Hitch Love Quotes

We've searched our database for all the quotes and captions related to Hitch Love. Here they are! All 100 of them:

His breath hitched, and he regarded me hungrily. “You’re playing with fire, you know that?” “That’s weird, considering you’re an ice prin—” I didn’t get any further, as Ash leaned in and kissed me.
Julie Kagawa (Winter's Passage (Iron Fey, #1.5))
Daddy," I whispered, feeling my own breath hitch in my throat. "I love you." Just when I was sure he was asleep, the one corner of his mouth lifted in a smile. "I knew that," he murmured. "Always knew that.
Morgan Matson (Second Chance Summer)
Remember... life is short. Each moment you have is precious. Treasure every second. Don't spend them doing anything you don't love.
Meg Cabot (Queen of Babble Gets Hitched (Queen of Babble, #3))
I’m not careful," she said as he touched his lips to her temple. His warm breath stirred the curls by her ear. "I’m just not you." She felt him laugh. His hands slid down her sides, gripped her waist. “That, you are definitely not. Much prettier.” “You must love me,” she said, breath hitching as his lips traveled excruciatingly slowly along her jaw. “I never thought you’d admit anyone was prettier than you.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
I love you, Bud," he whispered to Billy and two more tears escaped. "I love you too, Mitch," Billy whispered back, my breath hitched and both males' eyes came to me. I waved my wineglass at them and murmured, "Don't mind me. Have your moment." Mitch leaned back, letting Billy go and grinning at me. "Men don't have moments." "You do," I returned. "I'm witnessing one." "This isn't a moment, honey, it's a meeting of the minds," Mitch contradicted me.
Kristen Ashley (Law Man (Dream Man, #3))
A life that partakes even a little of friendship, love, irony, humor, parenthood, literature, and music, and the chance to take part in battles for the liberation of others cannot be called 'meaningless'...
Christopher Hitchens (Hitch 22: A Memoir)
About once or twice every month I engage in public debates with those whose pressing need it is to woo and to win the approval of supernatural beings. Very often, when I give my view that there is no supernatural dimension, and certainly not one that is only or especially available to the faithful, and that the natural world is wonderful enough—and even miraculous enough if you insist—I attract pitying looks and anxious questions. How, in that case, I am asked, do I find meaning and purpose in life? How does a mere and gross materialist, with no expectation of a life to come, decide what, if anything, is worth caring about? Depending on my mood, I sometimes but not always refrain from pointing out what a breathtakingly insulting and patronizing question this is. (It is on a par with the equally subtle inquiry: Since you don't believe in our god, what stops you from stealing and lying and raping and killing to your heart's content?) Just as the answer to the latter question is: self-respect and the desire for the respect of others—while in the meantime it is precisely those who think they have divine permission who are truly capable of any atrocity—so the answer to the first question falls into two parts. A life that partakes even a little of friendship, love, irony, humor, parenthood, literature, and music, and the chance to take part in battles for the liberation of others cannot be called 'meaningless' except if the person living it is also an existentialist and elects to call it so. It could be that all existence is a pointless joke, but it is not in fact possible to live one's everyday life as if this were so. Whereas if one sought to define meaninglessness and futility, the idea that a human life should be expended in the guilty, fearful, self-obsessed propitiation of supernatural nonentities… but there, there. Enough.
Christopher Hitchens (Hitch 22: A Memoir)
God, who needs nothing, loves into existence wholly superfluous creatures in order that He may love and perfect them. He creates the universe, already foreseeing - or should we say "seeing"? there are no tenses in God - the buzzing cloud of flies about the cross, the flayed back pressed against the uneven stake, the nails driven through the mesial nerves, the repeated incipient suffocation as the body droops, the repeated torture of back and arms as it is time after time, for breath's sake, hitched up. If I may dare the biological image, God is a "host" who deliberately creates His own parasites; causes us to be that we may exploit and "take advantage of" Him. Herein is love. This is the diagram of Love Himself, the inventor of all loves.
C.S. Lewis (The Four Loves)
I wanted him in so many ways. As a friend, as a kindred soul, as a fierce teammate. As skin and lips and teeth. As a hitched breathless moan in the darkness or a lazy embrace in the sunrise. I wanted that. I wanted it all.
Carissa Broadbent (Daughter of No Worlds (The War of Lost Hearts, #1))
Don’t tell me you don’t know!” I roared at him. “Tell me one fucking thing you do know!” “That I love you.” His breath hitched in his chest. And I just. I couldn’t breathe. Everything
T.J. Klune (Wolfsong (Green Creek, #1))
I want to have faith in strangers. I want to have faith in what we're all going to do next. But I'm worried. I see things shifting from United We Stand to God Bless America. I don't believe in God Bless America. I don't believe a higher power is standing beside us and guiding us. I don't believe we're being singled out. I believe much more in United We Stand. I have my doubts, but I want it to be true. Wouldn't it be wonderful if we really came together, if we really found a common humanity? The hitch is that you can't find a common humanity just because you have a common enemy. You have to find a common humanity because you believe that's true.
David Levithan (Love Is the Higher Law)
Falling in love with Renee was not the kind of thing you walk away from in one piece. I had no chance. She put a hitch in my git-a-long.
Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)
My spirit is free. My heart is taken.
Crystal Woods (Write like no one is reading 2)
When the Washington Post telephoned me at home on Valentine's Day 1989 to ask my opinion about the Ayatollah Khomeini's fatwah, I felt at once that here was something that completely committed me. It was, if I can phrase it like this, a matter of everything I hated versus everything I loved. In the hate column: dictatorship, religion, stupidity, demagogy, censorship, bullying, and intimidation. In the love column: literature, irony, humor, the individual, and the defense of free expression. Plus, of course, friendship—though I like to think that my reaction would have been the same if I hadn't known Salman at all. To re-state the premise of the argument again: the theocratic head of a foreign despotism offers money in his own name in order to suborn the murder of a civilian citizen of another country, for the offense of writing a work of fiction. No more root-and-branch challenge to the values of the Enlightenment (on the bicentennial of the fall of the Bastille) or to the First Amendment to the Constitution, could be imagined. President George H.W. Bush, when asked to comment, could only say grudgingly that, as far as he could see, no American interests were involved…
Christopher Hitchens (Hitch 22: A Memoir)
The fragility of love is what is most at stake here—humanity's most crucial three-word avowal is often uttered only to find itself suddenly embarrassing or orphaned or isolated or ill-timed—but strangely enough it can work better as a literal or reassuring statement than a transcendent or numinous or ecstatic one.
Christopher Hitchens (Hitch 22: A Memoir)
I kept waiting for something bigger, something more profound, something that I could hitch myself to and be carried away once and for all to the heaven-on-earth that I deserved. I kept struggling for control, which was really a demand for everything I wanted--peace, happiness, love, perfection--all at once, right now, and for all time. I wanted life to be perfect, always. And when it wasn't, which was most of the time, I got really anxious, and when I got anxious, I started thinking about how good it would feel to get high again.
William Moyers
You and me?” I let out a stunned bark of laughter. “There is no you and me.” “That’s what you think,” Chaz says, tugging on his coat. “And I’ll be damned if I’m going to wait around until you figure out that isn’t true.” “Fine,” I say “I’m not asking you to, am I?” “No.” Chaz is smiling… but not like he’s happy. “But you would if you had the slightest idea what was good for you.” And with that, he yanks open the door and storms through it, slamming it closed behind him with enough force to cause the windowpanes to rattle. And then he’s gone.
Meg Cabot (Queen of Babble Gets Hitched (Queen of Babble, #3))
Everything I love: literature, irony, humor, the individual, and the defense of free expression.
Christopher Hitchens (Hitch 22: A Memoir)
By staying married, we give something to ourselves and to others: hope. Hope that in steadfastly loving someone, we ourselves, for all our faults, will be loved; that the broken world will be made whole. To hitch your rickety wagon to the flickering star of another fallible human being -- what an insane thing to do. What a burden, and what a gift.
Ada Calhoun (Wedding Toasts I'll Never Give)
Because I loved you!" she shouted. "Because I didn't want to let you go! Because I didn't want to lose you!" She hadn't realized she was crying until her voice hitched and she felt the tears on her cheeks. She swiped at them impatiently. "I have never fought for anything in my life because I never had anything worth fighting for, but I was going to fight for you.
Airicka Phoenix (Touching Eternity (Touch, #1.5))
To keep one's marriage brimming, With love in the wedding cup, Whenever you're wrong admit it; Whenever you're right, shut up." - Ogden Nash
Meg Cabot (Queen of Babble Gets Hitched (Queen of Babble, #3))
I’ll tell you what love is. Love is walking up and down Archer Road in Gainesville, Florida and feeling like Cupid. Too bad the cops took issue with me hitch hiking with a bow and arrow.
Jarod Kintz (Love quotes for the ages. Specifically ages 18-81.)
Aaron dipped his head, his voice dropping too. “Are you trying to impress me with sports lingo, Catalina?” The way he had said my name was new. I couldn’t explain how, but it had been different from any other time he had voiced those four syllables. And it sent a shiver dancing down my arms. “It’s sexy, but don’t ever feel like you need to impress me. I already am.” My lips parted. I thought my breath had hitched too.
