Back To Simpler Times Quotes

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She became, and her process of becoming was like most of ours: she developed a hatred for things that mystified or obstructed her; acquired virtues that were easy to maintain; assigned herself a role in the scheme of things; and harked back to simpler times for gratification.
Toni Morrison (The Bluest Eye)
Latter-day capitalism. Like it or not, it's the society we live in. Even the standard of right and wrong has been subdi-vided, made sophisticated. Within good, there's fashionable good and unfash-ionable good, and ditto for bad. Within fashionable good, there's formal and then there's casual; there's hip, there's cool, there's trendy, there's snobbish. Mix 'n' match. Like pulling on a Missoni sweater over Trussardi slacks and Pollini shoes, you can now enjoy hybrid styles of morality. It's the way of the world—philosophy starting to look more and more like business administration. Although I didn't think so at the time, things were a lot simpler in 1969. All you had to do to express yourself was throw rocks at riot police. But with today's sophistication, who's in a position to throw rocks? Who's going to brave what tear gas? C'mon, that's the way it is. Everything is rigged, tied into that massive capital web, and beyond this web there's another web. Nobody's going anywhere. You throw a rock and it'll come right back at you.
Haruki Murakami (Dance Dance Dance)
Perhaps this war will make it simpler for us to go back to some of the old ways we knew before we came over to this land and made the Big Money. Perhaps, even, we will remember how to make good bread again. It does not cost much. It is pleasant: one of those almost hypnotic businesses, like a dance from some ancient ceremony. It leaves you filled with peace, and the house filled with one of the world's sweetest smells. But it takes a lot of time. If you can find that, the rest is easy. And if you cannot rightly find it, make it, for probably there is no chiropractic treatment, no Yoga exercise, no hour of meditation in a music-throbbing chapel, that will leave you emptier of bad thoughts than this homely ceremony of making bread.
M.F.K. Fisher (How to Cook a Wolf)
Although I didn't think so at the time, things were a lot simpler in 1969. All you had to do to express yourself was throw rocks at riot police. But with today's sophistication, who's in a position to throw rocks? Who's going to brave what tear gas? C'mon, that's the way it is. Everything is rigged, tied into that massive capital web, and beyond this web there's another web. Nobody's going anywhere. You throw a rock and it'll come right back at you.
Haruki Murakami (Dance Dance Dance)
If you lose your ego, you lose the thread of that narrative you call your Self. Humans, however, can't live very long without some sense of a continuing story. Such stories go beyond the limited rational system (or the systematic rationality) with which you surround yourself; they are crucial keys to sharing time-experience with others. Now a narrative is a story, not a logic, nor ethics, nor philosophy. It is a dream you keep having, whether you realize it or not. Just as surely as you breathe, you go on ceaselessly dreaming your story. And in these stories you wear two faces. You are simultaneously subject and object. You are a whole and you are a part. You are real and you are shadow. "Storyteller" and at the same time "character". It is through such multilayering of roles in our stories that we heal the loneliness of being an isolated individual in the world. Yet without a proper ego nobody can create a personal narrative, any more than you can drive a car without an engine, or cast a shadow without a real physical object. But once you've consigned your ego to someone else, where on earth do you go from there? At this point you receive a new narrative from the person to whom you have entrusted your ego. You've handed over the real thing, so what comes back is a shadow. And once your ego has merged with another ego, your narrative will necessarily take on the narrative created by that ego. Just what kind of narrative? It needn't be anything particularly fancy, nothing complicated or refined. You don't need to have literary ambitions. In fact, the sketchier and simpler the better. Junk, a leftover rehash will do. Anyway, most people are tired of complex, multilayered scenarios-they are a potential letdown. It's precisely because people can't find any fixed point within their own multilayered schemes that they're tossing aside their own self-identity.
Haruki Murakami (Underground: The Tokyo Gas Attack and the Japanese Psyche)
It's a promise ring. A long time ago, they would be engraved with the words Pour route ma vie, de tout mon coeur, For my whole life, all of my love. I wanted to give you something that showed my complete and total devotion to you, to us. I have turned your world upside down. First when I tried to kill myself and left you to deal with the aftermath. Then again when I came back and you've been trying to handle my constantly changing life. I know I haven't been easy. I wish I could say that one day things might be simpler. But the truth is I can't say that. I wish I could. I can only say, with one hundred percent certainty that I love you. That I live and breathe for you. That I would lay down my life a million times over for you. And no matter what happens tomorrow, next week, next year, my heart will always be yours.
A. Meredith Walters (Light in the Shadows (Find You in the Dark, #2))
She herself was no longer a child. So she became, and her process of becoming was like most of ours: she developed a hatred for things that mystified or obstructed her; acquired virtues that were easy to maintain; assigned herself a role in the scheme of things; and harked back to simpler times for gratification.
Toni Morrison (The Bluest Eye)
Jarret insists on being a throwback to some earlier, “simpler” time. Now does not suit him. Religious tolerance does not suit him. The current state of the country does not suit him. He wants to take us all back to some magical time when everyone believed in the same God, worshipped him in the same way, and understood that their safety in the universe depended on completing the same religious rituals and stomping anyone who was different. There was never such a time in this country. But these days when more than half the people in the country can’t read at all, history is just one more vast unknown to them.
Octavia E. Butler (Parable of the Talents (Earthseed, #2))
As I look back, in many instances, I simply followed the natural course of things. And great things happened, mostly. But over time I realized they weren't necessarily great things for me. They were maybe someone else's great things, and I was both taking up the space that was meant for them and not standing in my own space, like wearing someone else's shoes, leaving them barefoot.
Shauna Niequist (Present Over Perfect: Leaving Behind Frantic for a Simpler, More Soulful Way of Living)
You know, that’s the trouble with humanity—half of the dreamers want to carry us forward, kicking and screaming, into an unrealistic and unattainable future, and the other half want us to fall back into an imaginary ‘simpler time’ when everything was easy.
Scott Davis Howard (Believing and Acting: The Pragmatic Turn in Comparative Religion and Ethics)
Every time you meet a crisis and live through it, you make it simpler for the next time. If you draw back and say, “I am afraid to do that,” because you might do or say something wrong or you might make a mistake, you will become timid and negative as a person.
Eleanor Roosevelt (You Learn by Living: Eleven Keys for a More Fulfilling Life)
Cecelia,” he whispers, the lilt in his tone breaking me apart as he brings his hazel eyes to mine, drawing me back to a time when things were so much simpler. A time where I could love him freely, reach out and touch him. “You were the first goddamn person I thought of every morning and the only woman I have ever dreamed about. And if you would have waited for me, I would have given you the opposite of nothing.
Kate Stewart (Exodus (The Ravenhood Duet, #2))
I haven't been on a first date over five years. Five. Years. Which means, I haven't been on one since 2006. Let me take you back to that time: 2006. Tom Cruise and Kathie Holmes celebrated the birth of their little "TomKitten." The Wii came out - and YouTube was flooded with videos of people throwing those little white remotes into their TVs. Britney and Kevin call it quits, shocking America to its very core. Facebook was still just a college campus thing - if you wanted to stalk someone, you had to buy a zoom lens and some night vision goggles. It was a simpler time.
Elodia Strain (My Girlfriend's Boyfriend)
How do I know that a table still exists if I go out of the room and can’t see it? What does it mean to say that things we can’t see, such as electrons or quarks—the particles that are said to make up the proton and neutron—exist? One could have a model in which the table disappears when I leave the room and reappears in the same position when I come back, but that would be awkward, and what if something happened when I was out, like the ceiling falling in? How, under the table-disappears-when-I-leave-the-room model, could I account for the fact that the next time I enter, the table reappears broken, under the debris of the ceiling? The model in which the table stays put is much simpler and agrees with observation. That is all one can ask.
Stephen Hawking (The Grand Design)
Touching the copper of the ankh reminded me of another necklace, a necklace long since lost under the dust of time. That necklace had been simpler: only a string of beads etched with tiny ankhs. But my husband had brought it to me the morning of our wedding, sneaking up to our house just after dawn in a gesture uncharacteristically bold for him. I had chastised him for the indiscretion. "What are you doing? You're going to see me this afternoon... and then every day after that!" "I had to give you these before the wedding." He held up the string of beads. "They were my mother's. I want you to have them, to wear them today.” He leaned forward, placing the beads around my neck. As his fingers brushed my skin, I felt something warm and tingly run through my body. At the tender age of fifteen, I hadn't exactly understood such sensations, though I was eager to explore them. My wiser self today recognized them as the early stirrings of lust, and . . . well, there had been something else there too. Something else that I still didn't quite comprehend. An electric connection, a feeling that we were bound into something bigger than ourselves. That our being together was inevitable. "There," he'd said, once the beads were secure and my hair brushed back into place. "Perfect.” He said nothing else after that. He didn't need to. His eyes told me all I needed to know, and I shivered. Until Kyriakos, no man had ever given me a second glance. I was Marthanes' too-tall daughter after all, the one with the sharp tongue who didn't think before speaking. (Shape-shifting would eventually take care of one of those problems but not the other.) But Kyriakos had always listened to me and watched me like I was someone more, someone tempting and desirable, like the beautiful priestesses of Aphrodite who still carried on their rituals away from the Christian priests. I wanted him to touch me then, not realizing just how much until I caught his hand suddenly and unexpectedly. Taking it, I placed it around my waist and pulled him to me. His eyes widened in surprise, but he didn't pull back. We were almost the same height, making it easy for his mouth to seek mine out in a crushing kiss. I leaned against the warm stone wall behind me so that I was pressed between it and him. I could feel every part of his body against mine, but we still weren't close enough. Not nearly enough. Our kissing grew more ardent, as though our lips alone might close whatever aching distance lay between us. I moved his hand again, this time to push up my skirt along the side of one leg. His hand stroked the smooth flesh there and, without further urging, slid over to my inner thigh. I arched my lower body toward his, nearly writhing against him now, needing him to touch me everywhere. "Letha? Where are you at?” My sister's voice carried over the wind; she wasn't nearby but was close enough to be here soon. Kyriakos and I broke apart, both gasping, pulses racing. He was looking at me like he'd never seen me before. Heat burned in his gaze. "Have you ever been with anyone before?" he asked wonderingly. I shook my head. "How did you ... I never imagined you doing that...” "I learn fast.” He grinned and pressed my hand to his lips. "Tonight," he breathed. "Tonight we ...” "Tonight," I agreed. He backed away then, eyes still smoldering. "I love you. You are my life.” "I love you too." I smiled and watched him go.
Richelle Mead (Succubus Blues (Georgina Kincaid, #1))
They went to the tree. Daemon dismounted and leaned against the tree, staring in the direction of the house. The stallion jiggled the bit, reminding him he wasn’t alone. “I wanted to say good-bye,” Daemon said quietly. For the first time, he truly saw the intelligence—and loneliness—in the horse’s eyes. After that, he couldn’t keep his voice from breaking as he tried to explain why Jaenelle was never going to come to the tree again, why there would be no more rides, no more caresses, no more talks. For a moment, something rippled in his mind. He had the odd sensation he was the one being talked to, explained to, and his words, echoing back, lacerated his heart. To be alone again. To never again see those arms held out in welcome. To never hear that voice say his name. To… Daemon gasped as Dark Dancer jerked the reins free and raced down the path toward the field. Tears of grief pricked Daemon’s eyes. The horse might have a simpler mind, but the heart was just as big.
