endure a little kindness.

feel it anew, this terrible disappointment in myself that I am happy to take out on him. He is the most obvious thing that has ever happened to me, and all around the city it is happening to other silly, half-formed women excited by men who’ve simply met the prerequisite of living a little more life, a terribly unspecial thing that is just what happens when you keep on getting up and brushing your teeth and going to work and ignoring the whisper that comes to you at night and tells you it would be easier to be dead. So, sure, an older man is a wonder because he has paid thirty-eight years of Con Ed bills and suffered food poisoning and seen the climate reports and still not killed himself, but somehow, after being a woman for twenty-three years, after the ovarian torsion and student loans and newfangled Nazis in button-downs, I too am still alive, and actually this is the more remarkable feat.

In real life I fell easily under the spell of all traveling artists. En route to New Orleans, entertainments of many kinds would stop over in those days for a single performance in Jackson's Century Theatre. Then, as now, my imagination was magnetized toward transient artists - toward the transience as much as the artists. I must have seen "Acrobats in a Park" at the time I wrote the story as exotic, free of any experience as I knew it. At the center of the little story is the Zorro's act: the feat of erecting a structure of their bodies that holds together, interlocked, and stands like a wall. Writing about the family act, I was writing about the family itself, its strength as a unit, testing its frailty under stress. I treated it in an artificial and oddly formal way; the stronghold of the family is put on view as a structure built each night; on the night before the story opens, the Wall has come down when the most vulnerable member slips, and the act is done for. But from various points within it and from outside it, I've been writing about the structure of the family in stories and novels ever since. In spite of my uncompromising approach to it, my fundamental story form might have been trying to announce itself to me.

The whole world knew about the piracy case of the tanker Maersk Alabama, which three Navy SEAL sharpshooters saved the imprisoned ship captain. Those SEALs spent a full day lying in wait with their weapons trained on the pirate boat, waiting for the kill command. When the order came down, they instantly fired their sniper rifles, with their own vessel bobbing at a different rate from the pirates’ boat, having no room for error if the captive was to survive. The snipers took out all three pirates in a single shot while sparing the kidnapped victim. Captain Richard Phillips was freed unharmed from the close quarters of that little boat, while the dead bodies of the three armed pirates slumped around him. Details of DEVGRU training are not available to explain this feat of timing and marksmanship, but the results testify to its deadly effect. SEAL Team Six founder Richard Marcinko has said that his budget for ammunition for his men’s training was greater than that of the entire Marin Corps. The comment might be dismissed as braggadocio if not for undeniable results produced under intense and deadly pressure. Consequently, by the time Jessica Buchanan was being marched into a pitched-black desert to her own mock execution two years later, the same people at the White House who took note of her disappearance had reason to wonder if it might be time for another visit to the region from the men you don’t see coming.

Heart of Darkness also received a certain amount of notice from the first; and of its origins this much may be said: it is well known that curious men go prying into all sorts of places (where they have no business) and come out of them with all kinds of spoil. This story, and one other, not in this volume, are all the spoil I brought out from the centre of Africa, where, really, I had no sort of business. More ambitious in its scope and longer in the telling, Heart of Darkness is quite as authentic in fundamentals as Youth. It is, obviously, written in another mood. I won’t characterize the mood precisely, but anybody can see that it is anything but the mood of wistful regret, of reminiscent tenderness. One more remark may be added. Youth is a feat of memory. It is a record of experience; but that experience, in its facts, in its inwardness and in its outward colouring, begins and ends in myself. Heart of Darkness is experience, too; but it is experience pushed a little (and only very little) beyond the actual facts of the case for the perfectly legitimate, I believe, purpose of bringing it home to the minds and bosoms of the readers. There it was no longer a matter of sincere colouring. It was like another art altogether. That sombre theme had to be given a sinister resonance, a tonality of its own, a continued vibration that, I hoped, would hang in the air and dwell on the ear after the last note had been struck.

speed in which he shifts nearly stops my heart. One moment I’m talking to him, the next a gigantic feline prowls over the long dining room table, batting plates aside and growling as he stalks toward me. Scooting my chair back, properly terrified, I quickly say, “Apparently I was wrong.” The lion still appears as if he’s going to attack. “A lion is impressive, yes, but what about an elephant?” I continue. “Can you change into a beast that large? Surely not.” With a loud crack and flying wood, the table collapses as the lion morphs into a creature so gigantic, there is scarcely room for him. Dishes, settings, and candelabras fly this way and that. The elephant holds a huge foot over me. “Are you impressed yet, Carabas?” “Quite,” I squeak and then clear my throat. “But, now that I think of it, it’s only natural that a large creature such as yourself can change into other large creatures. Not that difficult, really.” Slowly, the ogre-elephant lowers his foot, looking as if he’s about to gore me with his tusks. Standing, hoping to put a little distance between me and the beast, I add, “But to change into something tiny, something insignificant—now that would be a feat.” “Like what, Carabas?” the ogre glares at me with foreign eyes. “A rabbit? A grouse?” I shrug. “Certainly, but what about something as tiny as…a mouse? That would be quite impossible, would it not?” And just like that, the elephant is gone, vanished before my very eyes. I frantically look for him in the broken plates, splintered table, and mess of molten wax on the floor. Before I even spot the rodent the ogre shifted into, Puss leaps into the middle of the mess, pouncing with outstretched paws and a greedy look in his bright green eyes. A tiny gray tail disappears into the cat’s mouth, and that is my very last glimpse of the ogre. I stare at Puss with disbelief. The world slows, and the steady thrum of the grandfather clock in the corner is the only thing that tells me that time hasn’t actually stopped. “It