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
Nine inches may actually be a conservative estimate of what it might look like hard. He must destroy men’s egos every time he walks into a locker room. And I don’t even want to think about what he destroys with women…
Kendall Ryan (Hitched: Volume One (Imperfect Love, #1))
Hey, Noah?” “Yes?” he says sweetly. “Why do you call me Snowflake?” He steps closer and runs one finger along my cheek, making my skin tingle in its wake. “Because you’re just like a snowflake. Beautiful and unique, and with one touch you’ll be wet.
Kendall Ryan (Hitched: Volume One (Imperfect Love, #1))
As soon as I got back to the apartment, through the pain of throwing away Braden came the fear. I stared down the hall at Ellie's bedroom door, and I had to stop myself from going back on my promise not to run from her. So I did the opposite. I kicked off my boots, shrugged out of my coat and crept silently into her darkened room. In the moonlight shining through her window, I saw Ellie curled up in a protective ball on her side. I made a move toward her and the floor creaked under my foot, and Ellie's eyes flew open immediately. She gazed up at me, wide-eyed but wary. That hurt. I started to cry harder and at the sight of my tears, a tear slid down Ellie's cheek. Without a word, I crawled onto her bed and right up beside her as she turned onto her back. We lay side by side, my head on her shoulder, and I grabbed her hand and held it in both of mine. "I'm sorry," I whispered. "It's okay," Ellie's voice was hoarse with emotion. "You came back." And because life was too short... "I love you, Ellie Carmichael. You're going to get through this." I heard her hitch on a sob. "I love you too, Joss.
Samantha Young (On Dublin Street (On Dublin Street, #1))
Stay.” “I can’t.” Her voice was hitching. “Why not?” “Because I don’t think you want this for the right reasons.” “I love you. What’s wrong with that reason?” “You don’t love me.” “I. Love. You.” “No! You used to love me.” “I love you still. I love you again. I just love you. I’ve always loved you.” He was speaking passionately, and he wouldn’t release her cheeks. She shook her head. “No.” “Yes. This is not some memory. I’m not reminiscing. I loved you then, and I’ve fallen completely in love with you all over again. Stay. Please. I’m begging you to give me a chance.
Elizabeth Finn (Unforgiven (Unforgiven, #1))
I heard the bathroom door close and I kept my eyes screwed shut, but my heart skyrocketed into uncharted territories. I folded my arms around me and held my breath. There was the slightest movement behind me. Skin brushed against mine. A fine shiver rolled up my spine. An infinite spark transferred between us, something that couldn’t be replicated or forced. How could I’ve forgotten that when connected with Seth? My heart turned over heavily. Aiden brushed the mass of thick hair over one shoulder and his lips met the space between my neck and shoulder. His hands slid down the slick skin of my arms, cupping over my elbows and then to my wrists. Gently, slowly, he eased my arms to my sides. I bit down on my lip and my legs started trembling. But he was there. Like always, holding me up when I couldn’t stand on and letting me go when he knew I needed him to. He was more than just a shelter. AIden was my other half, my equal. And he needed no weird Apollyon connection. Aiden waited, still as a statue, patient as ever, until my muscles unlocked, one by one. Then his hands dropped to my waist and he turned me toward him. A heartbeat passed and he placed his fingers on my chin, tipping my head back. I opened my eyes, blinking the wetness off my lashes, and the air hitched in my throat. Faint, purplish bruises shadowed his jaw. There was a cut over the bridge of his nose. No doubt injuries I had given him.
Jennifer L. Armentrout (Apollyon (Covenant, #4))
A moment later I heard my sweetheart running up the stairs. My heart expanded with such force that it almost blotted me out. I hitched up the pants of my pajamas, flung the door open: and simultaneously Lolita arrived, in her Sunday frock, stamping, panting, and the she was in my arms, her innocent mouth melting under the ferocious pressure of dark male jaws, my palpitating darling!
Vladimir Nabokov (Lolita)
He’s the thing my teenage fantasies were made of. Woodsy male scent. Muscular, yet trim frame. A quick wit that always finds a way to pull me into a debate.
Kendall Ryan (Hitched: Volume One (Imperfect Love, #1))
It's far too easy to forget, miss or not appreciate the tiny things a partner does for you every single day. But should you wait until it's over or they've gone to whisper (I love you) just one more time?
James Perrin (The Occasional Swearing Of Hitched Perrin)
One of the reasons Ayaan said she loves being Muslim is because it makes her feel like a natural feminist. "Like hello? Our queen Khadija didn't wait for the man she had her eye on to ask her, to get on his knees. Nope. Instead, she said, 'I like you, oh employee of mine. Will you marry me?' And then, after they hitched, she just kept her job as his boss. Mad respect.
S.K. Ali (Love From A to Z)
I’ve learned that just because Noah doesn’t take everything seriously doesn’t mean he doesn’t take anything seriously. His priorities and strategies are different from mine, not necessarily better or worse.
Kendall Ryan (Hitched: Volume One (Imperfect Love, #1))
Falling in love with Renée was not the kind of thing you walk away from in one piece. I had no chance. She put a hitch in my git-along. She would wake up in the middle of the night and say things like “What if Bad Bad Leroy Brown was a girl?” or “Why don’t they have commercials for salt like they do for milk?” Then she would fall back to sleep, while I would lie awake and give thanks for this alien creature beside whom I rested.
Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)
Hell, a fifty-dollar vibrator could do his job, and I wouldn’t have to listen to its bullshit.
Kendall Ryan (Hitched: Volume One (Imperfect Love, #1))
I love you,” she whispered, and we both stiffened at the same time. Her breathing hitched against my throat. Love?
Cora Reilly (Twisted Emotions (The Camorra Chronicles, #2))
Yeah, but you still love me.” Her breath hitches. “Yeah. I do.” Her green eyes shine up at me. “I love you.
Elle Kennedy (The Deal (Off-Campus, #1))
For one of the first pressures that bear down on American girls is the pressure not only to be liked but to be like everyone else. This initial feat of self-transformation often involves loosening one's grip on that quiet sense of inner self and hitching one's wagon to a single standard of beauty. The stress of leaping through that hoop insinuates itself into the young heart and soul with a vengeance, and insecurities go from being hard little buds of confusion to overripe, snarled and tyrannical fruits that hang on the vine as we age.
Debra Ollivier (What French Women Know About Love, Sex and Other Matters of the Heart and Mind)
I understand in retrospect that this was my first introduction to a conflict that dominates all our lives: the endless, irreconcilable conflict between the values of Athens and Jerusalem. On the one hand, very approximately, is the world not of hedonism but of tolerance of the recognition that sex and love have their ironic and perverse dimensions. On the other is the stone-faced demand for continence, sacrifice, and conformity, and the devising of ever-crueler punishments for deviance, all invoked as if this very fanaticism did not give its whole game away.
Christopher Hitchens (Hitch 22: A Memoir)
Aaron, what are your intentions with Lina? You are not just fooling around, are you? What do you think about marriage? Because Lina is about to turn thirty and—” “Charo,” I interrupted her. “Ya basta,” I hissed. “And I’m only twenty-eight. Jesus.” Aaron chuckled behind me. “Marriage is one of my favorite institutions.” My jaw hit the floor. “I’ve always wanted to get married.” My breath hitched, my mouth still hanging open. “Have a bunch of kids. A dog too.
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
I’m kind of hoping it will end like this. You made me happy. Very happy. But…you deserve everything. Wife, kids, a white picket fence.” “And I’ll have all of it. With you.” “You know that can’t happen with me.” “Then it can’t happen with anyone. There won’t be a next Rosie. And there won’t be another story like ours. This is it, Rose LeBlanc. And this is us. If there is no you, then there is no me.” “You know, I always hated Romeo and Juliet . The play. The movie. The very idea. It was tragic, all right. Tragically stupid. I mean, they were what? Thirteen? Sixteen? What a waste of life, to kill yourself because your family wouldn’t let you get hitched. But Romeo and Juliet were right. I was the next eleven years killing myself slowly while I grieved for you. Then you came back, and I still thought it was just a fascination. But now that I know…” “Now that I know that it can only ever be you, you’re going to get better for me so Earth won’t explode. Can you do that, Sirius? I promise not to leave this room until you get out. Not even for a shower. Not even to get you your chocolate chip cookies. I’ll get someone to drive all the way to New York and bring them for you.” “I love you.” Rosie’s tears curtained her vision. “I love you, Baby LeBlanc,” I said. “So fucking much. You taught me how to love. How well did I do?” “A-plus,” she whispered. “You aced it. Can you promise me something?” “Anything.” “ Live .” “Not without you.” “And have kids. Lots of them. They’re fun.” “Rosie…” “I’m not afraid. I got what I wanted from this life. You .” “Rosie.” “I love you, Earth. You were good to me.” “Rose!” Her eyes closed, the door opened, the sound on her monitor went off, and my heart disintegrated. Piece. By piece. By piece.
L.J. Shen (Ruckus (Sinners of Saint, #2))
I give him a skeptical look. “You want to show me your dick?” “If it’ll help convince you.” He drains the last drops of his Scotch and stands up. “Come on, let’s go.
