Card For Mother's Day Quotes

We've searched our database for all the quotes and captions related to Card For Mother's Day. Here they are! All 85 of them:

He shook his head pityingly. “This, more than anything else, is what I have never understood about your people. You can roll dice, and understand that the whole game may hinge on one turn of a die. You deal out cards, and say that all a man's fortune for the night may turn upon one hand. But a man's whole life, you sniff at, and say, what, this naught of a human, this fisherman, this carpenter, this thief, this cook, why, what can they do in the great wide world? And so you putter and sputter your lives away, like candles burning in a draft.” “Not all men are destined for greatness,” I reminded him. “Are you sure, Fitz? Are you sure? What good is a life lived as if it made no difference at all to the great life of the world? A sadder thing I cannot imagine. Why should not a mother say to herself, if I raise this child aright, if I love and care for her, she shall live a life that brings joy to those about her, and thus I have changed the world? Why should not the farmer that plants a seed say to his neighbor, this seed I plant today will feed someone, and that is how I change the world today?” “This is philosophy, Fool. I have never had time to study such things.” “No, Fitz, this is life. And no one has time not to think of such things. Each creature in the world should consider this thing, every moment of the heart's beating. Otherwise, what is the point of arising each day?
Robin Hobb (Royal Assassin (Farseer Trilogy, #2))
Love is a hollow word which seems at home in song lyrics and greeting cards, until you fall in love and discover it’s disconcerting power. Depression means nothing more than the blues, commercially packaged angst, a hole in the ground; until you find it’s black weight settled inside your mother’s chest, disrupting her breathing, leaching her days, and yours, of colour and the nights of rest.
Jerry Pinto (Em and The Big Hoom)
Oh, Val," said Father. "All you have to do is live your life, and everyone around you will be happier." "No greatness, then." "Val," said Mother, "goodness trumps greatness any day." "Not in the history books," said Valentine. "Then the wrong people are writing history, aren't they?" said Father.
Orson Scott Card (Ender in Exile (Ender's Saga, #5))
Summers with Rene began with a cigarette in one side of her mouth and a squinting of her eyes as she thought . . . . Shortly, she would make her pronouncement and it would seem magical no matter how often the words were said. "It's a beach day," blessed the day. The rest was understood. No more needed to be said. I knew that she knew. She had the gift to read what would come from the skies as surely as my mother could see births and betrayals in the cards.
Georgia Scott (American Girl: Memories That Made Me)
Everyone would remember Peter for nineteen minutes of his life, but what about the other nine million? Lacy would be the keeper of those, because it was the only way for that part of Peter to stay alive. For every recollection of him that involved a bullet or a scream, she would have a hundred others: of a little boy splashing in a pond, or riding a bicycle for the first time, or waving from the top of a jungle gym. Of a kiss good night, or a crayoned Mother's Day card, or a voice off-key in the shower. She would string them together - the moments when her child had been just like other people's. She would wear them, precious pearls, every day of her life; because if she lost them, then the boy she had loved and raised and known would really be gone.
Jodi Picoult (Nineteen Minutes)
A birthday is a glorious day filled with good laughter, gladness and great memories.
Lailah Gifty Akita (Pearls of Wisdom: Great mind)
Val," said Mother, "goodness trumps greatness any day." "Not in the history books," said Valentine. "Then the wrong people are writing history, aren't they?" said Father.
Orson Scott Card (Ender in Exile (Ender's Saga, #5))
There is a reason people say being a mother is the hardest job in the world: You do not sleep and you do not get vacation time. You do not leave your work on your desk at the end of the day. Your briefcase is your heart, and you are rifling through it constantly. Your office is as wide as the world, and your punch card is measured not in hours but in a lifetime.
Jodi Picoult (Larger Than Life)
For the last four years of her life, Mother was in a nursing home called Chateins in St. Louis ... [S]ix months before she died I sent a Mother's Day card. There was a horrible, mushy poem in it. I remember feeling "vaguely guilty.
William S. Burroughs (The Cat Inside)
Buckley followed the three of them into the kitchen and asked, as he had at least once a day, “Where’s Susie?” They were silent. Samuel looked at Lindsey. “Buckley,” my father called from the adjoining room, “come play Monopoly with me.” My brother had never been invited to play Monopoly. Everyone said he was too young, but this was the magic of Christmas. He rushed into the family room, and my father picked him up and sat him on his lap. “See this shoe?” my father said. Buckley nodded his head. “I want you to listen to everything I say about it, okay?” “Susie?” my brother asked, somehow connecting the two. “Yes, I’m going to tell you where Susie is.” I began to cry up in heaven. What else was there for me to do? “This shoe was the piece Susie played Monopoly with,” he said. “I play with the car or sometimes the wheelbarrow. Lindsey plays with the iron, and when you mother plays, she likes the cannon.” “Is that a dog?” “Yes, that’s a Scottie.” “Mine!” “Okay,” my father said. He was patient. He had found a way to explain it. He held his son in his lap, and as he spoke, he felt Buckley’s small body on his knee-the very human, very warm, very alive weight of it. It comforted him. “The Scottie will be your piece from now on. Which piece is Susie’s again?” “The shoe?” Buckley asked. “Right, and I’m the car, your sister’s the iron, and your mother is the cannon.” My brother concentrated very hard. “Now let’s put all the pieces on the board, okay? You go ahead and do it for me.” Buckley grabbed a fist of pieces and then another, until all the pieces lay between the Chance and Community Chest cards. “Let’s say the other pieces are our friends?” “Like Nate?” “Right, we’ll make your friend Nate the hat. And the board is the world. Now if I were to tell you that when I rolled the dice, one of the pieces would be taken away, what would that mean?” “They can’t play anymore?” “Right.” “Why?” Buckley asked. He looked up at my father; my father flinched. “Why?” my brother asked again. My father did not want to say “because life is unfair” or “because that’s how it is”. He wanted something neat, something that could explain death to a four-year-old He placed his hand on the small of Buckley’s back. “Susie is dead,” he said now, unable to make it fit in the rules of any game. “Do you know what that means?” Buckley reached over with his hand and covered the shoe. He looked up to see if his answer was right. My father nodded. "You won’t see Susie anymore, honey. None of us will.” My father cried. Buckley looked up into the eyes of our father and did not really understand. Buckley kept the shoe on his dresser, until one day it wasn't there anymore and no amount of looking for it could turn up.
Alice Sebold (The Lovely Bones)
Having lost his mother, father, brother, an grandfather, the friends and foes of his youth, his beloved teacher Bernard Kornblum, his city, his history—his home—the usual charge leveled against comic books, that they offered merely an escape from reality, seemed to Joe actually to be a powerful argument on their behalf… The escape from reality was, he felt—especially right after the war—a worthy challenge… The pain of his loss—though he would never have spoken of it in those terms—was always with him in those days, a cold smooth ball lodged in his chest, just behind his sternum. For that half hour spent in the dappled shade of the Douglas firs, reading Betty and Veronica, the icy ball had melted away without him even noticing. That was the magic—not the apparent magic of a silk-hatted card-palmer, or the bold, brute trickery of the escape artist, but the genuine magic of art. It was a mark of how fucked-up and broken was the world—the reality—that had swallowed his home and his family that such a feat of escape, by no means easy to pull off, should remain so universally despised.
Michael Chabon (The Amazing Adventures of Kavalier & Clay)
In May I received an anonymous Mother’s Day card. This puzzled me. I would have noticed if I had ever had children, surely?
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
The debt between a child and her mother could never be repaid, like running a foot race against someone fifteen miles ahead of you. What hope did you have of catching up? It didn't matter how many Mother's Day cards you drew, how many cliches and vows of devotions you put inside them. You could tell her she was your favorite parent, wink like you were co-conspirators, fill her in on every trivial detail of your life. None of it was enough. It had taken me years to figure this out: you would never love your mother as much as she loved you. She had formed memories of you since you were a poppy seed in her belly. You didn't begin making your own memories until three, four, five years old? She'd had a running start. She had known you before you even existed. How could we compete with that? We couldn't. We accepted that our mothers held their love over us, let them parade it around like a flashy trinket, because their love was superior to ours.
Stephanie Wrobel (Darling Rose Gold)
Pink Balloons My name is Olivia King I am five years old My mother bought me a balloon. I remember the day she walked through the front door with it. The curly hot pink ribbon trickling down her arm, wrapped around her wrist . She was smiling at me as she untied the ribbon and wrapped it around my hand. "Here Livie, I bought this for you." She called me Livie. I was so happy . I'd never had a balloon before. I mean, I always saw balloon wrapped around other kids wrist in the parking lot of Wal-Mart , but I never dreamed I would have my very own. My very own pink balloon. I was excited! So ecstatic! So thrilled! i couldn't believe my mother bought me something! She'd never bought me anything before! I played with it for hours . It was full of helium and it danced and swayed and floated as I drug it around from room to room with me, thinking of places to take it. Thinking of places the balloon had never been before. I took it in the bathroom , the closet , the laundry room , the kitchen , the living room . I wanted my new best friend to see everything I saw! I took it to my mother's bedroom! My mothers Bedroom? Where I wasn't supposed to be? With my pink balloon... I covered my ears as she screamed at me, wiping the evidence off her nose! She slapped me across the face as she told me how bad I was! How much I misbehaved! How I never listened! She shoved me into the hallways and slammed the door, locking my pink balloon inside with her. I wanted him back! He was my best friend! Not her! The pink ribbon was still tied around my wrist so I pulled and pulled , trying to get my new best friend away from her. And it popped. My name is Eddie. I'm seventeen years old. My birthday is next week. I'll be big One-Eight. My foster dad is buying me these boots I've been wanting. I'm sure my friends will take me out to eat. My boyfriend will buy me a gift, maybe even take me to a movie. I'll even get a nice little card from my foster care worker, wishing me a happy eighteenth birthday, informing me I've aged out of the system. I'll have a good time. I know I will. But there's one thing I know for sure I better not get any shitty ass pink balloons!
Colleen Hoover (Slammed (Slammed, #1))
We set limits for ourselves all the time. This imaginary line that you're positive you won't ever cross. An action that you are positive you would never do, no matter what. But what we don't consider when we draw our line is a change in our situation. An action that you were sure last week you wouldn't do suddenly becomes a viable option this week because the situation has drive you to it. Then you move your limit line and talk yourself into believing this new line will never be crossed. A man will take a stand and proclaim "I would never lie to my wife." But what if he maxes out their credit card because of his internet porn addiction? The line gets moved. I'm sure if you ask any mother or father they would not hesitate in harming or even killing someone who was about to do the same to their child. The line gets moved. A girl who is so consumed by the pain and empty ache of loneliness will be drive to do anything, no matter how degrading she thinks it is, because she wants to numb the chronic pain. The line gets moved. The line keeps moving and moving until one day you realize you're limitless. If you are being completely honest with yourself, there is absolutely nothing you wouldn't do if the situation required you to cross another line.
