Apple Of Our Eyes Quotes

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God knows your value; He sees your potential. You may not understand everything you are going through right now. But hold your head up high, knowing that God is in control and he has a great plan and purpose for your life. Your dreams may not have turned out exactly as you’d hoped, but the bible says that God’s ways are better and higher than our ways, even when everybody else rejects you, remember, God stands before you with His arms open wide. He always accepts you. He always confirms your value. God sees your two good moves! You are His prized possession. No matter what you go through in life, no matter how many disappointments you suffer, your value in God’s eyes always remains the same. You will always be the apple of His eye. He will never give up on you, so don’t give up on yourself.
Joel Osteen (Your Best Life Now: 7 Steps to Living at Your Full Potential)
The moment Eve bit into the apple, her eyes opened and she became free. She exposed the truth of what every woman knows: to find our sovereign voice often requires a betrayal.
Terry Tempest Williams (When Women Were Birds: Fifty-four Variations on Voice)
You want to see safe hands?' her dad asked. He went to the fruit bowl on the side of the table, took two apples and proceeded to juggle them. 'See? Safe as anything.' 'Are you proposing you juggle our newborn child?' 'Of course not,' he said. 'I'd only be able to juggle her if you'd had twins. Otherwise it would just be throwing.' (...) 'From this moment on, I will be the best father the world has ever seen. Wifey, may I please hold my child?' Valkyrie's mum looked at him suspiciously. 'When you hold a baby, what's the most important thing to remember?' 'Not to drop it,' he said proudly. 'Well, yes, well done dear, but I was thinking more about how you hold the baby.' 'Ah,' he said, 'Of course. The secret to holding a baby is to pick it up by the scruff of its neck.' 'You're thinking of kittens.' 'Pick it up by the ears, then.' 'You're thinking of nothing.' 'Can I please just hold her?' 'I don't think that's wise.' 'A lot of things aren't wise, Melissa. Is crossing the road with your eyes closed wise? No, but I do it anyway.' His wife nodded. 'Stephanie, you are in charge of teaching Alice how to cross the road.
Derek Landy (Death Bringer (Skulduggery Pleasant, #6))
Anyway, here.” He handed me a bag. “Thought you might be hungry. Since you’re our guests, it would be impolite if we didn’t share our food with you. That’s your rations for the week. Try to make it last.” At my surprised look, he rolled his eyes. “Not all of us live on oil and electricity, you know.” “What about Ash and Puck?” “Well, I’m pretty sure eating our food won’t melt their insides to gooey paste. But you never know.” (Glitch) ----------------- Puck sat and gazed mournfully into the bowl I handed him. “Not an apple slice to be found,” he sighed, picking through the gooey mess with his fingers. “How can mortals even pass this off as fruit? It’s like a peach farmer threw up in a bowl.” Ash picked up the spoon, gazing at it like it was an alien life form.
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
Finish that sentence and I will stab you in the eye with the spork Bethany’s about to pull out of her bag for her apple sauce.” He smiled gamely. “And she’d be very upset if I got her spork all messed up. She’s rather fond of the thing.” ... "A spork,” Dee said, grabbing her bag. “What is a spork?” Bethany’s mouth dropped open. “You’ve never seen one?” “Dee doesn’t get out much,” Dawson replied, grinning. “Shut up.” Dee pulled out the fork and spoon in one and smiled. “I’ve never seen one of these! Ha. This is so handy.” She looked over at Daemon, eyes dancing. “We could get rid of over half of our silverware and get like ten of these and we’d be set for life.
Jennifer L. Armentrout (Shadows (Lux, #0.5))
One day as Father and I were returning from our walk we found the Grote Markt cordoned off by a double ring of police and soldiers. A truck was parked in front of the fish mart; into the back were climbing men, women, and children, all wearing the yellow star. . . . "Father! Those poor people!" I cried. . . . "Those poor people," Father echoed. But to my surprise I saw that he was looking at the solders now forming into ranks to march away. "I pity the poor Germans, Corrie. They have touched the apple of God's eye.
Corrie ten Boom (The Hiding Place: The Triumphant True Story of Corrie Ten Boom)
This is an ode to all of those that have never asked for one. A thank you in words to all of those that do not do what they do so well for the thanking. This is to the mothers. This is to the ones who match our first scream with their loudest scream; who harmonize in our shared pain and joy and terrified wonder when life begins. This is to the mothers. To the ones who stay up late and wake up early and always know the distance between their soft humming song and our tired ears. To the lips that find their way to our foreheads and know, somehow always know, if too much heat is living in our skin. To the hands that spread the jam on the bread and the mesmerizing patient removal of the crust we just cannot stomach. This is to the mothers. To the ones who shout the loudest and fight the hardest and sacrifice the most to keep the smiles glued to our faces and the magic spinning through our days. To the pride they have for us that cannot fit inside after all they have endured. To the leaking of it out their eyes and onto the backs of their hands, to the trails of makeup left behind as they smile through those tears and somehow always manage a laugh. This is to the patience and perseverance and unyielding promise that at any moment they would give up their lives to protect ours. This is to the mothers. To the single mom’s working four jobs to put the cheese in the mac and the apple back into the juice so their children, like birds in a nest, can find food in their mouths and pillows under their heads. To the dreams put on hold and the complete and total rearrangement of all priority. This is to the stay-at-home moms and those that find the energy to go to work every day; to the widows and the happily married. To the young mothers and those that deal with the unexpected announcement of a new arrival far later than they ever anticipated. This is to the mothers. This is to the sack lunches and sleepover parties, to the soccer games and oranges slices at halftime. This is to the hot chocolate after snowy walks and the arguing with the umpire at the little league game. To the frosting ofbirthday cakes and the candles that are always lit on time; to the Easter egg hunts, the slip-n-slides and the iced tea on summer days. This is to the ones that show us the way to finding our own way. To the cutting of the cord, quite literally the first time and even more painfully and metaphorically the second time around. To the mothers who become grandmothers and great-grandmothers and if time is gentle enough, live to see the children of their children have children of their own. To the love. My goodness to the love that never stops and comes from somewhere only mothers have seen and know the secret location of. To the love that grows stronger as their hands grow weaker and the spread of jam becomes slower and the Easter eggs get easier to find and sack lunches no longer need making. This is to the way the tears look falling from the smile lines around their eyes and the mascara that just might always be smeared with the remains of their pride for all they have created. This is to the mothers.
Tyler Knott Gregson
How can we not ask at every turn, 'What is going to happen? How will this turn out?' The main thing is not to consent consciously to anxiety or a troubled mind. The moment you realize you are worrying, make very quickly an act of confidence: 'No, Jesus, You are there: nothing--nothing--happens, not a hair falls from our heads, without Your permission. I have no right to worry." Perhaps He is sleeping in the boat, but He is there. He is always there. He is all-powerful; nothing escapes His vigilance. He watches over each one of us 'as over the apple of His eye.' He is all love, all tenderness.
Jean du Coeur de Jésus d'Elbée (I Believe in Love: A Personal Retreat Based on the Teaching of St. Thérèse of Lisieux)
On my fifteenth birthday, I came to realize that the expression spoiled rotten meant exactly that. We kids were the apples of our parents' eyes, and I, for one, was rotting from inside out.
Neal Shusterman (Dread Locks (Dark Fusion, #1))
Travis took a bite of the apple and chewed, looking happy as I’d ever seen him. The peace in his eyes had returned, and even as the dozens of people watched our every move, everything felt…right.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
One day as Father and I were returning from our walk we found the Grote Markt cordoned off by a double ring of police and soldiers. A truck was parked in front of the fish mart; into the back were climbing men, women, and children, all wearing the yellow star. . . . "Father! Those poor people!" I cried. . . . "Those poor people," Father echoed. But to my surprise I saw that he was looking at the soldiers now forming into ranks to march away. "I pity the poor Germans, Corrie. They have touched the apple of God's eye.
Corrie ten Boom
Safe, safe, safe,” the heart of the house beats proudly. “Long years—” he sighs. “Again you found me.” “Here,” she murmurs, “sleeping; in the garden reading; laughing, rolling apples in the loft. Here we left our treasure—” Stooping, their light lifts the lids upon my eyes. “Safe! safe! safe!” the pulse of the house beats wildly. Waking, I cry “Oh, is this your buried treasure? The light in the heart.
Virginia Woolf (A Haunted House And Other Short Stories)
When I open the door, Baz is wheeling an old-fashioned chalkboard in front of our beds. “Where did that come from?” I ask. “A classroom.” “Yeah, but how did it get up here?” “It flew.” “No,” I say, “seriously.” He rolls his eyes. “I Up, up and away-ed it. It wasn’t much work.” “Why?” “Because we’re solving a mystery, Snow. I like to organize my thoughts.” “Is this how you normally plot my downfall?” “Yes. With multicoloured pieces of chalk. Stop complaining.” He opens up his book bag and takes out a few apples and things wrapped in greaseproof paper. “Eat,” he says, throwing one at me. It’s a bacon roll. He’s also got a pot of tea. “What’s all this?” I say. “Tea, obviously. I know you can’t function unless you’re stuffing yourself.” I unwrap the roll and decide to take a bite. “Thanks.” “Don’t thank me,” he says. “It sounds wrong.” “Not as wrong as you bringing me bacon butties.” “Fine, you’re welcome—when’s Bunce getting here?” “Why would she?” “Because you do everything together, don’t you? When you said you’d help, I was counting on you bringing your smarter half.
Rainbow Rowell (Carry On (Simon Snow, #1))
Mr. Rochester continued to be blind the first two years of our union; perhaps it was that circumstance that drew us so very near -- that knit us so very close; for I was then his vision, as I am still his right hand. Literally, I was (what he often called me) the apple of his eye. He saw nature -- he saw books through me; and never did I weary of gazing for his behalf, and of putting into words the effect of the field, tree, town, river, cloud, sunbeam -- of the landscape before us; of the weather around us -- and impressing by sound on his ear what light could no longer stamp on his eye. Never did I weary of reading to him; never did I weary conducting him where he wished to go; of doing for him what he wished to be done. And there was a pleasure in my services, most full, most exquisite, even though sad -- because he claimed these services without painful shame or damping humiliation. He loved me so truly, that he knew no reluctance in profiting by my attendance; he felt I loved him so fondly, that to yield that attendance was to indulge my sweetest wishes.
Charlotte Brontë (Jane Eyre)
Everything is melting in nature. We think we see objects, but our eyes are slow and partial. Nature is blooming and withering in long puffy respirations, rising and falling in oceanic wave-motion. A mind that opened itself fully to nature without sentimental preconception would be glutted by nature’s coarse materialism, its relentless superfluity. An apple tree laden with fruit: how peaceful, how picturesque. But remove the rosy filter of humanism from our gaze and look again. See nature spuming and frothing, its mad spermatic bubbles endlessly spilling out and smashing in that inhuman round of waste, rot, and carnage. From the jammed glassy cells of sea roe to the feathery spores poured into the air from bursting green pods, nature is a festering hornet’s nest of aggression and overkill. This is the chthonian black magic with which we are infected as sexual beings; this is the daemonic identity that Christianity so inadequately defines as original sin and thinks it can cleanse us of. Procreative woman is the most troublesome obstacle to Christianity’s claim to catholicity, testified by its wishful doctrines of Immaculate Conception and Virgin Birth. The procreativeness of chthonian nature is an obstacle to all of western metaphysics and to each man in his quest for identity against his mother. Nature is the seething excess of being.
Camille Paglia (Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (Yale Nota Bene))
I put down my pencil and sigh. “Could you go eat that somewhere else? I swear, you must be the noisiest apple eater in the history of time.” One shoulder goes up in a shrug. “I like it here. And I love eating apples.” The way his voice lowers on the second sentence gives off the hint of an innuendo. It riles me up enough to respond harshly, “I’m sure you do, Jason. I’m sure you love eating all different sorts of apples.” Jesus Christ, did I just say that? Kill me now. “Actually, I’m loyal to just the one apple,” he counters. The way his eyes dance and shine makes me want to laugh. I hate how he does this to me. Our conversation right now is verging on the ridiculous. Still, I don’t let it drop. “You can’t be loyal to only one apple. Once it’s eaten it’s gone, and you need to go find a new one.” “Oh, I could eat my apple over and over again without ever feeling the need to find a new one.” “Maybe your apple doesn’t want to be eaten. Maybe your apple is tired of your apple-eating ways.” He leans forward, one elbow resting on the table, his gaze growing even darker. “On the contrary, my apple loves to be eaten. In fact, my apple is a little cranky right now because she hasn’t been eaten in a while.” The bloody cheek of him!
