Blended Funny Quotes

We've searched our database for all the quotes and captions related to Blended Funny. Here they are! All 25 of them:

Santa Claus has nothing to do with it," the latke said. "Christmas and Hanukah are completely different things." "But different things can often blend together," said the pine tree. "Let me tell you a funny story about pagan rituals.
Lemony Snicket (The Latke Who Couldn't Stop Screaming: A Christmas Story)
Her brain is like a filing cabinet – everything neatly stored in categories. My brain is more like soup – everything all blended and mushed together.
Cat Clarke
[Simone Weil's] life is almost a perfect blend of the Comic and the Terrible, which two things may be opposite sides of the same coin. In my own experience, everything funny I have written is more terrible than it is funny, or only funny because it is terrible, or only terrible because it is funny.
Flannery O'Connor (The Habit of Being: Letters of Flannery O'Connor)
Naturally the villagers blamed bears. No one had ever seen a bear in Gavaldon, but this made them more determined to find one. Four years later, when two more children vanished, the villagers admitted they should have been more specific and declared black bears the culprit, bears so black they blended with the night. But when children continued to disappear every four years, the village shifted their attention to burrowing bears, then phantom bears, then bears in disguise. . . Until it became clear it wasn't it wasn't bears at all.
Soman Chainani (The School for Good and Evil (The School for Good and Evil, #1))
New Rule: Someone has to make a mustard container that doesn't squirt out yellow water before it gets to the actual mustard. I get all excited for lunch, and then Grey Poupon pees on my sandwich. I suppose I could shake the bottle first, but fuck you, I'm an American consumer. Not only should your mustard be pre-blended to my specifications, it should also whiten my teeth.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
Ah, the people. My countrymen, my fellow citizens, my brothers. Mind you, some of them are all right, when you get to know them. But a lot of them aren’t; and here’s a funny thing, because when you mix them together, the ones that are all right and the ones that aren’t, as often as not the resulting blend is far worse than the sum of its parts. Greedier, more cowardly, more stupid.
K.J. Parker (How to Rule an Empire and Get Away with It (The Siege, #2))
Minimalism is a girl's best asset, blend tones, smudge hard outlines; if all else fails; Photoshop it.
Judith Chambers
We're dying of boredom, Corporal, that's the problem.' [Blend] 'If boredom was fatal there wouldn't be a soldier alive on this whole world, Blend.' [Picker]
Stephen Erickson
Then I get up and turn on the light. (Did anyone notice I was in here in the dark? Did they see the lack of light under the crack and notice it like a roach? Did Nia see?) Then I look in the mirror. I look so normal. I look like I’ve always looked, like I did before the fall of last year. Dark hair and dark eyes and one snaggled tooth. Big eyebrows that meet in the middle. A long nose, sort of twisted. Pupils that are naturally large—it’s not the pot—which blend into the dark brown to make two big saucer eyes, holes in me. Wisps of hair above my upper lip. This is Craig.
Ned Vizzini (It's Kind of a Funny Story)
How pathetic, thinking she could simply look at a gallery of intimacy and then approximate it for arousal in her head. Funny how desire had blended with closeness in her mind; how she’d confused pure physicality for the sensation of being whole.
Olivie Blake (Alone With You in the Ether)
I have a system with bathrooms. I spend a lot of time in them. They are sanctuaries, public places of peace spaced throughout the world for people like me. When I pop into Aaron’s, I continue my normal routine of wasting time. I turn the light off first. Then I sigh. Then I turn around, face the door I just closed, pull down my pants, and fall on the toilet— I don’t sit; I fall like a carcass, feeling my butt accommodate the rim. Then I put my head in my hands and breathe out as I, well, y’know, piss. I always try to enjoy it, to feel it come out and realize that it’s my body doing something it has to do, like eating, although I’m not too good at that. I bury my face in my hands and wish that it could go on forever because it feels good. You do it and it’s done. It doesn’t take any effort or any planning. You don’t put it off. That would be really screwed up, I think. If you had such problems that you didn’t pee. Like being anorexic, except with urine. If you held it in as self-punishment. I wonder if anyone does that? I finish up and flush, reaching behind me, my head still down. Then I get up and turn on the light. (Did anyone notice I was in here in the dark? Did they see the lack of light under the crack and notice it like a roach? Did Nia see?) Then I look in the mirror. I look so normal. I look like I’ve always looked, like I did before the fall of last year. Dark hair and dark eyes and one snaggled tooth. Big eyebrows that meet in the middle. A long nose, sort of twisted. Pupils that are naturally large—it’s not the pot— which blend into the dark brown to make two big saucer eyes, holes in me. Wisps of hair above my upper lip. This is Craig. And I always look like I’m about to cry. I put on the hot water and splash it at my face to feel something. In a few seconds I’m going to have to go back and face the crowd. But I can sit in the dark on the toilet a little more, can’t I? I always manage to make a trip to the bathroom take five minutes.