Nostromo is the most anxiously meditated of the longer novels which belong to the period following upon the publication of the Typhoon volume of short stories. I don’t mean to say that I became then conscious of any impending change in my mentality and in my attitude towards the tasks of my writing life. And perhaps there was never any change, except in that mysterious, extraneous thing which has nothing to do with the theories of art; a subtle change in the nature of the inspiration; a phenomenon for which I can not in any way be held responsible. What, however, did cause me some concern was that after finishing the last story of the Typhoon volume it seemed somehow that there was nothing more in the world to write about. This so strangely negative but disturbing mood lasted some little time; and then, as with many of my longer stories, the first hint for Nostromo came to me in the shape of a vagrant anecdote completely destitute of valuable details. As a matter of fact in 1875 or ’6, when very young, in the West Indies or rather in the Gulf of Mexico, for my contacts with land were short, few, and fleeting, I heard the story of some man who was supposed to have stolen single-handed a whole lighter-full of silver, somewhere on the Tierra Firme seaboard during the troubles of a revolution. On the face of it this was something of a feat. But I heard no details, and having no particular interest in crime qua crime I was not likely to keep that one in my mind. And I forgot it till twenty-six or seven years afterwards I came upon the very thing in a shabby volume picked up outside a second-hand book-shop. It was the life story of an American seaman written by himself with the assistance of a journalist. In the course of his wanderings that American sailor worked for some months on board a schooner, the master and owner of which was the thief of whom I had heard in my very young days. I have no doubt of that because there could hardly have been two exploits of that peculiar kind in the same part of the world and both connected with a South American revolution.

They went back into the great hall. The mood among the giants was more relaxed now, more jovial. 'Ah,' said Utgardaloki. 'Well, the failure of these two is perhaps understandable. But now, now we shall see something to impress us. Now is the turn of Thor, god of thunder, mightiest of heroes. Thor, whose deeds are sung across the worlds. Gods and mortals tell stories of your feats. Will you show us what you can do?' Thor stared at him. 'For a start, I can drink,' said Thor. 'There is no drink I cannot drain.' Utgardaloki considered this. 'Of course,' he said. 'Where is my cup-bearer?' The cup-bearer stepped forward. 'Bring me my special drinking horn.' The cup-bearer nodded and walked away, returning in moments with a long horn. It was longer than any drinking horn that Thor had ever seen, but he was not concerned. He was Thor, after all, and there was not drinking horn he could not drain. Runes and patterns were engraved on the side of the horn, and there was silver about the mouthpiece. 'It is the drinking horn of this castle,' said Utgardaloki. 'We have all emptied it here, in our time. The strongest and mightiest of us drain it all in one go; some of us, I admit it, take two attempts to drain it. I am proud to tell you that there is nobody here so weak, so disappointing, that it has taken them three drafts to finish it.' It was a long horn, but Thor was Thor, and he raised the brimming horn to his lips and began to drink. The mead of the giants was cold and salty, but he draink it down, draining the horn, drinking until his breath gave out and he could drink no longer. He expected to see the horn emptied, but it was as full as when he had begun to drink, or nearly as full. 'I had been led to believe that you were a better drinker than that,' said Utgardaloki drily. 'Still, I know you can finish it at a second draft, as we all do.' Thor took a deep breath, and he put his lips to the horn, and he drank deeply and drank well. He knew that he had to have emptied the horn this time, and yet when he lowered the horn from his lips, it had gone down by only the length of his thumb. The giants looked at Thor and they began to jeer, but he glared at them, and they were silent. 'Ah,' said Utgardaloki. 'So the tales of the mighty Thor are only tales. Well, even so, we will allow you to drink the horn dry on your third attempt. There cannot be much left in there, after all.' Thor raised the horn to his lips and he drank, and he drank like a good drinks, drank so long and so deeply that Loki and Thialfi simply stared at him in astonishment. But when he lowered the horn, the mead had gone down by only another knuckle's worth. 'I am done with this,' said Thor. 'And I am not convinced that it is only a little mead.

Jackaby was still engrossed in his examination when I came back inside. “Books. Books. Just books,” he was muttering. Jenny was hovering by the window. I joined her. “How did you manage it, by the way?” I asked. “All those Bibles, all across town? It is a remarkable feat.” “It looks more impressive than it is,” she said, still not meeting my eyes. “I borrowed Jackaby’s special satchel, the one that holds anything. The whole pile took just one trip. The real trick was keeping myself solid all the way home. That’s the bit I’m really proud of—” She turned to face me. “Oh, Abigail, it was amazing. People saw me!” “People saw you?” “I was in disguise, of course. I wore my long coat and gloves, and I had that floppy white hat on, so they didn’t see much, but still—people saw me and they didn’t gasp or make a scene. Someone even mumbled Good day to me as I was crossing the footbridge! It was exhilarating! I have never been so excited to have somebody see me—actually see me—and not care at all!” She glanced at Jackaby. “Although you would think I would be used to it by now.” “Jenny, that is absolutely amazing!” I said. “It is, isn’t it?” she said wistfully. “Just a little bit, at least? Oh, Abigail, I’m exhausted, I’m not ashamed to tell you. I had planned on setting my spoils out in nice triumphant rows when I got back, but it was all I could do to hold myself intact by then. Solidity is sort of like flexing a muscle, except the muscle is in your mind, and your mind is really just an abstract concept. I was basically flexing my entire body into existence the whole way home. But did it merit so much as a Good job, Jenny from that infuriating man?” Jackaby surfaced from his perusal and looked up at last. His cloud gray eyes found focus on Jenny. From his expression, I couldn’t tell if he had been following our conversation or not. “Completely unexceptional,” he said. “Nothing at all in this batch. We will need to scrutinize them more closely, of course, just to be sure. Oh, and Miss Cavanaugh . . .” She raised an eyebrow skeptically. “You performed . . . quite adequately,” he said, “despite expectations.” Jenny opened her mouth to reply, but then closed it again. Her face fluttered through a series of potential reactions. Finally she just threw up her hands and vanished from sight with a muffled whuph of air closing into the space where she suddenly wasn’t. “What in heaven’s name was all that?” said Jackaby. “Exquisite frustration, I believe, sir.” “Ah. Right.” He slumped into the desk chair and began to fidget absently with the spine of one of the Bibles. “Miss Cavanaugh is a singular and exceptional spirit, you know.” “Only a suggestion, sir, but that is precisely the sort of thing you might consider saying when she is still present and corporeal.

