Cattle Prod Quotes

We've searched our database for all the quotes and captions related to Cattle Prod. Here they are! All 41 of them:

Wiggles hissed as I crossed the floor toward the throne. She fixed me with her empty hateful eyes and smelled the air, her long tongue shivering through the slit of the lipless mouth. Nice to see you too, sweetheart. Remember my cattle prod?
Ilona Andrews (Magic Bites (Kate Daniels, #1))
It struck me that in every family, culture, or religion, ideas of right and wrong are the hot cattle prods, the barking sheepdogs that keep the masses in the herd. They are the bars that keep us caged. I decided that if I kept doing the "right" thing, I would spend my life following someone else's directions instead of my own. I didn't want to live my life without living my life. I wanted to make my own decision as a free woman, from my soul, not my training. But the problem was, I didn't know how.
Glennon Doyle (Untamed)
Ideologies aren't all that important. What's important is psychology. The Democratic constituency is just like a herd of cows. All you have to do is lay out enough silage and they come running. That's why I became an operative working with Democrats. With Democrats all you have to do is make a lot of noise, lay out the hay, and be ready to use the ole cattle prod in case a few want to bolt the herd. Eighty percent of the people who call themselves Democrats don't have a clue as to political reality. What amazes me is that you could take a group of people who are hard workers and convince them that they should support social programs that were the exact opposite of their own personal convictions. Put a little fear here and there and you can get people to vote any way you want. The voter is basically dumb and lazy. The reason I became a Democratic operative instead of a Republican was because there were more Democrats that didn't have a clue than there were Republicans. Truth is relative. Truth is what you can make the voter believe is the truth. If you're smart enough, truth is what you make the voter think it is. That's why I'm a Democrat. I can make the Democratic voters think whatever I want them to.
James Carville
I will employ the gentle, vague expression “I’m not crazy about that on you,” which should mean to you, “Holy shit, take that off, that looks terrible!” I owe it to you to give feedback like a cattle prod: painful but quick.
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
There is a beautiful consistency about Buzzard; he is a porcupine among men, with his quills always flared. If he won a new car with a raffle ticket bought in his name by some momentary girlfriend, he would recognize it at once as a trick to con him out of a license fee. He would denounce the girl as a hired slut, beat up the raffle sponsor, and trade off the car for five hundred Seconals and a gold-handled cattle prod.
Hunter S. Thompson (Hell's Angels)
Following Homo sapiens, domesticated cattle, pigs and sheep are the second, third and fourth most widespread large mammals in the world. From a narrow evolutionary perspective, which measures success by the number of DNA copies, the Agricultural Revolution was a wonderful boon for chickens, cattle, pigs and sheep. Unfortunately, the evolutionary perspective is an incomplete measure of success. It judges everything by the criteria of survival and reproduction, with no regard for individual suffering and happiness. Domesticated chickens and cattle may well be an evolutionary success story, but they are also among the most miserable creatures that ever lived. The domestication of animals was founded on a series of brutal practices that only became crueller with the passing of the centuries. The natural lifespan of wild chickens is about seven to twelve years, and of cattle about twenty to twenty-five years. In the wild, most chickens and cattle died long before that, but they still had a fair chance of living for a respectable number of years. In contrast, the vast majority of domesticated chickens and cattle are slaughtered at the age of between a few weeks and a few months, because this has always been the optimal slaughtering age from an economic perspective. (Why keep feeding a cock for three years if it has already reached its maximum weight after three months?) Egg-laying hens, dairy cows and draught animals are sometimes allowed to live for many years. But the price is subjugation to a way of life completely alien to their urges and desires. It’s reasonable to assume, for example, that bulls prefer to spend their days wandering over open prairies in the company of other bulls and cows rather than pulling carts and ploughshares under the yoke of a whip-wielding ape. In order for humans to turn bulls, horses, donkeys and camels into obedient draught animals, their natural instincts and social ties had to be broken, their aggression and sexuality contained, and their freedom of movement curtailed. Farmers developed techniques such as locking animals inside pens and cages, bridling them in harnesses and leashes, training them with whips and cattle prods, and mutilating them. The process of taming almost always involves the castration of males. This restrains male aggression and enables humans selectively to control the herd’s procreation.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
Aunt Alice was known to have a tongue with the kick of a cattle prod when she was upset.