Anne Bishop (Daughter of the Blood (The Black Jewels, #1))
But then, staring at the label on one crate, which read SWORD-CANE-DLUBECK SHOE TREE-HORA SUITS (3)-HORA ASSORTED HANDKERCHIEFS (6)-HORA Josef felt a bloom of dread in his belly, and all at once he was certain that it was not going to matter one iota how his father and the others behaved. Orderly or chaotic, well inventoried and civil or jumbled and squabbling, the Jews of Prague were dust on the boots of the Germans, to be whisked off with an indiscriminate broom. Stoicism and an eye for detail would avail them nothing. In later years, when he remembered this moment, Josef would be tempted to think that he had suffered a premonition, looking at those mucilage-caked labels, of the horror to come. At the time it was a simpler matter. The hair stood up on the back of his neck with a prickling discharge of ions. His heart pulsed in the hollow of his throat as if someone had pressed there with a thumb. And he felt, for an instant, that he was admiring the penmanship of someone who had died.
Michael Chabon (The Amazing Adventures of Kavalier & Clay)
187. Is it a related form of aggrandizement, to inflate a heartbreak into a sort of allegory? Losing what one loves is simpler, more common, than that. More precise. One could leave it, too, as it is. -- Yet how can I explain, that every time I put a pin in the balloon of it, the balloon seems to swell back up as soon as I turn away from it?
Maggie Nelson
Every generation looks back longingly to an earlier age when things were simpler and clearer, a time before degeneration began.
Arthur Miller
Can we go back to the way things were, before life got so complicated with the wheel and then the three other wheels?
Jarod Kintz (The Lewis and Clark of The Ozarks)
Wildness in animals is a curious thing to us humans. Isn’t that why people watch Animal Planet? Escape. Maybe that’s why we watch. Animal behavior is elemental. It takes us back to a simpler time.
Barbara Delinsky (Escape)
This was something new. Or something old. I didn’t think of what it might be until after I had let Aubrey go back to the clinic to bed down next to her child. Bankole had given him something to help him sleep. He did the same for her, so I won’t be able to ask her anything more until she wakes up later this morning. I couldn’t help wondering, though, whether these people, with their crosses, had some connection with my current least favorite presidential candidate, Texas Senator Andrew Steele Jarret. It sounds like the sort of thing his people might do—a revival of something nasty out of the past. Did the Ku Klux Klan wear crosses—as well as burn them? The Nazis wore the swastika, which is a kind of cross, but I don’t think they wore it on their chests. There were crosses all over the place during the Inquisition and before that, during the Crusades. So now we have another group that uses crosses and slaughters people. Jarret’s people could be behind it. Jarret insists on being a throwback to some earlier, “simpler” time. Now does not suit him. Religious tolerance does not suit him. The current state of the country does not suit him. He wants to take us all back to some magical time when everyone believed in the same God, worshipped him in the same way, and understood that their safety in the universe depended on completing the same religious rituals and stomping anyone who was different. There was never such a time in this country. But these days when more than half the people in the country can’t read at all, history is just one more vast unknown to them. Jarret supporters have been known, now and then, to form mobs and burn people at the stake for being witches. Witches! In 2032! A witch, in their view, tends to be a Moslem, a Jew, a Hindu, a Buddhist, or, in some parts of the country, a Mormon, a Jehovah’s Witness, or even a Catholic. A witch may also be an atheist, a “cultist,” or a well-to-do eccentric. Well-to-do eccentrics often have no protectors or much that’s worth stealing. And “cultist” is a great catchall term for anyone who fits into no other large category, and yet doesn’t quite match Jarret’s version of Christianity. Jarret’s people have been known to beat or drive out Unitarians, for goodness’ sake. Jarret condemns the burnings, but does so in such mild language that his people are free to hear what they want to hear. As for the beatings, the tarring and feathering, and the destruction of “heathen houses of devil-worship,” he has a simple answer: “Join us! Our doors are open to every nationality, every race! Leave your sinful past behind, and become one of us. Help us to make America great again.
Octavia E. Butler (Parable of the Talents (Earthseed, #2))
I’m not building a castle or a monument; I’m building a soul and a family. I’ll tell stories all my life, writing on napkins and on the backs of receipts, or in books if they let me, but this is the promise I make to my God: I will never again be so careless, so cavalier with the body and soul you’ve given me. They are the only things in all the world that have been entrusted entirely to me, and I stewarded them poorly, worshiping for a time at the altars of productivity, capability, busyness, distraction. This body and soul will become again what God intended them to be: living sacrifices, offered only to him. I will spend my life on meaning, on connection, on love, on freedom. I will not waste one more day trapped in comparison, competition, proving, and earning. That’s the currency of a culture that has nothing to offer me. It
Shauna Niequist (Present Over Perfect: Leaving Behind Frantic for a Simpler, More Soulful Way of Living)
It’s odd—when you look back, things seem simpler, but they weren’t.” “Really?” “When it’s a memory, you already know the outcome, so we believe it was an easier time. Looking forward is much more uncertain, and so feels more complicated. But I don’t think it is. Not really.
Karen Hawkins (The Book Charmer (Dove Pond #1))
I have never returned to the mortal realms. Those who make frequent trips do so at great personal sacrifice.” I looked at Reth, who still stood next to me, had been standing next to me this entire time, silent and watching. Reth who never needed to come back to Earth after I freed him from IPCA. Reth who was looking dimmer by the hour after taking the midnight faerie’s attack in my place. The Light Queen followed my gaze. “My golden son has given much because of his love for you and his devotion to me. He may yet give up all.” Well, bleep. It was so much simpler to hate him. “I know you hold depths of anger and bitterness toward the fey, child, but please understand our desperation. And please know my deep respect for humans and human life. Such beautiful, fragile animals, so fleeting and easily broken yet powerful beyond anything faeries can ever hope to be. We cannot create but live forever, unchanging. You change with every breath, dying even as you live, but your thread to eternity and immortality is reborn with every new generation.” I was bust avoiding Reth’s eyes, not wanting to think that, as someone who was nobly sacrificing to be around me and protect me. Not wanting to accept that he really loved me the way he was always saying he did.
Kiersten White (Endlessly (Paranormalcy, #3))
Don’t you ever wish you could go back?” Ellis murmurs, gaze turned up toward the chandeliers; their light glitters off of the lenses of her glasses. My gaze snaps away from the kettle, back to her. “To some other time,” she says, “when things were a little wilder. When the rules were a little less clear.” It’s the opposite of the usual line. A simpler time. A time when a lady was a lady. “Maybe. I hadn’t really thought about it.” I rub the edge of a tablecloth between my thumb and forefinger but feel only the friction of my age-softened gloves. “I suppose it depends on where I was too. I wouldn’t want to get burned at the stake as a witch.” “Oh, but can you blame them? You are a witch. I don’t doubt you would have poisoned the village crops, salted their fields, and led their daughters into temptation.” “Just their daughters?” Ellis glances back. She’s taken off the pince-nez; the frames dangle from an idle hand. “It takes one to know one.
Victoria Lee (A Lesson in Vengeance)
So now we have another group that uses crosses and slaughters people. Jarret’s people could be behind it. Jarret insists on being a throwback to some earlier, “simpler” time. Now does not suit him. Religious tolerance does not suit him. The current state of the country does not suit him. He wants to take us all back to some magical time when everyone believed in the same God, worshipped him in the same way, and understood that their safety in the universe depended on completing the same religious rituals and stomping anyone who was different. There was never such a time in this country. But these days when more than half the people in the country can’t read at all, history is just one more vast unknown to them.
Octavia E. Butler (Parable of the Sower (Earthseed, #1))
Besides, we have more chocolates to deliver in Les Marauds; coconut truffles for Omi; rose and cardamom for Fatima and her daughters; chili for old Mahjoubi, that warms the heart and brings courage. And one more package, for Inès; tied with a red silk ribbon. The gift that crosses all cultures; that brings a smile to the sourest face; that pulls back the years and takes us to a simpler, sweeter time.
Joanne Harris (Peaches for Father Francis (Chocolat, #3))
some earlier, “simpler” time. Now does not suit him. Religious tolerance does not suit him. The current state of the country does not suit him. He wants to take us all back to some magical time when everyone believed in the same God, worshipped him in the same way, and understood that their safety in the universe depended on completing the same religious rituals and stomping anyone who was different. There was never such a time in this country.
Octavia E. Butler (Parable of the Sower (Earthseed, #1))
Although I didn't think so at the time, things were a lot simpler in 1969. All you had to do to express yourself was throw rocks at riot police. But with today's sophistication, who's in a position to throw rocks? Who's going to brave what tear gas? C'mon that's the way it is. Everything is rigged, tied into that massive capital web, and beyond this web there's another web. Nobody's going anywhere. You throw a rock and it'll come back right at you.
Haruki Murakami (Dance Dance Dance)
in the twilight hours before the dawn I wandered in the oblique infinite of half-dreams if there was a light of hope it was so far away my searching eyes could not make it out it would have been the simpler choice to fall back into the cavities of my mind to dwell in the unreachable to let go of my tethers to the goings of life in the empty musings of the early mornings before I found strength enough to leave him I discovered that some of our greatest moments come and go in the time it takes to push up out of bed and keep going
Anna Victor
How, I wondered, could you regain a poetical frame of mind at times like this? I came to the conclusion that it could be done, if only you could take your feelings and place them in front of you, and then taking a pace back to give yourself the room to move that a bystander would have, examine them calmly and with complete honesty. The poet has an obligation to conduct to conduct a post-mortem on their own corpse and to make public their findings as to any disease they may encounter. There are many ways in which they may do this, but the best, and certainly the most convenient, is to try and compress every single incident which they come across into the seventeen syllables of a Hokku. Since this is poetry in its handiest and simplest form, it may be readily composed while you are washing your face, or in the lavatory, or on a tram. When I say that it may be readily composed, I do not mean it in any derogatory sense. On the contrary, I think it is a very praiseworthy quality, for it makes it easy for one to become a poet; and to become a poet is one way to achieve supreme enlightenment. No, the simpler it is, the greater its virtue. Let us assume that you are angry: you write about what it is that has made you lose your temper, and immediately it seems that it is someone else's anger that you are considering. Nobody can be angry and write a Hokku at the same time. Likewise, if you are crying, express your tears in seventeen syllables and you feel happy. No sooner are your thoughts down on paper, than all connection between you and the pain which caused you to cry is severed, and your only feeling is one of happiness that you a person capable of shedding tears.
Natsume Sōseki (The Three-Cornered World)
What can we do to maintain slowness in the face of those periods of busyness? How can we avoid overload, exhaustion, or even burnout? Perhaps unsurprisingly, my answer is simply to pay attention. I recognize the way I'm inclined to stay up late, the way I will procrastinate at every option- and instead of spiraling into that overwhelming sense of too much, I check in with myself. Why am I feeling this way? What has changed? What is there more of? What is there less of? Become better at recognizing the signs of a looming backslide and pay close attention to the areas of our lives that have the greatest impact, ensuring they never slip too far out of hand. Nicholas Bate refers to this regular checking in as "taking your MEDS" or more specifically, paying attention to: - Mindfulness - Exercise - Diet - Sleep Once I recognize which of these areas has changed, its simpler (not necessarily easier) to recognize the issue and start fixing it. Sometimes the changes aren't in my control, so I need to look for ways of finding slow by creating more opportunities for a moment of deep breathing or paying close attention to whats in front of me. But other times, I've simply lost sight of what works, and its a matter of adding more of these things I've neglected- Mindfulness, simplicity, kindness- and reducing the things that don't serve me well. Above all else, though, I simply go back to my Why. I call to mind the foundation of this life I want. The vivid imaging of a life well lived. The loved ones, the generosity, the adventure, and the world I want to leave behind. And if that feels too big, I call to mind even smaller reminders, like the warm pressure of my kids hands in mine, the wholeness of a good conversation with Ben, the lightness of simply sitting quietly. Our Why is the antidote to overload. Its a call back to the important things and a reminder that we don't need to carry the weight of everything- only those things that are important to us.