Alison G. Bailey (Present Perfect (Perfect, #1))
Dear Deborah, Words do not come easily for so many men. We are taught to be strong, to provide, to put away our emotions. A father can work his way through his days and never see that his years are going by. If I could go back in time, I would say some things to that young father as he holds, somewhat uncertainly, his daughter for the very first time. These are the things I would say: When you hear the first whimper in the night, go to the nursery leaving your wife sleeping. Rock in a chair, walk the floor, sing a lullaby so that she will know a man can be gentle. When Mother is away for the evening, come home from work, do the babysitting. Learn to cook a hotdog or a pot of spaghetti, so that your daughter will know a man can serve another's needs. When she performs in school plays or dances in recitals, arrive early, sit in the front seat, devote your full attention. Clap the loudest, so that she will know a man can have eyes only for her. When she asks for a tree house, don't just build it, but build it with her. Sit high among the branches and talk about clouds, and caterpillars, and leaves. Ask her about her dreams and wait for her answers, so that she will know a man can listen. When you pass by her door as she dresses for a date, tell her she is beautiful. Take her on a date yourself. Open doors, buy flowers, look her in the eye, so that she will know a man can respect her. When she moves away from home, send a card, write a note, call on the phone. If something reminds you of her, take a minute to tell her, so that she will know a man can think of her even when she is away. Tell her you love her, so that she will know a man can say the words. If you hurt her, apologize, so that she will know a man can admit that he's wrong. These seem like such small things, such a fraction of time in the course of two lives. But a thread does not require much space. It can be too fine for the eye to see, yet, it is the very thing that binds, that takes pieces and laces them into a whole. Without it, there are tatters. It is never too late for a man to learn to stitch, to begin mending. These are the things I would tell that young father, if I could. A daughter grown up quickly. There isn't time to waste. I love you, Dad
Lisa Wingate (Dandelion Summer (Blue Sky Hill #4))
Oh, Val,” said Father. “All you have to do is live your life, and everyone around you will be happier.” “No greatness, then.” “Val,” said Mother, “goodness trumps greatness any day.” “Not in the history books,” said Valentine. “Then the wrong people are writing history, aren’t they?” said Father.
Orson Scott Card (Ender in Exile (Ender's Saga, #6))
There are all kinds of ways and reasons that mothers can and should be praised. But for cultivating a sense of invisibility, martyrdom and tirelessly working unnoticed and unsung? Those are not reasons. Praising women for standing in the shadows? Wrong. Where is the greeting card that praises the kinds of mothers I know? Or better yet, the kind of mother I was raised by? I need a card that says: “Happy Mother’s Day to the mom who taught me to be strong, to be powerful, to be independent, to be competitive, to be fiercely myself and fight for what I want.” Or “Happy Birthday to a mother who taught me to argue when necessary, to raise my voice for my beliefs, to not back down when I know I am right.” Or “Mom, thanks for teaching me to kick ass and take names at work. Get well soon.” Or simply “Thank you, Mom, for teaching me how to make money and feel good about doing it. Merry Christmas.
Shonda Rhimes (Year of Yes: How to Dance It Out, Stand In the Sun and Be Your Own Person)
Especially given Bechimo’s feelings about Uncle, who, as it happened, was on the Disallowed List, the Double-Plus Disallowed List and, Theo guessed, the Don’t Send a Mother’s Day Card List.
Sharon Lee (Ghost Ship (Theo Waitley, #3; Liaden Universe, #15))
Things I Used to Get Hit For: Talking back. Being smart. Acting stupid. Not listening. Not answering the first time. Not doing what I’m told. Not doing it the second time I’m told. Running, jumping, yelling, laughing, falling down, skipping stairs, lying in the snow, rolling in the grass, playing in the dirt, walking in mud, not wiping my feet, not taking my shoes off. Sliding down the banister, acting like a wild Indian in the hallway. Making a mess and leaving it. Pissing my pants, just a little. Peeing the bed, hardly at all. Sleeping with a butter knife under my pillow. Shitting the bed because I was sick and it just ran out of me, but still my fault because I’m old enough to know better. Saying shit instead of crap or poop or number two. Not knowing better. Knowing something and doing it wrong anyway. Lying. Not confessing the truth even when I don’t know it. Telling white lies, even little ones, because fibbing isn’t fooling and not the least bit funny. Laughing at anything that’s not funny, especially cripples and retards. Covering up my white lies with more lies, black lies. Not coming the exact second I’m called. Getting out of bed too early, sometimes before the birds, and turning on the TV, which is one reason the picture tube died. Wearing out the cheap plastic hole on the channel selector by turning it so fast it sounds like a machine gun. Playing flip-and-catch with the TV’s volume button then losing it down the hole next to the radiator pipe. Vomiting. Gagging like I’m going to vomit. Saying puke instead of vomit. Throwing up anyplace but in the toilet or in a designated throw-up bucket. Using scissors on my hair. Cutting Kelly’s doll’s hair really short. Pinching Kelly. Punching Kelly even though she kicked me first. Tickling her too hard. Taking food without asking. Eating sugar from the sugar bowl. Not sharing. Not remembering to say please and thank you. Mumbling like an idiot. Using the emergency flashlight to read a comic book in bed because batteries don’t grow on trees. Splashing in puddles, even the puddles I don’t see until it’s too late. Giving my mother’s good rhinestone earrings to the teacher for Valentine’s Day. Splashing in the bathtub and getting the floor wet. Using the good towels. Leaving the good towels on the floor, though sometimes they fall all by themselves. Eating crackers in bed. Staining my shirt, tearing the knee in my pants, ruining my good clothes. Not changing into old clothes that don’t fit the minute I get home. Wasting food. Not eating everything on my plate. Hiding lumpy mashed potatoes and butternut squash and rubbery string beans or any food I don’t like under the vinyl seat cushions Mom bought for the wooden kitchen chairs. Leaving the butter dish out in summer and ruining the tablecloth. Making bubbles in my milk. Using a straw like a pee shooter. Throwing tooth picks at my sister. Wasting toothpicks and glue making junky little things that no one wants. School papers. Notes from the teacher. Report cards. Whispering in church. Sleeping in church. Notes from the assistant principal. Being late for anything. Walking out of Woolworth’s eating a candy bar I didn’t pay for. Riding my bike in the street. Leaving my bike out in the rain. Getting my bike stolen while visiting Grandpa Rudy at the hospital because I didn’t put a lock on it. Not washing my feet. Spitting. Getting a nosebleed in church. Embarrassing my mother in any way, anywhere, anytime, especially in public. Being a jerk. Acting shy. Being impolite. Forgetting what good manners are for. Being alive in all the wrong places with all the wrong people at all the wrong times.
Bob Thurber (Paperboy: A Dysfunctional Novel)
One afternoon in the fall of 2015, while I was writing this book, I was driving in my car and listening to SiriusXM Radio. On the folk music station the Coffee House, a song came on with a verse that directly spoke to me—so much so that I pulled off the road as soon as I could and wrote down the lyrics and the singer’s name. The song was called “The Eye,” and it’s written by the country-folk singer Brandi Carlile and her bandmate Tim Hanseroth and sung by Carlile. I wish it could play every time you open these pages, like a Hallmark birthday card, because it’s become the theme song of this book. The main refrain is: I wrapped your love around me like a chain But I never was afraid that it would die You can dance in a hurricane But only if you’re standing in the eye. I hope that it is clear by now that every day going forward we’re going to be asked to dance in a hurricane, set off by the accelerations in the Market, Mother Nature, and Moore’s law. Some politicians propose to build a wall against this hurricane. That is a fool’s errand. There is only one way to thrive now, and it’s by finding and creating your own eye. The eye of a hurricane moves, along with the storm. It draws energy from it, while creating a sanctuary of stability inside it. It is both dynamic and stable—and so must we be. We can’t escape these accelerations. We have to dive into them, take advantage of their energy and flows where possible, move with them, use them to learn faster, design smarter, and collaborate deeper—all so we can build our own eyes to anchor and propel ourselves and our families confidently forward.
Thomas L. Friedman (Thank You for Being Late: An Optimist's Guide to Thriving in the Age of Accelerations)
You're wearing a bow tie," I said necessarily. He glanced over at me. "Mom said I had to dress up for this." I heard a low snort of laughter coming through the open window above the sink. And I knew. I stalked over to the window and looked outside. There, sitting spread out on the grass, were the rest of the Bennetts. Goddamn fucking werewolves. "Hello, Ox," Elizabeth said without a jint of shame. "Lovely day, isn't it?" "I will deal with you late," I said. Ooh," Carter said. "I actually got chills from that." "We're just here for support," Kelly said. "And to laugh at how embarrassing Joe is." "I heard that!" Joe shouted from behind me. I banged my head on the windowsill. "Maggie," Joe said. Then, "May I call you Maggie?" "Sure." My mother sound like she was enjoying this. The traitor. "You can call me Maggie." "Good," Joe glanced down at his card berfore looking back up at my mother. " There comes a time in every werewolf's life when he is of age to make certain decisions about his future." I wondered if I threw something at him if it'd distract him enough for me to drag him out of the kitchen. I glanced over my shoulder out the window. Cater waved at me. Like an asshole. "My future," Joe said, "is Ox." Ah god, that made me ache. “Is that so?” Mom asked. “How do you figure?” “He’s really nice,” Joe said seriously. “And smells good. And he makes me happy. And I want to do nothing more than put my mouth on him.” “Ah well,” Thomas said. "We tried." "He's our little snowflake," Elizabeth told him. "You want to do what?!" I asked Joe incredulously. He winced. "I didn't mean to say it like that.
T.J. Klune (Wolfsong (Green Creek, #1))
Val," said Father, “we don't expect you to understand this, but some of the things that make Peter . . . difficult . . . are the very things that might also make him great someday." “What about me?" asked Valentine. “As long as you're telling fortunes." “Oh, Val," said Father. "All you have to do is live your life, and everyone around you will be happier." "No greatness, then." "Val," said Mother, "goodness trumps greatness any day." "Not in the history books," said Valentine. "Then the wrong people are writing history, aren't they?" said Father.
Orson Scott Card (Ender in Exile (Ender's Saga, #5))
Nightbitch resolved to demand things- all sorts of things. To ask. To not assume she had to cook the dinner and do the night-nights and clean the house and pay the bills and buy the presents and send the cards and schedule to appointments and keep track of every last thing all by herself. This was, after all, a partnership, wasn’t it? This was, after all, the modern era, empowerment and feminism and all that, and she had not been taking advantage of any of it because, she discovered as she thought further, she did not have a job. Or, rather, she did not have a job that paid any money whatsoever; in fact, it was a drain on money, represented negative money, this mothering job. Because her husband paid for their lives, paid for the privilege she had of staying home each and every day devoting herself completely to motherhood and nothing else, she had felt, ever since she stepped down from her position at the gallery, that she was in no place to demand anything, He worked all week, and she felt it was too much to ask him to lift a finger on the weekend, because she had automatically devalued her work from the start. She had been, she saw now, inculcated by a culture that told her, Look, it’s cute you’re a mom, and go do your thing, but, honestly, it’s not that hard; you’re probably not all that smart or interesting , but good for you for feeling fulfilled by mothering.
Rachel Yoder (Nightbitch)
Summers with Rene began with a cigarette in one side of her mouth and a squinting of her eyes as she thought . . . . Shortly, she would make her pronouncement and it would seem magical no matter how often the words were said. "It's a beach day," blessed the day. The rest was understood. No more needed to be said. I knew that she knew. She had the gift to read what would come from the skies as surely as my mother could see births and betrayals in the cards.
Georgia Scott (American Girl: Memories That Made Me)
It's wicked to wish time away," my mother used to lecture us kids—usually when we were pining for summer vacation in the depths of February, or waiting for Halloween to hurry up and come—and probably she was right, but I can't help thinking that such temporal jumps might be a good thing for people living bad lives, and between the advent of the Reagan administration in 1980 and the Tulsa State Fair in 1992, I was living a very bad life. There were blackouts, but no title cards. I had to live every day of those years, and when I couldn't get high, some of the days were a hundred hours long.