Ned Vizzini (It's Kind of a Funny Story)
I probably should say that this is what makes you a good traveler in my opinion, but deep down I really think this is just universal, incontrovertible truth. There is the right way to travel, and the wrong way. And if there is one philanthropic deed that can come from this book, maybe it will be that I teach a few more people how to do it right. So, in short, my list of what makes a good traveler, which I recommend you use when interviewing your next potential trip partner: 1. You are open. You say yes to whatever comes your way, whether it’s shots of a putrid-smelling yak-butter tea or an offer for an Albanian toe-licking. (How else are you going to get the volcano dust off?) You say yes because it is the only way to really experience another place, and let it change you. Which, in my opinion, is the mark of a great trip. 2. You venture to the places where the tourists aren’t, in addition to hitting the “must-sees.” If you are exclusively visiting places where busloads of Chinese are following a woman with a flag and a bullhorn, you’re not doing it. 3. You are easygoing about sleeping/eating/comfort issues. You don’t change rooms three times, you’ll take an overnight bus if you must, you can go without meat in India and without vegan soy gluten-free tempeh butter in Bolivia, and you can shut the hell up about it. 4. You are aware of your travel companions, and of not being contrary to their desires/​needs/​schedules more often than necessary. If you find that you want to do things differently than your companions, you happily tell them to go on without you in a way that does not sound like you’re saying, “This is a test.” 5. You can figure it out. How to read a map, how to order when you can’t read the menu, how to find a bathroom, or a train, or a castle. 6. You know what the trip is going to cost, and can afford it. If you can’t afford the trip, you don’t go. Conversely, if your travel companions can’t afford what you can afford, you are willing to slum it in the name of camaraderie. P.S.: Attractive single people almost exclusively stay at dumps. If you’re looking for them, don’t go posh. 7. You are aware of cultural differences, and go out of your way to blend. You don’t wear booty shorts to the Western Wall on Shabbat. You do hike your bathing suit up your booty on the beach in Brazil. Basically, just be aware to show the culturally correct amount of booty. 8. You behave yourself when dealing with local hotel clerks/​train operators/​tour guides etc. Whether it’s for selfish gain, helping the reputation of Americans traveling abroad, or simply the spreading of good vibes, you will make nice even when faced with cultural frustrations and repeated smug “not possible”s. This was an especially important trait for an American traveling during the George W. years, when the world collectively thought we were all either mentally disabled or bent on world destruction. (One anecdote from that dark time: in Greece, I came back to my table at a café to find that Emma had let a nearby [handsome] Greek stranger pick my camera up off our table. He had then stuck it down the front of his pants for a photo. After he snapped it, he handed the camera back to me and said, “Show that to George Bush.” Which was obviously extra funny because of the word bush.) 9. This last rule is the most important to me: you are able to go with the flow in a spontaneous, non-uptight way if you stumble into something amazing that will bump some plan off the day’s schedule. So you missed the freakin’ waterfall—you got invited to a Bahamian family’s post-Christening barbecue where you danced with three generations of locals in a backyard under flower-strewn balconies. You won. Shut the hell up about the waterfall. Sally
Kristin Newman (What I Was Doing While You Were Breeding)
The Robaccio Restaurant was one of those places that sounded like a nice Italian trattoria--and it was. The funny thing about the place was the name: a blend of two Italian words. The word "robaccia" meant "trash" in Italian and "bacio" was "kiss." Putting the two words together was like naming a British pub the Rubbish Smooch, which someone in London really needs to do.