Brooke McAlary (Slow: Simple Living for a Frantic World)
Have you ever listened to a song from a long time ago; from your past; a song that was filled with so many memories tied to it, that you felt it so deeply- that it made you cry? And did you listen to it again, intentionally, for a second time? So you could travel back in time through that song; back when everything seemed so much simpler, basic, carefree? Those are the songs that are the soundtracks of our lives… the ones that bring back childhood memories, deep feelings, snapshots of our lives (or short videos), best friends, first loves, first heartbreaks… births, deaths. Our lives are like the record albums that we used to play just a few years ago; just yesterday. We played some of the songs over and over again- to the point of which we can sing along with every word as we play it. Other songs seem somewhat unfamiliar, as we rarely go back to listen to them; we skip over them or we barely listen to the start of it before we turn off the record player. But just like on a record album and just like in our memories, you can't cut a song out off an album... just like you can't cut out a memory. The songs and memories remain there, side by side; the good ones, the bad ones, the ones that thrill us and the ones that hurt. Those are the songs that our lives are composed of. Those are the songs that we chase back, back into our our own memories in our private and personal musical time machines.
José N. Harris (Mi Vida)
There is an art to navigating London during the Blitz. Certain guides are obvious: Bethnal Green and Balham Undergrounds are no-goes, as is most of Wapping, Silvertown and the Isle of Dogs. The further west you go, the more you can move around late at night in reasonable confidence of not being hit, but should you pass an area which you feel sure was a council estate when you last checked in the 1970s, that is usually a sign that you should steer clear. There are also three practical ways in which the Blitz impacts on the general functioning of life in the city. The first is mundane: streets blocked, services suspended, hospitals overwhelmed, firefighters exhausted, policemen belligerent and bread difficult to find. Queuing becomes a tedious essential, and if you are a young nun not in uniform, sooner or later you will find yourself in the line for your weekly portion of meat, to be eaten very slowly one mouthful at a time, while non-judgemental ladies quietly judge you Secondly there is the slow erosion-a rather more subtle but perhaps more potent assault on the spirit It begins perhaps subtly, the half-seen glance down a shattered street where the survivors of a night which killed their kin sit dull and numb on the crooked remnants of their bed. Perhaps it need not even be a human stimulus: perhaps the sight of a child's nightdress hanging off a chimney pot, after it was thrown up only to float straight back down from the blast, is enough to stir something in your soul that has no rare. Perhaps the mother who cannot find her daughter, or the evacuees' faces pressed up against the window of a passing train. It is a death of the soul by a thousand cuts, and the falling skies are merely the laughter of the executioner going about his business. And then, inevitably, there is the moment of shock It is the day your neighbour died because he went to fix a bicycle in the wrong place, at the wrong time. It is the desk which is no longer filled, or the fire that ate your place of work entirely so now you stand on the street and wonder, what shall I do? There are a lot of lies told about the Blitz spirit: legends are made of singing in the tunnels, of those who kept going for friends, family and Britain. It is far simpler than that People kept going because that was all that they could really do. Which is no less an achievement, in its way.
Claire North (The First Fifteen Lives of Harry August)
How was I ever going to explain to him, or to myself, why I couldn’t go to his home and meet his family, though every part of me was dying to? Oliver wife. Oliver sons. Oliver pets. Oliver study, desk, books, world, life. What had I expected? A hug, a handshake, a perfunctory hail-fellow-well-met, and then the unavoidable Later! ? The very possibility of meeting his family suddenly alarmed me—too real, too sudden, too in-my-face, not rehearsed enough. Over the years I’d lodged him in the permanent past, my pluperfect lover, put him on ice, stuffed him with memories and mothballs like a hunted ornament confabulating with the ghost of all my evenings. I’d dust him off from time to time and then put him back on the mantelpiece. He no longer belonged to earth or to life. All I was likely to discover at this point wasn’t just how distant were the paths we’d taken, it was the measure of loss that was going to strike me—a loss I didn’t mind thinking about in abstract terms but which would hurt when stared at in the face, the way nostalgia hurts long after we’ve stopped thinking of things we’ve lost and may never have cared for. Or was it that I was jealous of his family, of the life he’d made for himself, of the things I never shared and couldn’t possibly have known about? Things he had longed for, loved, and lost, and whose loss had crushed him, but whose presence in his life, when he had them, I wasn’t there to witness and wouldn’t know the first thing about. I wasn’t there when he’d acquired them, wasn’t there when he’d given them up. Or was it much, much simpler? I had come to see if I felt something, if something was still alive. The trouble was I didn’t want anything to be alive either.
André Aciman (Call Me by Your Name)
One further complication in the link between self-sufficiency and simplicity is worth noting. Self-sufficiency may be part of the traditional notion and the Romantic ideal of simple living, but in fairly obvious ways using technology can simplify our lives considerably. Which is simpler, washing all your clothes and sheets by hand, or using a washing machine? Collecting and chopping wood to make a fire to cook over, or turning on the gas burner and pushing the electric ignition button? Walking across town and back to deliver a message, or making a phone call? The point here is that the concept of simple living contains crosscurrents. Reducing our dependence on infrastructure and technology may bring us closer to simple living in one sense—we are more self-sufficient—but takes us away from it in other ways since it makes basic tasks much more difficult, arduous, and time-consuming. And in some ways technology can even help us to be more self-sufficient, as when we use a washing machine to do our own laundry instead of using servants or sending it out.
Emrys Westacott (The Wisdom of Frugality: Why Less Is More - More or Less)
A hundred bucks,cuz.And judging by that spectacular toss over the rail, I'd say you earned it." Wyatt tucked the money into his pocket. "It was pretty spectacular, wasn't it? And it worked. It got the attention of our pretty little medic." Jesse,Amy,and Zane stopped dead in their tracks. Amy laughed. "You did all that to get Lee's attention?" "Nothing else I've tried has worked. I was desperate." Jesse shook his head in disbelief. "Did you ever think about just buying her a beer at the Fortune Saloon? I'd think that would be a whole lot simpler than risking broken bones leaping off a bull." "But not nearly as memorable.The next time she sees me at the saloon, she'll know my name." Zane threw back his head and roared. "So will every shrink from here to Helena. You have to be certifiably nuts to do all that just for the sake of a pretty face." "Hey." Wyatt slapped his cousin on the back. "Whatever works.'" Zane pulled out a roll of bills. "Ten says she's already written you off as someone to avoid at all costs." Wyatt's smile brightened. "Chump change. If you want to bet me, make it a hundred." "You got it." Zane pulled a hundred from the roll and handed it to Jesse. "Now match it, cuz. I was going to bet that you can't persuade Marilee Trainor to even speak to you again. But just to make things interesting, I'm betting that you can't get her to have dinner with you tonight." "Dinner? Tonight? Now you're pushing the limits,cuz. She's already refused me." "Put up or shut up." Wyatt arched a brow. "You want me to kiss and tell?" "I don't say anything about kissing. I don't care what you do,after you get her to have dinner with you.That's the bet. So if you're ready to admit defeat, just give me the hundred now." "Uh-oh." Wyatt stopped dead in his tracks. "Is that a dare?" Amy stood between them,shaking her head. "You sound like two little kids." Wyatt shot her a wicked grin. "Didn't you know that all men are just boys at heart?" He reached into his pocket and handed Zane a bill before he strolled away. Over his shoulder he called, "I'll catch you back at the ranch. You can pay me then." He left his cousins laughing and shaking their heads.
R.C. Ryan (Montana Destiny)
In fourth grade, I had a talk with the school psychologist about all the things that actively terrified me . . . After our session, he handed my mom a list of all my fears . . . Highest (and most memorable) on the list was the specific fear that I'd accidentally churn myself into butter. This was inspired by a creepy antique children's book called Little Black Sambo, which is one of those stories from the simpler, more racist times of yore when people wrote frightening, insulting tales to help children fall asleep at night. It was highly popular back in the day and has since been rightly banned or taken out of circulation. But my mom had a copy lying around. It's about a boy who goes on an adventure and ends up getting chased by tigers, who circle and circle around a tree so fast that they churn themselves into a pool of butter, which the boy then takes home for his mother to use to make pancakes. Like ya do. Anyway, I was always riddled with fear that I'd somehow be transformed into melted butter, which now doesn't really sound like that much of a bummer. It sounds more like how I'd like to spend my last twenty-four hours on this earth.
Amy Schumer (The Girl with the Lower Back Tattoo)
What is so rewarding about friendship?” my son asked, curling his upper lip into a sour expression. “Making friends takes too much time and effort, and for what?” I sat on the edge of his bed, understanding how it might seem simpler to go at life solo. “Friendship has unique rewards,” I told him. “They can be unpredictable. For instance....” I couldn’t help but pause to smile crookedly at an old memory that was dear to my heart. Then I shared with my son an unforgettable incident from my younger years. “True story. When I was about your age, I decided to try out for a school play. Tryouts were to begin after the last class of the day, but first I had to run home to grab a couple props for the monologue I planned to perform during tryouts. Silly me, I had left them at the house that morning. Luckily, I only lived across a long expanse of grassy field that separated the school from the nearest neighborhood. Unluckily, it was raining and I didn’t have an umbrella. “Determined to get what I needed, I raced home, grabbed my props, and tore back across the field while my friend waited under the dry protection of the school’s wooden eaves. She watched me run in the rain, gesturing for me to go faster while calling out to hurry up or we would be late. “The rain was pouring by that time which was added reason for me to move fast. I didn’t want to look like a wet rat on stage in front of dozens of fellow students. Don’t ask me why I didn’t grab an umbrella from home—teenage pride or lack of focus, I’m not sure—but the increasing rain combined with the hollering from my friend as well as my anxious nerves about trying out for the play had me running far too fast in shoes that lacked any tread. “About a yard from the sidewalk where the grass was worn from foot traffic and consequently muddied from the downpour of rain, I slipped and fell on my hind end. Me, my props, and my dignity slid through the mud and lay there, coated. My things were dripping with mud. I was covered in it. I felt my heart plunge, and I wanted to cry. I probably would have if it hadn’t been for the wonderful thing that happened right then. My crazy friend ran over and plopped herself down in the mud beside me. She wiggled in it, making herself as much a mess as I was. Then she took my slimy hand in hers and pulled us both to our feet. We tried out for the play looking like a couple of swine escaped from a pigsty, laughing the whole time. I never did cry, thanks to my friend. “So yes, my dear son, friendship has its unique rewards—priceless ones.