Kendall Ryan (Hitched: Volume One (Imperfect Love, #1))
And love . . . if you nurture it well, love will always be there to keep you strong
Kendall Ryan (Hitched (Imperfect Love, #1))
refuse to play travel agent for your ego trip.” “If
Kendall Ryan (Hitched: Volume One (Imperfect Love, #1))
A person ought to be able to marry men or women or—listen, if you came to me and said you wanted to hitch up with Man O’ War, I’d respect your feeling. No, I’m serious. Love should be allowed. I’m all for it.
Truman Capote (Breakfast at Tiffany's and Three Stories)
Then, he angled his large body toward me, eating a big chunk of the distance that had been separating us. The motion had been unexpected, and my breath hitched with surprise. Hyperaware of how close he had come, I stuttered. Suddenly not knowing what to say or if I was expected to say anything at all. Aaron’s arm reached out, the backs of his fingers gracing my temple. My lips parted, tingles spreading down my skin. It was him who lowered his voice then. “Always fighting me.” I looked up at his handsome and stern face, his assessing blue eyes surveying my reaction. “Resisting me.” My heart tripped, making my chest feel like I had just sprinted a mile or two. Aaron’s head dipped, his mouth coming close to where his fingers had been a few seconds ago. Almost as close as it had been when we danced. “It’s like you want me to beg. Is that something you’d enjoy? Me begging?” His voice sounded so … intimate. Hushed. But it was his next words that scattered my thoughts all over the place. “Is that what this is? You like bringing me to my knees?” Whoa.
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
I had not particularly liked the way in which he wrote about literature in Beginnings, and I was always on my guard if not outright hostile when any tincture of 'deconstruction' or 'postmodernism' was applied to my beloved canon of English writing, but when Edward talked about English literature and quoted from it, he passed the test that I always privately apply: Do you truly love this subject and could you bear to live for one moment if it was obliterated?
Christopher Hitchens (Hitch 22: A Memoir)
Have you had another motherfucker around my kid?” The audible hitch in her breath and the guilt that flashed in her eyes did nothing to stop my growing rage. “What do you mean?” she stammered. “You bitch.” I released her neck and took a step back. “Who is he?” “Who is who?” she screamed. “There’s no one!” “That’s not what your eyes just said.” “So now you’re a fucking mind reader?” “No. I’m your fucking mind reader. Shelly, don’t play with me,” I warned. “You have no right to question my love life.” Love? Was she in love? Fuck that. I’d stop her heart with my bare hands before I allowed her give it to anyone
B.B. Reid (Fear Us (Broken Love, #3))
I’m a man. A speak-my-mind, fight-for-what-I-believe, bleed-for-my-country, red-meat-eating man. I don’t bow down to anyone.
Kendall Ryan (Hitched (Imperfect Love Book 2))
His vulnerability allowed me to let my guard down, and gently and methodically, he tore apart my well-constructed dam. Waves of tender feelings were lapping over the top and slipping through the cracks. The feelings flooded through and spilled into me. It was frightening opening myself up to feel love for someone again. My heart pounded hard and thudded audibly in my chest. I was sure he could hear it. Ren’s expression changed as he watched my face. His look of sadness was replaced by one of concern for me. What was the next step? What should I do? What do I say? How do I share what I’m feeling? I remembered watching romance movies with my mom, and our favorite saying was “shut up and kiss her already!” We’d both get frustrated when the hero or heroine wouldn’t do what was so obvious to the two of us, and as soon as a tense, romantic moment occurred, we’d both repeat our mantra. I could hear my mom’s humor-filled voice in my mind giving me the same advice: “Kells, shut up and kiss him already!” So, I got a grip on myself, and before I changed my mind, I leaned over and kissed him. He froze. He didn’t kiss me back. He didn’t push me away. He just stopped…moving. I pulled back, saw the shock on his face, and instantly regretted my boldness. I stood up and walked away, embarrassed. I wanted to put some distance between us as I frantically tried to rebuild the walls around my heart. I heard him move. He slid his hand under my elbow and turned me around. I couldn’t look at him. I just stared at his bare feet. He put a finger under my chin and tried to nudge my head up, but I still refused to meet his gaze. “Kelsey. Look at me.” Lifting my eyes, they traveled from his feet to a white button in the middle of his shirt. “Look at me.” My eyes continued their journey. They drifted past the golden-bronze skin of his chest, his throat, and then settled on his beautiful face. His cobalt blue eyes searched mine, questioning. He took a step closer. My breath hitched in my throat. Reaching out a hand, he slid it around my waist slowly. His other hand cupped my chin. Still watching my face, he placed his palm lightly on my cheek and traced the arch of my cheekbone with his thumb. The touch was sweet, hesitant, and careful, the way you might try to touch a frightened doe. His face was full of wonder and awareness. I quivered. He paused just a moment more, then smiled tenderly, dipped is head, and brushed his lips lightly against mine. He kissed me softly, tentatively, just a mere whisper of a kiss. His other hand slid down to my waist too. I timidly touched his arms with my fingertips. He was warm, and his skin was smooth. He gently pulled me closer and pressed me lightly against his chest. I gripped his arms. He sighed with pleasure, and deepened the kiss. I melted into him. How was I breathing? His summery sandalwood scent surrounded me. Everywhere he touched me, I felt tingly and alive. I clutched his arms fervently. His lips never leaving mine, Ren took both of my arms and wrapped them, one by one, around his neck. Then he trailed one of his hands down my bare arm to my waist while the other slid into my hair. Before I realized what he was planning to do, he picked me up with one arm and crushed me to his chest. I have no idea how long we kissed. It felt like a mere second, and it also felt like forever. My bare feet were dangling several inches from the floor. He was holding all my body weight easily with one arm. I buried my fingers into his hair and felt a rumble in his chest. It was similar to the purring sound he made as a tiger. After that, all coherent thought fled and time stopped.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
He followed her into the bathroom and sat on the shut toilet seat while she washed her back with a brush. "I forgot to tell you," he said. "Liza sent us a wheel of Brie." "That's nice," she said, "but you know what? Brie gives me terribly loose bowels." He hitched up his genitals and crossed his legs. "That's funny," he said. "It constipates me." That was their marriage then--not the highest paving of the stair, the clatter of Italian fountains, the wind in the alien olive trees, but this: a jay-naked male and female discussing their bowels.
John Cheever (Falconer)
Anytime I fall for a dame like you I hope that somebody will take me outside an' cut my head off quick because I would rather be tied up to a coupla wild alligators than get myself hitched on to you.
Peter Cheyney (Your Deal, My Lovely)
I can be yours if you want me to be, Taryn,” he whispered.My breath hitched from his words. My pulse quickened and my fingers started totremble. “Is that your intention?” I asked, still skeptical.Ryan cleared his throat. “My intention is to let you know where my heart is. The rest… the rest is up to you,” he said softly
Tina Reber (Love Unscripted (Love, #1))
The friendly giant of my childhood, the wise, gentle god who always knew exactly what to do, now lies pale and haggard in a hospital bed with a dizzying array of tubes and wires and beeping machines all around him.
Kendall Ryan (Hitched (Imperfect Love, #1-3))
Her breathing hitched and his all but seized in his lungs for the want of her, the taste of her, the feel of her under his hands. His lips whispered against the curve of hers, where her cheek ended and her very sexy mouth began.
Vonnie Davis (For the Love of a Fireman (Wild Heat, #2))
It was as easy as breathing to go and have tea near the place where Jane Austen had so wittily scribbled and so painfully died. One of the things that causes some critics to marvel at Miss Austen is the laconic way in which, as a daughter of the epoch that saw the Napoleonic Wars, she contrives like a Greek dramatist to keep it off the stage while she concentrates on the human factor. I think this comes close to affectation on the part of some of her admirers. Captain Frederick Wentworth in Persuasion, for example, is partly of interest to the female sex because of the 'prize' loot he has extracted from his encounters with Bonaparte's navy. Still, as one born after Hiroshima I can testify that a small Hampshire township, however large the number of names of the fallen on its village-green war memorial, is more than a world away from any unpleasantness on the European mainland or the high or narrow seas that lie between. (I used to love the detail that Hampshire's 'New Forest' is so called because it was only planted for the hunt in the late eleventh century.) I remember watching with my father and brother through the fence of Stanstead House, the Sussex mansion of the Earl of Bessborough, one evening in the early 1960s, and seeing an immense golden meadow carpeted entirely by grazing rabbits. I'll never keep that quiet, or be that still, again. This was around the time of countrywide protest against the introduction of a horrible laboratory-confected disease, named 'myxomatosis,' into the warrens of old England to keep down the number of nibbling rodents. Richard Adams's lapine masterpiece Watership Down is the remarkable work that it is, not merely because it evokes the world of hedgerows and chalk-downs and streams and spinneys better than anything since The Wind in the Willows, but because it is only really possible to imagine gassing and massacre and organized cruelty on this ancient and green and gently rounded landscape if it is organized and carried out against herbivores.
Christopher Hitchens (Hitch 22: A Memoir)
The last five years had been a series of carefully orchestrated events. Every move, every strategy had been poured over in painstaking detail before it was set into motion. Pieces on a chess board. A collision of fate and circumstance. I’d planned for every hitch. Every contingency. Except the one that blindsided me like a vat of acid to the face. I fell in love with her.