Michael Darling (Got Luck (Behindbeyond, #1))
Irma, she said. But I had started to walk away. I heard her say some more things but by then I had yanked my skirt up and was running down the road away from her and begging the wind to obliterate her voice. She wanted to live with me. She missed me. She wanted me to come back home. She wanted to run away. She was yelling all this stuff and I wanted so badly for her to shut up. She was quiet for a second and I stopped running and turned around once to look at her. She was a thimble-sized girl on the road, a speck of a living thing. Her white-blond hair flew around her head like a small fire and it was all I could see because everything else about her blended in with the countryside. He offered you a what? she yelled. An espresso! I yelled back. It was like yelling at a shorting wire or a burning bush. What is it? she said. Coffee! I yelled. Irma, can I come and live-- I turned around again and began to run.
Miriam Toews (Irma Voth)
Appreciation is one of those funny things that you have to just allow it to blend together on its own. Past reveals all as they say. You will indefinitely know when the time comes to leave a crappy relationship. There's just no mistaking it. There comes a time when no more growth can come to a union for many folks. Well then go plant your seeds into your own garden before you come invest your time into another person again. Whatever you need to connect with will come and go as necessary.
Sereda Aleta Dailey
I am Gregori, Jacques.” Gregori’s voice was power itself, yet soft and soothing. “A healer for our people.” Shea was lying across Jacques, her head on his shoulder, her eyes closed. She groaned— a low, husky sound that added fuel to Jacques’ rage. His fingers brushed the dark smudges along her swollen throat, and he turned a murderous gaze on Mikhail. “Leave us alone.” Her voice was barely a whisper, hoarse and raw. She did not open her eyes or try to move. “I can help him,” Gregori persisted, using his same compelling tone. The woman was so obviously the key to reaching Jacques. It was in the way he held her, the protective posture of his body, the way his eyes moved possessively, even tenderly, over her face. His hands were continually caressing her, stroking her hair, her skin. At the underlying command in Gregori’s beautiful voice, her long eyelashes lifted, and she studied his face. He was savagely beautiful, a blend of elegance and untamed beast. He looked more dangerous than the other two strangers did. Shea made an effort to swallow, but it hurt. “You look like an ax murderer to me.” This one has brains. Mikhail’s soft laughter echoed in Gregori’s head. She sees beyond that handsome face of yours. You are so funny, ancient one. Gregori deliberately reminded him of the quarter of a century difference in their ages.
Christine Feehan (Dark Desire (Dark, #2))
SpottieOttieDopaliscious [Hook] Damn damn damn James [Verse 1: Sleepy Brown] Dickie shorts and Lincoln's clean Leanin', checking out the scene Gangsta boys, blizzes lit Ridin' out, talkin' shit Nigga where you wanna go? You know the club don't close 'til four Let's party 'til we can't no more Watch out here come the folks (Damn - oh lord) [Verse 2: André 3000] As the plot thickens it gives me the dickens Reminiscent of Charles a lil' discotheque Nestled in the ghettos of Niggaville, USA Via Atlanta, Georgia a lil' spot where Young men and young women go to experience They first li'l taste of the night life Me? Well I've never been there; well perhaps once But I was so engulfed in the Olde E I never made it to the door you speak of, hardcore While the DJ sweatin' out all the problems And the troubles of the day While this fine bow-legged girl fine as all outdoors Lulls lukewarm lullabies in your left ear Competing with "Set it Off," in the right But it all blends perfectly let the liquor tell it "Hey hey look baby they playin' our song" And the crowd goes wild as if Holyfield has just won the fight But in actuality it's only about 3 A.M And three niggas just don' got hauled Off in the ambulance (sliced up) Two niggas don' start bustin' (wham wham) And one nigga don' took his shirt off talkin' 'bout "Now who else wanna fuck with Hollywood Courts?" It's just my interpretation of the situation [Hook] [Verse 3: Big Boi] Yes, when I first met my SpottieOttieDopalicious Angel I can remember that damn thing like yesterday The way she moved reminded me of a Brown Stallion Horse with skates on, ya know Smooth like a hot comb on nappy ass hair I walked up on her and was almost paralyzed Her neck was smelling sweeter Than a plate of yams with extra syrup Eyes beaming like four karats apiece just blindin' a nigga Felt like I chiefed a whole O of that Presidential My heart was beating so damn fast Never knowing this moment would bring another Life into this world Funny how shit come together sometimes (ya dig) One moment you frequent the booty clubs and The next four years you & somebody's daughter Raisin' y'all own young'n now that's a beautiful thang That's if you're on top of your game And man enough to handle real life situations (that is) Can't gamble feeding baby on that dope money Might not always be sufficient but the United Parcel Service & the people at the Post Office Didn't call you back because you had cloudy piss So now you back in the trap just that, trapped Go on and marinate on that for a minute
OutKast
IT’S FUNNY—WHEN Dad was in California, Mom’s house was where I lived. It was home. But now I don’t really feel like I have a home—it’s more like I live at Dad’s place. Or Mom’s place. I never say “I’m going home” anymore. It’s “I’m going to my mom’s.” Or “I’m going to my dad’s.” Going. Not staying. Actually, it’s not funny at all.