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
The pacifist-humanitarian idea may indeed become an excellent one when the most superior type of manhood will have succeeded in subjugating the world to such an extent that this type is then sole master of the earth. This idea could have an injurious effect only in the measure in which its application became difficult and finally impossible. So, first of all, the fight, and then pacifism. If it were otherwise, it would mean that mankind has already passed the zenith of its development, and accordingly, the end would not be the supremacy of some moral ideal, but degeneration into barbarism and consequent chaos. People may laugh at this statement, but our planet moved through space for millions of years, uninhabited by men, and at some future date may easily begin to do so again, if men should forget that wherever they have reached a superior level of existence, it was not as a result of following the ideas of crazy visionaries but by acknowledging and rigorously observing the iron laws of Nature. What reduces one race to starvation stimulates another to harder work. All the great civilisations of the past became decadent because the originally creative race died out, as a result of contamination of the blood. The most profound cause of such a decline is to be found in the fact that the people ignored the principle that all culture depends on men, and not the reverse. In other words, in order to preserve a certain culture, the type of manhood that creates such a culture must be preserved, but such a preservation goes hand in hand with the inexorable law that it is the strongest and the best who must triumph and that they have the right to endure. He who would live must fight. He who does not wish to fight in this world, where permanent struggle is the law of life, has not the right to exist. Such a saying may sound hard, but, after all, that is how the matter really stands. Yet far harder is the lot of him who believes that he can overcome Nature, and thus in reality insults her. Distress, misery, and disease, are her rejoinders. Whoever ignores or despises the laws of race really deprives himself of the happiness to which he believes he can attain, for he places an obstacle in the victorious path of the superior race and, by so doing, he interferes with a prerequisite condition of, all human progress. Loaded with the burden of human sentiment, he falls back to the level of a helpless animal. It would be futile to attempt to discuss the question as to what race or races were the original champions of human culture and were thereby the real founders of all that we understand by the word ‘humanity.’ It is much simpler to deal with this question in so far as it relates to the present time. Here the answer is simple and clear. Every manifestation of human culture, every product of art, science and technical skill, which we see before our eyes to-day, is almost, exclusively the product of the Aryan creative power. All that we admire in the world to-day, its science and its art, its technical developments and discoveries, are the products of the creative activities of a few peoples, and it may be true that their first beginnings must be attributed to one race. The existence of civilisation is wholly dependent on such peoples. Should they perish, all that makes this earth beautiful will descend with them into the grave. He is the Prometheus of mankind, from whose shining brow the divine spark of genius has at all times flashed forth, always kindling anew that fire which, in the form of knowledge, illuminated the dark night by drawing aside the veil of mystery and thus showing man how to rise and become master over all the other beings on the earth. Should he be forced to disappear, a profound darkness will descend on the earth; within a few thousand years human culture will vanish and the world will become a desert.
Adolf Hitler (Mein Kampf)
And all I can think about is that it's not over and I'm tired and I'm ready to go but I'm still here. And I have to do it again and again and again." He leaned back in his chair. "You think about that before you tell me I've got it easy." I stayed silent a while before speaking. "So why don't you end it?" "Suicide?" "If your life is such a hell," I asked, "why bother? Why go through it again and again and all those times?" "Because of..." He stopped and looked at the ceiling. After a moment he shrugged. "Because of children," he said, "because of smiles and sunshine and ice cream." "You've got to be kidding." "You don't like ice cream?" Elijah shook his head, "It's the best. Imagine how excited I was when someone finally invented it. " "Sunshine and smiles don't make all that other stuff go away." I said, "This isn't a fairy land." "No," he said. "It's the real world. And the real world is the most amazing thing any of us will ever experience. Have you ever climbed a mountain? Walked through a garden? Played with a child? This isn't exactly a revelation John. People have been praising the simple pleasures since even before I was born, and that's a very long time." "You don't do any of those things." "But I have my memories," Said Elijah. "And I have even simpler things. Music. Food. Everybody likes bacon." "I'm a vegetarian." "Asparagus then," said Elijah, "roasted in pan. A little olive oil and a little salt - you the get the most incredible flavor - almost like a nut. But deep and rich and the textures just perfect..." "I've tried it." "The world is more than sadness," said Elijah, "i have a hundred thousand memories in my head. I can't remember all of them, or maybe even most of them, but they are so much happier than sad. For every dead mother or brother or child there are a hundred breezes, a hundred sunsets, a hundred memories of falling in love. Have you ever kissed anyone, John?" "I don't see how that's any of your business." "A first kiss is important. Most people only get one. But I can remember a hundred thousand of them. How could I give that up?" he shook his dead, smiling for the first time. "The world never gets old, John.
Dan Wells (The Devil's Only Friend (John Cleaver, #4))
Reflective nostalgics miss the past and dream about the past. Some of them study the past and even mourn the past, especially their own personal past. But they do not really want the past back. Perhaps this is because, deep down, they know that the old homestead is in ruins, or because it has been gentrified beyond recognition--or because they quietly recognize that they wouldn't much like it now anyway. Once upon a time life might have been sweeter or simpler, but it was also more dangerous, or more boring, or perhaps more unjust. Radically different from the reflective nostalgics are what Boym calls the restorative nostalgics, not all of whom recognize themselves as nostalgics at all. Restorative nostalgics don't just look at old photographs and piece together family stories. They are mythmakers and architects, builders of monuments and founders of nationalist political projects. They do not merely want to contemplate or learn from the past. They want, as Boym puts it, to "rebuild the lost home and patch up the memory gaps." Many of them don't recognize their own fictions about the past for what they are: "They believe their project is about truth." They are not interested in a nuanced past, in a world in which great leaders were flawed men, in which famous military victories had lethal side effects. They don't acknowledge that the past might have had its drawbacks. They want the cartoon version of history, and more importantly, they want to live in it, right now. They don't want to act out roles from the past because it amuses them: they want to behave as think their ancestors did, without irony. It is not by accident that restorative nostalgia often goes hand in hand with conspiracy theories and the medium-sized lies. These needn't be as harsh or crazy as the Smolensk conspiracy theory or the Soros conspiracy theory; they can gently invoke scapegoats rather than a full-fledged alternative reality. At a minimum, they can offer an explanation: The nation is no longer great because someone has attacked us, undermined us, sapped our strength. Someone—the immigrants, the foreigners, the elites, or indeed the EU—has perverted the course of history and reduced the nation to a shadow of its former self. The essential identity that we once had has been taken away and replaced with something cheap and artificial. Eventually, those who seek power on the back of restorative nostalgia will begin to cultivate these conspiracy theories, or alternative histories, or alternative fibs, whether or not they have any basis in fact.
Anne Applebaum (Twilight of Democracy: The Seductive Lure of Authoritarianism)
Many other things were delivered to me out of storage, the most important being Matthew Rose Sorensen’s missing journals. They cover the period from June 2000 (when he was an undergraduate) until December 2011. As for the rest of his possessions, I am getting rid of most of them. Piranesi cannot bear to have so many possessions. I do not need this! is his constant refrain. Piranesi is always with me, but of Rose Sorensen I have only hints and shadows. I piece him together out of the objects he has left behind, from what is said about him by other people and, of course, from his journals. Without the journals I would be all at sea. I remember how this world works – more or less. I remember what Manchester is and what the police are and how to use a smartphone. I can pay for things with money – though I still find the process strange and artificial. Piranesi has a strong dislike of money. Piranesi wants to say: But I need the thing you have, so why don’t you just give it to me? And then when I have something you need, I will just give it to you. This would be a simpler system and much better! But I, who am not Piranesi – or at least not only him – realise that this probably wouldn’t go down too well. I have decided to write a book about Laurence Arne-Sayles. It is something that Matthew Rose Sorensen wanted to do and something that I want to do. After all, who knows Arne-Sayles’s work better than me? Raphael has shown me what Laurence Arne-Sayles taught her: how to find the path to the labyrinth and how to find the path out again. I can come and go as I please. Last week I took a train to Manchester. I took a bus to Miles Platting. I walked through a bleak autumn landscape to a flat in a tower block. The door was answered by a thin, ravaged-looking man who smelt strongly of cigarettes. ‘Are you James Ritter?’ I asked. He agreed that he was. ‘I’ve come to take you back,’ I said. I led him through the shadowy corridor and when the noble minotaurs of the first vestibule rose up around us, he started to cry, not for fear, but for happiness. He went immediately and sat under the great marble sweep of the staircase; the place where he used to sleep. He closed his eyes and listened to the sounds of the tides. When it was time to leave, he begged me to let him stay, but I refused. ‘You don’t know how to feed yourself,’ I told him. ‘You never learnt. You would die here unless I fed you – and I can’t take on that responsibility. But I’ll bring you back here whenever you want. And if ever I decide to come back for good, I promise I will bring you with me.’ The
Susanna Clarke (Piranesi)
I am like God, Codi? Like GOD? Give me a break. If I get another letter that mentions SAVING THE WORLD, I am sending you, by return mail, a letter bomb. Codi, please. I've got things to do. You say you're not a moral person. What a copout. Sometime, when I wasn't looking, something happened to make you think you were bad. What, did Miss Colder give you a bad mark on your report card? You think you're no good, so you can't do good things. Jesus, Codi, how long are you going to keep limping around on that crutch? It's the other way around, it's what you do that makes you who you are. I'm sorry to be blunt. I've had a bad week. I am trying to explain, and I wish you were here so I could tell you this right now, I am trying to explain to you that I'm not here to save anybody or any thing. It's not some perfect ideal we're working toward that keeps us going. You ask, what if we lose this war? Well, we could. By invasion, or even in the next election. People are very tired. I don't expect to see perfection before I die. Lord, if I did I would have stuck my head in the oven back in Tucson, after hearing the stories of some of those refugees. What keeps you going isn't some fine destination but just the road you're on, and the fact that you know how to drive. You keep your eyes open, you see this damned-to-hell world you got born into, and you ask yourself, "What life can I live that will let me breathe in & out and love somebody or something and not run off screaming into the woods?" I didn't look down from some high rock and choose cotton fields in Nicaragua. These cotton fields chose me. The contras that were through here yesterday got sent to a prison farm where they'll plant vegetables, learn to read and write if they don't know how, learn to repair CB radios, and get a week-long vacation with their families every year. They'll probably get amnesty in five. There's hardly ever a repeat offender. That kid from San Manuel died. Your sister, Hallie "What's new with Hallie?" Loyd asked. "Nothing." I folded the pages back into the envelope as neatly as I could, trying to leave its creases undisturbed, but my fingers had gone numb and blind. With tears in my eyes I watched whatever lay to the south of us, the land we were driving down into, but I have no memory of it. I was getting a dim comprehension of the difference between Hallie and me. It wasn't a matter of courage or dreams, but something a whole lot simpler. A pilot would call it ground orientation. I'd spent a long time circling above the clouds, looking for life, while Hallie was living it.
Barbara Kingsolver (Animal Dreams)
The village square teemed with life, swirling with vibrant colors and boisterous chatter. The entire village had gathered, celebrating the return of their ancestral spirit. Laughter and music filled the air, carrying with it an energy that made Kitsune smile. Paper lanterns of all colors floated lazily above, their delicate glow reflecting on the smiling faces below. Cherry blossoms caught in the playful breeze, their sweet, earthy scent settling over the scene. At the center, villagers danced with unbridled joy, the rhythm of the taiko drums and the melody of flutes guiding their steps. To the side, a large table groaned under the weight of a feast. Sticky rice balls, steamed dumplings, seaweed soup, sushi, and more filled the air with a mouthwatering aroma. As she approached the table, she was greeted warmly by the villagers, who offered her food, their smiles genuine and welcoming. She filled a plate and sat at a table with Goro and Sota, overlooking the celebration. The event brought back a flood of memories of a similar celebration from her childhood—a time when everything was much simpler and she could easily answer the question who are you? The memory filled her heart with a sweet sadness, a reminder of what she lost and what had carved the road to where she was now. Her gaze fell on the dancing villagers, but she wasn’t watching them. Not really. Her attention was fully embedded in her heart ache, longing for the past, for the life that was so cruelly ripped away from her. “I think... I think I might know how to answer your question,” she finally said, her voice soft and steady, barely audible over the cacophony of festivity around them. “Oh?” Goro responded, his face alight with intrigue. “I would have to tell you my story.” Kitsune’s eyes reflected the somber clouds of her past. Goro swallowed his bite of food before nodding. “Let us retire to the dojo, and you can tell me.” They retreated from the bustling square, leaving behind the chaos of the celebration. The sounds of laughter and chatter and drums carried away by distance. The dojo, with its bamboo and sturdy jungle planks, was bathed in the soft luminescence of the moonlight, the surface of its wooden architecture glistening faintly under the glow. They stepped into the silent tranquility of the building, and Kitsune made her way to the center, the smooth, cool touch of the polished wooden floor beneath her providing a sense of peace. Assuming the lotus position, she calmed herself, ready to speak of memories she hadn’t confronted in a long time. Not in any meaningful way at least. Across from her, Goro settled, his gaze intense yet patient, encouraging her with a gentle smile like he somehow already understood her story was hard to verbalize.