L.H. Cosway (Six of Hearts (Hearts, #1))
We will never have any memory of dying. We were so patient about our being, noting down numbers, days, years and months, hair, and the mouths we kiss, and that moment of dying we let pass without a note - we leave it to others as memory, or we leave it simply to water, to water, to air, to time. Nor do we even keep the memory of being born, although to come into being was tumultuous and new; and now you don’t remember a single detail and haven’t kept even a trace of your first light. It’s well known that we are born. It’s well known that in the room or in the wood or in the shelter in the fishermen’s quarter or in the rustling canefields there is a quite unusual silence, a grave and wooden moment as a woman prepares to give birth. It’s well known that we were all born. But if that abrupt translation from not being to existing, to having hands, to seeing, to having eyes, to eating and weeping and overflowing and loving and loving and suffering and suffering, of that transition, that quivering of an electric presence, raising up one body more, like a living cup, and of that woman left empty, the mother who is left there in her blood and her lacerated fullness, and its end and its beginning, and disorder tumbling the pulse, the floor, the covers till everything comes together and adds one knot more to the thread of life, nothing, nothing remains in your memory of the savage sea which summoned up a wave and plucked a shrouded apple from the tree. The only thing you remember is your life." -"Births
Pablo Neruda (Fully Empowered)
There are readings—of the same text—that are dutiful, readings that map and dissect, readings that hear a rustling of unheard sounds, that count grey little pronouns for pleasure or instruction and for a time do not hear golden or apples. There are personal readings, which snatch for personal meanings, I am full of love, or disgust, or fear, I scan for love, or disgust, or fear. There are—believe it—impersonal readings—where the mind's eye sees the lines move onwards and the mind's ear hears them sing and sing. Now and then there are readings that make the hairs on the neck, the non-existent pelt, stand on end and tremble, when every word burns and shines hard and clear and infinite and exact, like stones of fire, like points of stars in the dark—readings when the knowledge that we shall know the writing differently or better or satisfactorily, runs ahead of any capacity to say what we know, or how. In these readings, a sense that the text has appeared to be wholly new, never before seen, is followed, almost immediately, by the sense that it was always there, that we the readers knew it was always there, and have always known it was as it was, though we have now for the first time recognised, become fully cognisant of, our knowledge.
A.S. Byatt (Possession)
We’ve got nothing to do with right-wing, left-wing or any other half-assed political category. If you work within the system, you come to one of the either/or choices that were implicit in the system from the beginning. You’re talking like a medieval serf, asking the first agnostic whether he worships God or the Devil. We’re outside the system’s categories. You’ll never get the hang of our game if you keep thinking in flat-earth imagery of right and left, good and evil, up and down. If you need a group label for us, we’re political non-Euclideans. But even that’s not true. Sink me, nobody of this tub agrees with anybody else about anything, except maybe what the fellow with the horns told the old man in the clouds: Non serviam.
Robert Shea (The Illuminatus! Trilogy: The Eye in the Pyramid/The Golden Apple/Leviathan)
If it were today, I would have her heart cut out, true. But then I would have her head and arms and legs cut off. I would have them disembowel her. And then I would watch, in the town square, as the hangman heated the fire to white-heat with bellows, watch unblinking as he consigned each part of her to the fire. I would have archers around the square, who would shoot any bird or animal who came close to the flames, any raven or dog or hawk or rat. And I would not close my eyes until the princess was ash, and a gentle wind could scatter her like snow. I did not do this thing, and we pay for our mistakes.
Neil Gaiman (Snow, Glass, Apples)
All Souls’ Eve, when the spirits of the dead will come back to the living, dressed as ballerinas and Coke bottles and spacemen and Mickey Mice, and the living will give them candy to keep them from turning vicious. I can still taste that festival: the tart air, caramel in the mouth, the hope at the door, the belief in something for nothing all children take for granted. They won’t get homemade popcorn balls any more, though, or apples: rumors of razor blades abound, and the possibility of poison. Even by the time of my own children, we worried about the apples. There’s too much loose malice blowing around. In Mexico they do this festival the right way, with no disguises. Bright candy skulls, family picnics on the graves, a plate set for each individual guest, a candle for the soul. Everyone goes away happy, including the dead. We’ve rejected that easy flow between dimensions: we want the dead unmentionable, we refuse to name them, we refuse to feed them. Our dead as a result are thinner, grayer, harder to hear, and hungrier.
Margaret Atwood (Cat's Eye)
I’m about fifty-fifty on believing in God,” he said. “For most of my life, I’ve felt that there must be more to our existence than meets the eye.” He admitted that, as he faced death, he might be overestimating the odds out of a desire to believe in an afterlife. “I like to think that something survives after you die,” he said. “It’s strange to think that you accumulate all this experience, and maybe a little wisdom, and it just goes away. So I really want to believe that something survives, that maybe your consciousness endures.” He fell silent for a very long time. “But on the other hand, perhaps it’s like an on-off switch,” he said. “Click! And you’re gone.” Then he paused again and smiled slightly. “Maybe that’s why I never liked to put on-off switches on Apple devices.
Walter Isaacson (Steve Jobs)
For you, a thousand times over." "Children aren't coloring books. You don't get to fill them with your favorite colors." "...attention shifted to him like sunflowers turning to the sun." "But even when he wasn't around, he was." "When you kill a man, you steal a life. You steal a wife's right to a husband, rob his children of a father. When you tell a lie, you steal someone's right to the truth. When you cheat, you steal the right to fairness. There is no act more wretched than stealing." "...she had a voice that made me think of warm milk and honey." "My heart stuttered at the thought of her." "...and I would walk by, pretending not to know her, but dying to." "It turned out that, like satan, cancer had many names." "Every woman needed a husband, even if he did silence the song in her." "The first time I saw the Pacific, I almost cried." "Proud. His eyes gleamed when he said that and I liked being on the receiving end of that look." "Make morning into a key and throw it into the well, Go slowly, my lovely moon, go slowly. Let the morning sun forget to rise in the East, Go slowly, lovely moon, go slowly." "Men are easy,... a man's plumbing is like his mind: simple, very few surprises. You ladies, on the other hand... well, God put a lot of thought into making you." "All my life, I'd been around men. That night, I discovered the tenderness of a woman." "And I could almost feel the emptiness in [her] womb, like it was a living, breathing thing. It had seeped into our marriage, that emptiness, into our laughs, and our lovemaking. And late at night, in the darkness of our room, I'd feel it rising from [her] and settling between us. Sleeping between us. Like a newborn child." "America was a river, roaring along unmindful of the past. I could wade into this river, let my sins drown to the bottom, let the waters carry me someplace far. Someplace with no ghosts, no memories, and no sins. If for nothing else, for that I embraced America." "...and every day I thank [God] that I am alive, not because I fear death, but because my wife has a husband and my son is not an orphan." "...lifting him from the certainty of turmoil and dropping him in a turmoil of uncertainty." "...sometimes the dead are luckier." "He walked like he was afraid to leave behind footprints. He moved as if not to stir the air around him." "...and when she locked her arms around my neck, when I smelled apples in her hair, I realized how much I had missed her. 'You're still the morning sun to me...' I whispered." "...there is a God, there always has been. I see him here, in the eys of the people in this [hospital] corridor of desperation. This is the real house of God, this is where those who have lost God will find Him... there is a God, there has to be, and now I will pray, I will pray that He will forgive that I have neglected Him all of these years, forgive that I have betrayed, lied, and sinned with impunity only to turn to Him now in my hour of need. I pray that He is as merciful, benevolent, and gracious as His book says He is.
Khalid Hosseini (The Kite Runner)
Last Night’s Moon," “When will we next walk together under last night’s moon?” - Tu Fu March aspens, mist forest. Green rain pins down the sea, early evening cyanotype. Silver saltlines, weedy toques of low tide, pillow lava’s black spill indelible in the sand. Unbroken broken sea. — Rain sharpens marsh-hair birth-green of the spring firs. In the bog where the dead never disappear, where river birch drown, the surface strewn with reflection. This is the acid-soaked moss that eats bones, keeps flesh; the fermented ground where time stops and doesn’t; dissolves the skull, preserves the brain, wrinkled pearl in black mud. — In the autumn that made love necessary, we stood in rubber boots on the sphagnum raft and learned love is soil–stronger than peat or sea– melting what it holds. The past is not our own. Mole’s ribbon of earth, termite house, soaked sponge. It rises, keloids of rain on wood; spreads, milkweed galaxy, broken pod scattering the debris of attention. Where you are while your body is here, remembering in the cold spring afternoon. The past is a long bone. — Time is like the painter’s lie, no line around apple or along thigh, though the apple aches to its sweet edge, strains to its skin, the seam of density. Invisible line closest to touch. Lines of wet grass on my arm, your tongue’s wet line across my back. All the history in the bone-embedded hills of your body. Everything your mouth remembers. Your hands manipullate in the darkness, silver bromide of desire darkening skin with light. — Disoriented at great depths, confused by the noise of shipping routes, whales hover, small eyes squinting as they consult the magnetic map of the ocean floor. They strain, a thousand miles through cold channels; clicking thrums of distant loneliness bounce off seamounts and abyssal plains. They look up from perpetual dusk to rods of sunlight, a solar forest at the surface. Transfixed in the dark summer kitchen: feet bare on humid linoleum, cilia listening. Feral as the infrared aura of the snake’s prey, the bees’ pointillism, the infrasonic hum of the desert heard by the birds. The nighthawk spans the ceiling; swoops. Hot kitchen air vibrates. I look up to the pattern of stars under its wings.
Anne Michaels
A naturalist should look at the world with warm affection, if not ardent love. The life the scalpel has ended ought to be honored by a caring, devoted appreciation for that creature’s unrepeatable individuality, and for the fact that, at the same time, strange as this may seem, this life stands for the entire natural kingdom. Examined with attention, the dissected hare illuminates the parts and properties of all other animals and, by extension, their environment. The hare, like a blade of grass or a piece of coal, is not simply a small fraction of the whole but contains the whole within itself. This makes us all one. If anything, because we are all made of the same stuff. Our flesh is the debris of dead stars, and this is also true of the apple and its tree, of each hair on the spider’s legs, and of the rock rusting on planet Mars. Each minuscule being has spokes radiating out to all of creation. Some of the raindrops falling on the potato plants in your farm back in Sweden were once in a tiger’s bladder. From one living thing, the properties of any other may be predicted. Looking at any particle with sufficient care, and following the chain that links all things together, we can arrive at the universe—the correspondences are there, if the eye is skillful enough to detect them. The guts of the anatomized hare faithfully render the picture of the entire world. And because that hare is everything, it is also us. Having understood and experienced this marvelous congruity, man can no longer examine his surroundings merely as a surface scattered with alien objects and creatures related to him only by their usefulness. The carpenter who can only devise tabletops while walking through the forest, the poet who can only remember his own private sorrows while looking at the falling snow, the naturalist who can only attach a label to every leaf and a pin to every insect—all of them are debasing nature by turning it into a storehouse, a symbol, or a fact. Knowing nature, Lorimer would often say, means learning how to be. And to achieve this, we must listen to the constant sermon of things. Our highest task is to make out the words to better partake in the ecstasy of existence.
Hernan Diaz (In the Distance)
Pommes de Terre” The plow; the raw September earth; the massive-haunched and mighty-hoofed old bay clomping and farting down the furrow; Father holding the plow, my brother the reins, and me with a sack following, gathering the fruits of the overturned soil – the earth apples… Richly abundant, brown fat potatoes, thick as stars, appearing like miracles out of the barren, weedy, stony patch, thousands of big hefty solid spuds, bushel after bushel, a hundred bushels per acre, a mass of treasure from the earth… How our hands and eyes delighted in that harvest, how gladly we dragged our bulging gunnysacks to the wagon…a wagonful of potatoes! Dark, crusted with dirt, soil, earth, cool to the touch, good to eat even raw; we plowed the shabby-looking field and turned up nuggets, plenty, abundance, more than we needed, riches unimagined…
Edward Abbey
I assure you, we are bathed in love and mercy. We each have a Father, a Brother, a Friend, a Spouse of our soul, Center and King of our hearts, Redeemer and Savior; bent down over us, over our weakness, and our impotence like that of little children; with an inexpressible gentleness watching over us like the apple of his eye; Who said I will have mercy and not sacrifice; A Jesus haunted by the desire to save us by all means, Who has opened heaven under our feet; And we live too often like orphans, like abandoned children as if it were hell which had been opened under our feet. We are men of little faith.