Stephen King (Revival)
So what if he saw? Now he knows. What never crossed my mind was that someone else who lived under our roof, who played cards with my mother, ate breakfast and supper at our table, recited the Hebrew blessing on Fridays for the sheer fun of it, slept in one of our beds, used our towels, shared our friends, watched TV with us on rainy days when we sat in the living room with a blanket around us because it got cold and we felt so snug being all together as we listened to the rain patter against the windows—that someone else in my immediate world might like what I liked, want what I wanted, be who I was
André Aciman (Call Me by Your Name: A Novel)
We decided to attend to our community instead of asking our community to attend the church.” His staff started showing up at local community events such as sports contests and town hall meetings. They entered a float in the local Christmas parade. They rented a football field and inaugurated a Free Movie Night on summer Fridays, complete with popcorn machines and a giant screen. They opened a burger joint, which soon became a hangout for local youth; it gives free meals to those who can’t afford to pay. When they found out how difficult it was for immigrants to get a driver’s license, they formed a drivers school and set their fees at half the going rate. My own church in Colorado started a ministry called Hands of the Carpenter, recruiting volunteers to do painting, carpentry, and house repairs for widows and single mothers. Soon they learned of another need and opened Hands Automotive to offer free oil changes, inspections, and car washes to the same constituency. They fund the work by charging normal rates to those who can afford it. I heard from a church in Minneapolis that monitors parking meters. Volunteers patrol the streets, add money to the meters with expired time, and put cards on the windshields that read, “Your meter looked hungry so we fed it. If we can help you in any other way, please give us a call.” In Cincinnati, college students sign up every Christmas to wrap presents at a local mall — ​no charge. “People just could not understand why I would want to wrap their presents,” one wrote me. “I tell them, ‘We just want to show God’s love in a practical way.’ ” In one of the boldest ventures in creative grace, a pastor started a community called Miracle Village in which half the residents are registered sex offenders. Florida’s state laws require sex offenders to live more than a thousand feet from a school, day care center, park, or playground, and some municipalities have lengthened the distance to half a mile and added swimming pools, bus stops, and libraries to the list. As a result, sex offenders, one of the most despised categories of criminals, are pushed out of cities and have few places to live. A pastor named Dick Witherow opened Miracle Village as part of his Matthew 25 Ministries. Staff members closely supervise the residents, many of them on parole, and conduct services in the church at the heart of Miracle Village. The ministry also provides anger-management and Bible study classes.
Philip Yancey (Vanishing Grace: What Ever Happened to the Good News?)
When she turned fifteen, Blue concluded that her mother’s tarot cards were just a pack of playing cards and that the dreams of her mother and the other clairvoyant women were fueled by mixed drinks rather than otherworldly insight, and so the prediction didn’t matter. She knew better, though. The predictions that came out of 300 Fox Way were unspecific, but undeniably true. Her mother had dreamt Blue’s broken wrist on the first day of school. Her aunt Jimi predicted Maura’s tax return to within ten dollars. Her older cousin Orla always began to hum her favorite song a few minutes before it came on the radio.
Maggie Stiefvater (The Raven Boys (The Raven Cycle #1))
Every year, Blue and her mother, Maura, had come to the same place, and every year it was chilly. But this year, without Maura here with her, it felt colder. It was April 24, St. Mark’s Eve. For most people, St. Mark’s Day came and went without note. It wasn’t a school holiday. No presents were exchanged. There were no costumes or festivals. There were no St. Mark’s Day sales, no St. Mark’s Day cards in the store racks, no special television programs that aired only once a year. No one marked April 25 on their calendar. In fact, most of the living were unaware that St. Mark even had a day named in his honor. But the dead remembered.
Maggie Stiefvater (The Raven Boys (The Raven Cycle #1))
I felt a numb shock as I drove home anxious to get my chocolate flowers and wondering how my mother arranged to get them delivered to me at the exact time of her passing as promised. I arrived home to a note on my door to go to the neighbor on the right. I knocked at the door and the grouchy older man answered. Without saying a word, he went to his refrigerator, opened it and said, "I think these are for you." He handed me the large bouquet of fruits all cut out like flowers and dipped in chocolate."It looks like chocolate flowers." he said with a grin, adding "I had a few, and they were great!" I held my delivery. I opened the small envelope and read the card: Dear Jori, We appreciate you showing us homes and although it has been months, we thought of you and wanted to do something nice for you today. I hope you remember us. The Johnsons This was a previous client who was a pastor. He never knew I had a mother who had cancer nor did I ever mention the conversation about the chocolate flowers. It had been several months since I had heard from this couple who were considering purchasing a home. I called the client, whom I haven't spoken to in such a long time. I was confused and wanted to know what made them decide to send me chocolate flowers, and why that day, of all days? He said it was his wife's idea to do something nice for someone and they agreed it on it being me. Mrs. Johnson thought of the chocolate flowers.
Jori Nunes (Chocolate Flowers)
It was one thing to know with his mind that Human would not really die. It was another thing to believe it. Ender did not take the knives at first. Instead he reached past the blades and took Human by the wrists. “To you it doesn’t feel like death. But to me—I only saw you for the first time yesterday, and tonight I know you are my brother as surely as if Rooter were my father, too. And yet when the sun rises in the morning, I’ll never be able to talk to you again. It feels like death to me, Human, how ever it feels to you.” “Come and sit in my shade,” said Human, “and see the sunlight through my leaves, and rest your back against my trunk. And do this, also. Add another story to the Hive Queen and the Hegemon. Call it the Life of Human. Tell all the humans how I was conceived on the bark of my father’s tree, and born in darkness, eating my mother’s flesh. Tell them how I left the life of darkness behind and came into the half-light of my second life, to learn language from the wives and then come forth to learn all the miracles that Libo and Miro and Ouanda came to teach. Tell them how on the last day of my second life, my true brother came from above the sky, and together we made this covenant so that humans and piggies would be one tribe, not a human tribe or a piggy tribe, but a tribe of ramen. And then my friend gave me passage to the third life, to the full light, so that I could rise into the sky and give life to ten thousand children before I die.” “I’ll tell your story,” said Ender. “Then I will truly live forever.
Orson Scott Card (Speaker for the Dead (Ender's Saga, #2))
At a talk I gave at a church months later, I spoke about Charlie and the plight of incarcerated children. Afterward, an older married couple approached me and insisted that they had to help Charlie. I tried to dissuade these kind people from thinking they could do anything, but I gave them my card and told them they could call me. I didn't expect to hear from them, but within days they called, and they were persistent. We eventually agreed that they would write a letter to Charlie and send it to me to pass on to him. When I received the letter weeks later, I read it. It was remarkable. Mr. and Mrs. Jennings were a white couple in their mid-seventies from a small community northeast of Birmingham. They were kind and generous people who were active in their local United Methodist church. They never missed a Sunday service and were especially drawn to children in crisis. They spoke softly and always seemed to be smiling but never appeared to be anything less than completely genuine and compassionate. They were affectionate with each other in a way that was endearing, frequently holding hands and leaning into each other. They dressed like farmers and owned ten acres of land, where they grew vegetables and lived simply. Their one and only grandchild, whom they had helped raise, had committed suicide when he was a teenager, and they had never stopped grieving for him. Their grandson struggled with mental health problems during his short life, but he was a smart kid and they had been putting money away to send him to college. They explained in their letter that they wanted to use the money they'd saved for their grandson to help Charlie. Eventually, Charlie and this couple began corresponding with one another, building up to the day when the Jenningses met Charlie at the juvenile detention facility. They later told me that they "loved him instantly." Charlie's grandmother had died a few months after she first called me, and his mother was still struggling after the tragedy of the shooting and Charlie's incarceration. Charlie had been apprehensive about meeting with the Jenningses because he thought they wouldn't like him, but he told me after they left how much they seemed to care about him and how comforting that was. The Jenningses became his family. At one point early on, I tried to caution them against expecting too much from Charlie after his release. 'You know, he's been through a lot. I'm not sure he can just carry on as if nothing has ever happened. I want you to understand he may not be able to do everything you'd like him to do.' They never accepted my warnings. Mrs. Jennings was rarely disagreeable or argumentative, but I had learned that she would grunt when someone said something she didn't completely accept. She told me, 'We've all been through a lot, Bryan, all of us. I know that some have been through more than others. But if we don't expect more from each other, hope better for one another, and recover from the hurt we experience, we are surely doomed.' The Jenningses helped Charlie get his general equivalency degree in detention and insisted on financing his college education. They were there, along with his mother, to take him home when he was released.
Bryan Stevenson (Just Mercy)
It was my mother, my frequent co-conspirator in the kitchen and my conduit to our past, who suggested the means to convey this epic disjunction, this unruly collision of collectivist myths and personal antimyths. We would reconstruct every decade of Soviet history - from the prequel 1910s to the postscript present day - through the prism of food. Together, we'd embark on a yearlong journey unlike any other: eating and cooking our way through decade after decade of Soviet life, using her kitchen and dining room as a time machine and an incubator of memories. Memories of wartime rationing cards and grotesque shared kitchens in communal apartments. Of Lenin's bloody grain requisitioning and Stalin's table manners. Of Khrushchev's kitchen debates and Gorbachev's disastrous antialcohol policies. Of food as the focal point of our everyday lives, and - despite all the deprivations and shortages - of compulsive hospitality and poignant, improbable feasts.
Anya von Bremzen (Mastering the Art of Soviet Cooking: A Memoir of Food and Longing)
—And yet, he was thinking all over again, and all over again as for the first time, how he had suffered, suffered, suffered without her; indeed such desolation, such a desperate sense of abandonment bereavement, as during this last year without Yvonne, he had never known in his life, unless it was when his mother died. But this present emotion he had never experienced with his mother: this urgent desire to hurt, to provoke, at a time when forgiveness alone could save the day, this, rather, had commenced with his stepmother, so that she would have to cry:—“I can’t eat, Geoffrey, the food sticks in my throat!” It was hard to forgive, hard, hard to forgive. Harder still, not to say how hard it was, I hate you. Even now, of all times. Even though here was God’s moment, the chance to agree, to produce the card, to change everything; or there was but a moment left … Too late. The Consul had controlled his tongue. But he felt his mind divide and rise, like the two halves of a counterpoised drawbridge, ticking, to permit
Malcolm Lowry (Under the Volcano)
What never crossed my mind was that someone else who lived under our roof, who played cards with my mother, at breakfast and supper at our table, recited the Hebrew blessing on Fridays for the sheer fun of it, slept in one of our beds, used our towels, shared our friends, watched TV with us on rainy days when we sat in the living room with a blanket around us because it got cold and we felt so snug being all together as we listened to the rain patter against the windows—that someone else in my immediate world might like what I liked, want what I wanted, be who I was. It would never have entered my mind because I was still under the illusion that, barring what I'd read in books, inferred from rumors, and overheard in bawdy talk all over, no one my age had ever wanted to be both man and woman—with men and women. But before he'd stepped out of the cab and walked into our home, it would never have seemed remotely possible that someone so thoroughly okay with himself might want me to share his body as much as I ached to yield mine.
André Aciman (Call Me By Your Name (Call Me By Your Name, #1))
What never crossed my mind was that someone else who lived under our roof, who played cards with my mother, ate breakfast and supper at our table, recited the Hebrew blessing on Fridays for the sheer fun of it, slept in one of our beds, used our towels, shared our friends, watched TV with us on rainy days when we sat in the living room with a blanket around us because it got cold and we felt so snug being all together as we listened to the rain patter against the windows—that someone else in my immediate world might like what I liked, want what I wanted, be who I was. It would never have entered my mind because I was still under the illusion that, barring what I'd read in books, inferred from rumors, and overheard in bawdy talk all over, no one my age had ever wanted to be both man and woman—with men and women. But before he'd stepped out of the cab and walked into our home, it would never have seemed remotely possible that someone so thoroughly okay with himself might want me to share his body as much as I ached to yield mine.