Pixel Ate (Kitsune the Minecraft Ninja: A middle-grade adventure story set in a world of ninjas, magic, and martial arts)
I got your flowers. They’re beautiful, thank you.” A gorgeous riot of Gerber daisies and lilies in a rainbow of reds, pinks, yellows and oranges. “Welcome. Bet Duncan loved sending one of his guys out to pick them up for me.” She could hear the smile in his voice, imagined the devilish twinkle in his eyes. “Oh, he did. Said it’s probably the first time in the history of WITSEC that a U.S. Marshal delivered flowers to one of their witnesses.” A low chuckle. “Well, this was a special circumstance, so they helped me out.” “I loved the card you sent with them the best though.” Proud of you. Give ‘em hell tomorrow. He’d signed it Nathan rather than Nate, which had made her smile. “I had no idea you were romantic,” she continued. “All these interesting things I’m learning about you.” She hadn’t been able to wipe the silly smile off her face after one of the security team members had knocked on her door and handed them to her with a goofy smile and a, “special delivery”. “Baby, you haven’t seen anything yet. When the trial’s done you’re gonna get all the romance you can handle, and then some.” “Really?” Now that was something for a girl to look forward to, and it sure as hell did the trick in taking her mind off her worries. “Well I’m all intrigued, because it’s been forever since I was romanced. What do you have in mind? Candlelit dinners? Going to the movies? Long walks? Lazy afternoon picnics?” “Not gonna give away my hand this early on, but I’ll take those into consideration.” “And what’s the key to your heart, by the way? I mean, other than the thing I did to you this morning.” “What thing is that? Refresh my memory,” he said, a teasing note in his voice. She smiled, enjoying the light banter. It felt good to let her worry about tomorrow go and focus on what she had to look forward to when this was all done. Being with him again, seeing her family, getting back to her life. A life that would hopefully include Nathan in a romantic capacity. “Waking you up with my mouth.” He gave a low groan. “I loved every second of it. But think simpler.” Simpler than sex? For a guy like him? “Food, then. I bet you’re a sucker for a home-cooked meal. Am I right?” He chuckled. “That works too, but it’s still not the key.” “Then what?” “You.” She blinked, her heart squeezing at the conviction behind his answer. “Me?” “Yeah, just you. And maybe bacon,” he added, a smile in his voice. He was so freaking adorable. “So you’re saying if I made and served you a BLT, you’d be putty in my hands?” Seemed hard to imagine, but okay. A masculine rumble filled her ears. “God, yeah.” She couldn’t help the sappy smile that spread across her face. “Wow, you are easy. And I can definitely arrange that.” “I can hardly wait. Will you serve it to me naked? Or maybe wearing just a frilly little apron and heels?” She smothered a laugh, but a clear image of her doing just that popped into her head, serving him the sandwich in that sexy outfit while watching his eyes go all heated. “Depends on how good you are.” “Oh, baby, I’ll be so good to you, you have no idea.
Kaylea Cross (Avenged (Hostage Rescue Team, #5))
Keep technology in its place. There are some things that computers and other high-tech devices handle remarkably well. And there are some things that still go more smoothly with paper and pencil or similarly low-tech implements. Until voice recognition technology is part of all computers and until powerful computers are so tiny they can be built into the handle of your kitchen cabinet, it makes sense to keep your file of recipes right where they are in your card file box, not on a computer disk. Someday, home computers may be slick enough to produce recipes as quickly as you can say "chicken curry with noodles." For now, entering recipes into your computer and retrieving them each time you want to use them is definitely more bother than it's worth. Chances are, you won't use them.
Jeff Davidson (Simpler Living: A Back to Basics Guide to Cleaning, Furnishing, Storing, Decluttering, Streamlining, Organizing, and More)
Everything I know about life, I learned from The Andy Griffith Show.
Joey Fann (The Way Back to Mayberry: Lessons from a Simpler Time)
You did a fine job with those science nerds over the course of this past year, John. Very fine job. Nothing but praise from the lot of them. Well done.” His thick English accent had a soothing effect every time he spoke. John remembered him fondly as a young man. His father and the Admiral had gone to the academy together and served side by side for many years before John’s father met an untimely death. Sitting here with him now and listening to him speak brought him back to those simpler times. “I was just doing my duty, Sir.” “Oh come now. You know and I know that there isn’t a bloody captain in this entire fleet that wanted that assignment. There isn’t a bit of action when you have the lot of them aboard. And on a bloody science mission besides. No, no, you are a real hero for saving all of us from having to do such a duty. And for a year! Bloody hell.” He opened up a drawer and pulled out two thick, stubby glasses, and then extracted a bottle of rum. Of course he brought out the rum. “I suppose you heard that we’ve been hard at work getting our first Deep Space Class starship ready to launch this year?” he asked as he filled both glasses half full with the amber liquid. He Offered one glass to John who took it with reluctance. He had never been one who liked liquor. “Heard she’s a beauty. The engine is something of a marvel as well?” “Damn straight,” he said as he downed his first glass in one pull. He filled his glass up half full for round two. “Currently our fastest ship will get you to the Wild Space region in twenty years. This buggers going to do it in six months and I’d like you to take her out on her maiden voyage.” John sat back in shock. The thought of taking out the prototype of the future… it was a great honor and one that hundreds of captains in star fleet would give anything for. He certainly wasn’t worthy of such an honor. He didn’t have nearly the amount of years as everyone else in the fleet. “I don’t think it’d be right to accept, would it? I mean… there are some captains who’ve…” “Bumshnickles!” he shouted. “Your father was the captain of the first Earth Starship Independence. It’s only right that the second to bear her name should have an Avery in the chair.
Jason M. Brooks (Wild Space: Onslaught (Wild Space Series 1))
That’s what we’re dealing with, Ken. Call it mass hysteria, if you like. Or a return to a simpler time. What did he call it? A ‘golden age.’ The authorities don’t know how to handle it. In most cases, they’re joining in. See that London feed, top left? The feisty blonde with the riding crop and a bulldog tattoo on her butt? No, wait, it’s gone now. That big guy rolled back on top. He won’t last long. Wait for it. Wait. Right. There she is. That, my suddenly rich and famous friend, is the British prime minister.
John West (Let Sleeping Gods Lie)
At a certain point, we talked about work and life and time and parenting. I told them a little bit about the changes I’d been making—slower, less task-oriented, less driven. The husband, perceptively, turned to Aaron, and asked about what this meant for him, for the shared responsibilities of our life. We all laughed, but it was a serious and valid question. Aaron said, “Yeah, things are messier. She’s not running around cleaning and fussing all the time. I have to do more, and I’m not great at that stuff, and there’s more that we just leave undone. But here’s the thing: I have my wife back. And it’s totally, completely worth it.” That’s why this journey matters. Because I was on a dangerous track, where I was giving the best of myself to people and things “out there,” while the tender inner core of my life and my home were increasingly stretched, pressurized, brittle. And now they’re not. Now the most beautiful, well-tended, truly nurtured and nourished parts of my life are the innermost ones, not the flashy public ones. That’s just as it should be.
Shauna Niequist (Present Over Perfect: Leaving Behind Frantic for a Simpler, More Soulful Way of Living)
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Earl Meyer (The Seasons of Our Souls)
It is commonplace, nowadays, to hark back to a time when Christmas was simpler, more authentic, and less commercial than it has become. Even professional historians have tended to write about the pre-twentieth-century in that way. Generally when people muse along these lines it is to associate the noncommercial holiday with the years of their own childhood, or perhaps the childhood of their parents or (at most) their grandparents. As it happens, such musings have been commonplace for a long time--for more than a century and a half. Consider the theme of a short story dating back to the middle of the nineteenth century, a story that commented on the profusion of presents bought and sold during the holiday season--and the trouble many comfortably-off Americans had in finding something meaningful to give their loved ones at Christmas. The author of the story was soon to become America's best-known writer--Harriet Beecher Stowe....When she was a child of 10, explained Stowe...'the very idea of a present was so new' that a child would be 'perfectly delighted' with the gift of even a single piece of candy. In those days, 'presents did not fly about as they do now.' But nowadays, things seem different: 'There are worlds of money wasted, at this time of year, in getting things that nobody wants, and nobody cares for after they are got.' Just as many people do today, Harriet Beecher Stowe seems to have believed that this change took place within her own generation (she was born in 1811).
Stephen Nissenbaum (The Battle for Christmas: A Cultural History of America's Most Cherished Holiday)
To be sure, finding your purpose can take a long time to figure out, and along the way it is tempting to opt instead for the immediate gratification, the immediate fix, of someone’s approval. But the sweet rush of approval, the pat on the head, can often derail us from real love, and real purpose. Time always helps me make these decisions, because if I’m rushed, I always say yes. When I have time, I can instead say to myself: Go back to being loved; go back to your purpose. This thing I am being asked to do will not get me more love. And this will not help me meet my purpose.
Shauna Niequist (Present Over Perfect: Leaving Behind Frantic for a Simpler, More Soulful Way of Living)
Jack, R U alrite? That was the first text I got from Tom, my best friend. I peeked out from under the comforter to read it, then wrapped the blanket around my head again without replying. I wasn’t in the mood to deal with him right now. I wasn’t in the mood to deal with anyone. I just wanted to lie in the dark and pretend I didn’t exist. The cell phone buzzed again. I sighed. I made a little hole, just large enough for my eye, and stared angrily at the phone. I wanted it to realize what it was doing was wrong. That I wanted to be left alone. The phone stared back at me, a small notification light flashing on the top of the device. I picked it up and looked again. R U there? I heard U askd Jasmine 2 the dance! R U crazy??? D: )-:< I wished I was crazy. That would have made everything so much simpler. When I retreated back into my cave this time, I tried putting my pillow on my head too, hoping that it would stop the sound of the phone from cutting into my solitude. I closed my eyes as tightly as I could and tried to wish everything back to normal. That works sometimes in the movies, right? BUZZ BUZZ. “Agh!” I jumped slightly as the phone somehow buzzed even louder this time (how did it do that?) and the pillow flew off my head. Sunlight shone in through the window, blinding me. I squinted and waited for my room to blur into focus. The white walls, my posters of awesome superheroes, my laptop, my guitar… I grumbled as I leaned over and looked at my phone screen again. Wat abt HOLLY? UR GRLFRND? Ppl are sayn she is very upset! I threw the phone down on my bed. It bounced twice and ended up balancing on the edge of the mattress. I didn’t blame Holly. I was also very upset. A few weeks ago, my life had been pretty much perfect. I had the hottest girl in school as my girlfriend, I was a star player on the football team, I had a band that was definitely going to be famous someday soon, and it was all going my way. Now it was all gone, swirling towards disaster. Actually, disaster was a while back. Now things were definitely swirling towards complete chaos. My life was destroyed and I was hiding in my bed. That doesn’t happen in the movies. My phone buzzed again.
Katrina Kahler (Catastrophe (Body Swap #1))
Today it is easy to look back upon the years before 1914 with a kind of gauzy, romantic nostalgia. It seems a simpler time, when innovation enthralled and peace predominated. The truth, though, was somewhat different. All major powers had fought in at least one war since 1860, usually several, and the modern arms race had begun in earnest; incursion, revolution, revolt, and repression were rife. The fifty years preceding that golden summer of 1914 witnessed constant violence. Assassination was common: The sultan of Turkey was killed in 1876; American President James Garfield and Tsar Alexander II of Russia in 1881; President Sadi Carnot of France in 1894; the shah of Persia in 1896; the prime minister of Spain in 1897; the empress of Austria in 1898; King Umberto of Italy in 1900; American President William McKinley in 1901; King Alexander and Queen Draga of Serbia in 1903; Grand Duke Sergei Alexandrovich of Russia in 1905; King Carlos of Portugal and his son Crown Prince Luis Felipe in 1908; Russian prime minister Peter Stolypin in 1911; and King George of Greece in 1913.