Elizabeth M. Thompson ("What no roast?!": Short Stories from the Hilarious Library of Life)
The words of the wise are like cattle prods—painful but helpful. Their collected sayings are like a nail-studded stick with which a shepherd drives the sheep.
Anonymous
It’s a chicken instinct. He’s here for a reason. It’s time to step in, face Deus Brânquia, force Hoffstetler’s experiments to completion. No, not Deus Brânquia. The asset, that’s all it is. Why has he started thinking of it as Deus Brânquia again? He’s got to stop that. The good old Alabama Howdy-do, the heavy-duty Farm-Master 30 cattle prod, is long and straight in his palm, a handrail guiding him from an opiate haze back into the real world.
Guillermo del Toro (The Shape of Water)
I’m always buried in something. But I love you. I try to listen to what’s going on. If you need me, just—bring in a bucket of water, or something. Well, not water around the computers. Maybe a cattle prod. No. Not around the computers . . ..” “Ice,” I said. “Down the back.
Kristen D. Randle (The Gardener)
I looked at all of those contradictory opinions and thought: If there is, in fact, an objective right or wrong way to handle this, why do all of these people have such different ideas about what a person should do? I had an epiphany: It must be that should and shouldn’t, right and wrong, good and bad—they’re not wild. They’re not real. They’re just culturally constructed, artificial, ever-changing cages created to maintain institutions. It struck me that in every family, culture, or religion, ideas of right and wrong are the hot cattle prods, the barking sheepdogs that keep the masses in the herd. They are the bars that keep us caged.
Glennon Doyle (Untamed)
It must be that should and shouldn’t, right and wrong, good and bad—they’re not wild. They’re not real. They’re just culturally constructed, artificial, ever-changing cages created to maintain institutions. It struck me that in every family, culture, or religion, ideas of right and wrong are the hot cattle prods, the barking sheepdogs that keep the masses in the herd. They are the bars that keep us caged.
Glennon Doyle (Untamed)
In every family, culture, or religion, ideas of right and wrong are the hot cattle prods, the barking sheepdogs that keep the masses in the herd. They are the bars that keep us caged. I decided that if I kept doing the "right" thing, I would spend my life following someone else's directions instead of my own. I didn't want to live my life without living my life. I wanted to make my own decision as a free woman, from my soul.
Glennon Doyle (Untamed: Stop Pleasing, Start Living / A Toolkit for Modern Life)
If I followed my better instincts right now, I would put this typewriter in the Volvo and drive to the home of the nearest politician -- any politician -- and hurl the goddamn machine through his front window ... flush the bugger out with an act of lunatic violence then soak him down with mace and run him naked down Main Street in Aspen with a bell around his neck and black lumps all over his body from the jolts of a high powered "Ball Buster" cattle prod.
Hunter S. Thompson
I stared at him, keeping a firm grip on the radio. "Not me," I said finally. "I'd be happy to ram a goddamn 440-volt cattle prod into that tub with you right now, but not this radio. It would blast you right through the wall-stone-dead in ten seconds." I laughed. "Shit, they'd make me explain it-drag me down to some rotten coroner's inquest and grill me about...yes...the exact details. I don't need that." Bullshit!" he screamed. "Just tell them I wanted to get HIGHER!
Hunter S. Thompson (Fear and Loathing in Las Vegas)
Through demonstrations, Negroes learn that unity and militance have more force than bullets. They find that the bruises of clubs, electric cattle prods, and fists hurt less than the scars of submission. And segregationists learn from demonstrations that Negroes who have been taught to fear can also be taught to be fearless. Finally, the millions of Americans on the sidelines learn that inhumanity wears an official badge and wields the power of law in large areas of the democratic nation of their pride.
Martin Luther King Jr. (The Autobiography of Martin Luther King, Jr.)
You would have PTSD too if someone took a cattle prod to your dick.” Tag’s eyes widened. “Holy sit, Ten. I take back everything I’ve ever said about you. You’re a motherfucking hero. You were abo to perform after that? Yeah, she tried to be quiet, but that bed squeaks. Seriously, every man alive should salute you. Can I see it?” “No you can’t see it,” Faith shot back. “What is wrong with you?” “Why are we looking at junk? Has Ten finally come out of the closet?” Sean joined his brother. Tag shook his head. “Nah. Part of his torture was a cattle prod to the cock.” “Whoa,” Sean said. “Can I look?” “Told you.