Jean du Coeur de Jésus d'Elbée (I Believe in Love: A Personal Retreat Based on the Teaching of St. Thérèse of Lisieux)
The face that Moses had begged to see – was forbidden to see – was slapped bloody (Exodus 33:19-20) The thorns that God had sent to curse the earth’s rebellion now twisted around his brow… “On your back with you!” One raises a mallet to sink the spike. But the soldier’s heart must continue pumping as he readies the prisoner’s wrist. Someone must sustain the soldier’s life minute by minute, for no man has this power on his own. Who supplies breath to his lungs? Who gives energy to his cells? Who holds his molecules together? Only by the Son do “all things hold together” (Colossians 1:17). The victim wills that the soldier live on – he grants the warrior’s continued existence. The man swings. As the man swings, the Son recalls how he and the Father first designed the medial nerve of the human forearm – the sensations it would be capable of. The design proves flawless – the nerves perform exquisitely. “Up you go!” They lift the cross. God is on display in his underwear and can scarcely breathe. But these pains are a mere warm-up to his other and growing dread. He begins to feel a foreign sensation. Somewhere during this day an unearthly foul odor began to waft, not around his nose, but his heart. He feels dirty. Human wickedness starts to crawl upon his spotless being – the living excrement from our souls. The apple of his Father’s eye turns brown with rot. His Father! He must face his Father like this! From heaven the Father now rouses himself like a lion disturbed, shakes His mane, and roars against the shriveling remnant of a man hanging on a cross.Never has the Son seen the Father look at him so, never felt even the least of his hot breath. But the roar shakes the unseen world and darkens the visible sky. The Son does not recognize these eyes. “Son of Man! Why have you behaved so? You have cheated, lusted, stolen, gossiped – murdered, envied, hated, lied. You have cursed, robbed, over-spent, overeaten – fornicated, disobeyed, embezzled, and blasphemed. Oh the duties you have shirked, the children you have abandoned! Who has ever so ignored the poor, so played the coward, so belittled my name? Have you ever held a razor tongue? What a self-righteous, pitiful drunk – you, who moles young boys, peddle killer drugs, travel in cliques, and mock your parents. Who gave you the boldness to rig elections, foment revolutions, torture animals, and worship demons? Does the list never end! Splitting families, raping virgins, acting smugly, playing the pimp – buying politicians, practicing exhortation, filming pornography, accepting bribes. You have burned down buildings, perfected terrorist tactics, founded false religions, traded in slaves – relishing each morsel and bragging about it all. I hate, loathe these things in you! Disgust for everything about you consumes me! Can you not feel my wrath? Of course the Son is innocent He is blamelessness itself. The Father knows this. But the divine pair have an agreement, and the unthinkable must now take place. Jesus will be treated as if personally responsible for every sin ever committed. The Father watches as his heart’s treasure, the mirror image of himself, sinks drowning into raw, liquid sin. Jehovah’s stored rage against humankind from every century explodes in a single direction. “Father! Father! Why have you forsaken me?!” But heaven stops its ears. The Son stares up at the One who cannot, who will not, reach down or reply. The Trinity had planned it. The Son had endured it. The Spirit enabled Him. The Father rejected the Son whom He loved. Jesus, the God-man from Nazareth, perished. The Father accepted His sacrifice for sin and was satisfied. The Rescue was accomplished.
Joni Eareckson Tada (When God Weeps Kit: Why Our Sufferings Matter to the Almighty)
So what happened?" "I don't know." Another glance to ensure his continued state of Not Looking, and then I rip off my clothes in one fast swoop. I am now officially stark naked in the room with the most beautiful boy I know. Funny,but this isn't how I imagined this moment. No.Not funny.One hundred percent the exact opposite of funny. "I think I maybe,possibly, vaguely remember hitting the snooze button." I jabber to cover my mortification. "Only I guess it was the off button.But I had the alarm on my phone set,too, so I don't know what happened." Underwear,on. "Did you turn the ringer back on last night?" "What?" I hop into my jeans, a noise he seems to determinedly ignore.His ears are apple red. "You went to see a film,right? Don't you set your mobile to silent at the theater?" He's right.I'm so stupid. If I hadn't taken Meredith to A Hard Day's Night, a Beatles movie I know she loves, I would have never turned it off. We'd already be in a taxi to the airport. "The taxi!" I tug my sweater over my head and look up to find myself standing across from a mirror. A mirror St. Clair is facing. "It's all right," he says. "I told the driver to wait when I came up here. We'll just have to tip him a little extra." His head is still down. I don't think he saw anything.I clear my throat, and he glances up. Our eyes meet in the mirror,and he jumps. "God! I didn't...I mean,not until just now..." "Cool.Yeah,fine." I try to shake it off by looking away,and he does the same. His cheeks are blazing.I edge past him and rinse the white crust off my face while he throws my toothbrush and deodorant and makeup into my luggage, and then we tear downstairs and into the lobby.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
God is so pure that if we were to behold Him within the context of our natural bodies, we would be destroyed because of the impurity of sin in our flesh that was genetically passed down to us through the sin of Adam and Eve. God purifies, or makes purely holy, everything He touches. That’s right; the purification process of His total presence would destroy our natural bodies completely, because no good thing is in us. Isn't that a mystery? But then, it's a mystery to me how He made evergreens to stay green perpetually, or how fish spawn, or how birds sing so beautifully. We cannot put God in a box, or try to intellectualize His every facet. We would just sound pompous.
Marion Green (The Apple Of His Eye Mentality)
Chimamanda Ngozi Adichie recalls that the stories she wrote as a seven year old in Nigeria were based on the kinds of stories she read, featuring characters who were white and blue eyed, they played in the snow, the ate apples. According to Adichie, this wasn´t just about experimentation or an active imagination, because all I had read were books in which characters were foreign, I had become convinced that books by their very nature had to have foreigners in them and had to be about things with which I could not personally identify. We learn so many things from reading stories, including the conventions of stories such as good versus evil, confronting our fears and that danger often lurks in the woods. The problem is that, when one of these conventions is that children in stories are white, english and middle class, than you may come to learn that your own life does not qualify as subject material. Adichie describes this as "The danger of a single story" a danger that extends to stories which, whilst appearing to be diverse, rely on stereotypes and thus limit the imagination
Darren Chetty (The Good Immigrant)
May with its light behaving Stirs vessel, eye and limb, The singular and sad Are willing to recover, And to each swan-delighting river The careless picnics come In living white and red. Our dead, remote and hooded, In hollows rest, but we From their vague woods have broken, Forests where children meet And the white angel-vampires flit, Stand now with shaded eye, The dangerous apple taken. The real world lies before us, Brave motions of the young, Abundant wish for death, The pleasing, pleasured, haunted: A dying Master sinks tormented In his admirers’ ring, The unjust walk the earth. And love that makes impatient Tortoise and roe, that lays The blonde beside the dark, Urges upon our blood, Before the evil and the good How insufficient is Touch, endearment, look.
W.H. Auden
Last year I had a very unusual experience. I was awake, with my eyes closed, when I had a dream. It was a small dream about time. I was dead, I guess, in deep black space high up among many white stars. My own consciousness had been disclosed to me, and I was happy. Then I saw far below me a long, curved band of color. As I came closer, I saw that it stretched endlessly in either direction, and I understood that I was seeing all the time of the planet where I had lived. It looked like a woman’s tweed scarf; the longer I studied any one spot, the more dots of color I saw. There was no end to the deepness and variety of the dots. At length, I started to look for my time, but, although more and more specks of color and deeper and more intricate textures appeared in the fabric, I couldn’t find my time, or any time at all that I recognized as being near my time. I couldn’t make out so much as a pyramid. Yet as I looked at the band of time, all the individual people, I understood with special clarity, were living at the very moment with great emotion, in intricate detail, in their individual times and places, and they were dying and being replaced by ever more people, one by one, like stitches in which whole worlds of feeling and energy were wrapped, in a never-ending cloth. I remembered suddenly the color and texture of our life as we knew it- these things had been utterly forgotten- and I thought as I searched for it on the limitless band, “that was a good time then, a good time to be living.” And I began to remember our time. I recalled green fields with carrots growing, one by one, in slender rows. Men and women in bright vests and scarves came and pulled the carrots out of the soil and carried them in baskets to shaded kitchens, where they scrubbed them with yellow brushes under running water…I saw may apples in forest, erupting through leaf-strewn paths. Cells on the root hairs of sycamores split and divided and apples grew striped and spotted in the fall. Mountains kept their cool caves, and squirrels raced home to their nests through sunlight and shade. I remembered the ocean, and I seemed to be in the ocean myself, swimming over orange crabs that looked like coral, or off the deep Atlantic banks where whitefish school. Or again I saw the tops of poplars, and the whole sky brushed with clouds in pallid streaks, under which wilds ducks flew, and called, one by one, and flew on. All these things I saw. Scenes grew in depth and sunlit detail before my eyes, and were replaced by ever more scenes, as I remembered the life of my time with increasing feeling. At last I saw the earth as a globe in space, and I recalled the ocean’s shape and the form of continents, saying to myself with surprise as I looked at the planet, “Yes, that’s how it was then, that part there we called ‘France’”. I was filled with the deep affection of nostalgia- and then I opened my eyes.
Annie Dillard (Pilgrim at Tinker Creek)
God even puts people in leadership; we just do what He puts in our hearts to do when it comes to electing those in leadership. So don't depend on men. God is able to do all things for you, and help you in every way that is good and needful (even when it feels bad). Don't wait until you are in a corner of desperation to figure that out and try to then stir up your faith in God's ability. Start strengthening your faith now.
Marion Green (The Apple Of His Eye Mentality)
Everyone's here except for St. Clair." Meredith cranes her neck around the cafeteria. "He's usually running late." "Always," Josh corrects. "Always running late." I clear my throat. "I think I met him last night. In the hallway." "Good hair and an English accent?" Meredith asks. "Um.Yeah.I guess." I try to keep my voice casual. Josh smirks. "Everyone's in luuurve with St. Clair." "Oh,shut up," Meredith says. "I'm not." Rashmi looks at me for the first time, calculating whether or not I might fall in love with her own boyfriend. He lets go of her hand and gives an exaggerated sigh. "Well,I am. I'm asking him to prom. This is our year, I just know it." "This school has a prom?" I ask. "God no," Rashmi says. "Yeah,Josh. You and St. Clair would look really cute in matching tuxes." "Tails." The English accent makes Meredith and me jump in our seats. Hallway boy. Beautiful boy. His hair is damp from the rain. "I insist the tuxes have tails, or I'm giving your corsage to Steve Carver instead." "St. Clair!" Josh springs from his seat, and they give each other the classic two-thumps-on-the-back guy hug. "No kiss? I'm crushed,mate." "Thought it might miff the ol' ball and chain. She doesn't know about us yet." "Whatever," Rashi says,but she's smiling now. It's a good look for her. She should utilize the corners of her mouth more often. Beautiful Hallway Boy (Am I supposed to call him Etienne or St. Clair?) drops his bag and slides into the remaining seat between Rashmi and me. "Anna." He's surprised to see me,and I'm startled,too. He remembers me. "Nice umbrella.Could've used that this morning." He shakes a hand through his hair, and a drop lands on my bare arm. Words fail me. Unfortunately, my stomach speaks for itself. His eyes pop at the rumble,and I'm alarmed by how big and brown they are. As if he needed any further weapons against the female race. Josh must be right. Every girl in school must be in love with him. "Sounds terrible.You ought to feed that thing. Unless..." He pretends to examine me, then comes in close with a whisper. "Unless you're one of those girls who never eats. Can't tolerate that, I'm afraid. Have to give you a lifetime table ban." I'm determined to speak rationally in his presence. "I'm not sure how to order." "Easy," Josh says. "Stand in line. Tell them what you want.Accept delicious goodies. And then give them your meal card and two pints of blood." "I heard they raised it to three pints this year," Rashmi says. "Bone marrow," Beautiful Hallway Boy says. "Or your left earlobe." "I meant the menu,thank you very much." I gesture to the chalkboard above one of the chefs. An exquisite cursive hand has written out the morning's menu in pink and yellow and white.In French. "Not exactly my first language." "You don't speak French?" Meredith asks. "I've taken Spanish for three years. It's not like I ever thought I'd be moving to Paris." "It's okay," Meredith says quickly. "A lot of people here don't speak French." "But most of them do," Josh adds. "But most of them not very well." Rashmi looks pointedly at him. "You'll learn the lanaguage of food first. The language of love." Josh rubs his belly like a shiny Buddha. "Oeuf. Egg. Pomme. Apple. Lapin. Rabbit." "Not funny." Rashmi punches him in the arm. "No wonder Isis bites you. Jerk." I glance at the chalkboard again. It's still in French. "And, um, until then?" "Right." Beautiful Hallway Boy pushes back his chair. "Come along, then. I haven't eaten either." I can't help but notice several girls gaping at him as we wind our way through the crowd.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
our day is a green apple cut in two i look at you you dont see me between us is the blind sun on the steps our torn embrace you call me i dont hear you between us is the deaf air in the shop windows my lips are seeking your smile at the crossroads our trampled kiss i have given you my hand you dont feel it emptiness has embraced you in the squares your tear is seekinng my eyes in the evening my day dead meets with your dead day only in sleep we walk the same paths
Vasko Popa (Vasko Popa: Selected Poems)
The possibility that Adam Weishaupt killed George Washington and took his place, serving as our first President for two terms, is now confirmed…. The two main colors of the American flag are, excluding a small patch of blue in one corner, red and white: these are also the official colors of the Hashishim. The flag and the Illuminati pyramid both have thirteen horizontal divisions: thirteen is, of course, the traditional code for marijuana … and is still used in that sense by Hell’s Angels among others.