Greg King (The Assassination of the Archduke: Sarajevo 1914 and the Romance That Changed the World)
We don’t need to maim Mike at all,” Erica said. “There’s a much simpler way to get rid of him.” “Poison him?” Warren asked. This time Zoe whacked him on the back of the head. Erica sighed, disappointed the rest of us hadn’t figured out the answer. “We make sure Mike isn’t interested in Jessica anymore.” “How?” I asked. “By giving him someone even more interesting to fall for,” Erica replied. It took another few moments for us all to realize who she was talking about. “You mean you?” I asked. “Of course.” Erica took a sip of tea. “I tag along for hot cocoa with you guys today. Mike falls for me instead of Jessica. Then we take off, leaving the two of you alone. . . .” “Just like that?” Jawa asked skeptically. “Just like that,” Erica said.
Stuart Gibbs (Spy Ski School (Spy School Book 4))
Jarret insists on being a throwback to some earlier, "simpler" time. Now does not suit him. Religious tolerance does not suit him. The current state of the country does not suit him. He wants to take us all back to some magical time when everyone believed in the same God, worshipped him in the same way, and understood that their safety in the universe depended on completing the same religious rituals and stopping anyone who was different. There was never such a time in this country… … Jarret condemns the burnings, but does so in such mild language that his people are free to hear what they want to hear. As for the beatings, the tarring and feathering, and the destruction of "heathen houses of devil-worship," he has a simple answer: "Join us! Our doors are open to nationality, every race! Leave your sinful past behind, and become one of us. Help us to make America great again.
Octavia E. Butler (Parable of the Talents (Earthseed, #2))
Of course you can say no. And in many ways that makes life much simpler. It’s common even for someone who says yes to look back and realize that he’s said no many times during his life.” She
Natalia Sanmartín Fenollera (The Awakening of Miss Prim)
Faced with the Führer, Hácha caved in. He declared that the situation was very clear and that all resistance was madness. But it’s already two a.m., and he has only four hours to prevent the Czech people from defending themselves. According to Hitler, the German military machine is already on the march (true) and nothing can stop it (at least, no one seems very keen to try). Hácha must sign the surrender immediately and inform Prague. The choice Hitler is offering could not be simpler: either peace now, followed by a long collaboration between the two nations, or the total annihilation of Czechoslovakia. President Hácha, terrified, is left in a room with Göring and Ribbentrop. He sits at a table, the document before him. All he has to do now is sign it. The pen is in his hand, but his hand is trembling. The pen keeps stopping before it can touch the paper. In the absence of the Führer, who rarely stays to oversee such formalities, Hácha gets jumpy. “I can’t sign this,” he says. “If I sign the surrender, my people will curse me forever.” This is perfectly true. So Göring and Ribbentrop have to convince Hácha that it’s too late to turn back. This leads to a farcical scene where, according to witnesses, the two Nazi ministers literally chase Hácha around the table, repeatedly putting the pen back in his hand and ordering him to sign the bloody thing. At the same time, Göring yells continuously: if Hácha continues to refuse, half of Prague will be destroyed within two hours by the German air force … and that’s just for starters! Hundreds of bombers are waiting for the order to take off, and they will receive that order at 6:00 a.m. if the surrender is not signed. At this crucial moment, Hácha goes dizzy and faints. Now it’s the two Nazis who are terrified, standing there over his inert body. He absolutely must be revived: if he dies, Hitler will be accused of murdering him in his own office. Thankfully, there is an expert injecter in the house: Dr. Morell, who will later inject Hitler with amphetamines several times a day until his death—a medical regime that probably had some link with the Führer’s growing dementia. So Morell suddenly appears and sticks a syringe into Hácha, who wakes up. A telephone is shoved into his hand. Given the urgency of the situation, the paperwork can wait. Ribbentrop has taken care to install a special direct line to Prague. Gathering what is left of his strength, Hácha informs the Czech cabinet in Prague of what is happening in Berlin, and advises them to surrender. He is given another injection and taken back to see the Führer, who presents him once again with that wretched document. It is nearly four a.m. Hácha signs. “I have sacrificed the state in order to save the nation,” he believes. The imbecile. It’s as if Chamberlain’s stupidity was contagious …
Laurent Binet (HHhH)
It is frequently quite easy for people to recognize that they can move from a dull dialogue to a much more varied and colorful one by expressing feelings that they are aware of. Sometimes, however, we are not aware of the feelings that are there to be expressed. A director can then be helpful by asking: “Do you remember the last time that prayer was exciting or interesting for you? What were you talking about?” And then: “What happened to that topic?” Often after pondering such questions, we recognize that prayer went dull when a difficult topic came up between God and us, and we chose not to pursue it. The prayer will remain dull until we come back to that topic. When we do, the change from dullness to new interest is often dramatic. This characteristic of the dialogue with God in prayer can keep prayer firmly linked to the dialogue with God in life outside prayer. If a man is troubled by the way his wife and he are interacting, for example, and yet does not permit himself even to advert to the trouble in prayer, he may well find that his prayer is boring. The prayer, in other words, lets him know that he is not being himself with God. Attention to the quality of the dialogue with God helps us discern where we may be blinding ourselves to the light in our lives. Thus, one of the major criteria for the authenticity of our prayer and our lives is: “Is the dialogue working?” In other words, “Do I have something to say to God that means something to me? Is God somehow communicating to me something that seems to mean something to God?” If these questions cannot be answered affirmatively, the person would do well to ask God what has gone wrong. “Is there something you want to say to me that I don’t want to hear? Or is there something I don’t want to tell you?” By paying attention to the quality of the dialogue the person can learn to become more and more deeply transparent with God. The procedure could not be simpler. When we are expressing attitudes that are real and deep within us and relevant to our lives, prayer will be alive and engaging. When we are not, prayer will go dead. The director who has become accustomed to the fact that very often difficulties in prayer are due to the suppression of important attitudes and feelings does not quickly encourage directees to accept at face value statements like: “I had no time for prayer,” or “I prayed only on the run.” The director tends to ask what was happening the last time the prayer was alive.   M
William A. Barry (The Practice of Spiritual Direction)
Dear Me, Talk about getting the wind knocked out of your sails when your best friend tells you you’re turning into a grumpy hermit. She told me that at breakfast today, and I was in denial until I talked to Chase, that little fucker. I made myself happy by soaking his ass five times before lunch. I did some soul searching, and I don’t think I’m depressed, but I do think I’m becoming too comfortable with being by myself. I’m really beginning to enjoy the company of cats more than people, and that’s probably not a good thing. Sprout and Ginger are so cute right now. Ginger’s cleaning Sprout’s head, and he’s smiling. Sometimes he’ll…yeah, I really need to get out more. I think life would be simpler if people acted more like cats. Like if someone is prattling on about something I don’t care about and I pop them in the forehead, they’d understand to walk away just like a cat does. A simple hiss conveys so much. I will attempt to gradually release myself back into a social environment. Me
Robin Alexander (Dear Me)
I was at a pool party with some of my oldest, most-favorite friends. I've known them since high school, so at this point they feel more like sisters. Anyone who knew you as an adolescent and still wants to spend time with you is a true friend, and really, their opportunity to blackmail you with stories of who you kissed and photos of you in overalls is enough reason to keep them around. We don't see each other nearly often enough, but when we do, we fall right back into familiar rhythm, like a song we've been singing all our lives.
Shauna Niequist (Present Over Perfect: Leaving Behind Frantic for a Simpler, More Soulful Way of Living)
For most displaced Koreans living in Japan at the time, the key point was a much simpler promise: “If you come back to your homeland, the government will guarantee you a stable life and a first-class education for your children.” For the countless Koreans who were unemployed, underpaid, and laboring away at whatever odd jobs they could get, the abstract promises of socialism held far less sway than the hope for a stable life and a bright future for their children.
Masaji Ishikawa (A River in Darkness: One Man's Escape from North Korea)
She hated it when people spoke as if the world was decaying now and it had been wonderful back then. Times were simpler. Children were well behaved and marriages stayed together and everyone was kind and generous to each other. What a lie. She didn’t understand why they wanted to believe such lies about the past, why they wanted to whitewash everything, go back in time. They pretended it was good because it had been good for them, maybe. But it wasn’t good for everyone. Just because things were whispered about and then locked away so no one saw the truth didn’t mean it was a beautiful time.
Cathryn Grant (Alone On the Beach (The Haunted Ship Trilogy #1))
took him back to a simpler time. A time when America’s enemies were external and could be eradicated with a gun.
Kyle Mills (Lethal Agent (Mitch Rapp, #18))
I begin each morning by picturing a heart—like a red cartoon heart. And I train my mind on the reality of God’s unconditional love for me. For all people, for everything that he’s created. When my mind wanders, I gently pull it back to the heart, like a kindergartener would make for Valentine’s Day—bright and simple. Over time, the heart began to cover the darkness.
Shauna Niequist (Present Over Perfect: Leaving Behind Frantic for a Simpler, More Soulful Way of Living)
Peace. Warm yourself, warrior, while I tell you of peace. History is unerring, and even the least observant mortal can be made to understand, through innumerable repetition. Do you see peace as little more than the absence of war? Perhaps, on a surface level, it is just that. But let me describe the characteristics of peace, my young friend. A pervasive dulling of the senses, a decadence afflicting the culture, evinced by a growing obsession with low entertainment. The virtues of extremity — honour, loyalty, sacrifice — are lifted high as shoddy icons, currency for the cheapest of labours. The longer peace lasts, the more those words are used, and the weaker they become. Sentimentality pervades daily life. All becomes a mockery of itself, and the spirit grows… restless. Is this a singular pessimism? Allow me to continue with a description of what follows a period of peace. Old warriors sit in taverns, telling tales of vigorous youth, their pasts when all things were simpler, clearer cut. They are not blind to the decay all around them, are not immune to the loss of respect for themselves, for all that they gave for their king, their land, their fellow citizens. The young must not be abandoned to forgetfulness. There are always enemies beyond the borders, and if none exist in truth, then one must be fashioned. Old crimes dug out of the indifferent earth. Slights and open insults, or the rumours thereof. A suddenly perceived threat where none existed before. The reasons matter not — what matters is that war is fashioned from peace, and once the journey is begun, an irresistible momentum is born. The old warriors are satisfied. The young are on fire with zeal. The king fears yet is relieved of domestic pressures. the army draws its oil and whetstone. Forges blast with molten iron, the anvils ring like temple bells. Grain-sellers and armourers and clothiers and horse-sellers and countless other suppliers smile with the pleasure of impending wealth. A new energy has gripped the kingdom, and those few voices raised in objection are quickly silenced. Charges of treason and summary execution soon persuade the doubters. Peace, my young warrior, is born of relief, endured in exhaustion, and dies with false remembrance. False? Ah, perhaps I am too cynical. Too old, witness to far too much. Do honour, loyalty and sacrifice truly exist? Are such virtues born only from extremity? What transforms them into empty words, words devalued by their overuse? What are the rules of the economy of the spirit, that civilization repeatedly twists and mocks? Withal of the Third City. You have fought wars. You have forged weapons. You have seen loyalty, and honour. You have seen courage and sacrifice. What say you to all this?" "Nothing," Hacking laughter. "You fear angering me, yes? No need. I give you leave to speak your mind." "I have sat in my share of taverns, in the company of fellow veterans. A select company, perhaps, not grown so blind with sentimentality as to fashion nostalgia from times of horror and terror. Did we spin out those days of our youth? No. Did we speak of war? Not if we could avoid it, and we worked hard at avoiding it." "Why?" "Why? Because the faces come back. So young, one after another. A flash of life, an eternity of death, there in our minds. Because loyalty is not to be spoken of, and honour is to be endured. Whilst courage is to be survived. Those virtues, Chained One, belong to silence." "Indeed. Yet how they proliferate in peace! Crowed again and again, as if solemn pronouncement bestows those very qualities upon the speaker. Do they not make you wince, every time you hear them? Do they not twist in your gut, grip hard your throat? Do you not feel a building rage—" "Aye. When I hear them used to raise a people once more to war.