Lexi Blake (Master No (Masters and Mercenaries, #9))
No longer kneeling at the foot of the bed, knees on the hard wood of the gym floor, Aunt Elizabeth standing by the double doors, arms folded, cattle prod hung on her belt, while Aunt Lydia strides along the rows of kneeling nightgowned women, hitting our backs or feet or bums or arms lightly, just a flick, a tap, with her wooden pointer if we slouch or slacken. She wanted our heads bowed just right, our toes together and pointed, our elbows at the proper angle. Part of her interest in this was aesthetic: she liked the look of the thing. She wanted us to look like something Anglo-Saxon, carved on a tomb; or Christmas card angels, regimented in our robes of purity. But she knew too the spiritual value of bodily rigidity, of muscle strain: a little pain cleans out the mind, she’d say.
Margaret Atwood (The Handmaid's Tale (The Handmaid's Tale, #1))
I get mailings from Amnesty International, and as I look at their photos of men and women who have been beaten and cattle-prodded and jabbed and spit on and electrocuted, I ask myself, "What kind of human being could do that to another human being?" Then, I read the book of Acts and meet the kind of person who could do such a thing, now an apostle of grace, a servant of Jesus Christ, the greatest missionary history has ever known. If God can love that kind of person, maybe, just maybe, He can love the likes of me.
Philip Yancey (What's So Amazing About Grace?)
Six legs grew from their bodies, covered with spikes and tipped with claws. Their jaws could swallow men whole. The skulls of vanquished enemies, dozens of species, clattered atop their bloated abdomens, forming ritualistic armor. They made the scum look cute. And they were hungry. Hungry for human flesh. We're not prisoners of war to them, Addy thought. We're cattle. "Move it!" A marauder lifted a prod. "Faster!" More electricity crackled across Addy. She yowled and moved faster. An old woman trudged ahead of her, barely keeping up. A boy wept behind Addy, calling for his mother. The line of captives stretched for kilometers. With New Earth's foggy atmosphere,
Daniel Arenson (Earth Shadows (Earthrise, #5))
Pedro Algorta, a lawyer, showed me the fat dossier about the murder of two women. The double crime had been committed with a knife at the end of 1982, in a Montevideo suburb. The accused, Alma Di Agosto, had confessed. She had been in jail more than a year, and was apparently condemned to rot there for the rest of her life. As is the custom, the police had raped and tortured her. After a month of continuous beatings they had extracted several confessions. Alma Di Agosto's confessions did not much resemble each other, as if she had committed the same murder in many different ways. Different people appeared in each confession, picturesque phantoms without names or addresses, because the electric cattle prod turns anyone into a prolific storyteller. Furthermore, the author demonstrated the agility of an Olympic athlete, the strength of a fairground Amazon, and the dexterity of a professional matador. But the most surprising was the wealth of detail: in each confession, the accused described with millimetric precision clothing, gestures, surroundings, positions, objects..... Alma Di Agosto was blind. Her neighbours, who knew and loved her, were convinced she was guilty: 'Why?' asked the lawyer. 'Because the papers say so.' 'But the papers lie,' said the lawyer. 'But the radio said so too,' explained the neighbours. 'And the TV!