A. Zavarelli (Stutter (Bleeding Hearts #2))
He pushes in then, slowly, deeply, stroking a chord inside of me. My breath hitches. Oh God. "I love that sound," he whispers, his voice gritty. "It's the best music in the world." I wrap my arms around him. "Maybe that should be your ringtone, then." He laughs, his face nuzzled into my neck. "That wouldn't work." "Why?" "Because others would hear it. That sound belongs only to my ears.
J.M. Darhower (Target on Our Backs (Monster in His Eyes, #3))
I bet you didn’t know,” he said, “whenever you wanted to shower – I liked to come on the soap. ” I gaped at him. “You did what?” He gave a deep laugh then drew a long, slow breath through his mouth. Under my ass, I could feel how much remembering this was arousing him. “I used to come on the soap. I loved thinking about you rubbing my come all over your body, your nipples, your stomach….” He trailed his finger down to my pubic bone. “…Between your legs.” My breath hitched when he traced his finger down to my testicles. Just that simple touch was enough to get me going again, but I knew this arousal wasn’t merely from the physical contact. I pressed my lips tight and moaned.” “I always wondered if you ever experimented with it,” he continued, his voice now soft and husky. “Did you ever lube yourself? I loved thinking you had my come in your ass.” “Ven….” I closed my eyes when he licked my chest. “Ahh, I always knew you were a pervert but this takes perversity to a whole new level.
Passhenette1 (Chronic Carnalli Complex (Carnalli Brothers, #2))
After all, the Beatitudes don’t tend to look a lot like modern Christianity. We choose a political team. We select a denominational preference. We hitch our cart to a branch of philosophy. Anyone that disagrees is quickly and succinctly judged, and simultaneously disregarded as worthless. Big problem with that approach. We are supposed to be loving those who don’t agree with us to Jesus—and you can’t love those whom you deem worthless.
Mark Steele (Christianish: What If We're Not Really Following Jesus at All?)
I got hold of a copy of the video that showed how Saddam Hussein had actually confirmed himself in power. This snuff-movie opens with a plenary session of the Ba'ath Party central committee: perhaps a hundred men. Suddenly the doors are locked and Saddam, in the chair, announces a special session. Into the room is dragged an obviously broken man, who begins to emit a robotic confession of treason and subversion, that he sobs has been instigated by Syrian and other agents. As the (literally) extorted confession unfolds, names begin to be named. Once a fellow-conspirator is identified, guards come to his seat and haul him from the room. The reclining Saddam, meanwhile, lights a large cigar and contentedly scans his dossiers. The sickness of fear in the room is such that men begin to crack up and weep, rising to their feet to shout hysterical praise, even love, for the leader. Inexorably, though, the cull continues, and faces and bodies go slack as their owners are pinioned and led away. When it is over, about half the committee members are left, moaning with relief and heaving with ardent love for the boss. (In an accompanying sequel, which I have not seen, they were apparently required to go into the yard outside and shoot the other half, thus sealing the pact with Saddam. I am not sure that even Beria or Himmler would have had the nerve and ingenuity and cruelty to come up with that.)
Christopher Hitchens (Hitch 22: A Memoir)
As 1968 began to ebb into 1969, however, and as "anticlimax" began to become a real word in my lexicon, another term began to obtrude itself. People began to intone the words "The Personal is The Political." At the instant I first heard this deadly expression, I knew as one does from the utterance of any sinister bullshit that it was - cliché is arguably forgiven here - very bad news. From now on it would be enough to be a member of a sex or gender, or epidermal subdivision, or even erotic "preference," to qualify as a revolutionary. In order to begin a speech or ask a question from the floor, all that would be necessary by way of preface would be the words: "Speaking as a..." The could follow any self-loving description. I will have to say this much for the old "hard" Left: we earned our claim to speak and intervene by right of experience and sacrifice and work. It would never have done for any of us to stand up and say that our sex or sexuality pr pigmentation or disability were qualifications in themselves. There are many ways of dating the moment when The Left lost - or I would prefer to say, discarded its moral advantage, but this was the first time that I was to see the sellout conducted so cheaply.
Christopher Hitchens (Hitch 22: A Memoir)
I was lucky to meet you, yes.' 'Me too . . .' she said, looking me in the eyes. 'I was lucky too. The men I know are a disaster, not one of them believes in love; so they give you this big spiel about friendship, affection, a whole load of stuff that doesn't commit them to anything. I've got to the point where I can't stand the word 'friendship' any more, it makes me physically sick. Or there's the other lot, the ones who get married, who get hitched as early as possible and think about nothing but their careers afterwards. You obviously weren't one of those; but I also immediately sensed that you would never talk to me about friendship, that you would never be that vulgar. From the very beginning I hoped we would sleep together, that something important would happen; but it was possible that nothing would happen, in fact it was more than likely.' She stopped and sighed in irritation.
Michel Houellebecq (Platform)
You want to show me your dick?” “If it’ll help convince you.
Kendall Ryan (Hitched: Volume One (Imperfect Love, #1))
God, I feel like a royal bitch. His
Kendall Ryan (Hitched (Imperfect Love Book 2))
Toss off my big-girl panties and just say screw it for once. I
Kendall Ryan (Hitched (Imperfect Love Book 2))
...Success comes and goes on its own schedule, but you're the only you you've got. And love... if you nurture it well, love will always be there to keep you strong.
Kendall Ryan (Hitched: Volume Three (Imperfect Love, #3))
I have to resort to email, and email is not enough. I am starting to get tired of relying on words. They are full of meaning, yes, but they lack sensation. Writing to her is not the same as seeing her face as she listens. Hearing back from her is not the same as hearing her voice. I have always been grateful for technology, but now it feels as if there's a little hitch of separation woven into any digital interaction. I want to be there, and this scares me. All my usual disconnected comforts are being taken away, now that I see the greater comfort of presence.
David Levithan (Every Day (Every Day, #1))
People spoke to foreigners with an averted gaze, and everybody seemed to know somebody who had just vanished. The rumors of what had happened to them were fantastic and bizarre though, as it turned out, they were only an understatement of the real thing. Before going to see General Videla […], I went to […] check in with Los Madres: the black-draped mothers who paraded, every week, with pictures of their missing loved ones in the Plaza Mayo. (‘Todo mi familia!’ as one elderly lady kept telling me imploringly, as she flourished their photographs. ‘Todo mi familia!’) From these and from other relatives and friends I got a line of questioning to put to the general. I would be told by him, they forewarned me, that people ‘disappeared’ all the time, either because of traffic accidents and family quarrels or, in the dire civil-war circumstances of Argentina, because of the wish to drop out of a gang and the need to avoid one’s former associates. But this was a cover story. Most of those who disappeared were openly taken away in the unmarked Ford Falcon cars of the Buenos Aires military police. I should inquire of the general what precisely had happened to Claudia Inez Grumberg, a paraplegic who was unable to move on her own but who had last been seen in the hands of his ever-vigilant armed forces [….] I possess a picture of the encounter that still makes me want to spew: there stands the killer and torturer and rape-profiteer, as if to illustrate some seminar on the banality of evil. Bony-thin and mediocre in appearance, with a scrubby moustache, he looks for all the world like a cretin impersonating a toothbrush. I am gripping his hand in a much too unctuous manner and smiling as if genuinely delighted at the introduction. Aching to expunge this humiliation, I waited while he went almost pedantically through the predicted script, waving away the rumored but doubtless regrettable dematerializations that were said to be afflicting his fellow Argentines. And then I asked him about Senorita Grumberg. He replied that if what I had said was true, then I should remember that ‘terrorism is not just killing with a bomb, but activating ideas. Maybe that’s why she’s detained.’ I expressed astonishment at this reply and, evidently thinking that I hadn’t understood him the first time, Videla enlarged on the theme. ‘We consider it a great crime to work against the Western and Christian style of life: it is not just the bomber but the ideologist who is the danger.’ Behind him, I could see one or two of his brighter staff officers looking at me with stark hostility as they realized that the general—El Presidente—had made a mistake by speaking so candidly. […] In response to a follow-up question, Videla crassly denied—‘rotondamente’: ‘roundly’ denied—holding Jacobo Timerman ‘as either a journalist or a Jew.’ While we were having this surreal exchange, here is what Timerman was being told by his taunting tormentors: Argentina has three main enemies: Karl Marx, because he tried to destroy the Christian concept of society; Sigmund Freud, because he tried to destroy the Christian concept of the family; and Albert Einstein, because he tried to destroy the Christian concept of time and space. […] We later discovered what happened to the majority of those who had been held and tortured in the secret prisons of the regime. According to a Navy captain named Adolfo Scilingo, who published a book of confessions, these broken victims were often destroyed as ‘evidence’ by being flown out way over the wastes of the South Atlantic and flung from airplanes into the freezing water below. Imagine the fun element when there’s the surprise bonus of a Jewish female prisoner in a wheelchair to be disposed of… we slide open the door and get ready to roll her and then it’s one, two, three… go!
Christopher Hitchens (Hitch 22: A Memoir)
His office is furnished in a traditional style—a large free-standing mahogany desk facing the door, rows of bookshelves holding volumes of textbooks. A framed photograph of a rabbit hanging on the wall. Okay, that last thing is weird . . .