Steven Erikson (Midnight Tides (Malazan Book of the Fallen, #5))
Sometimes the unfairness of the world just makes you want to retreat back to a time when things were simpler and easier to understand
Nick Spalding (Going Green)
But the main reason Trump won the nomination—and later the general election—was simpler than any of that: he fit the times. Trump had explored running for president twice before, and the voters had shown little interest. This time around, he turned half the country’s unease and confusion about what was happening to America into a powerful political response. In his own way, he articulated the anger that many middle- and working-class Americans felt over the excesses and condescension of the Democratic Party, the coastal elites, and especially the mainstream news media. Trump had diagnosed a decisive divide in the nation: the alienation of average Americans from the increasingly smug and isolated elites that had mismanaged the country and appeared content to preside over a declining America. They felt the old-boy system in Washington had sold them out and that it was time to disrupt the system. Many ordinary Americans were especially sick of the radical progressives’ shrill disparagement of America and scornful attacks on traditional values, and they were deeply frustrated by the wildly partisan role played by the media. In short, in 2016 many voters felt like the character Howard Beale in the 1976 film Network: “I’m as mad as hell, and I’m not going to take this anymore!” Trump’s pugnacious style worked. These frustrated Americans found in him a fighter willing to punch back, go toe-to-toe with the press, and mount a full-throated defense of America and middle-class values. They were tired of the cooing doublespeak of professional politicians and wanted someone who would tell it like it is—straight from the shoulder—and someone willing to follow through and actually do what other politicians said they would do but never did. Trump’s combativeness also enabled him to break through the distortions and smothering hostility of the partisan media and talk right past them, straight to the American people. For many, supporting Trump was an act of defiance—a protest. The more over the top he was, the more they savored the horrified reaction of the elites, especially the media. Arguments that Trump wasn’t presidential missed the point. Trump’s supporters already knew he didn’t conform to presidential norms. Their question was: Where had presidential norms gotten them? They wanted someone who didn’t conform. The Left was taking a wrecking ball to the country. Many fed up Americans wanted to strike back with their own wrecking ball.
William P. Barr (One Damn Thing After Another: Memoirs of an Attorney General)
Similar to the Rodrigo in form, “La Catedral” has a slow, atmospheric introduction, followed by an episodic, rhythmic dance. It is constructed around a simple figure, an arpeggio that Barrios pushes through a series of chord changes: a small gesture, undistinguished in itself, yet full of musical possibilities. I set the music stand aside and play it from memory. The first finger of my left hand holds a bass note while above the theme sways with a tentative rise and fall. My left hand feels secure and steady, the ground on which the music builds. My fingers make swift, pulsing motions that gain weight and mass when the sound is larger, louder. The arpeggio grows increasingly insistent and agitated. I feel every note, not just in my fingers but along my arms to the elbows, where the fingers’ motions begin, and into my shoulders, neck, chest, and back. Everything is connected. My ear, my muscles, my flesh, these notes, and this wood and string—all are parts of a single vibrating structure, communicating their movement to each other. Playing feels different now. For the first time this cathedral is really dancing. It's built on a questioning anxiety. But the structure develops a kind of reassurance, like pleading that becomes a prayer. This feeling is not notated on the page. It is something that takes place within the notes, or between them, and within my body, within the guitar's body. I first played this piece in my third year at the Conservatory, just about the time I bought my church door guitar. With so fine an instrument in my hands, I suddenly heard an unexplored dimension latent in everything I played, as if the guitar knew things I had never dreamed of. It was a moment of great promise for me. The guitar offered a quality of vibration beyond anything I had imagined before, bringing greater forces into motion than just the strings. But in those days I couldn't play it. I was braced too tightly. Playing now feels somehow simpler. I'm not practicing a fantasy of the guitar or of myself, but this instrument, this wood, these strings; I'm playing this music, letting these notes dance. It's easy to forget how simple music is. I'm like a soundboard, whose job is to communicate excitement, to balance tension. Building the instrument and learning to play it involve complicated physics. But music is about vibration, about allowing myself to be moved.
Glenn Kurtz (Practicing: A Musician's Return to Music)
Let me tell you what the Wilds have shown me, way out beyond civilization and its web of lies.’ He held up his hands, palm tilted to catch the last of the day’s light. ‘No good and evil, no right and wrong. The real scales upon which we are all judged are much simpler, Rant. Take a life, no matter how short or long. What’s it made up of? Well: choices, deeds, promises, beliefs, mysteries, fears, a whole list of things – whatever you care to think of, in fact. That’s what makes a life. Want to see it in terms of good and evil, of right and wrong? That’s not the way of the Wilds, because those words are really about people judging other people and the problem with that is, you can’t find truth studying the scales if your own eye’s skewed. And everyone’s eyes are skewed, whether they admit it or not.’ Damisk studied his upturned palms. ‘A soul collects marks, Rant. Like you’d find on a factor’s ledger. Some are burned into the surface. Some are placed there with a kiss. Forget good and evil, right and wrong. Think instead in terms of suffering and blessing.’ He paused, studying the half-breed’s heavy-boned face. ‘That’s the only ledger that counts. Take a life, like I said before, and now look back on it. Choices, deeds, promises. Which ones made for suffering, and which ones blessed?’ He lifted his hands higher and then let them drop. ‘Every mortal soul lives a thousand lives, even more, but that don’t mean a thousand ledgers for each soul. No, it’s just one ledger, the same ledger. The soul brings it with it every time it lands in a body, and that body plays out its life, adding one mark at a time. Suffering. Blessing. And there’s no escaping it, no cheating, no hiding it all away. What I call the Wilds is just raw nature, the universe itself, and it misses nothing and never blinks. And that’s how souls pay for every choice, every decision, every promise, broken or kept.’ ‘Pay how?’ Rant asked. ‘Whatever you put in, you get back. Spend a lifetime making others hurt and suffer, your next lifetime delivers the same upon you. No escaping it. Those scales of justice, Rant, they ain’t out there somewhere. Those are just flawed reflections.’ He jabbed his own chest. ‘They’re in here. Justice doesn’t exist in the Wilds, you see. I spent a lifetime looking for it out there, never found it. No, justice resides in each soul. So, when you cheat and think you got away with it, you didn’t. When you cause suffering in someone, either directly or with your own indifference, the ledger inside records it. And the scales tip, and that suffering will return to you, and your soul will one day know the anguish you delivered.’ He
Steven Erikson (The God is Not Willing (Witness #1))
Simpler times. I miss simple. Puberty is truly Pandora's box. Once it's open, there's no going back.
Juno Dawson (Stay Another Day)
Jarret insists on being a throwback to some earlier, “simpler” time. Now does not suit him. Religious tolerance does not suit him. The current state of the country does not suit him. He wants to take us all back to some magical time when everyone believed in the same God, worshipped him in the same way, and understood that their safety in the universe depended on completing the same religious rituals and stomping anyone who was different. There was never such a time in this country. But these days when more than half the people in the country can’t read at all, history is just one more vast unknown to them.
Octavia E. Butler (Parable of the Talents (Earthseed, #2))
He'd been so much happier when he was little, when he hadn't realized his mom had been lying on those nights when she would make him dinner but not eat anything herself because she had "already eaten." Other kids had been simpler back then too, not noticing or caring that Zack's clothes and shoes were never new, or that he watched free documentaries on YouTube instead of the newest Netflix shows, or that he and his mom never went on any vacations or ate at any fancy restaurants. When she had free time and the sun was shining, she would pack some food and take him for a picnic in Central Park, and that had been enough for him.
Xiran Jay Zhao (Zachary Ying and the Dragon Emperor (Zachary Ying, #1))
I'm no good at the new games because I rarely play them. I like old things. Old books. Old movies. Old TV shows. It's not that life seemed simpler "back then." It's that it was more complicated. [...] Life was more complicated, but it was quieter, I bet. Slower. [...] The distractions then were card catalogs and dust and the smell of old paper and ink. The distractions were deep. I wonder what it would be like to go back in time, to live as long ago as the 1980s, or even further back. To know what was to come.
Barry Lyga (Bang)
He wished he were back in Puerto Rico, where life was simpler for him. Ah, those were the good old days.
Jason Medina (The Manhattanville Incident: An Undead Novel)
I'm not suggesting that we should unlearn this modern age entirely and revert back to some fantasised simpler time. There was never a moment when we had it right, and this era we live in now is full of miraculous ways to come together and to adapt. But it is time for a reckoning. We have run as far as we can from the hardships of previous ages, and now we need to find a balance between what we know and what we knew. If we start to re-enchant the most fundamental parts of our existence--the food, the objects that we use, the places we inhabit--we can begin to restore our connection between our bodies and the land. This can't be achieved in the abstract. We must learn to become better keepers of the things that matter.
Katherine May (Enchantment: Awakening Wonder in an Anxious Age)
Fucking whole country’s filled with nasty, unhappy, confused, pissed-off people, and not one of them with the brain power to honestly deal with their situation. They talk about simpler times—before there was AIDS and crack and gangs and mass communications and satellites and airplanes and global warming—like it’s something they could possibly get back to. And they can’t figure out why they’re so fucked up, so they find someone to blame. Niggers, Jews, whites, Chinks, Arabs, Russians, pro-choicers, pro-lifers—who do you got?
Dennis Lehane (A Drink Before the War (Kenzie & Gennaro, #1))
I Have to Go Back to 1994 and Kill a Girl It’s no wonder I’m always tired with all these tract houses— It’s night & cold on my belly in the undeveloped field now I have to bury her clothing inside a black garbage bag in plot D police cars roll past but continue down the treeless parkway even after shining their lights on me in my freshman sundress I can only assume they don’t see the significance of my presence but I must say 1994 is a simpler time—not everyone is suspect I crawl up next to my old house & look through a lit window my mother reads a book in bed I want to knock on the glass, there’s something I need to tell her
Karyna McGlynn (I Have to Go Back to 1994 and Kill a Girl: Poems)
She'd finally fallen in love, after so many years of wondering what the fuss was all about, and frankly it felt awful. Life would have been much simpler without it; without seeing the rainbow and going back to living life in shades of grey. Without realising what she was missing out on. Without understanding, for the first time ever, that being content wasn't the same as being happy.
Debbie Johnson (Never Kiss a Man in a Christmas Jumper)
I wonder at the terror physicists must have felt when the laws of Newton failed under a microscope. They poked a little too far. Many of them must have wished they could un-see what they had witnessed and go back to a simpler time.
Avni Doshi (Burnt Sugar)
Work out example problems yourself, without looking at the solutions. (If you have to peek partway through, after you finish the problem, go back and do the whole problem again.) Try to recall the key points from a book, article, or paper. Look away and see if you can recall the key idea or ideas. If what you’re reading is difficult, it’s best to pause and try to recall after each page of what you’re reading. Formulate your own questions about the material. Take practice tests, preferably under time pressure that simulates the actual time constraints of the test. Find ways to re-explain key ideas from your notes or textbook in simpler terms, as if you’re explaining them to a child. Work with others, either another person or a small group—meet and discuss the concepts, give mini-lectures, and compare approaches.