Can't Hold Us Down" (feat. Lil' Kim) So what am I not supposed to have an opinion Should I be quiet just because I'm a woman Call me a bitch cos I speak what's on my mind Guess it's easier for you to swallow if I sat and smiled When a female fires back Suddenly big talker don't know how to act So he does what any little boy would do Making up a few false rumors or two That for sure is not a man to me Slanderin' names for popularity It's sad you only get your fame through controversy But now it's time for me to come and give you more to say This is for my girls all around the world Who've come across a man who don't respect your worth Thinking all women should be seen, not heard So what do we do girls? Shout out loud! Letting them know we're gonna stand our ground Lift your hands high and wave them proud Take a deep breath and say it loud Never can, never will, can't hold us down Nobody can hold us down Nobody can hold us down Nobody can hold us down Never can, never will So what am I not supposed to say what I'm saying Are you offended by the message I'm bringing Call me whatever cos your words don't mean a thing Guess you ain't even a man enough to handle what I sing If you look back in history It's a common double standard of society The guy gets all the glory the more he can score While the girl can do the same and yet you call her a whore I don't understand why it's okay The guy can get away with it & the girl gets named All my ladies come together and make a change Start a new beginning for us everybody sing This is for my girls all around the world Who've come across a man who don't respect your worth Thinking all women should be seen, not heard What do we do girls? Shout Out Loud! Letting them know we're gonna stand our ground Lift your hands high and wave 'em proud Take a deep breath and say it loud Never can, never will, can't hold us down [Lil' Kim:] Check it - Here's something I just can't understand If the guy have three girls then he's the man He can either give us some head, sex a roar If the girl do the same, then she's a whore But the table's about to turn I'll bet my fame on it Cats take my ideas and put their name on it It's airight though, you can't hold me down I got to keep on movin' To all my girls with a man who be tryin to mack Do it right back to him and let that be that You need to let him know that his game is whack And Lil' Kim and Christina Aguilera got your back But you're just a little boy Think you're so cute, so coy You must talk so big To make up for smaller things So you're just a little boy All you'll do is annoy You must talk so big To make up for smaller things This is for my girls... This is for my girls all around the world Who've come across a man who don't respect your worth Thinking all women should be seen, not heard So what do we do girls? Shout out loud! Letting them know we're gonna stand our ground Lift your hands high and wave 'em proud Take a deep breath and say it loud Never can, never will, can't hold us down This is for my girls all around the world Who've come across a man who don't respect your worth Thinking all women should be seen, not heard So what do we do girls? Should out loud! Letting them know we're gonna stand our ground Lift your hands high and wave 'em proud Take a deep breath and say it loud Never can, never will, can't hold us down Spread the word, can't hold us down

Love Of My Life (feat. Common) Bring it over here and let's go back Way back Ooh... Way back, yeah I met him when I was a Little girl, he gave me He gave me poetry And he was my first But in my heart I knew I Wasn't the only one 'Cause when the tables turned He had to break up Whenever I got lonely Or needed some advice He gave me his shoulder His words were very nice But that is all behind me 'Cause now there is no other My love is his and his is mine A friend became the Love of my life You are my friend Love of my life I can depend Love of my life Without you, baby It feels like a simple true love Hope this s*** ain't clear A freak-freak, y'all, and ya don't stop To the beat y'all and ya don't stop A freak-freak Or could it be that it was All just so simple then A teenage lover who said He's just a friend He moved around and we kept In touch through his friend Mike The world was young and he knew We couldn't rush but Whenever I got lonely Or needed some advice He gave me his shoulder His words were very nice But that is all behind me 'Cause now there is no other My love is his and his is mine A friend became the Love of my life You are my friend Love of my life A dude I can depend, yeah, yeah Love of my life Feels like a simple true love, yeah Hope this s*** ain't clear Y'all know how I met her We broke up and got back together To get her back I had to sweat her Thought she roll with bad boys forever in many ways Them boys may be better, to I had to let her (Never) She needed cheddar and I understood that Lookin' for cheese, that don't make her a hood rat (Rat) In fact she's a queen to me, her light beams on me I love it when she sings to me It's like that now Love of my life Ooh, you know you rock my world and Love of my life You be boy and I'll be girl and Love of my life We don't stop until the break of dawn, ooh... Love of my life Ooh, you know you rock my world and Love of my life You be boy and I'll be girl and Love of my life Yeah...