Eduardo Galeano
I breathed in a deep dose of night air, trying to calm my schoolgirl nervousness. “I, umm…” I began. “I decided to stick around here a little while.” There. I’d said it. This was all officially real. Without a moment of hesitation, Marlboro Man wrapped his ample arms around my waist. Then, in what seemed to be less than a second, he hoisted me from my horizontal position on the bed of his pickup until we were both standing in front of each other. Scooping me off my feet, he raised me up to his height so his icy blue eyes were level with mine. “Wait…are you serious?” he asked, taking my face in his hands. Squaring it in front of his. Looking me in the eye. “You’re not going?” “Nope,” I answered. “Whoa,” he said, smiling and moving in for a long, impassioned kiss on the back of his Ford F250. “I can’t believe it,” he continued, squeezing me tightly. Our knees buckled under the heat, and before I knew it we were back where we’d been before, rolling around and kissing manically in the bed of his diesel pickup. Occasionally my arm would hit a crowbar and my head would slam against a spare tire or a cattle prod or a jack; I didn’t care, of course. I’d said what I wanted to say that night. Everything else--even minor head injuries--was a piece of cake. We stayed there a long, long time, the balmy night air giving us no good reason to leave. Under the innumerable stars, amidst all the embraces and kisses and sounds from the surrounding livestock, I suddenly felt more at peace in my decision than I had since my phone call with Rhonda the Realtor that morning. I felt at home, comfortable, nestled in, wonderful. My life had changed that day, changed in a way I never, ever, could have predicted. My big-city plans--plans many months in the making--had all at once been smashed to smithereens by a six-foot cowboy with manure on his boots. A cowboy I’d known, essentially, for less than three weeks. It was the craziest thing I’d ever done, deciding to take an impulsive walk down this new and unexpected path. And while I secretly wondered how long it would take for me to regret my decision, I rested easily, at least for that night, in the knowledge that I’d had the courage to step out on such an enormous limb. It was late. Time to go. “Want me to drive you home now?” Marlboro Man asked, lacing our fingers together, kissing the back of my hand. “Or, do you…” He paused, considering his words. “Do you want to come stay at my place?
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Their eyes met. For a split second she caught a glimpse of heat in his eyes. Then Jake banked the flame and broke out of her embrace. Marnie felt a hot blush rise from her toes to her nose. It took a moment for her eyes to focus and her brain to function. Bewildered, she looked up to find him watching her. His heavy-lidded eyes held a strange desperation as he reached back and unhooked the vice of her ankles from around his wiast. Her legs dropped. Her heels thumped against the cabinet. Beneath his hawklike gaze she felt stripped bare and vulnerable. He studied her face, seeming to see more than her features. He seemed to delve into her mind, to touch things deep and frightening—parts of herself Marnie was still exploring. The muscles in his jaw knotted and unknotted. After a moment he stepped back and casually, but with difficulty, adjusted his jeans Heat flooded her cheeks. Legs splayed, nipples peaked to his clinical gaze, she’d never experienced such acute embarrassment in her life. Her breath hitched as she jumped off the counter, tugging her top down and her pants up. At a loss for hers, she half laughed. “I have absolutely no idea what to say.” Which was a reasonable start, she guessed. It was rare for her to be speechless. But then, this was a day of firsts. “I told you you weren’t my type.” The brass button on his jeans closed like the clasp of a miser’s purse. Other than a faint flush on the ridge of his cheekbones and what looked like a painful erection, he seemed totally unaffected by what had just happened. She stared at him. “Not your t—What do you call what just happened?” Marnie was confused. It was out of character for her to be sexually aggressive. But now that she’d done it, she wasn’t sorry. “What part of ‘I don’t want you’ didn’t you understand?” He’d wanted her. He might lie about it, but his body had been honest. He was as hard as petrified wood. “Then what”—she pointed—“is that?” He ignored the bulge in his jeans. “Just because I have it doesn’t mean I intend to use it.” Marnie stepped forward and touched his arm. He jerked away from her as if she’d used a cattle prod. “Was it something I said?” she asked quietly, dropping her hand to her side. “Look, I have a tendency to sort of speak without running the words through my brain first. But I know I didn’t give out mixed signals just now. I wanted to make love with you. It was very good. No, darn it, it was excellent. So if you have some sort of medical condition, let’s talk about i—” He moved backward, almost tripping over Duchess sprawled on the floor. The dog rose to hover anxiously between them. Jake’s eyes turned as he said, “I do not have a medical condition.” Marnie backed up—mentally as well as physically. Her hip bumped the counter. “Good.” He scowled and swore under his breath. “That is good, isn’t it?” she asked tentatively.
Cherry Adair (Kiss and Tell (T-FLAC, #2; Wright Family, #1))
The Way of the Worrier 1. Don’t Be a Jerk 2. (And/But . . .) When Necessary, Hide the Zen 3. Meditate 4. The Price of Security Is Insecurity—Until It’s Not Useful 5. Equanimity Is Not the Enemy of Creativity 6. Don’t Force It 7. Humility Prevents Humiliation 8. Go Easy with the Internal Cattle Prod 9. Nonattachment to Results 10. What Matters Most?