Barbara Oakley (Learn Like a Pro: Science-Based Tools to Become Better at Anything)
She shoved me out of the bed! The realization hit him as hard as the floor. His feline grace failed him. Far from hanging its head in shame, his inner lion rolled in mirth, tufted tail practically wagging. Not funny. Except it was. He had a feeling this more assertive side of Arabella was his fault. Since the moment they’d met, he’d encouraged her to not take any shit, and apparently she’d decided to start with him. Dammit. When he’d told her to not let the world stomp all over her, he should have specified his exemption. I’m her mate. Isn’t there a rule that says she can’t kick me out of bed? Except she’d yet to realize what he had. Was it only a day ago since his life changed? Not even. At this rate, he’d be picking out fucking China patterns by noon. Completely emasculated and by a woman who wanted nothing to do with him. Flipping to his knees, he sat up and rested his chin on the mattress. Arabella faced him, eyes wary, breathing shallow as she waited for his reaction. More like she waited to see if he’d explode. She’d learn. Hayder would never harm her, but he would use his infamous kitty-cat eyes against her. He stared. You know you want me. You know you need me. Come on, baby. Melt. Melt for your lion. She stared right back. Hmm, this wasn’t working as planned. He let the left side of his lip curl into a grin, tugging his cheek and popping his infamous dimple. “I know what you’re doing.” “What?” “Trying to manipulate me into letting you back into bed.” “Is it working?” For a moment her expression shifted, a quick flip of emotions as she struggled to answer. “Yes it’s working. But I wish it wasn’t.” “Why? Why fight it?” “Because I think I need time.” It turned out there was something more powerful than his dimple. Her honesty. He groaned. “I think you were sent to kill me. Fine. If you insist, I’ll respect you even if I’d rather debauch you.” Her eyes widened. “Respect doesn’t mean I’m going to lie, baby. I want you. Bad. But I’ll listen to what you want. For now.” And, yes, he said it ominously. Let her think about it. Think about him. Soon even she wouldn’t be able to deny they were meant for each other. He stood, all six foot plus naked feet of him. And, yes, that did put a certain part of his anatomy in perfect view of a certain shocked gaze. A sucked-in breath, cheeks that darkened, a certain awareness sizzling between them. She couldn’t hope to hide her pleasure or interest in what she saw. “Sweet dreams, baby.” He winked and then turned, resisting an urge to catch her staring at his ass. He knew she was. He could feel the crazy heat as she traced his path out of the room. Go back. Want to snuggle. His lion couldn’t understand why they were back in the living room with its cramped couch that wouldn’t allow him to stretch out. Why couldn’t they snuggle in the nice warm bed and, even better, cuddle with a nice warm mate? Respect, my furry friend. A lion had no use for respect though. His worldview was much simpler. Ours. Bed. Hungry. Not hungry for a steak but, rather, a sweet, creamy pie. Hayder groaned. No need to keep reminding him of what he was missing. He knew. He hated it, but her wants had to take precedence over his. Argh.
Eve Langlais (When a Beta Roars (A Lion's Pride, #2))
Discovering a dental practitioner that works for you can be difficult. You can make this task a lot simpler if you educate yourself a bit. The following article provides numerous ideas to help you learn the best dental care practices. If you're teeth are very delicate to temperature level like hot and cold, you might should attempt a new toothpaste. Talk with your dental practitioner prior to switching over to tooth paste for sensitive teeth. If there is anything else that may be causing your delicate teeth, he or she can identify. Practice deep breathing if you're worried about having actually procedures done. When you find something that works for you, do it both in the past, throughout (if possible) and after your consultation. Using these strategies can help the process go more efficiently. A weak tooth enamel can lead to issues with cavities. Germs breaks down the enamel and this lead to cavities. Having routine cleanings in addition to excellent brushing practices can prevent cavities from ever forming. Your dentist will examine for any dental troubles with an x-ray. For the healthiest teeth, you should do more than just brush them. You likewise need to floss your teeth frequently and utilize disinfectant mouthwash regularly. Mouthwash gets rid of the germs that brushing your teeth doesn't and flossing enters between your teeth to get rid of plaque and pieces of food. Make sure your dental care regimen has all three aspects: flossing, mouthwash and brushing. You need routine check-ups to make sure that you have no problems with your teeth. You will likewise be sure that your dental professional will find anything before it happens and can also offer you with strong suggestions. You have to floss a minimum of once daily. You will see a huge distinction when you appropriately floss. The floss must be placed between your teeth. Move the floss back and forth to clean the space extensively. You must stop flossing at the gum line, not under the gums. You have to go gradually and clean the back and sides of every tooth with the floss. Prior to making use of over-the-counter items for whitening your teeth, visit your dentist. The unsightly fact is that damages can result from utilizing some teeth-whitening products. Most can be utilized safely; nevertheless, it is tough to identify which products are damaging and which aren't Your dentist will let you understand which options you should make use of for whitening, depending on your situation. Are you mulling over the possibility of having somebody pierce your tongue? Think once more. Germs are rampant inside your mouth, as well as a precise cleaning can not eliminate them all. Tongue piercings can end up cracking your enamel or even breaking your teeth. If your tongue ends up being infected and you don't receive therapy, you might lose a portion of your tongue. This is actually not extremely chic! Make sure that you alter your toothbrush on a routine basis. You ought to change your toothbrush every three or 4 months. It does not matter if your toothbrush still looks fantastic. After this window, your toothbrush's bristles become damaged. The older a tooth brush is, the less effective it is at cleaning your teeth. Frequently replacing your tooth brush is important for correctly taking care of your teeth. Floss teeth about when a day. It eliminates plaque and bacteria in between the teeth where brushes can not reach. Flossing likewise has much to do with guaranteeing your gums remain healthy. You can either floss in the early morning or at night; however, just do not forget to floss. Follow your tri cities wa dentist's orders as carefully as you can, specifically if you need dental work or antibiotics. Infections delegated fester can infect other parts of your body. Always do what your dental professional states to treat your infection, consisting of getting antibiotic
Taking care of Your Teeth One Step At A Time
But the point is, the talking heads are wrong. The loss won’t bring back a simpler time. Only a search for something new to fill the void.
Wayne Gladstone (Notes from the Internet Apocalypse: A Novel (The Internet Apocalypse Trilogy Book 1))
2014 Andy’s message continues   You know, Young, before you came along, the other students I chaperoned were mere duties to me. Life with them was much simpler. When you came into the picture, it became more difficult for me to separate the sex act and the intimate relationship we shared. I would often end up at an emotional crossroads when you were summoned to perform sexual duties. No matter how I told myself that you were merely performing a sexual favour and that love doesn’t enter into that equation, an acrid taste plagued me, even when I busied myself with passionate projects while waiting for you to complete your tasks. These negativities ate at my core, challenging my sanity and begging me to snatch you away from the sexual situations. A part of me wanted to possess you rather than permit you to come into your own. Yet as soon as I saw you, happy and bouncing into view, my levelheadedness and sound judgement would return. Once again, I could wrap you in my arms and surround you with my love. Although I may have seemed composed, those were indeed trying times. I had to restrain my irrationality so I wouldn’t jeopardise our E.R.O.S. statuses. Like you, I was also pushing the green-eyed monster back into its abysmal lair. Reflecting on those experiences, I’m surprised I managed to constrain myself. Don’t misunderstand me, I’m grateful for my Bahriji training and E.R.O.S. experiences – without them, I would not have been as strong or resilient. I remember Eric Hoffer, the American moral and social philosopher, who wrote, “Many of the insights of the saint stem from his experience as a sinner.” Though I don’t consider E.R.O.S. recruits and members sinners, I think our experiences were, in a way, saintly – were they not?               Well, young one (you will always be my ‘young one’), I’ll message you again. For now I bid you au revoir mon ami. I’ll be in touch.               Love,               Andy
Young (Turpitude (A Harem Boy's Saga Book 4))
I read an article in a magazine about his return to the top from a battle with drug addiction. The article mentioned that one of the things he likes to do is drive back to the small house he grew up in, sit slouched in his car so people can’t tell it’s him, and reminisce about a time when life was simpler. He says, “It may sound corny, but I’ll go by and try to remember how things were when we were in those houses. As time goes by, you might get content and forget things.” He’s concerned about losing that part of his life, that drive, now that he’s no longer invisible and connected to the same hunger.13 You might never be Eminem, but someday, I promise you, you will treasure and value this time when your dream job was just a dream. A time when you were invisible and able to make big mistakes without big embarrassment. A time when things were simple and the canvas wasn’t surrounded by thousands, even millions, of onlookers awaiting every brush stroke. I
Jon Acuff (Quitter)
Jarret insists on being a throwback to some earlier, “simpler” time. Now does not suit him. Religious tolerance does not suit him. The current state of the country does not suit him. He wants to take us all back to some magical time when everyone believed in the same God, worshipped him in the same way, and understood that their safety in the universe depended on completing the same religious rituals and stomping anyone who was different. There was never such a time in this country. But these days when more than half the people in the country can’t read at all, history is just one more vast unknown to them. Jarret supporters have been known, now and then, to form mobs and burn people at the stake for being witches. Witches! In 2032! A witch, in their view, tends to be a Moslem, a Jew, a Hindu, a Buddhist, or, in some parts of the country, a Mormon, a Jehovah’s Witness, or even a Catholic. A witch may also be an atheist, a “cultist,” or a well-to-do eccentric. Well-to-do eccentrics often have no protectors or much that’s worth stealing. And “cultist” is a great catchall term for anyone who fits into no other large category, and yet doesn’t quite match Jarret’s version of Christianity. Jarret’s people have been known to beat or drive out Unitarians, for goodness’ sake. Jarret condemns the burnings, but does so in such mild language that his people are free to hear what they want to hear. As for the beatings, the tarring and feathering, and the destruction of “heathen houses of devil-worship,” he has a simple answer: “Join us! Our doors are open to every nationality, every race! Leave your sinful past behind, and become one of us. Help us to make America great again.” He’s had notable success with this carrot-and-stick approach. Join us and thrive, or whatever happens to you as a result of your own sinful stubbornness is your problem.
Octavia E. Butler (Earthseed: Parable of the Sower and Parable of the Talents)
I think the idea that times were simpler “back in the day” is true in a lot of ways. Whatever anyone tells you about how technology and social media have made us disconnected from reality is probably right, but I think you can boil all these kinds of arguments down to the fact that people are no longer chill. They are goal-oriented. They are aware of all the things they could or believe they should have.
Alyssa Mastromonaco (Who Thought This Was a Good Idea?: And Other Questions You Should Have Answers to When You Work in the White House)
I’m not building a castle or a monument; I’m building a soul and a family. I’ll tell stories all my life, writing on napkins and on the backs of receipts, or in books if they let me, but this is the promise I make to my God: I will never again be so careless, so cavalier with the body and soul you’ve given me. They are the only things in all the world that have been entrusted entirely to me, and I stewarded them poorly, worshiping for a time at the altars of productivity, capability, busyness, distraction. This body and soul will become again what God intended them to be: living sacrifices, offered only to him. I will spend my life on meaning, on connection, on love, on freedom. I will not waste one more day trapped in comparison, competition, proving, and earning. That’s the currency of a culture that has nothing to offer me.
Shauna Niequist (Present Over Perfect: Leaving Behind Frantic for a Simpler, More Soulful Way of Living)
She was older now, with no time for dreams and movies. It was time to put all of the pieces together, make coherence where before there had been none. […] She herself was no longer a child. So she became, and her process of becoming was like most of ours: she developed a hatred for things that mystified or obstructed her; acquired virtues that were easy to maintain; assigned herself a role in the scheme of things; and harked back to simpler times for gratification.
Toni Morrison (The Bluest Eye)