The knights performed their feats with very little planning and rarely did their post-feat paperwork, but they made up for these shortcomings with their fearlessness, their strength, and their energy. The king was also lucky to have a very good prime minister. The minister saw that taxes were collected, that the majority of the revenues were wisely spent to improve the kingdom, and that the excess monies were well managed. One day the prime minister died, and the king asked his bravest and most fearless knight to be the new minister. Unfortunately, the knight chosen for the job liked jumping on his white charger more than he liked caring for the affairs of the kingdom. He continued to gallop off to slay dragons whenever he had the opportunity and neglected tax collections, investments, improvements, and repairs. After only a short time, the king ran out of money, the peasants ran out of patience, and the kingdom collapsed.

Do Not Sin Three simple little words, but they sometimes seem like an impossible feat: do not sin. What does anger taken into the level of sin look like? It might be shouting. Or sarcasm. Or belittling someone. It isn’t verbalizing your displeasure over someone else’s actions. If someone’s actions have angered you, telling them in a straightforward and calm manner is a reasonable thing to do. Letting the anger escalate to the point of an outburst is what crosses the line into sin. Or if you’re not the explosive type, there is equal opportunity for sin in letting angry feelings ice over into a wall of bitterness and resentment.

I was wondering about the origin of the word hat trick. Where does it come from? Cricket doesn’t have much to do with hats, does it?’ ‘I think it was at Sheffield’s Hyde Park ground in 1858. An All-England cricket team was engaged in a cricket match against the Hallam XI. During the match, H.H. Stephenson of the All-England XI took three wickets in three balls. As was customary at the time for rewarding outstanding sporting feats, a collection was made. The proceeds were used to buy a white hat, which was duly presented to the bowler.’ ‘And was Stephenson grateful?’ ‘History is, I fear, silent on this important subject, Geordie. But Mr Ali’s hat trick certainly made our own little contribution to cricketing statistics.’ ‘Although

Saturday rolled around and Emma knew she was in trouble when a slightly taller and older version of Sean spotted her across the Kowalskis’ big backyard. He grinned and started toward her. “Emma!” When he picked her up off her feet—which was no easy feat considering how tall she was—and spun her around, she clutched his shoulders. “Mitch…hi.” Thank goodness only one of his brothers could come. Not only because there were fewer people to keep track of, but because there was a much better chance this actually was Mitch. “Laying it on a little thick?” she heard Sean mutter. “Can’t help it,” Mitch said, setting her back on her feet. “My future sister-in-law’s quite the looker, you lucky bastard.” Sean made a snorting sound, but she couldn’t tell if it was directed at the fact he’d called her his future sister-in-law, that she was a looker or that he was a lucky bastard, so she ignored him. She’d noticed right off Mitch was a little taller and older than Sean, but his eyes were a little darker shade of blue and his hair was longer and scruffier. And he was leaner, too, though still pretty well built. She jumped when Sean slid his arm around her waist and put his face close to hers. “Stop ogling my brother.” “He’s taller than you.” “Older, too.” “Maybe, but what’s a few years?” When he made a growling sound, she laughed and elbowed him in the side. “You’re not jealous, are you?” “Of Mitch? Please.

Hamilton was more persuasive than he realized, and a delegation of business leaders soon approached him to subscribe to a “money-bank” that would thwart Livingston’s land bank. “I was a little embarrassed how to act,” Hamilton confessed sheepishly to Church, “but upon the whole I concluded it best to fall in with them.” 51 Instead of launching a separate bank, Hamilton decided to represent Church and Wadsworth on the board of the new bank. Ironically, he held in his own name only a single share of the bank that was long to be associated with his memory. On February 23, 1784, The New-York Packet announced a landmark gathering: “It appearing to be the disposition of the gentlemen in this city to establish a bank on liberal principles . . . they are therefore hereby invited to meet tomorrow evening at six o’clock at the Merchant’s Coffee House, where a plan will be submitted to their consideration.” 52 At the meeting, General Alexander McDougall was voted the new bank’s chairman and Hamilton a director. Snatching an interval of leisure during the next three weeks, Hamilton drafted, singlehandedly, a constitution for the new institution—the sort of herculean feat that seems almost commonplace in his life. As architect of New York’s first financial firm, he could sketch freely on a blank slate. The resulting document was taken up as the pattern for many subsequent bank charters and helped to define the rudiments of American banking. In the superheated arena of state politics, the bank generated fierce controversy among those upstate rural interests who wanted a land bank and believed that a money bank would benefit urban merchants to their detriment. Within the city, however, the cause of the Bank of New York made improbable bedfellows, reconciling radicals and Loyalists who were sparring over the treatment of confiscated wartime properties.

But today, for some reason, Ella’s words sting a little. Perhaps it’s the fact that since she first conquered the route up the rope climbing frame on Monday with Mum watching, Dad, Alex and even Otis have all seen her repeat the feat. Or maybe it’s the fact that today is her last weekday of freedom. Ella starts school on Monday. And although she is excited about it now, I am well aware that when she realises she also has to go to school on Tuesday, Wednesday, Thursday and Friday, not just the first week but every week from now on, she will be furious at being denied the chance of spending her afternoons in the park, as she has this week.

I'll show up to the end with so little: a body slackened by feats; a mind dwindled by pace. Let my photos be proof of life.