Robert Shea (The Illuminatus! Trilogy: The Eye in the Pyramid/The Golden Apple/Leviathan)
When we call on Him by Who He says He Is, we are agreeing with Who He states and proves Himself to be by His very nature. Suffice it to say, He has made Himself known to the world since creation began, and in many ways. He’s the Father, the El Shaddai, the Holy One, the Adonai, El Elohim, Yahweh, Jehovah, the Rock, our Shield, our ever present Help, our Comforter, Jealous, the Ancient of Days, our Healer, our Redeemer, our Lover ; He has an inexhaustible list of names that apply to what we need Him to be. But it all points back to who you are to Him.
Marion Green (The Apple Of His Eye Mentality)
That weekend, I preached my first sermon on heaven and hell to a sold-out crowd of siblings and cousins in our tiny bedroom, standing on a cardboard box. My cousins were so horrified, that some cried, some were sitting in terrified silence, and someone threw my favorite stuffed green turtle into the bedroom window and shattered it. My five year old self was indignant, angry and hurt. Hey, I loved that turtle. But that’s beside the point. No one should want to go to hell. Even a child can understand this. It's hot, it's stinky, it's lonely, it's painful and it's eternal.
Marion Green (The Apple Of His Eye Mentality)
Happy birthday,” he whispered, his breath landing warm and suddenly close to my lips, making my insides flip. And just as quickly as he’d surprised me with the cake, he kissed me, one frosting-covered hand moving from my hair to the back of my neck, the other solid and warm in the small of my back, pressing us together, my chest against his ribs, my hip bones just below his, the tops of our bare summer legs hot and touching. I stopped breathing. My eyes were closed and his mouth tasted like marzipan flowers and clove cigarettes, and in ten seconds the whole of my life was wrapped up in that one kiss, that one wish, that one secret that would forever divide my life into two parts. Up, down. Happy, sad. Shock, awe. Before, after. In that single moment, Matt, formerly known as friend, became something else entirely. I kissed him back. I forgot time. I forgot my feet. I forgot the people outside, waiting for us to rejoin the party. I forgot what happens when friends cross into this space. And if my lungs didn’t fill and my heart didn’t beat and my blood didn’t pump without my intervention, I would have forgotten about them, too. I could have stayed like that all night, standing in front of the sink, Matt’s black apple hair brushing my cheeks, heart thumping, lucky and forgetful…
Sarah Ockler (Twenty Boy Summer)
In that fleeting moment, Juliette closed her eyes and tried to remember a time before it all. A time when Tyler tossed her his apple before breakfast because she was hungry and her little fingers couldn’t reach the fruit bowl. When Tyler climbed onto the roof of the house to fix the electrical wiring and was hailed a hero by the household staff. When Juliette walked into his bedroom shortly after she’d returned from New York and found him curled into himself, crying over a picture of his father. He had slammed his door in her face, but she understood. She had always understood. By the time Juliette opened her eyes and whispered, “I’m sorry,” Tyler was already dead.
Chloe Gong (Our Violent Ends (These Violent Delights #2))
What would I regret losing more? The reality of Peter or the dream of John? Who can’t I live without? I think back to John’s hand on mine. Lying next to him in the snow. The way his eyes looked even bluer when he laughed. I don’t want to give that up. I don’t want to give up Peter, either. There are so many things to love about them both. Peter’s boyish confidence, his sunny outlook on life, the way he is so kind to Kitty. The way my heart flips over every time I see his car pull up in front of my house. We drive in silence for a few minutes, and then, looking straight ahead, John says, “Did I even have a shot?” “I could fall in love with you so easily,” I whisper. “I’m halfway there already.” His Adam’s apple bobs in his throat. “You’re so perfect in my memory, and you’re perfect now. It’s like I dreamed you into being. Of all the boys, you’re the one I would pick.” “But?” “But…I still love Peter. I can’t help it. He got here first and he…he just won’t leave.” He sighs a defeated kind of sigh that hurts my heart. “Goddamn it, Kavinsky.” “I’m sorry. I like you, too, John, I really do. I wish…I wish we got to go to that eighth grade formal.” And then John Ambrose McClaren says one last thing, a thing that makes my heart swell. “I don’t think it was our time then. I guess it isn’t now, either.” John looks over at me, his gaze steady. “But one day maybe it will be.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
When he unlocked the door, the smell of the building came at me like a shout: an old, elusive smell, damp and smoke and lemon, nothing like the antiseptic tang of DV in the new building up in Phoenix Park. I hate nostalgia, it’s laziness with prettier accessories, but every step hit me straight in the gut with something: me running down those stairs with a bunch of files in each hand and an apple caught between my teeth, my partner and me high-fiving each other outside that door after getting our first confession in that interview room; the two of us double-teaming the superintendent down that hallway, one in each ear, trying to hassle him into giving us more overtime. It seemed like the corridors had an Escher look, the walls all tilting in subtle, seasick ways, but I couldn’t focus my eyes enough to figure out exactly how.
Tana French (The Likeness (Dublin Murder Squad #2))
Maria winks at me, takes a mouthful of stuffing, and rolls her eyes in ecstasy. The next forty minutes are a festival of soul eating. I know many immigrant families incorporate their traditional dishes into the Thanksgiving feast, but not my folks. Our menu is Norman Rockwell on crack. Turkey with gravy. Homemade cranberry relish and the jellied stuff from the can. Mashed potatoes, sweet potatoes with marshmallows, green bean casserole. Cornbread stuffing and buttery yeast rolls. The only nods to our heritage are mustard-seed pickled carrots and dill-cucumber salad, to have something cool and palate-cleansing on the plate. A crazy layered Jello-O dish, with six different colors in thin stripes, looking like vintage Bakelite. Jeff and the girls show up just in time for desserts... apple pie, pumpkin pie, pecan bars, cheesecake brownies, and Maria's flan.
Stacey Ballis (Off the Menu)
I turn on my side, propping myself up on my elbow. A portion of her hair has fallen out of its entrapment of pins and curls around her neck. Reaching out a tentative finger, I brush the thick lock of hair. It’s soft to the touch, and a faint fragrance of apple and chamomile arises when I stroke the curling strand. She sucks in a quick breath when my finger brushes her chin. I stop, gauging whether to proceed or not, but Molly doesn’t protest. I see a surprised welcome in her eyes. The backs of my fingers stroke up her jawline to her cheek, on the soft, smooth side of her face. All the sounds around us still; the birds quiet, King’s yapping fades, and the breeze no longer whistles in my ear. All I can hear is the drum of my own heart. Her eyes widen, and she appears to be holding her breath, as I do mine. Of their own accord, my eyes focus on her lips, a perfect pair of petals in the midst of a half-ravaged flower. I dare to move closer; my lips hover inches above hers, the petals quiver, and our breath mingles once more.
Jenny Knipfer (On Bur Oak Ridge (Sheltering Trees #3))
When the card came back you couldn't have found any red on it with a microscope. The pitchman handed down a ponderous mohair Teddybear and Ballard slapped down three dimes again. When he had won two bears and a tiger and a small audience the pitchman took the rifle away from him. That's it for you, buddy, he hissed. You never said nothin about how many times you could win. Step right up, sang the barker. Who's next now. Three big grand prizes per person is the house limit. Who's our next big winner. Ballard loaded up his bears and the tiger and started off through the crowd. They lord look at what all he's won, said a woman. Ballard smiled tightly. Young girls' faces floated past, bland and smooth as cream. Some eyed his toys. The crowd was moving toward the edge of a field and assembling there, Ballard among them, a sea of country people watching into the dark for some midnight contest to begin. A light sputtered off in the field and a blue tailed rocket went skittering toward Canis Major. High above their upturned faces it burst, sprays of lit glycerine flaring across the night, trailing down the sky in loosely falling ribbons of hot spectra soon. burnt to naught. Another went up, a long whishing sound, fishtailing aloft. In the bloom of its opening you could see like its shadow the image of the rocket gone before, the puff of black smoke and ashen trails arcing out and down like a huge and dark medusa squatting in the sky. In the bloom of light too you could see two men out in the field crouched over their crate of fireworks like assassins or bridge blowers. And you could see among the faces a young girl with candy apple on her lips and her eyes wide. Her pale hair smelled of soap, woman child from beyond the years, rapt below the sulphur glow and pitch light of some medieval fun fair. A lean sky long candle skewered the black pools in her eyes. Her fingers clutched. In the flood of this breaking brimstone galaxy she saw the man with the bears watching her and she edged closer to the girl by her side and brushed her hair with two fingers quickly.
Cormac McCarthy (Child of God)
One sunny afternoon, when he wasn’t feeling well, Jobs sat in the garden behind his house and reflected on death. He talked about his experiences in India almost four decades earlier, his study of Buddhism, and his views on reincarnation and spiritual transcendence. “I’m about fifty-fifty on believing in God,” he said. “For most of my life, I’ve felt that there must be more to our existence than meets the eye.” He admitted that, as he faced death, he might be overestimating the odds out of a desire to believe in an afterlife. “I like to think that something survives after you die,” he said. “It’s strange to think that you accumulate all this experience, and maybe a little wisdom, and it just goes away. So I really want to believe that something survives, that maybe your consciousness endures.” He fell silent for a very long time. “But on the other hand, perhaps it’s like an on-off switch,” he said. “Click! And you’re gone.” Then he paused again and smiled slightly. “Maybe that’s why I never liked to put on-off switches on Apple devices.
Walter Isaacson (Steve Jobs)
One sunny afternoon, when he wasn’t feeling well, Jobs sat in the garden behind his house and reflected on death. He talked about his experiences in India almost four decades earlier, his study of Buddhism, and his views on reincarnation and spiritual transcendence. “I’m about fifty-fifty on believing in God,” he said. “For most of my life, I’ve felt that there must be more to our existence than meets the eye.” He admitted that, as he faced death, he might be overestimating the odds out of a desire to believe in an afterlife. “I like to think that something survives after you die,” he said. “It’s strange to think that you accumulate all this experience, and maybe a little wisdom, and it just goes away. So I really want to believe that something survives, that maybe your consciousness endures.” He fell silent for a very long time. “But on the other hand, perhaps it’s like an on-off switch,” he said. “Click! And you’re gone.” Then he paused again and smiled slightly. “Maybe that’s why I never liked to put on-off switches on Apple devices.
Walter Isaacson (Steve Jobs)
I was sitting there by the fire, Looking at the coldness of New York, She came out and sat beside me, We both were anxious and in pain, As we had no job, no money, Just this apartment, empty with no single food grain, But the most of all we have no rent to pay, And thus were obliged to live in the streets tomorrow, We didn’t mind, but the fear, Was only that we were full of character and esteem, Which can’t survive the city of apple? The door knocked as the owner came for payment, The door burst out and in the meantime, My wife fell on the ground crying, With her hands on her chest, The owner stunned as I also fell down the same way, He yelled for the ambulance as we faint, She and I opened our eyes in a hospital, Sharing the same bed, We took each other hands smiling, The owner said we had a heart attack, The owner started leaving as per the doctor’s suggestion, Of course the problem of rent was solved, He turned back saying he didn’t understand, How two people can get attack together? The fool still didn’t understand that, We were two bodies but one heart!
Mahiraj Jadeja (A Lover's Will)
… But I should tell you that, come the apple festival of Transfiguration Day, when the sky begins to change from summer to autumn, it is the usual thing for our town to be overrun by an absolute plague of cicadas, so that by night, much as you might wish to sleep, you never can, what with all that interminable trilling on all sides, and the stars hanging down low over your head, and especially with the moon dangling just above the tops of the bell towers, for all the world like one of our renowned “smetana” apples, the kind that the local merchants supply to the royal court and even take to shows in Europe. If someone should ever happen to glance down at Zavolzhsk from those heavenly spheres out of which the lamps of the night pour forth their bright rays, then the picture presented to that fortunate person’s eyes would surely be one of some enchanted kingdom: the River sparkling lazily, the roofs glittering, the gas lamps flickering in the streets, and, hovering over all the shimmer and glimmer of this multifarious radiance, the tremulous silvery chiming of the cicada choir.