Kendall Ryan (Hitched (Imperfect Love, #1-3))
Going to miss this,” he said as he kissed my cheeks, my jaw, my eyelids. “The way you taste.” He set his lips to the hollow beneath my ear. “The way you smell.” His hands slid up my back. “The way you feel.” My breath hitched as his hips settled against mine. Then he drew back, searching my eyes. “I wanted more for you,” he said. “A white veil in your hair. Vows we could keep.” “A proper wedding night? Just tell me this isn’t goodbye. That’s the only vow I need.” “I love you, Alina.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
I was falling in love. “What would I have to do to lose you?” I asked. As I said these words I turned to look at her out of the corner of my eyes, the drink in her right hand already halfway to her mouth as she was moving to take a sip of it. How graceful her hand moved, never hitching, never hesitating, just fluently gliding as it would have if a question like that had never been asked. The drink reached her lips, and she took a nice, easy sip, her eyes staying with the sunset. Then, she took a relaxed, satisfied swallow, and slowly lowered the glass back down to its wet ring resting place on the wooden arm of her chair. “Oh, that’s easy,” she said as she turned her head to me. My heart raced. Her eyes found mine and settled. “Change,” she said.
Matthew McConaughey (Greenlights)
He draws a perfect heart on his menu. “Yeah, I’m lucky. My dad tells me we don’t need her. His heart beats twice as hard for me to cover for her part.” There’s a hitch in my breath. I fall a little in love with Brance Stone in that moment. Heaven help me.
Harloe Rae (Ask Me Why)
You are a bright light, Elli.’ His own breath hitches, a sound that I cannot quite grasp. His eyes are darkening, his lips tightening. His hands grasp me tighter and he moves closer, his mouth inches from mine, I can almost taste the sweetness and saltiness of his scent, the rich coffee beans and sugar, the vague spearmint. I say nothing, I’m not even sure I’m breathing. ‘You shouldn’t have to see such pain, such blackness. You are too pure.’ His lips do not collide with mine, his skin does not brush against me, only his voice sends a shiver down every notch in my spine, trailing goose bumps over my skin. He tilts his head to the side, his lips gently brushing against my ear. And that is all. I’m not good enough for him. I’m not. That’s why… that’s why… ‘Too pure…
Charlotte Munro (Grey October (East Hollow Chronicles))
Is it true?” I ask him. “Is what true?” His eyes are the color of honey. These are the eyes I remember from my dreams. “That you still love me,” I say, breathless. “I need to know.” Alex nods. He reaches out and touches my face—barely skimming my cheekbone and brushing away a bit of my hair. “It’s true.” “But . . . I’ve changed,” I say. “And you’ve changed.” “That’s true too,” he says quietly. I look at the scar on his face, stretching from his left eye to his jawline, and something hitches in my chest. “So what now?” I ask him. The light is too bright; the day feels as though it’s merging into dream. “Do you love me?” Alex asks. And I could cry; I could press my face into his chest and breathe in, and pretend that nothing has changed, that everything will be perfect and whole and healed again. But I can’t. I know I can’t. “I never stopped.” I look away from him. I look at Grace, and the high grass littered with the wounded and the dead. I think of Julian, and his clear blue eyes, his patience and goodness. I think of all the fighting we’ve done, and all the fighting we have yet to do. I take a deep breath. “But it’s more complicated than that.” Alex reaches out and places his hands on my shoulders. “I’m not going to run away again,” he says. “I don’t want you to,” I tell him. His fingers find my cheek, and I rest for a second against his palm, letting the pain of the past few months flow out of me, letting him turn my head toward his. Then he bends down and kisses me: light and perfect, his lips just barely meeting mine, a kiss that promises renewal.
Lauren Oliver (Requiem (Delirium, #3))
So . . . that’s that. I’m going to start fucking my husband. There, I said it. I’m going to enjoy some marital sex. I’m a mature, responsible woman—I can totally handle this. And I can always call the whole thing off if I try it and I don’t like where it’s going. Someday,
Kendall Ryan (Hitched (Imperfect Love Book 2))
Pushing Elsie back, I said, “I’m not the most special guy in the world. I’m no one’s perfect dream. I’m not sure I’ll ever do anything extraordinary with my life. I’ll always be that little bit awkward, and that little bit too shy. I’ll always blush and dip my head, but if you’ll let me, I’ll be the one that’s there for you. I’ll be happy knowing I’ve got you and you’ve got me. That’s enough for me, to be the one that you can lean on, to be the one to tell you you’re beautiful every day. And talk to. I’ll adore every sound that comes out of your mouth. I’ll be the one to love you like nothing you’ve ever seen, bella mia.” I blushed with embarrassment, but managed to rasp, “If you’ll just let me… If you want me.” Elsie sobbed out a cry, tears tumbling down her rosy cheeks. “Levi. You are my dream realized, in every possible way. You are the most special person in my world. And I love that you blush—because I do too.” She wiped at her cheeks. “I love that you’re shy, and,” her breathing hitched, “I love that you love my voice. I love that I never have hide who I am, disguise how I sound. Because I’m tired of trying to please others.” She dipped her eyes and almost flattened me when she said, “You’re my kind of extraordinary. Levi Carillo, you’re the sweetest of souls.
Tillie Cole (Sweet Soul (Sweet Home, #4; Carillo Boys, #3))
The solution, of necessity, was going to be entirely up to him. Knowing it was a trifle over dramatic, but considering the mental capabilities of the two involved, he drew his sword. "We are all now going directly to the chapel," he announced, "and the two of you are going to get married." He pointed at the splintered door with the sword. "Now march!"he commanded. And so it was that one of the great tragic love stories of all time came at last to a happy ending. Mandorallen and his Neria were married that very afternoon,with Garion quite literally standing over them with a flaming sword to insure that no last-minute hitches could interrupt.
David Eddings (Guardians of the West (The Malloreon, #1))
Our deaths are thus great acts of rebellion, a wretched lament that highlights their inhumanity. Our deaths become their battle cry. But I don't want to die, Robin.' Her throat hitched. 'I don't want to die. I don't want to be their Imoinda, their Oroonoko. I don't want to be their tragic, lovely lacquer figure. I want to live.
R.F. Kuang (Babel)
A cowboy is someone who loves his work. Since the hours are long—ten to fifteen hours a day—and the pay is $30 he has to. What's required of him is an odd mixture of physical vigor and maternalism. His part of the beef-raising industry is to birth and nurture calves and take care of their mothers. For the most part his work is done on horseback and in a lifetime he sees and comes to know more animals than people. The iconic myth surrounding him is built on American notions of heroism: the index of a man's value as measured in physical courage. Such ideas have perverted manliness into a self-absorbed race for cheap thrills. In a rancher's world, courage has less to do with facing danger than with acting spontaneously—usually on behalf of an animal or another rider. If a cow is stuck in a bog hole he throws a loop around her neck, takes his dally (a half hitch around the saddle horn), and pulls her out with horsepower. If a calf is born sick, he may take her home, warm her in front of the kitchen fire, and massage her legs until dawn. One friend, whose favorite horse was trying to swim a lake with hobbles on, dove under water and cut her legs loose with a knife, then swam her to shore, his arm around her neck lifeguard-style, and saved her from drowning. Because these incidents are usually linked to someone or something outside himself, the westerner's courage is selfless, a form of compassion.
Gretel Ehrlich (The Solace of Open Spaces)
I obey. He tosses my jeans aside and settles between my legs and grabs hold of my wrists again. With his other hand, he lubes up his dick, then guides it to the place that aches for him. “Fucking fuck me,” I beg. Humor dances in his eyes. “I’m not going to fuck you.” Now I’m groaning again. Goddamn it. If he plans on torturing me again, I really will lose my mind— “I’m going to make love to you,” he finishes. My breath hitches. Smiling, Wes drops his mouth to mine. Our lips lock at the same moment he slowly slides inside me. The burn of pleasure makes me gasp but he swallows the sound with a soft, sweet kiss that matches the soft, sweet strokes of his cock. He fills me. Completes me. My dick is an iron spike against my belly, and I struggle against the tight band of his fingers around my wrists.
Sarina Bowen (Us (Him, #2))
Do it again," she whispered, tilting her head, offering her mouth to him. Staring down at her swollen bottom lip, he gave it a little lick. A small, soft moan sounded from the back of her throat. "Ask nicely," he whispered. "Please." She gave a lock of hair at his neck an impatient tug. He came undone. Delving his tongue inside her sweet mouth, he walked her backward until her back met one of the pillars. With one hand cradling the back of her head for protection, his other hand held her hip immobilized, under his control. Rhythmically, he sank his tongue into her honeyed depths, mimicking the motion of making love. She whimpered, the sound a desperate plea. Her fingers threaded through the damp hair at the base of his neck; her other hand clutched at his forearm. He squeezed her hip, his long fingers digging into her soft bottom as he rocked her into his arousal. For several moments, she ground her hips against him as he plundered her mouth. The kiss was no longer enough. He wanted to take her. Right here, right now. His fingertips trailed down the back of her neck to caress her shoulder, her arm, her breast. His breath hitched when she pushed herself more firmly into his hand. She wanted his touch. He complied of course: he would never deny her. Gently he kneaded her through the fabric of her dress, purposely passing his thumb over the hardened tip. She made a small sound of pleasure that nearly pushed him over the edge. The manor, the rain, the mud disappeared. Reason and practicality were momentarily suspended. Nothing mattered in those moments. Nothing but the ever-escalating power of their passion.