André Aciman (Call Me By Your Name (Call Me By Your Name, #1))
By then we lived in a small town an hour outside of Minneapolis in a series of apartment complexes with deceptively upscale names: Mill Pond and Barbary Knoll, Tree Loft and Lake Grace Manor. She had one job, then another. She waited tables at a place called the Norseman and then a place called Infinity, where her uniform was a black T-shirt that said GO FOR IT in rainbow glitter across her chest. She worked the day shift at a factory that manufactured plastic containers capable of holding highly corrosive chemicals and brought the rejects home. Trays and boxes that had been cracked or clipped or misaligned in the machine. We made them into toys—beds for our dolls, ramps for our cars. She worked and worked and worked, and still we were poor. We received government cheese and powdered milk, food stamps and medical assistance cards, and free presents from do-gooders at Christmastime. We played tag and red light green light and charades by the apartment mailboxes that you could open only with a key, waiting for checks to arrive. “We aren’t poor,” my mother said, again and again. “Because we’re rich in love.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
The cheerleaders of the new data regime rarely acknowledge the impacts of digital decision-making on poor and working-class people. This myopia is not shared by those lower on the economic hierarchy, who often see themselves as targets rather than beneficiaries of these systems. For example, one day in early 2000, I sat talking to a young mother on welfare about her experiences with technology. When our conversation turned to EBT cards, Dorothy Allen said, “They’re great. Except [Social Services] uses them as a tracking device.” I must have looked shocked, because she explained that her caseworker routinely looked at her purchase records. Poor women are the test subjects for surveillance technology, Dorothy told me. Then she added, “You should pay attention to what happens to us. You’re next.” Dorothy’s insight was prescient. The kind of invasive electronic scrutiny she described has become commonplace across the class spectrum today. Digital tracking and decision-making systems have become routine in policing, political forecasting, marketing, credit reporting, criminal sentencing, business management, finance, and the administration of public programs. As these systems developed in sophistication and reach, I started to hear them described as forces for control, manipulation, and punishment
Virginia Eubanks (Automating Inequality: How High-Tech Tools Profile, Police, and Punish the Poor)
While these tactics were aggressive and crude, they confirmed that our legislation had touched a nerve. I wasn’t the only one who recognized this. Many other victims of human rights abuses in Russia saw the same thing. After the bill was introduced they came to Washington or wrote letters to the Magnitsky Act’s cosponsors with the same basic message: “You have found the Achilles’ heel of the Putin regime.” Then, one by one, they would ask, “Can you add the people who killed my brother to the Magnitsky Act?” “Can you add the people who tortured my mother?” “How about the people who kidnapped my husband?” And on and on. The senators quickly realized that they’d stumbled onto something much bigger than one horrific case. They had inadvertently discovered a new method for fighting human rights abuses in authoritarian regimes in the twenty-first century: targeted visa sanctions and asset freezes. After a dozen or so of these visits and letters, Senator Cardin and his cosponsors conferred and decided to expand the law, adding sixty-five words to the Magnitsky Act. Those new words said that in addition to sanctioning Sergei’s tormentors, the Magnitsky Act would sanction all other gross human rights abusers in Russia. With those extra sixty-five words, my personal fight for justice had become everyone’s fight. The revised bill was officially introduced on May 19, 2011, less than a month after we posted the Olga Stepanova YouTube video. Following its introduction, a small army of Russian activists descended on Capitol Hill, pushing for the bill’s passage. They pressed every senator who would talk to them to sign on. There was Garry Kasparov, the famous chess grand master and human rights activist; there was Alexei Navalny, the most popular Russian opposition leader; and there was Evgenia Chirikova, a well-known Russian environmental activist. I didn’t have to recruit any of these people. They just showed up by themselves. This uncoordinated initiative worked beautifully. The number of Senate cosponsors grew quickly, with three or four new senators signing on every month. It was an easy sell. There wasn’t a pro-Russian-torture-and-murder lobby in Washington to oppose it. No senator, whether the most liberal Democrat or the most conservative Republican, would lose a single vote for banning Russian torturers and murderers from coming to America. The Magnitsky Act was gathering so much momentum that it appeared it might be unstoppable. From the day that Kyle Scott at the State Department stonewalled me, I knew that the administration was dead set against this, but now they were in a tough spot. If they openly opposed the law, it would look as if they were siding with the Russians. However, if they publicly supported it, it would threaten Obama’s “reset” with Russia. They needed to come up with some other solution. On July 20, 2011, the State Department showed its cards. They sent a memo to the Senate entitled “Administration Comments on S.1039 Sergei Magnitsky Rule of Law.” Though not meant to be made public, within a day it was leaked.
Bill Browder (Red Notice: A True Story of High Finance, Murder, and One Man's Fight for Justice)
Chicken Francese, or lamb chops, or plump spinach gnocchi that she'd roll out by hand and drop into boiling salt water. When her brothers came home for the holidays, she'd spend days in the kitchen, preparing airy latkes and sweet and sour brisket; roast turkey with chestnut stuffing; elaborately iced layer cakes. She'd stay in the kitchen for hours, cooking dish after dish, hoping that all the food would somehow conceal their father's absence; hoping that the meals would take the taste of grief out of their mouths. "After my father died, I think cooking saved me. It was the only thing that made me happy. Everything else felt so out of control. But if I followed a recipe, if I used the right amounts of the right ingredients and did everything I was supposed to do..." She tried to explain it- how repetitive motions of peeling and chopping felt like a meditation, the comfort of knowing that flour and yeast, oil and salt, combined in the correct proportions, would always yield a loaf of bread; the way that making a shopping list could refocus her mind, and how much she enjoyed the smells of fresh rosemary, of roasting chicken or baking cookies, the velvety feel of a ball of dough at the precise moment when it reached its proper elasticity and could be put into an oiled bowl, under a clean cloth, to rise in a warm spot in the kitchen, the same step that her mother's mother's mother would have followed to make the same kind of bread. She liked to watch popovers rising to lofty heights in the oven's heat, blooming out of their tins. She liked the sound of a hearty soup or grain-thickened stew, simmering gently on a low flame, the look of a beautifully set table, with place cards and candles and fine china. All of it pleased her.
Jennifer Weiner (That Summer)
Having lost his mother, father, brother, an grandfather, the friends and foes of his youth, his beloved teacher Bernard Kornblum, his city, his history—his home—the usual charge leveled against comic books, that they offered merely an escape from reality, seemed to Joe actually to be a powerful argument on their behalf. He had escaped, in his life, from ropes, chains, boxes, bags and crates, from countries and regimes, from the arms of a woman who loved him, from crashed airplanes and an opiate addiction and from an entire frozen continent intent on causing his death. The escape from reality was, he felt—especially right after the war—a worthy challenge. He would remember for the rest of his life a peaceful half hour spent reading a copy of 'Betty and Veronica' that he had found in a service-station rest room: lying down with it under a fir tree, in a sun-slanting forest outside of Medford, Oregon, wholly absorbed into that primary-colored world of bad gags, heavy ink lines, Shakespearean farce, and the deep, almost Oriental mistery of the two big-toothed wasp-waisted goddess-girls, light and dark, entangled forever in the enmity of their friendship. The pain of his loss—though he would never have spoken of it in those terms—was always with him in those days, a cold smooth ball lodged in his chest, just behind his sternum. For that half hour spent in the dappled shade of the Douglas firs, reading Betty and Veronica, the icy ball had melted away without him even noticing. That was magic—not the apparent magic of a silk-hatted card-palmer, or the bold, brute trickery of the escape artist, but the genuine magic of art. It was a mark of how fucked-up and broken was the world—the reality—that had swallowed his home and his family that such a feat of escape, by no means easy to pull off, should remain so universally despised.
Michael Chabon (The Amazing Adventures of Kavalier & Clay)
The Unknown Soldier A tale to tell in bloody rhyme, A story to last ’til the dawn of end’s time. Of a loving boy who left dear home, To bear his countries burdens; her honor to sow. –A common boy, I say, who left kith and kin, To battle der Kaiser and all that was therein. The Arsenal of Democracy was his kind, –To make the world safe–was their call and chime. Trained he thus in the far army camps, Drilled he often in the march and stamp. Laughed he did with new found friends, Lived they together for the noble end. Greyish mottled images clipp’ed and hack´ed– Black and white broke drum Ʀ…ɧ..λ..t…ʮ..m..ȿ —marching armies off to ’ttack. Images scratched, chopped, theatrical exaggerate, Confetti parades, shouts of high praise To where hell would sup and partake with all bon hope as the transport do them take Faded icons board the ship– To steel them away collaged together –joined in spirit and hip. Timeworn humanity of once what was To broker peace in eagles and doves. Mortal clay in the earth but to grapple and smite As warbirds ironed soar in heaven’s light. All called all forward to divinities’ kept date, Heroes all–all aces and fates. Paris–Used to sing and play at some cards, A common Joe everybody knew from own heart. He could have been called ‘the kid’ by the ‘old man,’ But a common private now taking orders to stand. Receiving letters from his shy sweet one, Read them over and over until they faded to none. Trained like hell with his Commander-in-Arms, –To avoid the dangers of a most bloody harm. Aye, this boy was mortal, true enough said, He could be one of thousands alive but now surely dead. How he sang and cried and ate the gruel of rations, And grumbled as soldiers do at war’s great contagions. Out–out to the battle this young did go, To become a man; the world to show. (An ocean away his mother cried so– To return her boy safe as far as the heavens go). Lay he down in trenched hole, With balls bursting overhead upon the knoll. Listened hardnfast to the “Sarge” bearing the news, —“We’re going over soon—” was all he knew. The whistle blew; up and over they went, Charging the Hun, his life to be spent (“Avoid the gas boys that’ll blister yer arse!!”). Running through wires razored and deadened trees, Fell he into a gouge to find in shelter of need (They say he bayoneted one just as he–, face to face in War’s Dance of trialed humanity). A nameless sonnuvabitch shell then did untimely RiiiiiiiP the field asunder in burrrstzʑ–and he tripped. And on the field of battle’s blood did he die, Faceless in a puddle as blurrs of ghosting men shrieked as they were fleeing by–. Perished he alone in the no man’s land, Surrounded by an army of his brother’s teeming bands . . . And a world away a mother sighed, Listened to the rain and lay down and cried. . . . Today lays the grave somber and white, Guarded decades long in both the dark and the light. Silent sentinels watch o’er and with him do walk, Speak they neither; their duty talks. Lone, stark sentries perform the unsmiling task, –Guarding this one dead–at the nation’s bequest. Cared over day and night in both rain or sun, Present changing of the guard and their duty is done (The changing of the guard ’tis poetry motioned A Nation defining itself–telling of rifles twirl-clicking under the intensest of devotions). This poem–of The Unknown, taken thus, Is rend eternal by Divinity’s Iron Trust. How he, a common soldier, gained the estate Of bearing his countries glory unto his unknown fate. Here rests in honored glory a warrior known but to God, Now rests he in peace from the conflict path he trod. He is our friend, our family, brother, our mother’s son –belongs he to us all, For he has stood in our place–heeding God’s final call.