Sharon M. Draper (Blended)
Out of New York came a governor from the moneyed class, Franklin Delano Roosevelt, and he drove Murray to fits—being from that hated family. (FDR’s cousin, Teddy, had forced Murray to remove a white supremacist plank from the Oklahoma constitution before he would allow it to join the union.) At first, Franklin Roosevelt was dismissed as a man without heft, a dilettante running on one of the nation’s great names. Then he took up the cause of the “forgotten man”—the broken farmer on the plains, the apple vendor in the city, the factory hand now hitting the rails. And though he spoke with an accent that sounded funny to anyone outside the mid-Atlantic states, and he seemed a bit jaunty with that cigarette holder, Roosevelt roused people with a blend of hope and outrage. He knew hardship and the kind of emotional panic that comes when your world collapses. He had been felled by double pneumonia in 1918, which nearly killed him, and polio in 1921, which left him partially paralyzed. He had been told time and again in the prime of his young adulthood that he had no future, that he would not walk again, that he might not live much longer. “If you spent two years in bed trying to wiggle your toe, after that anything would seem easy,” he said. Hoover believed the cure for the Depression was to prime the pump at the producer end, helping factories and business owners get up and running again. Goods would roll off the lines, prosperity would follow. Roosevelt said it made no sense to gin up the machines of production if people could not afford to buy what came out the factory door. “These unhappy times call for the building of plans that rest upon the forgotten, the unorganized, the indispensable units of economic powers,” FDR said on April 7, 1932, in a radio speech that defined the central theme of his campaign. He called for faith “in the forgotten man at the bottom of the economic pyramid.” That forgotten man was likely to be a person with prairie dirt under the fingernails. “How much do the shallow thinkers realize that approximately one half of our population, fifty or sixty million people, earn their living by farming or in small towns where existence immediately depends on farms?
Timothy Egan (The Worst Hard Time: The Untold Story of Those Who Survived the Great American Dust Bowl)
I told you that the moment we started letting females into our group, they'd be nothing but trouble.' 'As far as I can recall, Cassian,' Rhys countered drily, 'you actually said you needed a reprieve from staring at our ugly faces, and that some ladies would add some much-needed prettiness for you to look at all day.' 'Pig,' Amren said. Cassian gave her a vulgar gesture that made Lucien choke on his green beans. 'I was a young Illyrian and didn't know better,' he said, then pointed his fork at Azriel. 'Don't try to blend into the shadows. You said the same thing.' 'He did not,' Mor said, and the shadows that Azriel had indeed been subtly weaving around himself vanished. 'Azriel had never once said anything that awful. Only you, Cassian. Only you.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
How in hell did this old rust bucket, the Pilottown, jam herself in here?" "She probably drifted into what was a shelving inlet before 1987," replied Pitt. "According to Mendoza, that was the year the volcano last erupted. The explosion gases must have melted the ice around the mantle, forming millions of gallons of water. The mudflow, along with the cloud of ash, poured down the mountain until it met the sea and buried the ship." "Funny the stern wasn't spotted before now." "Not so remarkable," Pitt answered. "So little is showing it was next to impossible to detect from the air, and beyond a mile from shore it blends into the rugged shoreline and becomes nearly invisible. Erosion caused by recent storms is the only reason she's uncovered now.