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
Darkness surrounded her, suffocated her. She tried to pierce it, but her eyes could find no hint of light. Nothing that would help her escape this prison. Weight pressed down upon her, heavy enough to crush her bones. And perhaps it had. There was no part of her that didn’t hurt so much that she wanted to howl with it. But when she opened her mouth, dirt and dust tried to choke her. Cold. Pain. Silence. No hope. Then a voice came to her, burrowing down through the soil and coiling around her. “When love,” a woman began to sing softly, “into my dreams was creeping. I gave my heart into your keeping.” Pure ecstasy. How she needed that voice, that presence to alleviate the darkness and pain and salvage her sanity. Tears welled in her eyes as she let the soft song embrace her. Her breath hitched.
Dianne Duvall (Awaken the Darkness (Immortal Guardians #8))
Answering Emily This traverse may the poorest take Without oppress of toll; How Frugal is the chariot That bears a human soul! ~Emily Dickinson Is it really so hard to love this man Which to your siren's calls been lured? Cannot his kiss traverse the oceans depths Piggy-backed upon his word? Neither frigate, freighter nor chariot, Hitched to Hermes’s heels, Can convey the breadth of purest love That this heart truly feels.
Beryl Dov
...you're not the first I've interrupted by mistake. You've not shocked me, and you've not surprised me either." I look up at him too quickly, and my vision swims. He puts a steadying hand on my shoulder. "If you thought I was ignorant as to the nature of your relationship with Mr. Newton, you may need to reexamine your concept of appropriate of physical fondness between friends." I nod, trying to pretend its fine when really my muscles are clenched, and I'm fighting the urge to run. I don't want to have this conversation. I don't know where it's going, but my instincts tell me to scoot away from it. I can feel my shoulders rise, and perhaps he notices for he lets his his hands fall away, and instead, folds them in his lap. Perhaps its only in my own mind, but it feels like a deliberate gesture, as though he's putting his hands away to show he won't raise them against me. "We aren't that obvious," I say, and when Scipio gives me a pointed look I add," I know plenty of lads who are fond without being unchaste. "But its clear you're not those lads." I'm not sure he hears the way my breath hitches for he quickly adds, "which is fine. Who gives a fig for chastity anyways." He laughs at his own joke, glancing over at me like he hoping I might join in. I wonder suddenly if this is what it's meant to be like with a father and a son and a first real love.
Mackenzi Lee (The Gentleman’s Guide to Getting Lucky (Montague Siblings, #1.5))
She spoke about it with such emphasis (somewhat affected) that I could see at once that I was hearing the manifesto of her generation. Every generation has its own set of passions, loves, and interests, which it professes with a certain tenacity, to differentiate it from older generations and to confirm itself in its uniqueness. Submitting to a generation mentality (to this pride of the herd) has always repelled me. After Miss Broz had developed her provocative argument (I've now heard it at least fifty times from people her age) that all mankind is divided into those who give hitchhikers lifts (human people who love adventure) and those who don't (inhuman people who fear life), I jokingly called her a "dogmatist of the hitch." She answered sharply that she was neither dogmatist nor revisionist nor sectarian nor deviationist, that those were all words of ours, that we had invented them, that they belonged to us, and that they were completely alien to them.
Milan Kundera (The Joke)
Connor dipped his head and kissed from her neck to her collarbone, and down her arm as he slipped the sark off her shoulder revealing the satiny skin beneath. When he got to her fingers, he nipped her ring finger and Mackenzie gasped as he drew it into his mouth and sucked. He raised his eyes back to hers and trapped her gaze in his own. Connor slid her sark down her body and Mackenzie was helpless to do anything but stare into the dark blue pools of molten desire his eyes had become. It was a heady feeling to know that she was the reason his eyes were so dark; she had never before felt so powerful. He wanted her and this time she knew what to do. Mackenzie unwrapped his plaid from the chieftain brooch and pushed it off his shoulder. Connor held perfectly still and let it fall to the floor with Mackenzie’s pile of clothes. Next Mackenzie dragged his shirt over his head; it too joined the growing pile of clothing. Mackenzie couldn’t help but marvel at his hard body with all its scars hinting at the power and danger this man carried. She let her fingers trail down from his chest to the patch of hair on his stomach, and lower still. She could feel his muscles clench and his breath stop as she wrapped her fingers around his erection. She quickly found his rhythm and knelt down to press her lips to his lower abs. Trailing her mouth down to where her hand was, she gently licked the tip. She felt a thrill of satisfaction as his hands gripped her shoulders and as her mouth took him in, his fingers tightened. She used both her hand and her mouth to pleasure Connor. He molded a hand to the nape of her neck, holding her in place. She was becoming bolder with her free hand, exploring what made his muscles quiver and his breath hitch, when Connor pulled her roughly up and to him, crushing her lips with his. He pressed her back against the cold wall and lifted one of her long legs, hitching it around his hip. She was tall enough that he didn’t have to lift her. He slipped inside her and Mackenzie reveled in the groan wrenched from him. This was how she liked Connor; out of control. He pushed into her again and again until they were both panting, and Mackenzie was moaning with every breath. She couldn’t wait any longer. “Oh God Connor, I’m so close.” “Just let go, love.” With her back pressed against the cold wall and the heat from Connor’s body warming her, Mackenzie shuddered with the force of her orgasm and she melted into Connor’s arms as he spent himself in her.
Laura Hunsaker (Highland Destiny (Magic of the Highlands, #1))
I think it's you that's giving me the eyes. It's like you're secretly in love with me or something." If I wasn't blushing before, I was right then. My breath hitched in my chest, and my heart beat faster. "So what if I was ... hypothetically ... would that be bad?" ... "Uh ... no. Hypothetically ... I'd be really happy if that were true. Even though, hypothetically speaking ... it might be a bad idea. Probably not the smartest thing we could do. By hypothetically, I might say that ... I feel the same way.
S.L. Cokeley (This Blood that Binds Us)
Torrens kicked at the door until it was finally opened. The farm couple and three youngsters had been eating breakfast in the common room. The yard dog would have bounded in had not Torrens kicked the door shut. 'I want a bed. Quilts. A hot drink. I am a doctor. This woman is my patient.' The farm couple was terrified. The look on the face of Torrens cut short any questions. They did as he ordered. One of the children ran to fetch his medical kit from the cart. The woman motioned for Torrens to set Caroline on a straw pallet. The farmer kept his distance, but his wife, shyly, fearffully, ventured closer. She glanced at Torrens, as if requesting his permission to help. Between them, they made Caroline as comfortable as they could. Torrens knelt by the pallet. Caroline reached for his hand. 'Leave while you can. Do not burden yourself with me.' 'A light burden.' 'I wish you to find Augusta.' 'You have my promise.' 'Take this.' Caroline had slipped off a gold ring set with diamonds. 'It was a wedding gift from the king. It has not left my finger since then. I give it to you now - ' Torrens protested, but Caroline went on - 'not as a keepsake. You and I have better keepsakes in our hearts. I wish you to sell it. You will need money, perhaps even more than this will bring. But you must stary alive and find my child. Help her as you have always helped me.' 'We shall talk of this later, when you are better. We shall find her together.' 'You have never lied to me.' Caroline's smile was suddenly flirtacious. 'Sir, if you begin now, I shall take you to task for it.' Her face seemed to grow youthful and earnest for an instant. Torrens realized she held life only by strength of will. 'I am thinking of the Juliana gardens,' Caroline said. 'How lovely they were. The orangerie. And you, my loving friend. Tell me, could we have been happy?' 'Yes.' Torrens raised her hand to his lips. 'Yes. I am certain of it.' Caroline did not speak again. Torrens stayed at her side. She died later that morning. Torrens buried her in the shelter of a hedgerow at the far edge of the field. The farmer offered to help, but Torrens refused and dug the grave himself. Later, in the farmhouse, he slept heavily for the first time since his escape. Mercifully, he did not dream. Next day, he gave the farmer his clothing in trade for peasant garb. He hitched up the cart and drove back to the road. He could have pressed on, lost himself beyond search in the provinces. He was free. Except for his promise. He turned the cart toward Marianstat.