Boris Akunin (Sister Pelagia and the White Bulldog (Sister Pelagia Mysteries, #1))
Subect: Sigh. Okay. Since we're on the subject... Q. What is the Tsar of Russia's favorite fish? A. Tsardines, of course. Q. What does the son of a Ukranian newscaster and a U.S. congressman eat for Thanksgiving dinner on an island off the coast of Massachusetts? A.? -Ella Subect: TG A. Republicans. Nah.I'm sure we'll have all the traditional stuff: turkey, stuffing, mashed potatoes. I'm hoping for apple pie. Our hosts have a cook who takes requests, but the island is kinda limited as far as shopping goes. The seven of us will probably spend the morning on a boat, then have a civilized chow-down. I predict Pictionary. I will win. You? -Alex Subect: Re. TG Alex, I will be having my turkey (there ill be one, but it will be somewhat lost among the pumpkin fettuccine, sausage-stuffed artichokes, garlic with green beans, and at least four lasagnas, not to mention the sweet potato cannoli and chocolate ricotta pie) with at least forty members of my close family, most of whom will spend the entire meal screaming at each other. Some will actually be fighting, probably over football. I am hoping to be seated with the adults. It's not a sure thing. What's Martha's Vineyard like? I hear it's gorgeous. I hear it's favored by presidential types, past and present. -Ella Subject: Can I Have TG with You? Please??? There's a 6a.m. flight off the island. I can be back in Philadelphia by noon. I've never had Thanksgiving with more than four or five other people. Only child of two only children. My grandmother usually hosts dinner at the Hunt Club. She doesn't like turkey. Last year we had Scottish salmon. I like salmon,but... The Vineyard is pretty great. The house we're staying in is in Chilmark, which, if you weren't so woefully ignorant of defunct television, is the birthplace of Fox Mulder. I can see the Menemsha fishing fleet out my window. Ever heard of Menemsha Blues? I should bring you a T-shirt. Everyone has Black Dogs; I prefer a good fish on the chest. (Q. What do you call a fish with no eyes? A. Fish.) We went out on a boat this afternoon and actually saw a humpback whale. See pics below. That fuzzy gray lump in the bumpy gray water is a fin. A photographer I am not. Apparently, they're usually gone by now, heading for the Caribbean. It's way too cold to swim, but amazing in the summer. I swear I got bumped by a sea turtle here last July 4, but no one believes me. Any chance of saving me a cannoli? -A
Melissa Jensen (The Fine Art of Truth or Dare)
That baking day was the third day Mrs G had shut herself away in the stillroom, dosing herself with medicinal waters. As I rolled the pastry I lived out a fancy I had nourished, since the first apple blossom pinked in May- the making of the perfect dish. Next day was All Hallows Eve, or Souling Night as we called it, and all our neighbors would gather for Old Ned's cider and Mrs Garland's Soul Cakes. After the stablemen acted out the Souling play, the unmarried maids would have a lark, guessing their husband's name from apple pairings thrown over their shoulders. So what better night, I thought, for Jem to announce our wedding? At the ripe age of twenty-two years, the uncertainties of maidenhood were soon to pass me by. Crimping my tarts, I passed into that forgetfulness that is a most delightful way of being. My fingers scattered flour and my elbows spun the rolling pin along the slab. Unrolling before my eyes were scenes of triumph: of me and Jem leading a cheery procession to the chapel, posies of flowers in my hand and pinned to Jem's blue jacket. In my head I turned over the makings of my Bride Cake that sat in secret in the larder- ah, wouldn't that be the richest, most hotly spiced delight? And all the bitter maidens who put it underneath their pillows would be sorrowing to think that Jem was finally taken, bound and married off to me.
Martine Bailey (An Appetite for Violets)
So look out a window. Take a walk. Talk with your friend. Use your God-given skills to paint or draw or build a shed or write a book. But imagine it—all of it—in its original condition. The happy dog with the wagging tail, not the snarling beast, beaten and starved. The flowers unwilted, the grass undying, the blue sky without pollution. People smiling and joyful, not angry, depressed, and empty. If you’re not in a particularly beautiful place, close your eyes and envision the most beautiful place you’ve ever been—complete with palm trees, raging rivers, jagged mountains, waterfalls, or snow drifts. Think of friends or family members who loved Jesus and are with him now. Picture them with you, walking together in this place. All of you have powerful bodies, stronger than those of an Olympic decathlete. You are laughing, playing, talking, and reminiscing. You reach up to a tree to pick an apple or orange. You take a bite. It’s so sweet that it’s startling. You’ve never tasted anything so good. Now you see someone coming toward you. It’s Jesus, with a big smile on his face. You fall to your knees in worship. He pulls you up and embraces you. At last, you’re with the person you were made for, in the place you were made to be. Everywhere you go there will be new people and places to enjoy, new things to discover. What’s that you smell? A feast. A party’s ahead. And you’re invited. There’s exploration and work to be done—and you can’t wait to get started.
Randy Alcorn (Heaven: A Comprehensive Guide to Everything the Bible Says About Our Eternal Home (Clear Answers to 44 Real Questions About the Afterlife, Angels, Resurrection, ... and the Kingdom of God) (Alcorn, Randy))
Probably, we should all hate you,” he was saying to Cade. “Illinois played against Northwestern that year for our homecoming, and you totally slaughtered us—” He broke off at the sound of a knock on the interior door to the suite. A woman in her early twenties, dressed in a skirt and a black T-shirt with “Sterling Restaurants” in red letters, walked into the suite pushing a three-tiered dessert cart. “Sweet Jesus, it’s here,” Charlie whispered reverently. Brooke fought back a smile. The dessert cart was something Sterling Restaurants had introduced a year ago, as a perk for all of the skyboxes and luxury suites at the sports arenas they collaborated with. Needless to say, it had been a huge success. Four kinds of cake (chocolate with toffee glaze, carrot cake, traditional cheesecake, and a pineapple-raspberry tart), three types of cookies (chocolate chip, M&M, and oatmeal raisin), blond brownies, dark chocolate brownies, lemon squares, peach cobbler, four kinds of dessert liquors, taffy apples, and, on the third tier, a make-your-own sundae bar with all the fixings. “Wow. That is some spread,” Vaughn said, wide-eyed. Simultaneously, the men sprang forward, bulldozed their way through the suite door, and attacked the cart like a pack of starving Survivor contestants. All except for one. Cade stayed right there, on the terrace. He leaned back against the railing, stretching out his tall, broad-shouldered frame. “Whew. I thought they’d never leave
Julie James (Love Irresistibly (FBI/US Attorney, #4))
If loneliness or sadness or happiness could be expressed through food, loneliness would be basil. It’s not good for your stomach, dims your eyes, and turns your mind murky. If you pound basil and place a stone over it, scorpions swarm toward it. Happiness is saffron, from the crocus that blooms in the spring. Even if you add just a pinch to a dish, it adds an intense taste and a lingering scent. You can find it anywhere but you can’t get it at any time of the year. It’s good for your heart, and if you drop a little bit in your wine, you instantly become drunk from its heady perfume. The best saffron crumbles at the touch and instantaneously emits its fragrance. Sadness is a knobby cucumber, whose aroma you can detect from far away. It’s tough and hard to digest and makes you fall ill with a high fever. It’s porous, excellent at absorption, and sponges up spices, guaranteeing a lengthy period of preservation. Pickles are the best food you can make from cucumbers. You boil vinegar and pour it over the cucumbers, then season with salt and pepper. You enclose them in a sterilized glass jar, seal it, and store it in a dark and dry place. WON’S KITCHEN. I take off the sign hanging by the first-floor entryway. He designed it by hand and silk-screened it onto a metal plate. Early in the morning on the day of the opening party for the cooking school, he had me hang the sign myself. I was meaning to give it a really special name, he said, grinning, flashing his white teeth, but I thought Jeong Ji-won was the most special name in the world. He called my name again: Hey, Ji-won. He walked around the house calling my name over and over, mischievously — as if he were an Eskimo who believed that the soul became imprinted in the name when it was called — while I fried an egg, cautiously sprinkling grated Emmentaler, salt, pepper, taking care not to pop the yolk. I spread the white sun-dried tablecloth on the coffee table and set it with the fried egg, unsalted butter, blueberry jam, and a baguette I’d toasted in the oven. It was our favorite breakfast: simple, warm, sweet. As was his habit, he spread a thick layer of butter and jam on his baguette and dunked it into his coffee, and I plunked into my cup the teaspoon laced with jam, waiting for the sticky sweetness to melt into the hot, dark coffee. I still remember the sugary jam infusing the last drop of coffee and the moist crumbs of the baguette lingering at the roof of my mouth. And also his words, informing me that he wanted to design a new house that would contain the cooking school, his office, and our bedroom. Instead of replying, I picked up a firm red radish, sparkling with droplets of water, dabbed a little butter on it, dipped it in salt, and stuck it into my mouth. A crunch resonated from my mouth. Hoping the crunch sounded like, Yes, someday, I continued to eat it. Was that the reason I equated a fresh red radish with sprouting green tops, as small as a miniature apple, with the taste of love? But if I cut into it crosswise like an apple, I wouldn't find the constellation of seeds.
Kyung-ran Jo (Tongue)
Cendrillon specialized in seafood, so we had four fish stations: one for poaching, one for roasting, one for sautéing, and one for sauce. I was the chef de partie for the latter two, which also included making our restaurant's signature soups. O'Shea planned his menu seasonally- depending on what was available at the market. It was fall, my favorite time of the year, bursting with all the savory ingredients I craved like a culinary hedonist, the ingredients that turned my light on. All those varieties of beautiful squashes and root vegetables- the explosion of colors, the ochre yellows, lush greens, vivid reds, and a kaleidoscope of oranges- were just a few of the ingredients that fueled my cooking fantasies. In the summer, on those hot cooking days and nights in New York with rivulets of thick sweat coating my forehead, I'd fantasize about what we'd create in the fall, closing my eyes and cooking in my head. Soon, the waitstaff would arrive to taste tonight's specials, which would be followed by our family meal. I eyed the board on the wall and licked my lips. The amuse-bouche consisted of a pan-seared foie gras served with caramelized pears; the entrée, a boar carpaccio with eggplant caviar, apples, and ginger; the two plats principaux, a cognac-flambéed seared sea scallop and shrimp plate served with deep-fried goat cheese and garnished with licorice-perfumed fennel leaves, which fell under my responsibility, and the chief's version of a beef Wellington served with a celeriac mash, baby carrots, and thin French green beans.
Samantha Verant (The Secret French Recipes of Sophie Valroux (Sophie Valroux, #1))
I decide to be proactive. “Hey, be careful with them apples,” I call out, imitating a harsh Mike voice. Mike always shows up in his ragged, half-rotten clothes and tells us how to do things, like he’s some kind of big expert. All faces turn toward me, including Dutch’s equine one. Dutch cants his head to one side to examine me with one great eye. They all get the joke and laugh. Mark tosses me an apple. It comes tumbling to me in a long golden arc like something out of mythology. The throw is so expert that I easily catch it. I take a bite, and get lost for a moment in its sweet juiciness, get lost in the whole idea of an apple tree, how it makes sweet food out of sunlight and earth. I think about how the tree spreads out above ground to catch air and light and below ground to catch water, minerals, and nourishment; about how at the end of the season it drops its leaves at its feet to reabsorb their nutrients. There is such Knowingness in this bite that I feel I have just eaten from the tree of knowledge. Stewart looks benevolently down at me from Dutch’s back. He is only twenty and has a ruddy face that glows with health and openness. He embodies the very bloom of youth. His young muscled body sits easily on the horse; his dark brown eyes are alive with merriment and friendliness. The whole scene is like a painting from another time. The Apple Pickers. I see it frozen for a moment, but then, in the silence of our greeting, a jet passes overhead, far away, in a series of deep distant rumbles that makes the canvas shimmer for a moment, reminding me that there is more to this moment than the simplicity that meets the eye.