One could spend a lifetime mastering the technical aspects of the piano and never achieve a state of musical expression - that alchemy by which the performer not only comprehends the sentiments of the composer, but somehow communicates them to her audience through the manner of her play. Whatever personal sense of heartache Chopin had hoped to express through this little composition - whether it had been prompted by a loss of love, or simply sweet anguish one feels when witnessing a mist on a meadow in the morning - it was right there, ready to be experienced to its fullest, in the ballroom of the Hotel Metropol one hundred years after the composer's death. But how, the question remained, could a seventeen-year-old girl achieve this feat of expression, if not by channeling a sense of loss and longing of her own?

Another question to ask as you evaluate the story is, does it have a hook? In its simplest form, the hook is what got you interested in the subject in the first place. It’s that bit of information that reveals the essence of the story and its characters, encapsulating the drama that’s about to unfold. Sound and Fury, for example, is the story of a little girl who wants a cochlear implant. The hook is not that she wants this operation, nor that the implant is a major feat of medical technology. The hook is that the little girl’s parents, contrary to what many in the audience might expect, aren’t sure they want her to have the operation. It’s the part of the story that makes people want to know more. Jonestown: The Life and Death of Peoples Temple, does not hook audiences with the horror of a mass suicide/murder that took place in 1978, even though the film opens with text on screen announcing the event. Instead, the film’s hook is that it promises viewers an insider’s look at what it means to join a community, only to be drawn inexorably into a terrifying, downward spiral. As discussed especially in Chapter 7, the hook is often the last piece of the film to come together, as the themes, characters, and story come more clearly into focus and are distilled into the promise you make to the viewers: This is what this movie is; this is why it’s worth your time; this is why this story needs to be told and demands your attention.

Once the little squirt has found a suitable home, it attaches itself soundly to the spot and then, needing it no longer, reabsorbs its own brain (a feat that arouses much admiration among university professors, Steve Jones quips).

Heroic poetry tends in its simplest form to be concerned with immediate events and local heroes. A certain length of tradition is required before the epic poem, telling the story of the hero, becomes current. Heroic poetry assumes that the audience knew what the outcome of the battle was, and is concerned with individual feats; the context if of little importance. Epic poems only become attractive as a form when the audience needs to be told who the heroes were.

Doing things we know how to do well is enjoyable, and that’s exactly the opposite of what deliberate practice demands…. Deliberate practice is above all an effort of focus and concentration. That is what makes it “deliberate,” as distinct from the mindless playing of scales or hitting of tennis balls that most people engage in. If you show up and do what you’re told, you will, as Anders Ericsson explained earlier in this chapter, reach an “acceptable level” of ability before plateauing. The good news about deliberate practice is that it will push you past this plateau and into a realm where you have little competition. The bad news is that the reason so few people accomplish this feat is exactly because of the trait Colvin warned us about: Deliberate practice is often the opposite of enjoyable.

When you’re willing to keep moving forward, even when you aren’t 100 percent sure you’ll reach your goals, you can accomplish incredible feats. Each time you refuse to let self-doubt hold you back, you build a little more mental muscle. And the stronger you become, the easier it is to stay confident in your abilities.

News in abundance was offered in return. The porters of the Livingstone East-Coast Aid Expedition had plenty to relate to the porters sent by Mr. Stanley. Mirambo's war dragged on its length, and matters had changed very little since they were there before, either for better or for worse. They found the English officers extremely short of goods; but Lieut. Cameron, no doubt with the object of his Expedition full in view, very properly felt it a first duty to relieve the wants of the party that had performed this Herculean feat of bringing the body of the traveller he had been sent to relieve, together with every article belonging to him at the time of his death, as far as this main road to the coast.

I don’t believe that women care all that much about male friendship, however, to be to a man, primarily and only a-friend-who-is-a-woman is a major gesture that she can make both for him and for herself, for the mere fact that she wins him over with a completely uncommon weapon that has very little contact with her very recognisable and primordial female seductiveness, at the same time catching him in a trap from which he can escape only as a proven and frequently disgraced coward. To make a man your friend really is an exploit worth of admiration, because of all the hardships that, by way of being an authentic feat, it entails.

He for the world but little cared; And at his feats the world was scared; A crazy man his life he passed, But in his senses died at last.

I want to seduce you,” I tell him honestly. I force my gaze to his face, a feat made easier by the fact that he’s pinpointed his shocked stare on my throat. “Just a little,” I add as reassurance.

A new day has dawned. New Secondary Skills are unlocked: Strider’s Focus: You have grown closer to Nature and learned the basics of this skill without a trainer. Somatic Battle-Weaving: This skill has increased through extensive use without the need to allocate skill points to it. Equilibrium: This skill allows you to keep your balance and avoid effects that cause dizziness or disorientation. Suffer through more such effects to increase it. Blades: You have increased your knowledge of which techniques to use in which situations. He had little time to bask in the glory of his skill increases, as the true prize of level four awaited him: Focus Unlocked. At level 4, you may select a Focus for one of your Attributes. This Focus increases your effective score in that Attribute whenever the relevant trait is tested. For instance, Prowess(Strength) allows you better results when lifting heavy objects, but you receive no bonus for feats of agility (such as dodging attacks)