Lloyd Alexander (The Beggar Queen (Westmark, #3))
She was too compelling to look at directly. Bright like the sun, bright and terrible. Only one other being could look upon her, and that was Death. And so…they became lovers.” He said the word like a caress, like velvet again, and my face began to heat. “Together they forged great and hellish things,” Jesse murmured. “Lightning and waterfalls that churned into clouds off the tip of the world. Chasms so winding deep that daylight never traced their endings. They dreamed through golden days and silvered nights. All the other creatures envied or adored them, because Death and the Elemental were destruction and creation joined as One. In the natural order of things, they should not have been stronger joined. And yet they were.” He shifted, coming closer to me. A hand settled lightly atop my chest, directly over my heart. At our feet the seawater splashed a little, as if disturbed by something rolling over in the dark, distant deep. “Centuries passed, and mankind began to devour the earth, even the wildest places. They had tools to invent and wars to fight and grubby, short lives. Nothing about them dwelled in the magic of the ancient spirits. So although Death, the Great Hunter, prospered as he sieved through their villages, the Elemental, strong as she once was, thinned into a web of gossamer. Human lives simply tore her apart.” His hand was so warm. Warmer than I, warmer than the air, and still just barely touching me. The light behind my lids never lifted, so I knew he wasn’t glowing, but it felt as if he held a tame coal to my skin. It felt like something painless and ablaze, drawing my heart upward into it. “The time had come for them to divide. Like all the rest of her kind, the goddess would cease to exist; she had no other course. So Death and the Elemental severed their joined hearts. For a few generations more, she drifted alone through the last of the sacred places, deserts, and fjords, lands so savage no human had yet desecrated them.” Jesse’s voice dropped to a whisper. Without moving his hand, he bent down, his breath in my ear. “And Death, who had tasted her brightness, who would never cease to crave it-who knew her better than all the collected souls of all mankind’s weeping dead-became her Hunter.” I was hot and strange. I was light and lighter, and curiously my breath came so slow. “Until at last, one starry night beneath the desert moon, she surrendered to him. She allowed him to come to her, to make love to her. To unravel her…” It was happening. He sat next to her and bore witness to her change, her pulse slowing, her skin blanching, the fans of her lashes stark against the contours of her face. He kept his palm there against her chest, up and down with her respiration, and watched the smoke begin to curl around his fingers. “And by his hand, in the bliss of her unraveling, she touched the stars…” Lora’s breath hitched. Her heart skipped-then stopped. If I could take this from you, Jesse thought fiercely. If I could take this one moment away from you and keep the agony for myself- Her eyes opened, went instantly to his. Panic lit her gaze. Then she was gone. His fingers sank to the floor through her empty blouse, and the blue dragon smoke that was all of Eleanore Jones rose into strands above him.
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
He reaches over and turns off the light. He rolls me into him, and the sparse dusting of hair on his chest tickles my cheek. “I think I might love you, Logan,” I say to the darkness. His head lifts. I can see it in the sliver of light that’s falling from the open curtain. “Did you say something?” he asks. I shake my head, letting my nose brush his chest so he can feel my answer. “You sure?” he asks. I nod, my nose moving up and down. He kisses the top of my head and hitches my leg up over his hip. I wrap an arm around him and snuggle in deeply. “Go to sleep,” he says softly.
Tammy Falkner (Tall, Tatted and Tempting (The Reed Brothers, #1))
Right? Love those kids. There’s one hitch, though. Bill wants me to volunteer to talk to the staff about my experiences with homophobia. You know—because I’m such an expert.” I laugh just picturing it. “It’s going to be the shortest meeting ever.” “You want help?” I almost say no out of sheer habit. There’s that h-word again. But I stop myself just in time. “What do you mean?” I ask instead. “I could talk to them about what it was like being a gay hockey player when nobody knew. I spent my freshman year of college shitting bricks over what they might do to me if they knew. If it helps you and your boss, I’d show up and tell that story.
Sarina Bowen (Us (Him, #2))
Gary Hallet is getting leg cramps sitting in the Honda, but he’s not going anywhere yet. His grandfather used to tell him that most folks had it all wrong: The truth of the matter was, you could lead a horse to water, and if the water was cool enough, if it was truly clear and sweet, you wouldn’t have to force him to drink. Tonight Gary feels a whole lot more like the horse than the rider. He has stumbled into love, and now he’s stuck there. He’s fairly used to not getting what he wants, and he’s dealt with it, yet he can’t help but wonder if that’s only because he didn’t want anything too badly. Well, he does now. He looks out at the parking lot. By afternoon he’ll be back where he belongs; his dogs will go crazy when they see him, his mail will be waiting outside his front door, the milk in his refrigerator will still be fresh enough to use in his coffee. The hitch is, he doesn’t want to go. He’d rather be here, crammed into this tiny Honda, his stomach growling with hunger, his desire so bad he doesn’t know if he could stand up straight. His eyes are burning hot, and he knows he can never stop himself when he’s going to cry. He’d better not even try. “Oh, don’t,” Sally says. She moves closer to him, pulled by gravity, pulled by forces she couldn’t begin to control. “I just do this,” Gary says in that sad, deep voice. He shakes his head, disgusted with himself. This time he’d prefer to do almost anything but cry. “Pay no attention.” But she does. She can’t help herself. She shifts toward him, meaning to wipe at his tears, but instead she loops her arms around his neck, and once she does that, he holds her closer. “Sally,” he says. It’s music, it’s a sound that is absurdly beautiful in his mouth, but she won’t pay attention. She knows from the time she spent on the back stairs of the aunts’ house that most things men say are lies. Don’t listen, she tells herself. None of it’s true and none of it matters, because he’s whispering that he’s been looking for her forever. She’s halfway onto his lap, facing him, and when he touches her, his hands are so hot on her skin she can’t believe it. She can’t listen to anything he tells her and she certainly can’t think, because if she did she might just think she’d better stop.
Alice Hoffman (Practical Magic (Practical Magic, #1))
Please,' she says, her head bent. 'Please. You must try to break the curse. I know that you are the queen by right and that you may not want him back, but-' If anything could have increased my astonishment, it was that. 'You think that I'd-' 'I didn't know you, before,' she says, the anguish clear in her voice. There is a hitch in her breath that comes with weeping. 'I thought you were just some mortal.' I have to bite my tongue at that, but I don't interrupt her. 'When you became his seneschal, I told myself that he wanted you for your lying tongue. Or because you'd become biddable, although you never were before. I should have believed you when you told him he didn't know the least of what you could do. 'While you were in exile, I got more of the story out of him. I know you don't believe this, but Cardan and I were friends before we were lovers, before Locke. He was my first friend when I came here from the Undersea. And we were friends, even after everything. I hate that he loves you.' 'He hated it, too,' I say with a laugh that sounds more brittle than I'd like. Nicasia fixes me with a long look. 'No, he didn't.' To that, I can only be silent. 'He frightens the Folk, but he's not what you think he is,' Nicasia says. 'Do you remember the servants that Balekin had? The human servants?' I nod mutely. Of course I remember. I will never forget Sophie and her pockets full of stones. 'They'd go missing sometimes, and there were rumours that Cardan hurt them, but it wasn't true. He'd return them to the mortal world.' I admit, I'm surprised. 'Why?' She throws up a hand. 'I don't know! Perhaps to annoy his brother. But you're human, so I thought you'd like that he did it. And he sent you a gown. For the coronation.' I remember it- the ball gown in the colours of the night, with the stark outlines of trees stitched on it and the crystals for stars. A thousand times more beautiful than the dress I commissioned. I had thought perhaps it came from Prince Dain, since it was his coronation and I'd sworn to be his creature when I'd joined the Court of Shadows. 'He never told you, did he?' Nicasia says. 'So see? Those are two nice things about him you didn't know. And I saw the way you used to look at him when you didn't think anyone was watching you.' I bite the inside of my cheek, embarrassed despite the fact that we were lovers, and wed, and it should hardly be a secret that we like each other. 'So promise me,' she says. 'Promise me you'll help him.' I think of the golden bridle, about the future the stars predicted. 'I don't know how to break the curse,' I say, all the tears I haven't shed welling up in my eyes. 'If I could, do you think i would be at this stupid banquet? Tell me what I must slay, what I must steal, tell me the riddle I must solve or the hag I must trick. Only tell me the way, and I will do it, no matter the danger, no matter the hardship, no matter the cost.' My voice breaks. She gives me a steady look. Whatever else I might think of her, she really does care for Cardan. And as tears roll down my cheeks, to her astonishment, I think she realises I do, too. Much good it does him.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
What do you think is sexy?” said Nona, in her normal voice. Pyrrha seemed pleased to think about something different, and waited until the bubbles were getting really big before she took the spatula and slid it under a rising patty, flipping it over. Nona had come up by her elbow to watch. “Do you want to know what I really think is sexy, or what I’d tell someone if they asked and I wanted to impress them?” Nona was pleased Pyrrha understood. “The first one.” “Landmine people,” said Pyrrha, and when she saw Nona’s brows cross in confusion, she said: “Some people were put into the universe to rig it to explode, then walk away… I always fell for that.” Nona thought she got it, but was unsure on a few points. “But you can’t really tell that about someone when you first look at them.” “Oh, you can,” said Pyrrha. “You haven’t looked for it.” She flipped over another pikelet, looked grave and intelligent for a moment, and then said: “I mean, also redheads. Love a redhead.” Apart from Pyrrha, whose hair was a very deep dark russet, Honesty was the only redhead that Nona knew, and Honesty had big, pallid blue eyes that he could make float in different direction, when one wasn’t smushed. He also had skin like a horrible ghost’s. You could see all the veins in his eyelids. Nona said, “Okay. I don’t think redheads are sexy.” “What? Hang on,” said Camilla, opening the door—no, Palamedes, opening the door, busy buttoning himself into Camilla’s jacket—“That’s a very interesting thing you just said, Nona. Let me write that down. Is that pikelets Pyrrha? You’re a legend.” Nona wondered how Palamedes couldn’t see the hitch in Pyrrha’s shoulder, nor all the crinkles in her posture or her clothes that screamed PARK…PARK…PARK…, but took her moment. “Palamedes, what do you think is sexy?” “Those little outfits nurses wear,” said Palamedes promptly. So Camilla had been lying, after all.