Douglas M. Laurent
After I returned from that morning, our telephone rang incessantly with requests for interviews and photos. By midafternoon I was exhausted. At four o’clock I was reaching to disconnect the telephone when I answered one last call. Thank heavens I did! I heard, “Mrs. Robertson? This is Ian Hamilton from the Lord Chamberlain’s office.” I held my breath and prayed, “Please let this be the palace.” He continued: “We would like to invite you, your husband, and your son to attend the funeral of the Princess of Wales on Saturday in London.” I was speechless. I could feel my heart thumping. I never thought to ask him how our name had been selected. Later, in London, I learned that the Spencer family had given instructions to review Diana’s personal records, including her Christmas-card list, with the help of her closest aides. “Yes, of course, we absolutely want to attend,” I answered without hesitating. “Thank you so much. I can’t tell you how much this means to me. I’ll have to make travel plans on very short notice, so may I call you back to confirm? How late can I reach you?” He replied, “Anytime. We’re working twenty-four hours a day. But I need your reply within an hour.” I jotted down his telephone and fax numbers and set about making travel arrangements. My husband had just walked in the door, so we were able to discuss who would travel and how. Both children’s passports had expired and could not be renewed in less than a day from the suburbs where we live. Caroline, our daughter, was starting at a new school the very next day. Pat felt he needed to stay home with her. “Besides,” he said, “I cried at the wedding. I’d never make it through the funeral.” Though I dreaded the prospect of coping with the heartbreak of the funeral on my own, I felt I had to be there at the end, no matter what. We had been with Diana at the very beginning of the courtship. We had attended her wedding with tremendous joy. We had kept in touch ever since. I had to say good-bye to her in person. I said to Pat, “We were there for the ‘wedding of the century.’ This will be ‘the funeral of the century.’ Yes, I have to go.” Then we just looked at each other. We couldn’t find any words to express the sorrow we both felt.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
Give us an idea of…” Noya Baram rubs her temples. “Oh, well.” Augie begins to stroll around again. “The examples are limitless. Small examples: elevators stop working. Grocery-store scanners. Train and bus passes. Televisions. Phones. Radios. Traffic lights. Credit-card scanners. Home alarm systems. Laptop computers will lose all their software, all files, everything erased. Your computer will be nothing but a keyboard and a blank screen. “Electricity would be severely compromised. Which means refrigerators. In some cases, heat. Water—well, we have already seen the effect on water-purification plants. Clean water in America will quickly become a scarcity. “That means health problems on a massive scale. Who will care for the sick? Hospitals? Will they have the necessary resources to treat you? Surgical operations these days are highly computerized. And they will not have access to any of your prior medical records online. “For that matter, will they treat you at all? Do you have health insurance? Says who? A card in your pocket? They won’t be able to look you up and confirm it. Nor will they be able to seek reimbursement from the insurer. And even if they could get in contact with the insurance company, the insurance company won’t know whether you’re its customer. Does it have handwritten lists of its policyholders? No. It’s all on computers. Computers that have been erased. Will the hospitals work for free? “No websites, of course. No e-commerce. Conveyor belts. Sophisticated machinery inside manufacturing plants. Payroll records. “Planes will be grounded. Even trains may not operate in most places. Cars, at least any built since, oh, 2010 or so, will be affected. “Legal records. Welfare records. Law enforcement databases. The ability of local police to identify criminals, to coordinate with other states and the federal government through databases—no more. “Bank records. You think you have ten thousand dollars in your savings account? Fifty thousand dollars in a retirement account? You think you have a pension that allows you to receive a fixed payment every month?” He shakes his head. “Not if computer files and their backups are erased. Do banks have a large wad of cash, wrapped in a rubber band with your name on it, sitting in a vault somewhere? Of course not. It’s all data.” “Mother of God,” says Chancellor Richter, wiping his face with a handkerchief.
Bill Clinton (The President Is Missing)
That's too bad, Anneliese, the house is really spectacular. Anneke is a true talent." "It will be a new standard-bearer for the neighborhood," Caroline says. "I have no doubt," my mother says in a way that implies the opposite. And I? Snap. "You have every doubt, although I can't imagine why. Exactly what did you want from me, except for me not to exist? I'm sorry I'm such a disappointment, but for the love of god, why on earth did you even come here? Surely with all your experience over these many years and many husbands, you have figured out how to avoid me, why did you come this time? Why did you not just tell Alan I wasn't going to be in town and save us all the fucking painful charade?" Hedy reaches out and holds my hand, giving it a squeeze in a way that clearly says, "You go, girl." And not, "You might want to shut up now." "This is why I avoided coming here, to face your accusations. You never wanted me, Anneke, not from the moment you were born. You wouldn't take the breast; I had to bottle-feed you from day one. You never wanted to be near me, always running off, playing by yourself, going into other rooms when I came near. When I would travel, never a card or a letter. Never once did you ever tell me you missed me when I called or when I returned. I did the best I could, Anneke, but it was never good enough." And then I start to laugh. Because the whole thing is so ridiculous. "I didn't take the BREAST? You're mad at me because I didn't SUCKLE? You didn't travel, Anneliese, you LEFT. For months and years on end. You left me with your bitter, judgmental mother to go off with an endless string of men, and always made clear how uncomfortable you were on your rare visits home. Even when you married Joe and we were together for those three years, you weren't really there, were you? Not like a real mother. Do you know why I may never have kids of my own? Not because I can't or don't want to, but because I'm so afraid of being like you. Of being another in a long line of self-absorbed, cold, aloof bitches who are incapable of providing a loving home. And I will never forgive you for that. For making me think I shouldn't be a mother. But you know what? I'm beyond it. I'm beyond needing your approval or validation. So let me be clear about something, Mommy. Take whatever you need from this evening, because it is the last time you are welcome in my life. Fuck you." "Hear, hear," Hedy says under her breath.
Stacey Ballis (Recipe for Disaster)
Editing is the most obvious way of manipulating vision. And yet, the camera sometimes sees what you don’t - a person in the background, for example, or an object moving in the wind. I like these accidents. My first full-length film, Esperanza, was about a woman I befriended on the Lower East Side when I was a film student at NYU. Esperanza had hoarded nearly all the portable objects she had touched every day for thirty years: the Chock Full O’Nuts paper coffee cups, copies of the Daily News, magazines, gum wrappers, price tags, receipts, rubber bands, plastic bags from the 99-cent store where she did most of her shopping, piles of clothes, torn towels, and bric-a-brac she had found in the street. Esperanza’s apartment consisted of floor-to-ceiling stacks of stuff. At first sight, the crowded apartment appeared to be pure chaos, but Esperanza explained to me that her piles were not random. Her paper cups had their own corner. These crenellated towers of yellowing, disintegrating waxed cardboard stood next to piles of newspapers … One evening, however, while I was watching the footage from a day’s filming, I found myself scrutinizing a pile of rags beside Esperanza’s mattress. I noticed that there were objects carefully tucked in among the fraying bits of coloured cloth: rows of pencils, stones, matchbooks, business cards. It was this sighting that led to the “explanation.” She was keenly aware that the world at large disapproved of her “lifestyle,” and that there was little room left for her in the apartment, but when I asked her about the objects among the rags, she said that she wanted to “keep them safe and sound.” The rags were beds for the things. “Both the beds and the ones that lay down on them,” she told me, “are nice and comfy.” It turned out that Esperanza felt for each and every thing she saved, as if the tags and town sweaters and dishes and postcards and newspapers and toys and rags were imbued with thoughts and feelings. After she saw the film, my mother said that Esperanza appeared to believe in a form of “panpsychism.” Mother said that this meant that mind is a fundamental feature of the universe and exists in everything, from stones to people. She said Spinoza subscribed to this view, and “it was a perfectly legitimate philosophical position.” Esperanza didn’t know anything about Spinoza … My mother believed and I believe in really looking hard at things because, after a while, what you see isn’t at all what you thought you were seeing just a short time before. looking at any person or object carefully means that it will become increasingly strange, and you will see more and more. I wanted my film about this lonely woman to break down visual and cultural cliches, to be an intimate portrait, not a piece of leering voyeurism about woman’s horrible accumulations.
Siri Hustvedt (The Blazing World)
You have any complaints or comments, you direct them to me. If you call and harass Granddad again, I'll do whatever I can, legally, to revoke that trust fund you've been living off of for the last thirty years." "You have no right to—" "No, you have no right. You never worked a day for this company, any more than you and my mother worked a day to be parents. Until he's ready to step aside, Eli MacMillan runs this show. And when he's ready to step aside, I'll run it. Believe me, I won't be as patient as he's been. You cause him one more moment's grief, and we'll have more than a phone conversation about it." "Are you threatening me? Do you plan to send someone after me like Tony Avano?" "No, I know how to hit you where it hurts. I'll see to it all your major credit cards are canceled. Remember, you're not dealing with an old man now. Don't fuck with me." He jabbed the off button, considered heaving the phone, then spotted Sophia standing at the edge of the patio.
Nora Roberts (The Villa)
26 In which we say goodbye to Ophelia Jane Worthington-Whittard After the hospital, where Mr. Whittard had his arm bandaged, they went in a taxi to the hotel. They drove through the streets of the city, where it no longer snowed. Alice folded all the clothes the museum curator had given her and left them neatly on her bed. She re-dressed herself, the way she had always dressed, in jeans and a T-shirt. She applied blood-red lipstick, which was way too grown-up for her. The sun was just up. It shone everywhere on the snow and on the glistening white trees and on all the windows. Behind each window there were people waking up to Christmas Day. They would no doubt open their presents, eat, and ice-skate. They would not set a time limit; they would skate into the night, and their cheeks would burn bright, and they would smile. Somewhere a man would take a violin out and begin to play. At the airport the family’s three suitcases were checked and the large, unusually shaped package was checked as well. The unusually shaped package went through the X-ray machine, and security looked very surprised until Ophelia’s father produced his card, which read: MALCOLM WHITTARD LEADING INTERNATIONAL EXPERT ON SWORDS They took their seats and rested, waiting for takeoff. Ophelia felt for Alice’s hand, and Alice squeezed in return until they were high in the air. Ophelia looked at her watch. They would be home within a few hours. She went to calculate … and stopped. Be brave, her mother whispered in her ear, and then was gone. From the airplane window Ophelia could see the city below. All the small and winding gray cobblestone streets, all the shining silver buildings and bridges, the museum, getting smaller and smaller until it was lost. She caught just a glimpse of the vast and fabled sea before the clouds covered this world. In that tiny moment she fancied she saw blue water, perfect blue water, the whitecaps breaking. Then that view was gone, swallowed up by the whitest clouds she’d ever seen. Ophelia Jane Worthington-Whittard, brave, curious girl, closed her eyes and smiled. THE END.
Karen Foxlee (Ophelia and the Marvelous Boy)
The loss of his wife and mother on the same day became more than a catastrophic landmark in Theodore Roosevelt’s personal life: The brutal twist of fate reshaped his philosophy of leadership as well. It underscored the vulnerability, fragility, and mutability of all his endeavors, political and personal. Career objectives now seemed air-drawn, subject to dissolving or reversing in a moment’s time. Following that gruesome February day, chance—good luck and bad—would be deemed the trump card in his deck. This basic fatalism helps explain what might otherwise seem a haphazard choice of career opportunities during the next decade.
Doris Kearns Goodwin (Leadership: In Turbulent Times)
All the words about the really important things become chiffon representations of themselves soon enough. Some can be reinvented but others can only be discovered by a personal encounter. Love is a hollow word which seems at home in song lyrics and greeting cards, until you fall in love and discover its disconcerting power. Depression means nothing more than the blues, commercially-packaged angst, a hole in the ground; until you find its black weight settling inside your mother’s chest, disrupting her breathing, leaching her days, and yours, of colour and the nights of rest.