Arnold W. Porter (In a Time of Magic)
QUESTION: Are you suggesting that history is irrelevant, then, and the temporal span of humankind merely the recycling of tropes? ANSWER: Well, I think it’s two things. It’s always two things, unless it’s three. The first thing is moms and martyrs are the way we will think, just as when we dance we tend to tango. Jung suspected as much, you know, and every story could, I suppose, be seen as such a spyglass. Second, either there is or there isn’t, point-blank, and if there is not, and something besides lead backs our philosophies, then previously Truth flashed its temper like a fictitious schoolgirl showing her panties, then went all cowboy cool in the neonew, barely speaking, keeping mum, despite the fact we’s done forgot dear mammy, savoring the slow satisfying burn of a cigarette before the bonfire of a billion bodies, and still millions more wait their turn, we’re better at keeping our appointments, at any rate, skinny corpses stripped of teeth and hair and skin, difference plucked like daisies, for there is no difference; in ether words, to hear the Great Apes tell it, every plague is one for the pointless and every poppy’s got jack to do with Us. Hoohah! A particularly ballsy bit of business given the most recent nearing too close, we’re singing our rondel with a bellyful of gravy and sourmash, we’re at the highpocked end, and there’s no more to come, come the dawn. Though bear in mind we’ve no pret-a-porter poodle sniffing around here, nossir, we’re not afraid to say stay, still, we’ll stay right here, eating off the apple of your eye, carving the plump of your cheek caught in the family photo, the flash in the pan goes off and so does your head, or so Buttercup says, we’re stuck, that is to say, in the over-brought dawn of this new clearer Age, in which we play patsy to witness just this: everything is beauty-full, in its own way. . . .
Vanessa Place (La Medusa)
Yes. She makes all our pastry, and does all our cooking.’ ‘Do she though?’ said Mr. Barkis. He made up his mouth as if to whistle, but he didn’t whistle. He sat looking at the horse’s ears, as if he saw something new there; and sat so, for a considerable time. By and by, he said: ‘No sweethearts, I b’lieve?’ ‘Sweetmeats did you say, Mr. Barkis?’ For I thought he wanted something else to eat, and had pointedly alluded to that description of refreshment. ‘Hearts,’ said Mr. Barkis. ‘Sweet hearts; no person walks with her!’ ‘With Peggotty?’ ‘Ah!’ he said. ‘Her.’ ‘Oh, no. She never had a sweetheart.’ ‘Didn’t she, though!’ said Mr. Barkis. Again he made up his mouth to whistle, and again he didn’t whistle, but sat looking at the horse’s ears. ‘So she makes,’ said Mr. Barkis, after a long interval of reflection, ‘all the apple parsties, and doos all the cooking, do she?’ I replied that such was the fact. ‘Well. I’ll tell you what,’ said Mr. Barkis. ‘P’raps you might be writin’ to her?’ ‘I shall certainly write to her,’ I rejoined. ‘Ah!’ he said, slowly turning his eyes towards me. ‘Well! If you was writin’ to her, p’raps you’d recollect to say that Barkis was willin’; would you?’ ‘That Barkis is willing,’ I repeated, innocently. ‘Is that all the message?’ ‘Ye-es,’ he said, considering. ‘Ye-es. Barkis is willin’.’ ‘But you will be at Blunderstone again tomorrow, Mr. Barkis,’ I said, faltering a little at the idea of my being far away from it then, and could give your own message so much better.’ As he repudiated this suggestion, however, with a jerk of his head, and once more confirmed his previous request by saying, with profound gravity, ‘Barkis is willin’. That’s the message,’ I readily undertook its transmission. While I was waiting for the coach in the hotel at Yarmouth that very afternoon, I procured a sheet of paper and an inkstand, and wrote a note to Peggotty, which ran thus: ‘My dear Peggotty. I have come here safe. Barkis is willing. My love to mama. Yours affectionately. P.S. He says he particularly wants you to know - Barkis is willing.
Mark Twain (50 Masterpieces you have to read before you die, vol 2)
Sometimes we ate raw onions like apples, too, I wanted to tell her. Sometimes, the tin foil held shredded chicken petrified in aspic. A fish head to suck on! I was filled with shame and hateful glee: everything I was feeling turned out at the person next to me. I was the one with an uncut cow's tongue uncoiling in the refrigerator of his undergraduate quad, my roommates' Gatorades and half-finished pad Thai keeping a nervous distance. I sliced it thinly, and down it went with horseradish and cold vodka like the worry of a long day sloughing off, those little dots of fat between the cold meet like garlic roasted to paste. I am the one who fried liver. Who brought his own lunch in an old Tupperware to his cubicle in the Conde Nast Building; who accidentally warmed it too long, and now the scent of buckwheat, stewed chicken, and carrots hung like radiation over the floor, few of those inhabitants brought lunch from home, fewer of whom were careless enough to heat it for too long if they did, and none of whom brought a scent bomb in the first place. Fifteen floors below, the storks who staffed the fashion magazines grazed on greens in the Frank Gehry cafeteria. I was the one who ate mashed potatoes and frankfurters for breakfast. Who ate a sandwich for breakfast. Strange? But Americans ate cereal for dinner. Americans ate cereal, period, that oddment. They had a whole thing called 'breakfast for dinner.' And the only reason they were right and I was wrong was that it was their country. The problem with my desire to pass for native was that everything in the tinfoil was so f*****g good. When the world thinks of Soviet food, it thinks of all the wrong things. Though it was due to incompetence rather than ideology, we were local, seasonal, and organic long before Chez Panisse opened its doors. You just had to have it in a home instead of a restaurant, like British cooking after the war, as Orwell wrote. For me, the food also had cooked into it the memory of my grandmother's famine; my grandfather's black-marketeering to get us the 'deficit' goods that, in his view, we deserved no less than the political VIPs; all the family arguments that paused while we filled our mouths and our eyes rolled back in our heads. Food was so valuable that it was a kind of currency - and it was how you showed loved. If, as a person on the cusp of thirty, I wished to find sanity, I had to figure out how to temper this hunger without losing hold of what it fed, how to retain a connection to my past without being consumed by its poison.
Boris Fishman (Savage Feast: Three Generations, Two Continents, and a Dinner Table (A Memoir with Recipes))
It’s still strange not to see you in blue,” I say. “It’s time to let all that go, I think,” she answers. “Even if I could go back, I wouldn’t want to, at this point.” “You don’t miss the factions?” “I do, actually.” She glances at me. Enough time has passed between Will’s death and now that I no longer see him when I look at her, I just see Cara. I have known her far longer than I knew him. She has just a touch of his good-naturedness, enough to make me feel like I can tease her without offending her. “I thrived in Erudite. So many people devoted to discovery and innovation--it was lovely. But now that I know how large the world is…well. I suppose I have grown too large for my faction, as a consequence.” She frowns. “I’m sorry, was that arrogant?” “Who cares?” “Some people do. It’s nice to know you aren’t one of them.” I notice, because I can’t help it, that some of the people we pass on the way to the meeting give me nasty looks, or a wide berth. I have been hated and avoided before, as the son of Evelyn Johnson, factionless tyrant, but it bothers me more now. Now I know that I have done something to make myself worthy of that hatred; I have betrayed them all. Cara says, “Ignore them. They don’t know what it is to make a difficult decision.” “You wouldn’t have done it, I bet.” “That is only because I have been taught to be cautious when I don’t know all the information, and you have been taught that risks can produce great rewards.” She looks at me sideways. “Or, in this case, no rewards.” She pauses at the door to the labs Matthew and his supervisor use, and knocks. Matthew tugs it open and takes a bite out of the apple he’s holding. We follow him into the room where I found out I was not Divergent. Tris is there, standing beside Christina, who looks at me like I am something rotten that needs to be discarded. And in the corner by the door is Caleb, his face stained with bruises. I am about to ask what happened to him when I realize that Tris’s knuckles are also discolored, and that she very intentionally isn’t looking at him. Or at me. “I think that’s everyone,” Matthew says. “Okay…so…um. Tris, I suck at this.” “You do, actually,” she says with a grin. I feel a flare of jealousy. She clears her throat. “So, we know that these people are responsible for the attack on Abnegation, and that they can’t be trusted to safeguard our city any longer. We know that we want to do something about it, and that the previous attempt to do something was…” Her eyes drift to mine, and her stare carves me into a smaller man. “Ill-advised,” she finishes. “We can do better.
Veronica Roth (Allegiant (Divergent, #3))
Last year I had a very unusual experience. I was awake, with my eyes closed, when I had a dream. It was a small dream about time. I was dead, I guess, in deep blank space high up above many white stars. My own consciousness had been disclosed to me, and I was happy. Then I saw far below me a long, curved band of color. As I came closer, I saw that it stretched endlessly in either direction, and I understood that I was seeing all the time of the planet where I had lived. It looked like a woman’s tweed scarf; the longer I studied any one spot, the more dots of color I saw. There was no end to the deepness and variety of dots. At length I started to look for my time, but, although more and more specks of color and deeper and more intricate textures appeared in the fabric, I couldn’t find my time, or any time at all that I recognized as being near my time. I couldn’t make out so much as a pyramid. Yet as I looked at the band of time, all the individual people, I understood with special clarity, were living at that very moment with great emotion, in intricate, detail, in their individual times and places, and they were dying and being replaced by ever more people, one by one, like stitches in which wholly worlds of feeling and energy were wrapped in a never-ending cloth. I remembered suddenly the color and texture of our life as we knew it- these things had been utterly forgotten- and I thought as I searched for it on the limitless band, “that was a good time then, a good time to be living.” And I began to remember our time. I recalled green fields with carrots growing, one by one, in slender rows. Men and women in bright vests and scarves came and pulled the carrots out of the soil and carried them in baskets to shaded kitchens, where they scrubbed them with yellow brushes under running water. I saw white-faced cattle lowing and wading in creeks. I saw May apples in forests, erupting through leaf-strewn paths. Cells on the root hairs of sycamores split and divided, and apples grew spotted and striped in the fall. Mountains kept their cool caves and squirrels raced home to their nests through sunlight and shade. I remembered the ocean, and I seemed to be in the ocean myself, swimming over orange crabs that looked like coral, or off the deep Atlantic banks where whitefish school. Or again I saw the tops of poplars, and the whole sky brushed with clouds in pallid streaks, under which wild ducks flew with outstretched necks, and called, one by one, and flew on. All these things I saw. Scenes grew in depth and sunlit detail before my eyes, and were replaced by ever more scenes, as I remember the life of my time with increasing feeling. At last I saw the earth as a globe in space, and I recalled the ocean’s shape and the form of continents, saying to myself with surprise as I looked at the planet, “yes, that’s how it was then, that part there was called France.” I was filled with the deep affection of nostalgia- and then I opened my eyes. We all ought to be able to conjure up sights like these at will, so that we can keep in mind the scope of texture’s motion in time.
Annie Dillard
In many fields—literature, music, architecture—the label ‘Modern’ stretches back to the early 20th century. Philosophy is odd in starting its Modern period almost 400 years earlier. This oddity is explained in large measure by a radical 16th century shift in our understanding of nature, a shift that also transformed our understanding of knowledge itself. On our Modern side of this line, thinkers as far back as Galileo Galilei (1564–1642) are engaged in research projects recognizably similar to our own. If we look back to the Pre-Modern era, we see something alien: this era features very different ways of thinking about how nature worked, and how it could be known. To sample the strange flavour of pre-Modern thinking, try the following passage from the Renaissance thinker Paracelsus (1493–1541): The whole world surrounds man as a circle surrounds one point. From this it follows that all things are related to this one point, no differently from an apple seed which is surrounded and preserved by the fruit … Everything that astronomical theory has profoundly fathomed by studying the planetary aspects and the stars … can also be applied to the firmament of the body. Thinkers in this tradition took the universe to revolve around humanity, and sought to gain knowledge of nature by finding parallels between us and the heavens, seeing reality as a symbolic work of art composed with us in mind (see Figure 3). By the 16th century, the idea that everything revolved around and reflected humanity was in danger, threatened by a number of unsettling discoveries, not least the proposal, advanced by Nicolaus Copernicus (1473–1543), that the earth was not actually at the centre of the universe. The old tradition struggled against the rise of the new. Faced with the news that Galileo’s telescopes had detected moons orbiting Jupiter, the traditionally minded scholar Francesco Sizzi argued that such observations were obviously mistaken. According to Sizzi, there could not possibly be more than seven ‘roving planets’ (or heavenly bodies other than the stars), given that there are seven holes in an animal’s head (two eyes, two ears, two nostrils and a mouth), seven metals, and seven days in a week. Sizzi didn’t win that battle. It’s not just that we agree with Galileo that there are more than seven things moving around in the solar system. More fundamentally, we have a different way of thinking about nature and knowledge. We no longer expect there to be any special human significance to natural facts (‘Why seven planets as opposed to eight or 15?’) and we think knowledge will be gained by systematic and open-minded observations of nature rather than the sorts of analogies and patterns to which Sizzi appeals. However, the transition into the Modern era was not an easy one. The pattern-oriented ways of thinking characteristic of pre-Modern thought naturally appeal to meaning-hungry creatures like us. These ways of thinking are found in a great variety of cultures: in classical Chinese thought, for example, the five traditional elements (wood, water, fire, earth, and metal) are matched up with the five senses in a similar correspondence between the inner and the outer. As a further attraction, pre-Modern views often fit more smoothly with our everyday sense experience: naively, the earth looks to be stable and fixed while the sun moves across the sky, and it takes some serious discipline to convince oneself that the mathematically more simple models (like the sun-centred model of the solar system) are right.