Dan Harris (10% Happier)
It was him taught Idi Amin’s lads how to extract voluntary confessions with the aid of an electric cattle-prod. Our chum likes them English and he likes them with a dirty past. He
John le Carré (The Night Manager)
I'm a frightful example of what happens to those who step out of line...When people talk about spongers, they forget the contribution we make to the upholding of the status quo. I am a walking, staggering cattle prod, frightening the Reeboked animals into manageable herds, so that the ordered life of Western society may continue undisrupted. I am, if you will, a sort of policeman. As a responsible citizen I spend my meagre Giro benefit on high-duty items like cigarettes and spirits so most of the money the government allows me is ploughed straight back into its coffers. The remainder I spread like a thin fertilizer over the parched hard pressed land of small businesses - corner shops, pizza parlours and low-grade supermarkets. Even, God help them, those 'worse off than myself' get a look in since what few clothes I own are provided by jumble sales and charity shops. Furthermore, when I die, I shall leave no burgeoning bank account. Whatever may pass through the hands of a waster remains permanently in circulation since he has neither the means nor the pre-disposition to save - in effect, a congenital waster is as lean, fit and economically viable as the most stringently run software corporation.
Ian Pattison
So I had to go to the Marriott,” I finished. “You what?” He jumped to his feet as though he’d been hit with a cattle prod. “How could you do this, after everything that happened?
Michael Levine (Deep Cover: The Inside Story of How DEA Infighting, Incompetence and Subterfuge Lost Us the Biggest Battle of the Drug War)
I get mailings from Amnesty International, and as I look at their photos of men and women who have been beaten and cattle-prodded and jabbed and spit on and electrocuted, I ask myself, 'What kind of human being could do that to another human being?' Then, I read the book of Acts and meet the kind of person who could do such a thing, now an apostle of grace, a servant of Jesus Christ, the greatest missionary history has ever known. If God can love that kind of person, maybe, just maybe, He can love the likes of me.
Philip Yancey (What's So Amazing About Grace?)
It struck me that in every family, culture, or religion, ideas of right and wrong are the hot cattle prods, the barking sheepdogs that keep the masses in the herd. They are the bars that keep us caged.
Glennon Doyle (Untamed)
He found he had a distaste for being threatened. Broken, without much to live for, still he discovered within himself a reluctance to be bullied. To be prodded like cattle.
Mitchell Hogan (A Crucible of Souls (Sorcery Ascendant Sequence, #1))
Kit Wilder did not have moves like Jagger. Quite the contrary, she fully recognized that her moves were more of the Elaine from Seinfeld variety, which was why her agent, Beatrice Coleman, said she would never be invited to appear on Dancing with the Stars no matter how many times Beatrice attempted to cattle prod the producers into submission. This disappointed Beatrice more than Katherine, as Beatrice was a fan of the show and her other clients weren’t attractive or popular enough to qualify.
Keeley Bates (A Dead End (Saints & Strangers, #1))
I had an epiphany: It must be that should and shouldn’t, right and wrong, good and bad—they’re not wild. They’re not real. They’re just culturally constructed, artificial, ever-changing cages created to maintain institutions. It struck me that in every family, culture, or religion, ideas of right and wrong are the hot cattle prods, the barking sheepdogs that keep the masses in the herd. They are the bars that keep us caged.
Glennon Doyle (Untamed)
We know very little about the effect of electricity on sharks,” the narrator will say, in a deeply scientific voice. “That is why Todd is going to jab this Great While in the testicles with a cattle prod.
Dave Barry (Dave Barry's Greatest Hits)
Delilah, she’s not a child, she’s a wolf.” The deputy slid his gun back into its holster, but the fact that he didn’t snap it closed made me nervous. “An animal.” “Then why was she wearing underwear?” I demanded, and the sheriff and his deputy looked at me as if I’d lapsed into Latin. “Okay, just think about it. When we put wolves on display in a zoo—a regular zoo—we don’t put underwear on them because they aren’t self-aware enough to feel modesty or adapt to social conventions and restrictions. But Geneviève was wearing underwear, which means the menagerie understands that she’s thoroughly self-aware. And if she’s self-aware, why is it okay to put a child on display in skimpy undergarments, then shock her with a cattle prod when she doesn’t want to be seen in nothing but her underwear? You can’t have it both ways.