Jerry Pinto (Em and the Big Hoom)
My name is Layla Bailey, and this is my biome.” I cut to the footage of my house, turning up the audio so that I can be heard explaining my habitat. I added today’s men in plastic suits to the very end, and I narrate over it. “These people and CPS are the apex predators of my ecosystem, and I am an endangered species. The last of my kind. But the Sierra Club doesn’t make posters out of kids like me.” I add three screenshots near the end. The first is the only picture of my mom I could find, in profile and wreathed in smoke. “This is my mother, Darlene Thompson. She was born in captivity and released into the wild without any skills to care for herself. She is missing. If you see her, do not attempt to approach her, but please contact animal control.” The second is of Andy. “This is Andrew Fisher Bailey, my little brother. He was taken into captivity two days ago by people he had never seen before. I don’t know his whereabouts, but I hope he’s safe. If you see him, remember he is friendly but skittish. He is better off in captivity than in the wild.” The last one is my most recent report card, accessed on the school website by inputting the username and password I created for my mom last year. “This is me, Layla Louise Bailey. I was born in the wild and cannot be domesticated. However, I’m not yet fully capable of caring for myself, either. I have no money and not enough skills. What I have is a 4.0 and really low standards. I’ll do chores. I’ll be quiet. If you’ve got a garage or a laundry room I could sleep in, I am mostly housebroken. I just want to finish school, adopt my little brother, and go to college.
Meg Elison (Find Layla)
Val," said Father, “we don't expect you to understand this, but some of the things that make Peter . . . difficult . . . are the very things that might also make him great someday." “What about me?" asked Valentine. “As long as you're telling fortunes." “Oh, Val," said Father. "All you have to do is live your life, and everyone around you will be happier." "No greatness, then." "Val," said Mother, "goodness trumps greatness any day." "Not in the history books," said Valentine. "Then the wrong people are writing history, aren't they?" said Father.
Orson Scott Card (Ender in Exile (Ender's Saga, #5))
card stolen. It didn’t matter that I told them I hadn’t reported the cards stolen. Someone else had, and that someone had known my account numbers as well as my home address, birth date, mother’s maiden name and Social Security number. I demanded that the accounts be reopened and the service reps gladly complied. The only catch was that new credit cards with new numbers had to be issued and sent to my home. That would take days and in the meantime I had no credit. I was being fucked with on a level I had never experienced before.
Michael Connelly (The Scarecrow (Jack McEvoy, #2; Harry Bosch Universe, #20))
Mother’s Day was born. Combining the talents of the card makers, the candy manufacturers, and the florists, Mother’s Day became the perfect rip-off. Florists had always been in the van of advertising; they had also mounted a successful campaign to remove the unhappy phrase from newspaper death notices: “No flowers by request.” It had been replaced by the far more positive—and profitable—slogan: “Say Farewell with Flowers.” In a mother-orientated nation, no son, however cynical, could refuse to send flowers on that special day; the many florists in and around Wall Street—established originally to provide the carnation boutonnieres favored by fashion-conscious brokers—did a record business during the week before the bogus anniversary. As the day drew closer, the price of blooms soared—a practice perfectly understood in the countinghouses; it was known as pushing the price as high as the market would bear. In fact, candy manufacturers saw the price of their shares rise as a result of Mother’s Day.
Gordon Thomas (The Day the Bubble Burst: A Social History of the Wall Street Crash of 1929)
I will invite myself to luncheon, and afterward, we can play whist or another game, if you’re wanting company.” Her lips tightened. “No one could ever accuse you of subtlety, Lord Ashton.” “I don’t know the meaning of the word.” She laughed at that, and he directed the team in the direction of her family’s townhouse. “You seem overly confident that I would want you to stay.” “Why wouldn’t you be wanting me to stay? It is preferable to staring at the wall, I hope.” “I would welcome your company,” she said. “But again, I worry that others will believe you are courting me.” “Don’t be so concerned about what others think.” He drew the horses to a stop when they reached her townhouse. “Is there any harm in spending an afternoon playing cards with me? Your sister can join us, along with your mother.” Her spirits lifted for a moment. “My mother would like that, I think. Grandmother has been keeping her behind closed doors as much as possible. I think she is becoming more melancholy each day.” Before the footman could come to help her disembark, Rose turned back to him. “Thank you for taking me for a drive.” With a soft smile, she added, “And you may stay for luncheon, before you suffer the indignity of losing to me in cards.” He only shook his head. “Nay, a chara. We’re to be partners in the game. It is your mother and sister who must prepare to lose.
Michelle Willingham (Good Earls Don't Lie (The Earls Next Door Book 1))
How much does this thing cost?” Travis says, walking closer to it. Honestly, Travis is always like this. A negative nelly is what my mother would call him. He always has to ask the questions that nobody wants to answer because it ruins all the fun. “Well, that’s a hard question. Are you talking about the rental price or the price of all the smiles on everyone’s faces as they are having the time of their lives?” “The rental price.” “Well, here’s the thing−” I start, but he holds his hand up and looks to Tina. “$1599.00 plus deposit and taxes,” she says. “WHAT?” Travis exclaims. “No way! Forget it. This is a veto.” “You can’t use a veto for this!” I argue. “Well, I just did,” he says, shrugging. I can see he has already put the idea out of his mind, which is completely ridiculous. I mean, I know it is pretty expensive, but then I think of all the fun memories everyone will make together− and can you really put a price on that? “Travis, you’re not seeing the bigger picture here!” I argue. “We said a small party. A couple of friends, some food and wine. This,” he says, pointing to the obstacle course, “is not small.” “Who wants small for a thirtieth birthday party? I mean, you only turn thirty once−” From the look on Travis’ face I decide to switch tactics. “What about if we charge people?” “You’re crazy,” he says. “Not our guests, but the neighbours and stuff. Kind of like a carnival.” Actually, I just thought of that idea right here and now, but it’s not a bad one. Plus, it might be easier to have the neighbours agree to have it on the street if I let them join in the fun. “Or we could just stick to the regular plan,” Travis says and turns to Tina. “I’m sorry we wasted your time.” I already know the next part of this conversation is not going to go well. “I kind of already put the deposit down,” I say, trying to get an imaginary piece of dirt off my sweater. No one says anything and I am starting to feel pretty sorry for Tina because she looks beyond uncomfortable with the conversation. “What kind of deposit?” Travis says in a low tone. “The non-refundable kind,” I say, biting my lip. “How much was the deposit?” he asks, looking from me to Tina. Tina’s eyes are wide and she looks to me desperately, asking me to rescue her from this awkwardness. Honestly, if anyone needs a life jacket right now− it’s me. “Nimfy perfin,” I mumble. “What?” “Ninety percent,” I say, meeting his eyes. “The remaining ten percent is due on delivery.” “You really are crazy,” he says, shaking his head. “I don’t know what you are getting all worked up about,” I say. “I’m paying for it!” “Etty, this… thing… is your rent for the month!” “I’ll take extra shifts,” I say, shrugging. “I wanted to make sure Scott’s day was really special.” “It’s going to be special because he’s with his friends and family. You don’t need to do these things.” “Yes, I do!” I say. “It’s how I show people that I care about them.” “Write them a nice card,” Travis says slowly. “I knew you wouldn’t understand. You’re always the storm cloud that rains on my parade!” “No, I’m the voice of reason in a land of eternal sunshine and daisies,” he says, and turns to Tina. “Is there any way we can get her deposit back?” Tina is now fidgeting with her skirt. “No, I’m sorry, but−” “Don’t worry Tina, I don’t want my deposit back. What I want is my brother to have the best day ever with his friends and family on a hundred foot inflatable obstacle course,” I narrow my eyes at Travis while lifting my purse further up my shoulder. “Now, if you will excuse me, I have to go and start my first of twenty overtime shifts to pay for the best day of all of our lives.
Emily Harper (My Sort-of, Kind-of Hero)
How would you feel about doing a little something in the kitchen?" Avis asks tentatively. Brian laughs. He used to assist her before they had children, before she hired helpers, but she was impatient with him: he made mistakes- forgot to time the roasting almonds, or failed to sift the cake flour, or let the chocolate seize. Still, he accepts an apron and ties it on, smiling at the sense of the occasion. He rests his knuckles on his hips. "Ready as I'll ever be." The first recipe is ancient, written on a card in her mother's sloping hand- though her mother never actually made it. A list: eggs, brown sugar, vanilla, flour, chocolate chips. Over the course of the day, Avis and Brian fill the cooling racks with cookies: oatmeal raisin, molasses, butterscotch, peanut butter, and chocolate chip. Humble, crude, lightly crisp and filigreed at the edges, butter, salt, and sweetness at the centers. Avis samples batches with Brian. They stand near each other, immersed in the good, clean silence of work.
Diana Abu-Jaber (Birds of Paradise)
I stood on a rise, overlooking the plague valley. Matthew was beside me. The last thing I remembered was crawling into my sleeping bag after the whiskey had hit me like a two-by-four to the face. Now my friend was here with me. “I’ve missed you. Are you feeling better?” How much was this vision taking out of him? “Better.” He didn’t appear as pale. He wore a heavy coat, open over a space camp T-shirt. “I’m so relieved to hear that, sweetheart. Why would you bring us here?” “Power is your burden.” I surveyed all the bodies. “I felt the weight of it when I killed these people.” “Obstacles multiply.” “Which ones?” A breeze soughed over the valley. “Bagmen, slavers, militia, or cannibals?” He held up the fingers of one hand. “There are now five. The miners watch us. Plotting.” “But miners are the same as cannibals, right?” He shuffled his boots with irritation. “Miners, Empress.” “Okay, okay.” I rubbed his arm. “Are you and Finn being safe?” His brows drew together as he gazed out. “Smite and fall, mad and struck.” I looked with him, like we were viewing a sunset, a beautiful vista. Not plague and death. “You’ve told me those words before.” “So much for you to learn, Empress. Beware the inactivated card.” One Arcana’s powers lay dormant—until he or she killed another player. “Who is it?” “Don’t ask, if you ever want to know.” Naturally, I started to ask, but he cut me off. “Do you believe I see far?” He peered down at me. “Do you believe I see an unbroken line that stretches on through eternity? Centuries ago, I told an Empress that a future incarnation of hers would live in a world of ash where nothing grew. She never believed me.” I could imagine Phyta or the May Queen surveying verdant fields and crops, doubting the Fool. “Now I tell you that dark days are ahead. Will you believe me?” “I will. I do. Please tell me what will happen. How dark?” “Darkest. Power is your burden; knowing is mine.” His expression turned pleading, his soft brown eyes imploring. “Never hate me.” I raised my hands, cradling his face. “Even when I was so mad at you, I never hated you.” “Remember. Matthew knows best.” He sounded like his mom—when she’d tried to drown him: Mother knows best, son. I dropped my hands. “It scares me when you say that.” “Do you know what you really want? I see it. I feel it. Think, Empress. See far.” I was trying! “Help me, then. I’m ready. Help me see far!” “All is not as it seems. What would you sacrifice? What would you endure?” “To end the game?” His voice grew thick as he said, “Things will happen beyond your wildest imaginings.” “Good things?” His eyes watered. “Good, bad, good, bad, good, good, bad, bad, good-bye. You are my friend.
Kresley Cole
A Toast to Mother’s Day When my daughter was in preschool she made a mother’s day card for me. The teachers were very good about letting the kids say exactly whatever they wanted on the cards. The children talked and the teacher wrote in the card what they said. My card that year said; Dear Mommy, I hope you have a nice Mother’s Day and if I had a lot of money I would buy you a lot of wine cause I know you like to drink wine. I was mortified by what the teacher must be thinking of me. I was sure everyone thought I was an alcoholic!