You know,” I said as we trudged homeward, “this is an important occasion, and not just because of this great discovery. According to my calculations, tomorrow will be our second anniversary on the island “ “Is this really true?” Elizabeth asked. “I can hardly believe so much time has passed.” “It is true, my dear,” I said. Think of all of the adventures that we have had and that we are safe, well-fed and happy. I am going to declare tomorrow a special day of celebration.” “You mean that we are going to have a party?” cried Francis, jumping for joy. “Oh, I can hardly wait!” Actually, Francis did not have long to wait, for when the morning dawned, Elizabeth and I had the entire day’s festivities planned. Greeting my sons on the lawn beneath Falcon’s Nest, I said, “For the past two years, you boys have been practicing wrestling, running, swimming, shooting and horseback riding here on the island. Now, we are going to determine the champions of these feats.” So, the competitions began, with Elizabeth cheering the boys and Turk and Flora running alongside them. Unquestionably, the highlight of the day was the horseback-riding event. Fritz mounted Lightfoot and Ernest rode Grizzle, but they were no match for Jack’s skillful handling of the wild buffalo. A practiced groom could not have managed a thoroughbred horse with more grace and ease. “Jack, my boy,” I boomed, “I hereby declare you the winner of this contest.” “No, Papa.” interrupted Francis. “You haven’t seen what I can do yet.” Francis rode into the arena, mounted on his young buffalo bull, Broumm, which was just four months old. Elizabeth had made a saddle of kangaroo skin and stirrups that adjusted to Francis’s little legs.

Had he felt pride in Sofia before? Of course he had. On a daily basis. He was proud of her success in school, of her beauty, of her composure, of the fondness with which she was regarded by all who worked in the hotel. And that is how he could be certain that what he was experiencing at that moment could not be referred to as pride. For there is something knowing in the state of pride. Look, it says, didn’t I tell you how special she is? How bright? How lovely? Well, now you can see it for yourself. But in listening to Sofia play Chopin, the Count had left the realm of knowing and entered the realm of astonishment. On one level he was astonished by the revelation that Sofia could play the piano at all; on another, that she tackled the primary and subordinate melodies with such skill. But what was truly astonishing was the sensitivity of her musical expression. One could spend a lifetime mastering the technical aspects of the piano and never achieve a state of musical expression—that alchemy by which the performer not only comprehends the sentiments of the composer, but somehow communicates them to her audience through the manner of her play. Whatever personal sense of heartache Chopin had hoped to express through this little composition—whether it had been prompted by a loss of love, or simply the sweet anguish one feels when witnessing a mist on a meadow in the morning—it was right there, ready to be experienced to its fullest, in the ballroom of the Hotel Metropol one hundred years after the composer’s death. But how, the question remained, could a seventeen-year-old girl achieve this feat of expression, if not by channeling a sense of loss and longing of her own? As Sofia began the third iteration of the melody, Viktor Stepanovich looked over his shoulder with his eyebrows raised, as if to say: Can you believe it? Have you ever in all your years even imagined? Then he quickly looked back to the piano and dutifully turned the page for Sofia almost in the manner of an apprentice turning the page for his master.

A doughty gentleman lies here; A stranger all his life to fear; Nor in his death could Death prevail, In that last hour, to make him quail. He for the world but little cared; And at his feats the world was scared; A crazy man his life he passed, But in his senses died at last.

She was an accomplished scowler, managing to take the expression all the way from her pale, furrowed eyebrows to the tip of her sharp little chin, a masterful feat Martin had only seen achieved by his own father.

sunk into my memory like rotten wood, the roaring flame of some elongated fabled and knightly dream in the rain, a little Yorkshire harangue, a belfry overwrought with gloomy moss and sick with stillness, the clouds never to part the fair river and reduce with teardrops the writer beneath the storm, the excellent twisted ode to the Lady of solitude knocking her knees together, slowly climbing her ribs, like an antithesis of an orgasm, in self-psychoanalytical sympathy for what nobody in the village canny figure, the story of John of Woodmansey whose feat on the water on old hallows eve with a glass of port in one hand singing ‘The Whitby Lad’. For when one has reached the bottom, one is inclined to look furthermore towards much greater depths thought not possible, and to marvel at the mystery of the furies and the chastened colours below and empowering it be to not heed the saving hand over whom calleth you a name a long since unraveled.

Few Carpathian women carry to full term. The child rarely survives the first year of life. Do not be so certain we are out of the woods. You must rest and be cared for. The child comes first. Byron would say so also. Mikhail must take you far from this place, away from the vampire and the assassins. I will hunt and rid our people of the danger while your mate looks after you.” Gregori’s voice was low and pitched in silver tones, tones of light that beckoned and danced. Nearly impossible to resist. So calm and soothing and reasonable. Raven actually had to shake off the compulsion to do as he wished. She glared at him. “Don’t even try that with me, Gregori.” She included Mikhail in her stare. “And you, you big lunk, you would have gone along with him like the tree-swinging macho man you are. Watch these guys, Shea, they’re impossible. They’ll do anything to get their way.” Shea found herself smiling. “So I’ve noticed.” It was reassuring to see that Raven had learned to hold her own with the men. Shea was every bit as strong. “I can’t leave Byron out there to suffer the same fate as Jacques,” Raven insisted stubbornly. She looked beyond Gregori to Shea for support. “We can’t.” Shea had seen firsthand what the human butchers were capable of, and she could no more leave Byron to such a fate than she could walk away from Jacques. She nodded in agreement. “Once we have Byron’s location, you men can go after him. I’ll stay with raven, and we’ll wait for you here. The vampire can’t come out with the sun up, and we have guns if the humans show up.” “In any case, Mikhail, you know you could protect us from humans, even from a distance,” Raven reminded him. “Shea is right, healer.” Jacques suddenly threw his support to the women. He owed Byron. He could not allow anyone to suffer as he had. He glanced at Gregori. “You knew Raven and Mikhail were in trouble when their minds were connected to Byron’s. What is it? How does the vampire trap us?” “He ensnared Raven and me through Byron, a monumental feat,” Mikhail admitted. Then he rubbed his jaw ruefully. “Is it possible, little brother, you enjoyed hitting me just a bit too much?” Jacques’ teeth gleamed white in the semblance of a smile. He could not help but admire Mikhail’s coolness in the midst of a threat as lethal as the healer’s and the vampire’s combined. To be able to joke, to put aside the ego of the Carpathian male, was nothing short of a miracle.