Rachel Vincent (Menagerie (Menagerie, #1))
The Way of the Worrier Don’t Be a Jerk (And/But . . .) When Necessary, Hide the Zen Meditate The Price of Security Is Insecurity—Until It’s Not Useful Equanimity Is Not the Enemy of Creativity Don’t Force It Humility Prevents Humiliation Go Easy with the Internal Cattle Prod Nonattachment to Results What Matters Most?
Dan Harris (10% Happier: How I Tamed the Voice in My Head, Reduced Stress Without Losing My Edge, and Found Self-Help That Actually Works--A True Story)
Jimbo’s face went white. “Cattle prod.” He brought the binoculars down and put his hand on Finn’s shoulder. “It’s actually good news. Unless he modified it, it won’t kill her. It hurts like hell, but she’ll be fine.” “How the hell do you know?” The thought of someone treating his Dani like a cow had him clawing at the rifle. Jeremy was too close. He’d never make the shot without hurting Danielle. “Hell, Finn, I’m a redneck. You think I’ve never been hit with a cattle prod? That’s a regular Saturday night around here.
Sophie Oak (Siren Enslaved (Texas Sirens, #3))
So my approach to troubleshooting is I go into the plant. The first thing I do before we change anything on the equipment is make the people operate it correctly. Stop screaming, stop poking all the animals with electric prods, bring up smaller groups. And then I see how it works. Then I go, “Okay. He’s balking at seeing a lady standing there writing down cattle IDs. All right, get a big piece of cardboard, I'll cover her up. He’ll balking at the restrainer. I'll turn a light on the restrainer entrance. 'So I just do a lot of little things, a lot of modifications with lights and cardboard to see if I can get it to work. And then after I’ve done that I go, “Well this is hopeless. You're going to have to build a new system, or we can fix it with these changes.” There’s an awful lot of systems where it’s certainly not a system I would want to copy, but I can make it work. The plant can live with it.
Robert Greene (Interviews with the Masters: A Companion to Robert Greene's Mastery)
The newspaper called them “Atomic Cows” and they traveled like a sideshow from Alamogordo to El Paso and back again. In December, Paramount Pictures came to town and “secured some good pictures of the cattle and also of two cats which have changed coloring.” This stretch of fame did not last long. The military took note and started rounding up the mutated cattle that hadn’t already been slaughtered, about three hundred head, and sent some as far away as Oak Ridge, Tennessee, where they were poked and prodded and bred until they were raw. Only twice in the 1950s would the atomic cows at Oak Ridge hit the headlines, both times to say they were fine or dying of natural causes or didn’t seem to be passing on any mutations to their offspring.
Joshua Wheeler (Acid West: Essays)
A feminine voice from my other side says, “Don’t look at him. Look at me.” I turn back around. She’s tall. Long torso, legs, and arms. In her spare time she could be a fashion model or a basketball player. Smart. Tall is good for these situations. It lets the interrogator loom menacingly. She’s wearing the same suit and balaclava as the guys who snatched me. That’s okay. What isn’t okay is the cattle prod she’s holding. She takes her time coming over. Points at me with the business end of the prod. “Who are you?” she says. “I work for Eva Sandoval.
Richard Kadrey (Hollywood Dead (Sandman Slim, #10))
Normal people definitely didn’t feel this panicky. Normal people definitely didn’t feel like they were being electrocuted from the inside by an unborn child armed with a miniature Taser, that they were being prodded by a wire emitting the kind of electrical charge that stops cattle from going into the next field.
Jon Ronson (The Psychopath Test: A Journey Through the Madness Industry)
Sybil was now banging on about how hard Humph worked and the havoc caused by boarding school fees for seven. Jack refrained from telling her that you would expect seven children to be more expensive to raise than one or two and that no one had an electric cattle prod on either her rump or Humph's as they herded their offspring into private schools.
Barbara Anderson (Portrait of the Artist's Wife)