Clive Cussler (Deep Six (Dirk Pitt, #7))
There were seventy-five rats. They wore their pants for one year. Shafik found that over time the ones dressed in polyester or poly-cotton blend had sex significantly less often than the rats whose slacks were cotton or wool. (Shafik thinks the reason is that polyester sets up troublesome electrostatic fields in and around the genitals. Having seen an illustration of a rat wearing the pants, I would say there’s an equal possibility that it’s simply harder to get a date when you dress funny.)
Mary Roach (Bonk: The Curious Coupling of Science and Sex)
Woooooooooohoooooooooo! It’s finally done and finally ready to be published! Thank goodness I’m done. I’m really sorry that it took so, so, so, sooooooooooo long for this final book to come out. I had a difficult time writing it, probably because it was the finale. Usually, when I write, the story and words flow out of me pretty easily. But with this final book, the words came trickling out. Not only that, but I rewrote some sections a few times. So, yeah, that’s why it took so long. But hey, it ended up with nearly 88,000 words and 71 pics. It’s basically a double book, though I’d like to think of it as two and a half books. That way, I feel a little bit better about the long delay. Speaking of delays, I must apologize again for missing my deadlines repeatedly. I totally underestimated this last book. It’s actually kinda funny, because this book was scheduled for a late August release. And now it’s mid-December! Oh, my goodness… how time flies. But yeah, I was at it every day. At one point, I seriously considered splitting this book into two parts. I think that was in early November. But then, I decided to just push through. Alright, enough of publishing times. Let’s talk about the book and the ending. I think I found a nice blend of multiple ideas on the ending. With this ending, it opens up the possibilities to a lot of new things in Minecraft, such as all the latest and greatest updates. Anyway, I think most readers will like the ending.  Now a word about the next series—or the rather—the continuing series, the new world/realm will feature player name tags/humans, as well as custom player skins. It will contain the latest updates, as well as mods. The continuing series will make use of pop culture such as memes. There’s so much more I can say about the next saga, but I won’t because I don’t want to give everything away.
Steve the Noob (Diary of Steve the Noob 45 (An Unofficial Minecraft Book) (Diary of Steve the Noob Collection))
You'd have to ask Leyla if you want to know more. She's a psychologist. One of a dozen on board. We don't just want our passengers to survive—we want them to be OK. We're dealing with a lot of trauma. So if you ever need to talk..." "I'll pass." "Bad experiences?" "Sort of." "What happened?" I shrug. "It took a long time to diagnose me." "From what I understand, autistic girls often don't run into trouble until a later age." I bark out a laugh. Oh, I ran into trouble, all right. I barely said a word between the ages of four and six. I hit three of my preschool and grade school teachers. In a class photo taken when I was seven, my face is covered in scratches from when I latched onto a particularly bad stim. Therapists and teachers labelled me as bipolar, as psychotic, as having oppositional defiant disorder, as intellectually disabled, and as just straight-up difficult, the same way Els did. One said all I needed was structure and a gluten-free diet. When I was nine, a therapist suggested I might be autistic, at which point I had already started to learn what set me off and how to mimic people; within two years, I was coping well enough to almost-but-not-quite blend in with my classmates. It's funny when people like Els have no idea anything is off about me, given that my parents spend half my childhood worrying I'd end up institutionalized. At the time, I thought the diagnosis was delayed because I was bad at being autistic, just like I was bad at everything else; it took me years to realize that since I wasn't only Black, but a Black girl, it's like the DSM shrank to a handful of options, and many psychologists were loath to even consider them.
Corinne Duyvis (On the Edge of Gone)
They all perished. tragic deaths. sad parents. lawsuits.' Monica's words were met with stunned silence. ignoring the horrified looks on the student's faces, she shouted, 'Joking! We discovered that teens stand out far more than they blend in. they complain a lot, court high drama, and of course, there's their attitude.
Lisa Yee (A Royal Conundrum (The Misfits #1))