You knew Raven and Mikhail were in trouble when their minds were connected to Byron’s. What is it? How does the vampire trap us?” “He ensnared Raven and me through Byron, a monumental feat,” Mikhail admitted. Then he rubbed his jaw ruefully. “Is it possible, little brother, you enjoyed hitting me just a bit too much?

You know that you’re over the hill when your mind makes a promise that your body can’t fill. —Little Feat, “Old Folks Boogie

If we were in a romantic novel,” Damiskos said, relaxing a little, “I would have to—I don’t know—perform a feat or, or go on a quest to prove my devotion after not recognizing you.

Ripped calluses are manly, but since they make you lose training time, try to avoid them when you do your quick lifts. It is elementary, Watson—you must gradually build up the volume of swings, cleans, and snatches to let your skin adapt. You may want to sandpaper your kettlebell’s handles, as kettlebell sport competitors do. Remove the paint and smooth out the iron. Unlike presses and other grind lifts, swings, cleans, and snatches call for a loose grip. “Hook” the handle with your fingers rather than gripping it. Try to lift in a way that minimally stretches the skin on your palm. Figure it out. Load the calluses at the bases of your fingers as little as possible; let the kettlebell handle glide from the “hook” of the fingers to the heel of the palm and back in a manner that does not pinch the skin at the bases of the fingers. Do not let the calluses get thick and rough. Russian gireviks soak their hands in hot water at night, then thin out and smooth out their calluses with a pumice stone, and finally apply an oily cream or a three-to-one mix of glycerin and ammonia. I hang my head in shame to be giving you metrosexual skin-care advice. Speaks Brett Jones, Senior RKC, who gives his hands the double abuse of kettlebell lifting and extreme gripping feats: “Go out and get Cornhuskers Lotion and use it several times a day. This lotion is unique in that it is not greasy and actually toughens and conditions your skin. At night you may want to use a product that penetrates and moisturizes in a different way. Bag Balm and other heavy (oily) lotions can be used at night and can best be absorbed if you put them on before bed and wear mittens, socks or specially designed gloves available at some health and beauty stores. [Brett, I will take your word for it.]

At one point, I ran out of books to read at the school library and the neighborhood library,” Musk said. “This is maybe the third or fourth grade. I tried to convince the librarian to order books for me. So then, I started to read the Encyclopaedia Britannica. That was so helpful. You don’t know what you don’t know. You realize there are all these things out there.” Elon, in fact, churned through two sets of encyclopedias—a feat that did little to help him make friends. The boy had a photographic memory, and the encyclopedias turned him into a fact factory. He came off as a classic know-it-all. At the dinner table, Tosca would wonder aloud about the distance from Earth to the Moon. Elon would spit out the exact measurement at perigee and apogee. “If we had a question, Tosca would always say, ‘Just ask genius boy,’” Maye said. “We could ask him about anything. He just remembered it.” Elon cemented his bookworm reputation through his clumsy ways. “He’s not very sporty,” said Maye.

hope this Merlin guy knows how to send us back. Somehow I doubt it.” “We’ll find a way, Steve,” Alex said and she smiled at me in a way I have never been smiled at. My heart beat a little faster. I quickly looked away. “It’s, uh, getting dark now. I think we’re safe to move closer.” Alex tucked her strawberry blond hair behind an ear and cleared her throat. “Right. Of course. Let’s go save someone else’s kingdom, why don’t we.” She hit the button and we flew over the edge of Camelot. Looking down, I saw the different rings of the city, the ruined parks, the buildings burned to rubble, and the refugees living in the ruins. The sad sight gave us all a spark of determination to see Mordred’s reign brought to a swift end. Arthur stood on the drawbridge with his green-cloaked soldiers. With the roar of the pistons and the great distance, we heard nothing of his words, but afterward were told he gave a great and heroic speech, informing the gatekeeper of the detailed history of each of his warriors—the many brave feats they had performed.

Lewis, it seems, could remember texts primarily because he had absorbed their deep inner logic. His diaries bear witness to his habit of reading an astonishing number of texts; his personal library contains annotations indicating when a book was first read, and then read again. He was good at explaining complex ideas to others, because he had first explained them to himself: “I’m a professional teacher and explanation happens to be one of the things I’ve learned to do.”[369] Lewis achieved this feat partly by neglecting other sources of reading—such as daily newspapers. As a result, even his friends sometimes found him worryingly ignorant of current affairs. William Empson (1906–1984), a leading literary critic who had little time for Lewis’s views on Milton, nevertheless declared that “he was the best read man of his generation, one who read everything and remembered everything he read.”[370] It showed. Students attending his lectures were impressed by his grasp not simply of the texts of leading works of literature—above all, Milton’s Paradise Lost—but his deeper grasp of their internal structure. Rarely did university lectures both inform and inspire; yet these quickly became the hallmarks of Lewis’s academic lecturing style.