Jennifer Nagel (Knowledge: A Very Short Introduction)
Democracy, the apple of the eye of modern western society, flies the flag of equality, tolerance, and the right of its weaker members to defense and protection. The flag bearers for children's rights adhere to these same values. But should democracy bring about the invalidation of parental authority? Does democracy mean total freedom for children? Is it possible that in the name of democracy, parents are no longer allowed to say no to their children or to punish them? The belief that punishment is harmful to children has long been a part of our culture. It affects each and every one of us and penetrates our awareness via the movies we see and the books we read. It is a concept that has become a kingpin of modern society and helps form the media's attitudes toward parenting, as well as influencing legislation and courtroom decisions. In recent years, the children's rights movement has enjoyed enormous momentum and among the current generation, this movement has become pivotal and is stronger than ever before. Educational systems are embracing psychological concepts in which stern approaches and firm discipline during childhood are said to create emotional problems in adulthood, and liberal concepts have become the order of the day. To prevent parents from abusing their children, the public is constantly being bombarded by messages of clemency and boundless consideration; effectively, children should be forgiven, parents should be understanding, and punishment should be avoided. Out of a desire to protect children from all hardship and unpleasantness, parental authority has become enfeebled and boundaries have been blurred. Nonetheless, at the same time society has seen a worrying rise in violence, from domestic violence to violence at school and on the streets. Sweden, a pioneer in enacting legislation that limits parental authority, is now experiencing a dramatic rise in child and youth violence. The country's lawyers and academics, who have established a committee for human rights, are now protesting that while Swedish children are protected against light physical punishment from their parents (e.g., being spanked on the bottom), they are exposed to much more serious violence from their peers. The committee's position is supported by statistics that indicate a dramatic rise in attacks on children and youths by their peers over the years since the law went into effect (9-1). Is it conceivable, therefore, that a connection exists between legislation that forbids across-the-board physical punishment and a rise in youth violence? We believe so! In Israel, where physical punishment has been forbidden since 2000 (9-2), there has also been a steady and sharp rise in youth violence, which bears an obvious connection to reduced parental authority. Children and adults are subjected to vicious beatings and even murder at the hands of violent youths, while parents, who should by nature be responsible for setting boundaries for their children, are denied the right to do so properly, as they are weakened by the authority of the law. Parents are constantly under suspicion, and the fear that they may act in a punitive manner toward their wayward children has paralyzed them and led to the almost complete transfer of their power into the hands of law-enforcement authorities. Is this what we had hoped for? Are the indifferent and hesitant law-enforcement authorities a suitable substitute for concerned and caring parents? We are well aware of the fact that law-enforcement authorities are not always able to effectively do their jobs, which, in turn, leads to the crumbling of society.
Shulamit Blank (Fearless Parenting Makes Confident Kids)
That's all I got," Vonda sighs, and the apple is finished. She tosses the core across the room and our eyes follow the arc as it travels and lands with a moist plop in the empty wastebasket by the door. And then we just casually return to our own little stories. As if something acutely profound had not just happened. I couldn't believe it, how no on else seemed to hear, as though she had been speaking in a mystical tongue. But for me, that was the day I began to understand the irrefutable sense of touch. It is my only working theory.
Ron Parsons
To see the invisible with our hearts is the apple of our eye, For then we see the subtle parts that mind aims to deny.
Carol Ostrouch (Numinosity of an Empath)
Cambodian dust whipped up in the wind and stuck to my clothes like clay. I put a hand between my face and the sun and blinked Phnom Penn dust from my tired eyes. One idea, drink, beamed light in all directions across my dark consciousness. A slim lady walked toward me with a big smile and a bigger head. Her left hand rested on her waggling hips and her right hand rose above her head, limp-wristed, like she’d just thrown a winning ball toward a basket and was leaving her hand in the shot position. The lady walking toward me was a man. At least that much was clear, but the nature or our relationship was still a fog to me. She wore blue jeans and a white top accentuating her breasts, but her Adam’s apple and cow sized hands revealed more in daylight than she could hide at night.
Craig Stone (Life Knocks)
The two young boys raced along the sidewalk, twisting their way between passers-by, their eyes frantically glancing behind them at the large pursuing policeman. Suddenly Mr. Thorn, a large, burley man dressed in black blocked their way and took them both by the collars. “So there you are!” He snatched the apple quickly from James’ hand. “What have we here?” He was about to take a bite of it, when he saw the officer racing towards them. “It’s all right officer. I have the young scoundrels and I’ll make full restitutions for their thievery.” He quickly fished coins from his pocket and with a conning smile, put them in the hand of the frowning Policeman. “And a little extra for your trouble, my good man. It’s such a small crime and the criminals so . . . minor.” The burly policeman rocked back and forth considering and then grunted, after all it was Christmas. “Very well sir. I’ll give these to the Vendor but I catch either of you snatching again, it’s behind bars with you and a good strong workhouse. You got me!” Jonas glanced down at his worn out boots, his face red with shame. “Oh yes sir.” James followed suit and then glanced up into the gruff face of the law. “Sorry, we were just hungry!” Mr. Thorn smiled and tipped his hat to the Policeman, who shaking his head, sauntered away. Immediately Mr. Thorn slapped Jonas hard across the face, drawing blood from his nose and then smacked James on the head, crushing his cap. He snatched the apple from James’ hand and pocketed them both. “So here you two no-accounts are? I’ve been searching high and wide for the lot of you. I left you at this corner and I expected to find you right where I left ya!” He then snatched the cup from Jonas’ hand with a scowl. He poured the coins into his hand and his greedy eyes took in the meager profits. Jonas immediately stammered justification for their absence. “We-we found a better corner to beg at, Mr. Thorn. I think we done all right.” Mr. Thorn cleared his throat considering and then his boisterous laughter echoed. He put his big arms around the two young lads. “Well, you done fine for us boys! We needs the money! We’ll have to have you two young Sirs representing our fine establishment again tomorrow, I do believe.” He chuckled cruelly. “We’ve great charity in our hearts for you kiddies but a soulful heart won’t put bread and molasses on the table.” He greedily poured the coins into his coat pocket. Both lads coughed mischievously at mention of such charitable actions. Thorn eyed them both to see if they are making fun of him, which they were. Jonas cleared his throat. “A bit of a tickle.” Thorn growled and gruffly took hold of the boy’s arm. “I’d tickle you both with a whip if I thought you was funning with me! Now boys, you’ve roughed my gentle nature. You know that I has nothing but love for the lot of you. My big heart swells at the sight of each and every one of you little bastards . . . I mean kiddies. Shall we on home?” “Here Jamey lad, you hold the cup. Give us a song the two of you, to beg alms by. I think I’m in the mood for “Oh Come All Ye Faithful”, but make it sweet or there’s a lashing for the both of ya!” Jonas and James exchanged tortured looks. Together the young Nicholas boys sweetly began to sing the song, as they moved through the crowd. The Tall Toymaker followed them down the sidewalk, trying not to be observed by Thorn. ”And a villain enters the scene, an ugly villain at that!
John Edgerton (The Spirit of Christmas)
I decide to be proactive. “Hey, be careful with them apples,” I call out, imitating a harsh Mike voice. Mike always shows up in his ragged, half-rotten clothes and tells us how to do things, like he’s some kind of big expert. All faces turn toward me, including Dutch’s equine one. Dutch cants his head to one side to examine me with one great eye. They all get the joke and laugh. Mark tosses me an apple. It comes tumbling to me in a long golden arc like something out of mythology. The throw is so expert that I easily catch it. I take a bite, and get lost for a moment in its sweet juiciness, get lost in the whole idea of an apple tree, how it makes sweet food out of sunlight and earth. I think about how the tree spreads out above ground to catch air and light and below ground to catch water, minerals, and nourishment; about how at the end of the season it drops its leaves at its feet to reabsorb their nutrients. There is such Knowingness in this bite that I feel I have just eaten from the tree of knowledge. Stewart looks benevolently down at me from Dutch’s back. He is only twenty and has a ruddy face that glows with health and openness. He embodies the very bloom of youth. His young muscled body sits easily on the horse; his dark brown eyes are alive with merriment and friendliness. The whole scene is like a painting from another time. The Apple Pickers. I see it frozen for a moment, but then, in the silence of our greeting, a jet passes overhead, far away, in a series of deep distant rumbles that makes the canvas shimmer for a moment, reminding me that there is more to this moment than the simplicity that meets the eye. We stand quietly for awhile eating these first
Arnold W. Porter (In a Time of Magic)
decide to be proactive. “Hey, be careful with them apples,” I call out, imitating a harsh Mike voice. Mike always shows up in his ragged, half-rotten clothes and tells us how to do things, like he’s some kind of big expert. All faces turn toward me, including Dutch’s equine one. Dutch cants his head to one side to examine me with one great eye. They all get the joke and laugh. Mark tosses me an apple. It comes tumbling to me in a long golden arc like something out of mythology. The throw is so expert that I easily catch it. I take a bite, and get lost for a moment in its sweet juiciness, get lost in the whole idea of an apple tree, how it makes sweet food out of sunlight and earth. I think about how the tree spreads out above ground to catch air and light and below ground to catch water, minerals, and nourishment; about how at the end of the season it drops its leaves at its feet to reabsorb their nutrients. There is such Knowingness in this bite that I feel I have just eaten from the tree of knowledge. Stewart looks benevolently down at me from Dutch’s back. He is only twenty and has a ruddy face that glows with health and openness. He embodies the very bloom of youth. His young muscled body sits easily on the horse; his dark brown eyes are alive with merriment and friendliness. The whole scene is like a painting from another time. The Apple Pickers. I see it frozen for a moment, but then, in the silence of our greeting, a jet passes overhead, far away, in a series of deep distant rumbles that makes the canvas shimmer for a moment, reminding me that there is more to this moment than the simplicity that meets the eye.
Arnold W. Porter (In a Time of Magic)
Each chakra corresponds to specific life issues or “thought forms.” The first or “root chakra,” near the base of the spine, regulates issues of survival, and fulfillment of our physical needs for food and shelter. About five inches below the belly button is the second or “sacral chakra,” which corresponds to physical desires and appetites. Directly behind the navel is the third or “solar plexus” chakra, which responds to issues of power and control. The fourth chakra, behind the heart, is logically called the “heart chakra,” and deals with matters of love. Next, the “throat chakra” is located by the Adam’s apple, and corresponds to our beliefs, thoughts, and actions involving communication. Between the two eyes is the “third eye chakra,” which governs spiritual sight and clairvoyance. The seventh, or “crown chakra,” is on the inside of the top of our heads. This chakra lets in universal and Divine knowledge, and is our inlet for wisdom, guidance, and understanding. The lower-body chakras
Doreen Virtue (The Lightworker's Way: Awakening Your Spiritual Power to Know and Heal)
I’m sorry, Mr. Chavez,” the club’s young assistant reception manager, Talya, said. “This is a private club. If you’re not a member, your name has to be on the guest list.” Luis Chavez sighed. He wasn’t here by choice. “I was told to come here at this time,” Luis replied. “By whom?” Talya asked. Luis watched her eyes weigh his appearance. He was in black pants, heavy black shoes, and wore a gray jacket zipped up to his Adam’s apple even though it was almost summer. He was clean shaven with short black hair. That he wasn’t representative of the club’s regular clientele wasn’t even a question. “Mr. Alazraqui.” “I’m sorry. We don’t have a member by that name or anyone on our guest list.” Luis nodded. His job was done. He could go home in good conscience. “My mistake,” Luis said, nodding to the young woman. He turned and was almost out the door when a white Mercedes SUV rolled up to the valet stand just outside in the sublevel parking garage. Its driver was a large Hispanic man practically bursting through the seams of an off-white suit and mustard-yellow shirt. Even though he was only an inch or two taller than Luis’s diminutive five foot three, his expansive girth caused him to dwarf Luis. Talya stepped past Luis to open the door for him. “Good morning, Mr. Mata!” Mata nodded a greeting at her and stepped through the door. As soon as the big man was through, Talya jogged ahead to ring for an elevator. Though the club’s entrance was in a parking garage, the club itself was an elevator ride up to the ninth floor. “Have a good breakfast, sir.” Luis had just located the valet ticket in his pocket when he heard the older man’s voice. “Padre?” Luis winced. “Oh, is Mr. Chavez a guest of yours?” Talya asked. “He’s the priest. To deliver the benediction.” Luis caught the surprised look on Talya’s face, then felt Mata’s heavy hand on his shoulder. “Come on, Padre. Let’s get you upstairs.” As soon as they were inside the elevator, Mata nodded to the tiny strip of white peering over the top of Luis’s jacket. “Why didn’t you flash the collar?” Mata asked. “Waited too late,” Luis admitted. “Would’ve felt like a jerk.” “Ah,” Mata said, laughing. “Guess enough people out there think priests are assholes, huh?” Luis didn’t reply.