Michelle Kunz (Kidwinks;) The Comedy of Parenting)
Mrs. Carr-Boldt's days were crowded to the last instant, it was true; but what a farce it was, after all, Margaret said to herself in all honesty, to humor her in her little favorite belief that she was a busy woman! Milliner, manicure, butler, chef, club, card-table; tea-table--these and a thousand things like them filled her day, and they might all be swept away in an hour, and leave no one the worse. Suppose her own summons came; there would be a little flurry throughout the great establishment, legal matters to settle, notes of thanks to be written for flowers. Margaret could imagine Victoria and Harriet [her two daughters], awed but otherwise unaffected, home from school in midweek, and to be sent back before the next Monday. Their lives would go on unchanged, their mother had never buttered bread for them, never schemed for their boots and hats, never watched their work and play, and called them to her knees for praise and blame. Mr. Carr-Boldt would have his club, his business, his yacht, his motor-cars--he was well accustomed to living in cheerful independence of family claims.
Kathleen Thompson Norris
No greatness, then.’ ‘Val,’ said Mother, ‘goodness trumps greatness any day.’ ‘Not in the history books,’ said Valentine. ‘Then the wrong people are writing history, aren’t they?’ said Father.
Orson Scott Card (Ender In Exile (Ender's Saga, #6))
You’re going to be okay, Judd. I know you feel lost now, but you won’t feel this way for long.” “How do you know?” I am suddenly inches away from a full-on crying jag. Linda diapered me, fed me, mothered me almost as much as my own mother, without ever being recognized for it. I should have sent her Mother’s Day cards every year, should have called her every so often to see how she was doing. How is it that, in all these years, I never once spared so much as a thought for her? I feel a dark wave of regret for the kind of person I turned out to be.
Jonathan Tropper (This is Where I Leave You)
This neighborhood was mine first. I walked each block twice: drunk, then sober. I lived every day with legs and headphones. It had snowed the night I ran down Lorimer and swore I’d stop at nothing. My love, he had died. What was I supposed to do? I regret nothing. Sometimes I feel washed up as paper. You’re three years away. But then I dance down Graham and the trees are the color of champagne and I remember— There are things I like about heartbreak, too, how it needs a good soundtrack. The way I catch a man’s gaze on the L and don’t look away first. Losing something is just revising it. After this love there will be more love. My body rising from a nest of sheets to pick up a stranger’s MetroCard. I regret nothing. Not the bar across the street from my apartment; I was still late. Not the shared bathroom in Barcelona, not the red-eyes, not the songs about black coats and Omaha. I lie about everything but not this. You were every streetlamp that winter. You held the crown of my head and for once I won’t show you what I’ve made. I regret nothing. Your mother and your Maine. Your wet hair in my lap after that first shower. The clinic and how I cried for a week afterwards. How we never chose the language we spoke. You wrote me a single poem and in it you were the dog and I the fire. Remember the courthouse? The anniversary song. Those goddamn Kmart towels. I loved them, when did we throw them away? Tomorrow I’ll write down everything we’ve done to each other and fill the bathtub with water. I’ll burn each piece of paper down to silt. And if it doesn’t work, I’ll do it again. And again and again and— — Hala Alyan, “Object Permanence
Hala Alyan
My father, after my mother died, had fallen apart. It’s possible that he was always apart, and my mother had just, for many years and with great effort, held him together. Or perhaps he fell apart in a manner that many men of his generation would have after the woman who had done every practical thing in their lives for them for years died. His falling apart didn’t seem to cause him concern. Or perhaps it did and he just couldn’t fathom what to do about it. And so he did nothing. My siblings, who were all much older than I, had moved out of the house a long time before, leaving the house empty when I was at work or school. My dad sat in front of the TV all day, every day. At night he would play endless games of solitaire. I fell asleep, many nights, to the rhythmic flick, flick, flick of his cards on the coffee table, hearing them wind down into shorter numbers of flicks as he got closer to the ends of the lines of cards as he finished setting up the game.
Sarah Polley (Run Towards the Danger: Confrontations with a Body of Memory)
Delta Airlines Customer Service Phone Number-+1-855-653-5006 Delta Airlines Customer Service Phone Number You can start earning today by becoming a Free Member, creating an account is quick, easy, and of course free. Airlines Free adds up really fast and what's more, even your pets can earn points while traveling with you. You can also extend your points with cash and enjoy other enhanced benefits like free Shortcut boarding, seat upgrades, or free same-day standby. In case you are not enrolled with Airlines Free to earn reward flights you can pool your points for free Spirit points with family members or up to 8 friends. All Airlines flights have been equipped with state of art technology, modern seats, and some of the best flight services. You can enjoy a wide range of snacks, alcoholic and non-alcoholic beverages, coffee by using your debit and credit card. Airlines Flight services also include special assistance for passengers with special needs like wheelchairs, special assistance during airport check-in. Other Airlines Flight include services for expectant mothers, differently-abled personals, parents of unaccompanied children, handicaps, etc. To learn about these services, you can start dialing Airlines' special assistance number.
QAPJZVCMXWC
Whether in dating or the office, we realized the power of pretending your children didn’t exist. A man could say he was taking the day to go fishing with his son, while a mother was usually better off hiding the fact that she took a long lunch to run her child to the doctor’s office. Children turned men into heroes and mothers into lesser employees, if we didn’t play our cards right.
Chandler Baker (Whisper Network)
Theoretically he sees no distinction between his mother and any other aged female. He knows that, in a properly organized society, she'd be put into the lethal chamber, because of her arthritis. In spite of which he sends her I don't know how much a week to enable her to drag on a useless existence. I twitted him about it the other day. He blushed and was terribly upset, as though he’d been caught cheating at cards. So, to restore his prestige, he had to change the subject and begin talking about political murder and its advantages with the most wonderfully calm, detached, scientific ferocity. I only laughed at him. ‘One of these days,” I threatened, “I’ll take you at your word and invite you to a man-shooting party.” And what’s more, I will.
Aldous Huxley (Point Counter Point)
Noble Praise of INDIA, The Pledge "India is my property and I am a property of India, Service is my Identity Card and Bharat Mahan is my designation, Indian is my template and citizen is my nameplate, Let the sunset in the west, I will be the light for my nation, Respect thy my country and thy my people, I shall practice any potential risk to seek peace for my country and my people, I shall sustain my nation's culture pertaining to my personal rights and freedom, I shall esteem human values regardless of the prevailing diversity in my country, I shall never bribe my fellowmen to corrupt my country, I shall stand straight to keep my nation tall, I shall be ready to sacrifice my life to live in my country, I shall wish to be the richest citizen than to be the richest man, I shall be a milestone in the history of my country, I shall be determined to obey the law and order of my country, I shall be proud to salute my tricolor national flag, I shall live finite to make my country infinite, My first breath is from my mother and my last breath is for my motherland, This body belongs to my country until I am a dead body, Even if it is my last day, I will pledge for my country, Jai Hind, Vande Mataram, Jai Bharat Mata
'LORD VISHNU' P.S.JAGADEESH KUMAR
Emotional Labour: The f Word, by Jane Caro and Catherine Fox "Work inside the home is not always about chores. One of the most onerous roles is managing the dynamics of the home. The running of the schedule, the attention to details about band practice and sports training, the purchase of presents for next Saturday’s birthday party, the check up at the dentist, all usually fall on one person's shoulders. Woody Allen, in the much-publicised custody case for his children with Mia Farrow, eventually lost, in part because unlike Farrow, he could not name the children’s dentist or paediatrician. It’s a guardianship role and it is not only physically time consuming but demands enormous intellectual and emotional attention. Sociologists call it kin work. It involves: 'keeping in touch with relations, preparing holiday celebrations and remembering birthdays. Another aspect of family work is being attentive to the emotions within a family - what sociologists call ‘emotion work.’ This means being attentive to the emotional tone among family members, troubleshooting and facing problems in a constructive way. In our society, women do a disproportionate amount of this important work. If any one of these activities is performed outside the home, it is called work - management work, psychiatry, event planning, advance works - and often highly remunerated. The key point here is that most adults do two important kinds of work: market work and family work, and that both kinds of work are required to make the world go round.' (Interview with Joan Williams, mothersandmore.org, 2000) This pressure culminates at Christmas. Like many women, Jane remembers loving Christmas as a child and young woman. As a mother, she hates it. Suddenly on top of all the usual paid and unpaid labour, there is the additional mountain of shopping, cooking, cleaning, decorating, card writing, present wrapping, ritual phone calls, peacekeeping and emotional care taking. And then on bloody Boxing Day it all has to be cleaned up. If you want to give your mother a fabulous Christmas present just cancel the whole thing. Bah humbug!
Jane Caro and Catherine Fox
As we was leaving, Mother said to him: “Never mind Charley’s nonsense, Frank. He is just mad because you beat him all hollow pitching horseshoes and playing cards.” She said that to make up for my slip, but at the same time she certainly riled me. I tried to keep ahold of myself, but as soon as we was out of the house she had to open up the subject and begun to scold me for the break I had made. Well, I wasn’t in no mood to be scolded. So I said: “I guess he is such a wonderful pitcher and card player that you wished you had married him.” “Well,” she said, “at least he ain’t a baby to give up pitching because his thumb has got a few scratches.” “And how about you,” I said, “making a fool of yourself on the roque court and then pretending your back is lame and you can’t play no more!” “Yes,” she said, “but when you hurt your thumb I didn’t laugh at you, and why did you laugh at me when I sprained my back?” “Who could help from laughing!” I said. “Well,” she said, “Frank Hartsell didn’t laugh.” “Well,” I said, “why didn’t you marry him?” “Well,” said Mother, “I almost wished I had!” “And I wished so, too!” I said. “I’ll remember that!” said Mother, and that’s the last word she said to me for two days.
Elsinore Books (Classic Short Stories: The Complete Collection: All 100 Masterpieces)
And from the air, the British forces dropped leaflets giving us a day to evacuate our houses. Before we knew it, all hell had broken loose. Like ants, thousands and thousands of British soldiers filled the streets and the narrow alleys of the old city where we lived. And in no time, they sealed off the whole area and started blowing the houses up - one after another. Like cards, they fell. The British soldiers started from the East and kept dynamiting until they reached the sea. Gone were the beautiful houses. Gone was the mosque. Gone were the holy shines. The schools. And gone were the alleys, the shops, the people… We called it a massacre while the British claimed it was a face-lift.