Tamsyn Muir (Nona the Ninth (The Locked Tomb, #3))
She gazed at the man across from her. Her lover. His powerful shoulders worked beneath his shirt as he pulled on the oars. The display of strength and agility, set to a steady rhythm…memories of their lovemaking assailed her with quiet force. In some other place, under some other circumstance, they might have been a courting couple. Rowing across a placid lake, caressed by a glowing sunset. From a distance, this could have been the picture of romance. But the reality was confusion, and resentment, and pain. Did she feel sorry for misleading him? Sophia considered. She was not sure she could. By his own admission, he would not have made love to her had she not. And she could not regret that exquisite pleasure; nor could she regret sharing it with him. She looked at the handsome, strong, charismatic, passionate, exhausted man across from her. Selfish and wicked though she might be, she could not feel sorry that he was now bound to her-that for good or ill, he had not left her behind. Sophia was, however, unequivocally sorry for one thing. “Gray,” she said, “I’m so sorry I’ve hurt you.” His eyes flashed, and there was a slight hitch in his stroke.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
You’re angry at me,” she says. I stop crying at once. My whole body goes cold and still. She squats down beside me, and even though I’m careful not to look up, not to look at her at all, I can feel her, can smell the sweat from her skin and hear the ragged pattern of her breathing. “You’re angry at me,” she repeats, and her voice hitches a little. “You think I don’t care.” Her voice is the same. For years I used to imagine that voice lilting over those forbidden words: I love you. Remember. They cannot take it. Her last words to me before she went away. She shuffles forward and squats next to me. She hesitates, then reaches out and places her palm against my cheek, and turns my head toward hers so I’m forced to look at her. I can feel the calluses on her fingers. In her eyes, I see myself reflected in miniature, and I tunnel back to a time before she left, before I believed she was gone forever, when her eyes welcomed me into every day and shepherded me, every night, into sleep. “You turned out even more beautiful than I’d imagined,” she whispers. She, too, is crying. The hard casement inside me breaks. “Why?” is the only word that comes. Without intending to or even thinking about it, I allow her to draw me against her chest, let her wrap her arms around me. I cry into the space between her collarbones, inhaling the still-familiar smell of her skin. There are so many things I need to ask her: What happened to you in the Crypts? How could you let them take you away? Where did you go? But all I can say is: “Why didn’t you come for me? After all those years—all that time—why didn’t you come?” Then I can’t speak at all; my sobs become shudders. “Shhh.” She presses her lips to my forehead, strokes my hair, just like she used to when I was a child. I am a baby once again in her arms—helpless and needy. “I’m here now.” She rubs my back while I cry. Slowly, I feel the darkness drain out of me, as though pulled away by the motion of her hand. Finally I can breathe again. My eyes are burning, and my throat feels raw and sore. I draw away from her, wiping my eyes with the heel of my hand, not even caring that my nose is running. I’m suddenly exhausted—too tired to be hurt, too tired to be angry. I want to sleep, and sleep. “I never stopped thinking about you,” my mother says. “I thought of you every day—you and Rachel.
Lauren Oliver (Requiem (Delirium, #3))
I decided to begin with romantic films specifically mentioned by Rosie. There were four: Casablanca, The Bridges of Madison County, When Harry Met Sally, and An Affair to Remember. I added To Kill a Mockingbird and The Big Country for Gregory Peck, whom Rosie had cited as the sexiest man ever. It took a full week to watch all six, including time for pausing the DVD player and taking notes. The films were incredibly useful but also highly challenging. The emotional dynamics were so complex! I persevered, drawing on movies recommended by Claudia about male-female relationships with both happy and unhappy outcomes. I watched Hitch, Gone with the Wind, Bridget Jones’s Diary, Annie Hall, Notting Hill, Love Actually, and Fatal Attraction. Claudia also suggested I watch As Good as It Gets, “just for fun.” Although her advice was to use it as an example of what not to do, I was impressed that the Jack Nicholson character handled a jacket problem with more finesse than I had. It was also encouraging that, despite serious social incompetence, a significant difference in age between him and the Helen Hunt character, probable multiple psychiatric disorders, and a level of intolerance far more severe than mine, he succeeded in winning the love of the woman in the end. An excellent choice by Claudia.
Graeme Simsion (The Rosie Project (Don Tillman, #1))
Their eyes met. For a split second she caught a glimpse of heat in his eyes. Then Jake banked the flame and broke out of her embrace. Marnie felt a hot blush rise from her toes to her nose. It took a moment for her eyes to focus and her brain to function. Bewildered, she looked up to find him watching her. His heavy-lidded eyes held a strange desperation as he reached back and unhooked the vice of her ankles from around his wiast. Her legs dropped. Her heels thumped against the cabinet. Beneath his hawklike gaze she felt stripped bare and vulnerable. He studied her face, seeming to see more than her features. He seemed to delve into her mind, to touch things deep and frightening—parts of herself Marnie was still exploring. The muscles in his jaw knotted and unknotted. After a moment he stepped back and casually, but with difficulty, adjusted his jeans Heat flooded her cheeks. Legs splayed, nipples peaked to his clinical gaze, she’d never experienced such acute embarrassment in her life. Her breath hitched as she jumped off the counter, tugging her top down and her pants up. At a loss for hers, she half laughed. “I have absolutely no idea what to say.” Which was a reasonable start, she guessed. It was rare for her to be speechless. But then, this was a day of firsts. “I told you you weren’t my type.” The brass button on his jeans closed like the clasp of a miser’s purse. Other than a faint flush on the ridge of his cheekbones and what looked like a painful erection, he seemed totally unaffected by what had just happened. She stared at him. “Not your t—What do you call what just happened?” Marnie was confused. It was out of character for her to be sexually aggressive. But now that she’d done it, she wasn’t sorry. “What part of ‘I don’t want you’ didn’t you understand?” He’d wanted her. He might lie about it, but his body had been honest. He was as hard as petrified wood. “Then what”—she pointed—“is that?” He ignored the bulge in his jeans. “Just because I have it doesn’t mean I intend to use it.” Marnie stepped forward and touched his arm. He jerked away from her as if she’d used a cattle prod. “Was it something I said?” she asked quietly, dropping her hand to her side. “Look, I have a tendency to sort of speak without running the words through my brain first. But I know I didn’t give out mixed signals just now. I wanted to make love with you. It was very good. No, darn it, it was excellent. So if you have some sort of medical condition, let’s talk about i—” He moved backward, almost tripping over Duchess sprawled on the floor. The dog rose to hover anxiously between them. Jake’s eyes turned as he said, “I do not have a medical condition.” Marnie backed up—mentally as well as physically. Her hip bumped the counter. “Good.” He scowled and swore under his breath. “That is good, isn’t it?” she asked tentatively.
Cherry Adair (Kiss and Tell (T-FLAC, #2; Wright Family, #1))
Of course, no china--however intricate and inviting--was as seductive as my fiancé, my future husband, who continued to eat me alive with one glance from his icy-blue eyes. Who greeted me not at the door of his house when I arrived almost every night of the week, but at my car. Who welcomed me not with a pat on the arm or even a hug but with an all-enveloping, all-encompassing embrace. Whose good-night kisses began the moment I arrived, not hours later when it was time to go home. We were already playing house, what with my almost daily trips to the ranch and our five o’clock suppers and our lazy movie nights on his thirty-year-old leather couch, the same one his parents had bought when they were a newly married couple. We’d already watched enough movies together to last a lifetime. Giant with James Dean, The Good, the Bad, and the Ugly, Reservoir Dogs, Guess Who’s Coming to Dinner, The Graduate, All Quiet on the Western Front, and, more than a handful of times, Gone With the Wind. I was continually surprised by the assortment of movies Marlboro Man loved to watch--his taste was surprisingly eclectic--and I loved discovering more and more about him through the VHS collection in his living room. He actually owned The Philadelphia Story. With Marlboro Man, surprises lurked around every corner. We were already a married couple--well, except for the whole “sleepover thing” and the fact that we hadn’t actually gotten hitched yet. We stayed in, like any married couple over the age of sixty, and continued to get to know everything about each other completely outside the realm of parties, dates, and gatherings. All of that was way too far away, anyway--a minimum hour-and-a-half drive to the nearest big city--and besides that, Marlboro Man was a fish out of water in a busy, crowded bar. As for me, I’d been there, done that--a thousand and one times. Going out and panting the town red was unnecessary and completely out of context for the kind of life we’d be building together. This was what we brought each other, I realized. He showed me a slower pace, and permission to be comfortable in the absence of exciting plans on the horizon. I gave him, I realized, something different. Different from the girls he’d dated before--girls who actually knew a thing or two about country life. Different from his mom, who’d also grown up on a ranch. Different from all of his female cousins, who knew how to saddle and ride and who were born with their boots on. As the youngest son in a family of three boys, maybe he looked forward to experiencing life with someone who’d see the country with fresh eyes. Someone who’d appreciate how miraculously countercultural, how strange and set apart it all really is. Someone who couldn’t ride to save her life. Who didn’t know north from south, or east from west. If that defined his criteria for a life partner, I was definitely the woman for the job.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)