Nothing is impossible with God. (Luke 1:37) High in the snow-covered Alpine valleys, God works one of His miracles year after year. In spite of the extremes of sunny days and frozen nights, a flower blooms unblemished through the crust of ice near the edge of the snow. How does this little flower, known as the soldanelle plant, accomplish such a feat? During the past summer the little plant spread its leaves wide and flat on the ground in order to soak up the sun’s rays, and it kept that energy stored in its roots throughout the winter. When spring came, life stirred even beneath its shroud of snow, and as the plant sprouted, it amazingly produced enough warmth to thaw a small dome-shaped pocket of snow above its head. It grew higher and higher, and as it did, the small dome of air continued to rise just above its head until its flower bud was safely formed. At last the icy covering of the air compartment gave way, and the blossom burst into the sunshine. The crystalline texture of its mauve-colored petals sparkled like the snow itself, as if it still bore the marks of the journey it had endured. This fragile flower sounds an echo in our hearts that none of the lovely flowers nestled in the warm grass of the lower slopes could ever awaken. Oh, how we love to see impossible things accomplished! And so does God. Therefore may we continue to persevere, for even if we took our circumstances and cast all the darkness of human doubt upon them and then hastily piled as many difficulties together as we could find against God’s divine work, we could never move beyond the blessedness of His miracle-working power. May we place our faith completely in Him, for He is the God of the impossible.

TEN GREAT ROAD TRIP SONGS •   “Glory Bound” Martin Sexton •   “Willin’ ” Little Feat •   “Stickshifts and Safetybelts” Cake •   “Radar Love” Golden Earring •   “On the Road Again” Willie Nelson •   “Going Up the Country” Canned Heat •   “Miracle Mile” Cold War Kids •   “Ramblin’ Man” The Allman Brothers Band •   “Thunder Road” Bruce Springsteen •   “Wagon Wheel” Old Crow Medicine Show

They ought to have looked forward meekly to the prodigious feats of posterity; but having too little faith and too much conceit, they were content to look behind and make comparisons with the past. They did not foresee the miraculous generation which is us.

Cosmic law cannot be stayed or changed and man would do well to put himself in harmony with it. If the cosmos is against might, if the sun wars not with the planets but retires at dueful time to give the stars their little sway, what avails our mailed fist? Shall any peace indeed come out of it? Not cruelty but goodwill arms the universal sinews; a humanity at peace will know the endless fruits of victory, sweeter to the taste than any nurtured on the soil of blood. The effective League of Nations will be a natural, nameless league of human hearts. The broad sympathies and discerning insight needed for the healing of earthly woes cannot flow from a mere intellectual consideration of man’s diversities, but from knowledge of man’s sole unity—his kinship with God. Towards realisation of the world’s highest ideal—peace through brotherhood—may yoga, the science of personal contact with the Divine, spread in time to all men in all lands. Though India’s civilisation is ancient above any other, few historians have noted that her feat of national survival is by no means an accident, but a logical incident in the devotion to eternal verities which India has offered through her best men in every generation. By sheer continuity of being, by intransitivity before the ages (can dusty scholars truly tell us how many?) India has given the worthiest answer of any people to the challenge of time.

What can explain this difference? On the surface, much appears to hinge on Richard’s programming feat, his software shim. Otherwise, his effort with Konqueror seems much like my struggles with Mozilla. Perhaps he was just a better programmer than me, and without his coding cleverness, there would be no story. That explanation is too simple. Richard made his shim only after determining he needed one last link in a chain of inspiration, intuition, reasoning, and estimation. His shim was a consequence of his overall plan. To show what I mean, here’s an accounting of what Richard did in his first couple of days at Apple. He began by quizzing us on the browser analysis we had done before his arrival, and after hearing it, he quickly discarded our effort with Mozilla as unlikely to bear fruit. By doing so, he demonstrated the self-confidence to skip any ingratiating display of deference to his new manager, a person who had years of experience in the technical field he was newly entering. Next, Richard resolved to produce a result on the shortest possible schedule. He downloaded an open source project that held genuine promise, the Konqueror code from KDE, a browser that might well serve as the basis for our long-term effort. In getting this code running on a Mac, he decided to make the closest possible approximation of a real browser that was feasible on his short schedule. He identified three features—loading web pages, clicking links, and going back to previous pages. He reasoned these alone would be sufficiently compelling proofs of concept. He then made his shortcuts, and these simplifying choices defined a set of nongoals: Perfect font rendering would be cast aside, as would full integration with the Mac’s native graphics system, same for using only the minimum source code from KDE. He reasoned that these shortcuts, while significant, would not substantially detract from the impact of seeing a browser surf web pages. He resolved to draw together these strands into a single demo that would show the potential of Konqueror. Then, finally, he worked through the technical details, which led him to develop his software shim, since that was the only thing standing between him and the realization of his plan. His thought process amplified his technical acumen. In contrast, Don and I were hoping Mozilla would pan out somehow. I was trying to get the open source behemoth to build on the Mac, with little thought beyond that. I had no comparable plan, goals, nongoals, tight schedule, or technical shortcuts.

Three little words hadn’t made life a living hell; my actions did. The three little words sealed my fate. I am that cliché. I am the other woman. Chapter 1 I sit down on my chair which is only the second time during the day I have managed this impossible feat; it’s just been one of those days.