Suad Amiry (Mother of Strangers)
Listen. The Sinspire is nearly sixty yards high, one thick Elderglass cylinder. You know those, you tried to jump off one about two months ago. Goes down another hundred feet or so into a glass hill. It’s got one door at street level, and exactly one door into the vault beneath the tower. One. No secrets, no side entrances. The ground is pristine Elderglass; no tunneling through it, not in a thousand years.” “Mmmm-hmmmm.” “Requin’s got at least four dozen attendants on each floor at any given time, plus dozens of table minders, card dealers, and waiters. There’s a lounge on the third floor where he keeps more out of sight. So figure, at minimum, fifty or sixty loyal workers on duty with another twenty to thirty he can call out. Lots of nasty brutes, too. He likes to recruit from ex-soldiers, mercenaries, city thieves, and such. He gives cushy positions to his Right People for jobs well done, and he pays them like he was their doting mother. Plus, there are stories of dealers getting a year’s wages in tips from lucky blue bloods in just a night or two. Bribery won’t be likely to work on anyone.” “Mmmm-hmmmm.” “He’s got three layers of vault doors, all of them ironshod witchwood, three or four inches thick. Last set of doors is supposedly backed with blackened steel, so even if you had a week to chop through the other two, you’d never get past the third. All of them have clockwork mechanisms, the best and most expensive Verrari stuff, private designs from masters of the Artificers’ Guild. The standing orders are, not one set of doors opens unless he’s there himself to see it; he watches every deposit and every withdrawal. Opens the door a couple times per day at most. Behind the first set of doors are four to eight guards, in rooms with cots, food, and water. They can hold out there for a week under siege.” “Mmmm-hmmmm.” “The inner sets of doors don’t open except for a key he keeps around his neck. The outer doors won’t open except for a key he always gives to his majordomo. So you’d need both to get anywhere.” “Mmmm-hmmmm.” “And the traps…they’re demented, or at least the rumors are. Pressure plates, counterweights, crossbows in the walls and ceilings. Contact poisons, sprays of acid, chambers full of venomous serpents or spiders…One fellow even said that there’s a chamber before the last door that fills up with a cloud of powdered strangler’s orchid petals, and while you’re choking to death on that, a bit of twistmatch falls out and lights the whole mess on fire, so then you burn to a crisp. Insult to injury.” “Mmmm-hmmmm.” “Worst of all, the inner vault is guarded by a live dragon attended by fifty naked women armed with poison spears, each of them sworn to die in Requin’s service. All redheads.” “You’re making that up, Jean.” “I wanted to see if you were listening. But what I’m saying is, I don’t care if he’s got a million solari in there, packed in bags for easy hauling. I’m inclined to the idea that this vault might not be breakable, not unless you’ve got three hundred soldiers, six or seven wagons, and a team of master clockwork artificers you’re not telling me about.” “Right.” “Do you have three hundred soldiers, six or seven wagons, and a team of master clockwork artificers you’re not telling me about?” “No, I’ve got you, me, the contents of our coin purses, this carriage, and a deck of cards.
Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
Baartman is often seen to symbolize the sexist and racist ways that Black women’s bodies and sexuality are perceived. Big Black bottoms have become synonymous with sex. Black female artists like Nicki Minaj are chastised for showcasing their considerable backsides in service for their own ends. Or they are disrespected: on a 2011 episode of Live with Regis and Kelly, Regis Philbin reached out and patted Minaj’s behind without her consent.8 Meanwhile, Black male artists—including Nelly, whose infamous “Tip Drill” video showed the artist swiping a credit card down the crack of a Black woman’s behind—and White female artists such as Lily Allen, who sings, in “Hard Out Here,” “Don’t need to shake my ass, cause I’ve got a brain” while flanked by Black women shaking their asses, are defended in the name of art … or irony … or … just lighten up. And nonfamous women and girls who happen to walk around in Black bodies every day? Cheryl Contee of Jack & Jill Politics asked five fellow panelists—Black women all—at a 2011 Netroots Nation conference whether they had ever been mistaken for prostitutes. Every hand on the panel went up. Her encounter, Contee says, happened as she left a dentist’s office with her mother following a root canal, looking “deeply unsexy.”9
Tamara Winfrey Harris (The Sisters Are Alright: Changing the Broken Narrative of Black Women in America)
With this private tradition, there was no need to sit awkwardly at another mother's table with a seven-dollar greeting card, wondering what to do with her hands, what to do with her heart.
Emily Habeck (Shark Heart)
Even though I'm trying hard not to let it show, I want to swim past the breakers, and sink to the bottom and stay there with my eyes closed and the water covering my ears. And yes, I know that's an overreaction. When you read this you'll think "Mom, please. Really?" You'll roll your eyes in that carefree way of yours and shrug those rebellious bangs off your forehead. You'll offer the one-sided smirk that says "you and I are the weird ones in the family - the two that always get each other's hidden meanings". Only this time, you don't get it. You can't. You won't for another 25 or 30 years - until you lie on the sand, or sit in a stadium seat somewhere or stand at your kitchen stove and catch a glimpse of your first born, your baby, suddenly inhabiting the body of an adult. Someone you barely recognize. In that instant, you'll think "how did this happen? When did this happen? Have I taught enough? Have I listened enough? Have I coached and planned and laughed and worried enough? Can I let go enough?" I'm afraid I won't be able to do it gracefully when the moment comes. I'm not ready. It's too soon. Instead of compiling pictures for a tasteful collage to make your dorm room homey, I want to climb inside the photos and live them again. Every bedtime story, lost tooth, birthday cake, backyard campout, ballgame, wildflower bouquet, rainy day and homemade Mothers Day card. All the golden moments and all the quiet, ordinary ones. I'd treasure them even more the second time around. If only life came with a rewind button, with do overs.
Lisa Wingate (Tending Roses (Tending Roses, #1))
People like me—like the Roussels—are a dying breed, our gifts of little value to a world that no longer believes in la magie. For generations, my family has been part of a kind of conte de fée—a fairy tale. Though perhaps fairy tale is the wrong term. Fairy tales have happy endings. Fables are meant as cautionary tales, lessons intended to teach us about life and its consequences. And over the years, the Roussels have learned much about consequences. There are many names for what we are. Gypsies, hexers, white witches, and shamans. In England we’re called cunning folk, though I’ve always hated the term. Perhaps because it conjures thoughts of slick-handed cheats, waiting to separate the unsuspecting passerby from the few pennies in his pocket, the charlatans with their phony magic and vulgar showmanship, making up fortunes and doling out platitudes. We are not those people. For us, The Work is sacred, a vocation. In France, where I come from, we are les tisseuses de sort—Spell Weavers—which is at least closer to the truth. We possess certain skills, talents with things like charms and herbs, cards and stones—or in our case, needle and thread. There are not many of us left these days, or at least not many who depend on the craft for their living. But there are a few still, if one knows where to look. And for a time, I was one of them, like my mother and her mother before her, living in the narrow, twisty lanes of Paris discreetly known as the craft district.
Barbara Davis (The Keeper of Happy Endings)
Jesus’ Father is nearby, holy, powerful, caring, forgiving and our protector. These attributes provide strong images of who God is and what fatherhood means. And we now have a way to define the Father’s goodness. We also have a way to measure what true parenthood ought to be. A good parent, be it a father or mother, ought to possess these six characteristics. Of the six aspects of the nature of God the Father (present, pure, powerful, provides, pardons, protects) as seen in the Lord’s Prayer, which do you most need to see and understand about God? As a father, I try hard, but often fail, to reflect each of those six characteristics. I am near to my children, but sometimes I am distant, preferring to read the newspaper than play with them. And my work sometimes takes me far away for weeks at a time. I also try hard to be good and pure, but I fail miserably at times, snapping at them for minor infractions and being petty and selfish. I try to be strong for my kids, but sometimes I am scared and confused, just as they are. I do a decent job of providing for them, but sometimes I provide too much and spoil them. I forgive them, but I catch myself bringing up their past mistakes. And I try to protect them, but I am woefully aware that I cannot protect them from all enemies that lurk about. My children, my wife and most of my friends would rate me as a decent father. Every Father’s Day both of my children write me cards and say, “You are the best dad ever.” But I am aware of my deficiencies and pray that my children do not suffer because of them. My point here is that
James Bryan Smith (The Good and Beautiful God: Falling in Love with the God Jesus Knows (The Apprentice Series Book 1))
My name is Olivia King I am five years old. My mother bought me a balloon. I remember the day she walked through the front door with it. The curly hot-pink ribbon trickling down her arm, wrapped around her wrist. She was smiling at me as she untied the ribbon and wrapped it around my hand. “Here, Livie, I bought this for you.” She called me Livie. I was so happy. I’d never had a balloon before. I mean, I always saw balloons wrapped around other kids’ wrists in the parking lot of Walmart, but I never dreamed I would have my very own. My very own pink balloon. I was so excited! So ecstatic! So thrilled! I couldn’t believe my mother bought me something! She’d never bought me anything before! I played with it for hours. It was full of helium, and it danced and swayed and floated as I pulled it around from room to room with me, thinking of places to take it. Thinking of places the balloon had never been before. I took it into the bathroom, the closet, the laundry room, the kitchen, the living room. I wanted my new best friend to see everything I saw! I took it to my mother’s bedroom! My mother’s Bedroom? Where I wasn’t supposed to be? With my pink balloon… I covered my ears as she screamed at me, wiping the evidence off of her nose. She slapped me across the face and reminded me of how bad I was! How much I misbehaved! How I never listened! She shoved me into the hallway and slammed the door, locking my pink balloon inside with her. I wanted him back! He was my best friend! Not hers! The pink ribbon was still tied around my wrist so I pulled and pulled, trying to get my new best friend away from her. And it popped. My name is Eddie. I’m seventeen years old. My birthday is next week. I’ll be the big One-Eight. My foster dad is buying me these boots I’ve been wanting. I’m sure my friends will take me out to eat. My boyfriend will buy me a gift, maybe even take me to a movie. I’ll even get a nice little card from my foster-care worker, wishing me a happy eighteenth birthday, informing me I’ve aged out of the system. I’ll have a good time. I know I will. But there’s one thing I know for sure. I better not get any shitty-ass pink balloons!
Colleen Hoover (Slammed (Slammed, #1))
Val,” said Mother, “goodness trumps greatness any day.” “Not in the history books,” said Valentine. “Then the wrong people are writing history, aren’t they?” said Father.
Orson Scott Card (The Ender Quintet: Ender's Game, Speaker for the Dead, Xenocide, Children of the Mind, and Ender in Exile (The Ender Saga))
Mother’s Day was conceived to establish a holiday when buying cards and presents were necessary, thus giving the mother yet another thing to hold over the child’s head. As if the 102 hours of labor wasn’t enough.
Robin Kaye (Too Hot to Handle (Domestic Gods, #2))
Tell her how much all the little things she does all year long that seem to go unnoticed really mean to you.” With a $2.59 card. Mother’s Day is built on that idea.
Shonda Rhimes (Year of Yes: How to Dance It Out, Stand In the Sun and Be Your Own Person)
May 9, 1989 Again this year I made Mom a Mother's Day card. It reads: M is for the Morbid things you showed me, O is for the Other things you did T is for the Thousand bucks you owe me H is for things you found I Hid E is for the Error of my caring R is for the Ranch house you call home Mother dear, I wish that you had shown me How to shave and how to use a comb.
David Sedaris (Theft by Finding: Diaries 1977-2002)
in the middle. You have to be strong and leave well alone.’ ‘Oh, but suppose it’s a bit too hot and the cakes burn?’ Libby wailed. ‘My mother is a really good cook. It would be awful to give her burnt cake; don’t you think perhaps . . . ?’ ‘Oh, Libby, use your loaf,’ Matthews implored. ‘You can cut burnt off, but there’s nothing you can do if it goes all slimy in the middle and I must say,’ he added, beginning to pile utensils into the yellow bowl, ‘the mixture tastes absolutely delicious. I think raw cake is even nicer than the cooked sort.’ He intercepted Libby’s longing glance towards the oven and chuckled. ‘You start the washing up and I’ll dry, then we’ll put all the things away, and by the time we’ve done that, the cake will very likely be cooked.’ The cake was a great success; Libby lovingly clapped the two halves together with raspberry jam in between, and wrote Welcome, Mummy and Daddy in her very best writing. Icing had not been available since the beginning of the war, but a piece of white card propped up on top of the cake was the next best thing. However, it was only Neil who came striding across the yard halfway through Thursday afternoon. Libby and Matthew had been hanging about the lane all day but as luck would have it had gone back to the house to lay the table for high tea when their visitor arrived. Neil gave a shout, stood his suitcase and bag down and caught Libby as she
Katie Flynn (Such Sweet Sorrow)
There is a reason people say being a mother is the hardest job in the world: you do not sleep and you do not get vacation time. You do not leave you work on your desk at the end of the day. Your briefcase is your heart, and you are rifling through it constantly. Your office is as wide as the world, and your punch card is measured not in hours but in a lifetime.
Jodi Picoult (Larger Than Life)