Mark Wheaton (Fields of Wrath (Luis Chavez, #1))
Blanket Volleyball Materials: A towel or baby blanket and a balloon or a soft ball. Preparation and Instructions: Hold two ends of the blanket and have the child hold the other two ends. The Game: Place a ball or balloon in the middle of the blanket. On a signal given by you, you and the child toss the ball into the air and catch it in the blanket. Use visual signals, such as “When I blink my eyes, it means go.” Use auditory signals, such as “1, 2, 3, go!” You may also say that the signal is a word, such as “alligator.” Then you would say, “Always, apple, alligator.” Auditory and word signals help the child learn to listen. To structure this game: Clearly state the goal of the game. “Our goal is to work together to toss the ball and catch it. We can count how many times we are able to do so. Clearly give a signal: “The signal to begin the game will be ‘ready, set, go.’” To ensure that the child waits for the signal and is successful, do not put the ball on the blanket until just before the signal to go.
Becky A. Bailey (I Love You Rituals)
Even a late modern hero like Steve Jobs doesn’t conform to the narrative of secularism. In his biography of Jobs, Walter Isaacson recalls a scene near the end of Jobs’s life that exemplifies the ambiguity of our secular age: One sunny afternoon, when he wasn’t feeling well, Jobs sat in the garden behind his house and reflected on death. He talked about his experiences in India almost four decades earlier, his study of Buddhism, and his views on reincarnation and spiritual transcendence. “I’m about fifty-fifty on believing in God,” he said. “For most of my life, I’ve felt that there must be more to our existence than meets the eye.” He admitted that, as he faced death, he might be overestimating the odds out of a desire to believe in an afterlife. “I like to think that something survives after you die,” he said. “It’s strange to think that you accumulate all this experience, and maybe a little wisdom, and it just goes away. So I really want to believe that something survives, that maybe your consciousness endures.” He fell silent for a very long time. “But on the other hand, perhaps it’s like an on-off switch,” he said. “Click! And you’re gone.” Then he paused again and smiled slightly. “Maybe that’s why I never liked to put on-off switches on Apple devices.
James K.A. Smith (How (Not) to Be Secular: Reading Charles Taylor)
In Defense of Our Overgrown Garden" Last night the apple trees shook and gave each lettuce a heart Six hard red apples broke through the greenhouse glass and Landed in the middle of those ever-so-slightly green leaves That seem no mix of seeds and soil but of pastels and light and Chalk x’s mark our oaks that are supposed to be cut down I’ve seen the neighbors frown when they look over the fence And see our espalier pear trees bowing out of shape I did like that They looked like candelabras against the wall but what’s the sense In swooning over pruning I said as much to Mrs. Jones and I swear She threw her cane at me and walked off down the street without It has always puzzled me that people coo over bonsai trees when You can squint your eyes and shrink anything without much of A struggle ensued with some starlings and the strawberry nets So after untangling the two I took the nets off and watched birds With red beaks fly by all morning at the window I reread your letter About how the castles you flew over made crenellated shadows on The water in the rainbarrel has overflowed and made a small swamp I think the potatoes might turn out slightly damp don’t worry If there is no fog on the day you come home I will build a bonfire So the smoke will make the cedars look the way you like them To close I’m sorry there won’t be any salad and I love you
Matthea Harvey (Pity the Bathtub Its Forced Embrace of the Human Form)
keep coming back to that image of John Chapman floating down the Ohio River, snoozing alongside his mountain of apple seeds—seeds that held sleeping within them the apple’s American future, the golden age to come. The barefoot crank knew something about how things stand between us and the plants, something we seem to have lost sight of in the two centuries since. He understood, I think, that our destinies on the river of natural history are twined.
Michael Pollan (The Botany of Desire: A Plant's-Eye View of the World)
Bergson...was on the threshold of that gripping discovery, already familiar to the painters, that there are no lines visible in themselves, that neither the contour of the apple nor the border between field and meadow is in this place or that, that they are always on the near or the far side of the point we look at. They are always between or behind whatever we fix our eyes upon; they are indicated, implicated, and even very imperiously demanded by the things, but they themselves are not things. They were supposed to circumscribe the apple or the meadow, but the apple and the meadow "form themselves" from themselves, and come into the visible as if they had come from a pre-spatial world behind the scenes.
Maurice Merleau-Ponty (L'Œil et l'Esprit)
Sanna measured the apple juice into a large glass beaker and added it to the carboy, swirling a cheery red- like Santa's suit. She wrote down the amount in her notebook and did the same with the next juice, this one a bold sapphire blue, which mixed with the red into a vivid purple. When it came to cider, colors and flavors blended together for her. She knew she had the right blend when it matched the color she had envisioned. It wasn't scientific- and it didn't happen with anything else Sanna tasted- but here, with her beloved trees, it worked. She carefully tracked the blends in her journal. The sun streamed through the window, lighting up the colors in the carboy like Christmas lights. She was close- one more juice should do it. She closed her eyes, calling to mind all the juices in the barn's cooler and their corresponding colors. Every juice she tasted from their apples had a slightly different hue, differing among individual varieties, but even varying slightly from tree to tree. When she was twenty-four, she had stood at the tall kitchen counter tasting freshly pressed juices she had made for the first time with the press she had unearthed from the old barn. Her plan had originally been to sell them in the farm stand, but she wanted to pick the best. As she sipped each one, an unmistakable color came to mind- different for each juice- and she finally understood the watercolor apple portraits above the fireplace. They were proof she wasn't the only family member who could see the colors. After she explained it to her dad, he smiled. "I thought you might have the gift." "You knew about this?" "It's family legend. My dad said Grandpa could taste colors in the apples, but no one in my lifetime has been able to, so I thought it might be myth. When you returned home after college- the way you were drawn to Idun's- I thought you might have it." He had put his hands on the side of her face. "This means something good, Sanna." "Why didn't you say anything? Why didn't I know before?" "Would you have believed me?" "I've had apple juice from the Rundstroms a thousand times. Why can't I see that with theirs?" "I think it has something to do with apples from our land. We're connected to it, and it to us." Sanna had always appreciated the sanctuary of the orchard, and this revelation bonded Sanna like another root digging into the soil, finding nourishment. She'd never leave. After a few years of making and selling apple juice, Sanna strolled through the Looms wondering how these older trees still produced apples, even though they couldn't sell them. They didn't make for good eating or baking- Einars called them spitters. Over the years, the family had stopped paying attention to the sprawling trees since no one would buy their fruit- customers only wanted attractive, sweet produce. Other than the art above the mantel, they had lost track of what varieties they had, but with a bit of research and a lot of comparing and contrasting to the watercolors and online photos, Sanna discovered they had a treasure trove of cider-making apples- Kingston Black, Ashton Bitter, Medaille d'Or, Foxwhelp, her favorite Rambo tree, and so many more. The first Lunds had brought these trees to make cider, but had to stop during Prohibition, packing away the equipment in the back of their barn for Sanna to find so many years later. She spent years experimenting with small batches, understanding the colors, using their existing press and carboys to ferment. Then, last year, Einars surprised her with plans to rebuild the barn, complete with huge fermentation tanks and modern mills and presses. Sanna could use her talent and passion to help move their orchard into a new phase... or so they had hoped.
Amy E. Reichert (The Simplicity of Cider)
Manifesto" I know that dying is how we escape the rest of our lives. I think that trees send us a message: do not believe you are lucky. The skins of apples and the peeler will marry; it's simply a question of when. Believe in mourning and carrion birds. Look how their fleshy treasures dissolve in the sun before their very eyes. To love something you must have considered what it means to do without. You must have thought about it—the coefficient of the body is another body—but do not forget that there are people who are willing to staple your palm to your chest. Know there are places it isn't wise to go. Begin again if you must: there are ways to make up for what you have been before, the dust in the corners that collects you. Sympathy is overrated. Rethink how lack becomes everyone's master, drives us into town and spends our money. Quiet: the trees are napping. Water meets itself again. We reach for the days that precede us and the world keeps us from knowing too much. The body loves music, the abandoned road of it; each day a peel lengthens in the shadow of blossoms, fabric weaves itself into light. Pay attention to the patterns. They repeat— terraces erode, groves lie fallow— order is cognate of joy.
Margot Schilpp (The World's Last Night)
What made you come back?” Kitty jerked at his sudden question. She sputtered for a moment then laughed. “What made me come back? What do you mean?” He shrugged with one shoulder, never moving his gaze away from her. “At Eliza’s and Thomas’s wedding last year you were convinced that returning to Boston and living with your aunt was the best course to take. But it appears you have changed your mind. So, what made you come back?” “Is that why you followed me? To ask me that?” Her face burned, but she feigned composure and looked at him with as much ease as she could marshal. “Boston is too dangerous, you know that.” “’Tis true, I am well aware of what Boston and its residents suffer. But I cannot believe that was the only reason you returned.” Training her mouth to reveal nothing more than a slight grin, she strained to keep her pulse quiet. She stepped toward the fire, resting her hand atop the chair, acting more casual than she felt. “If there were any other reason, do you think that I would share such information with you? Surely, Nathaniel, I cannot share all my secrets.” “Secrets? Well, now I am curious.” Kitty rubbed the lace on her gloves and emitted a warm, genuine laugh that eased the strain in her voice. She offered an impish smile. “I came back for several reasons, if you must know. As I mentioned, ‘twas for matters of safety that Henry Donaldson insisted I return as well as—”  “Donaldson?” Kitty peered over her shoulder, hiding the grin that surged at the undeniable question in Nathaniel’s eyes. Could he be... nay, not possible. She kept her focus. “Aye, Henry Donaldson. You remember him, do you not?” “Aye, of course. I just... I just hadn’t known he was still... around. He was always a good friend and I admire him, despite his poor choice of allegiances.” Nathaniel’s interested expression stayed lifted, but the light in his eyes went flat. “Are you... have you been seeing much of him of late?” “I have,” she said. “He’s a close friend and I admire him very much.” Nathaniel’s expression didn’t change, but his Adam’s apple bobbed and he cleared his throat. “I see.”  She once again toyed with the fabric of her gloves, unsure what else to do with her hands. Quickly focusing on the subject of their conversation, she stared back into the fire. “Henry said it was too dangerous for me to stay despite my protestations. With Father gone and Eliza here—and since our home was destroyed that December… well, my home is here now.” The scent of smoke wafting from the fireplace in front of her snatched the horrid vision from its hiding place in her mind. Instantly she witnessed anew the roaring flames that devoured her treasured childhood home, taking with it all her cherished memories and replacing them with ash. She turned to Nathaniel, his face drawn as if he too relived the tragedy. The bond they’d shared that night had forged a friendship that could never be shaken.  Nathaniel stepped forward, the look of tenderness so rich in his eyes it wound around her shoulders like a warm cloak. “I can well understand that, Kitty. Donaldson was right in advising you to return.” Then, as if the heaviness were too much, he shrugged and sighed with added gaiety to his tone. “Well, I will admit that Sandwich didn’t feel the same with you gone, that’s for certain.” She tipped her head with a smirk. “You pined for my return?”  “With the pains of an anguished soul.” “Lying is a sin, Nathaniel,” she teased. Nathaniel laughed, his broad smile exposing his straight teeth. “All right, if you want the truth I pined more for your cooking, and more specifically for your carrot pudding. Are you satisfied?” “I knew it.
Amber Lynn Perry (So True a Love (Daughters of His Kingdom #2))
At the back of the yard, tufted with grass like sparse hair on a balding head, is a weathered gray shed with a slit cut out of the door. Fanny nods toward it. “I’ll wait.” “You don’t have to.” “The longer you’re in there, the longer my fingers get a break.” The shed is drafty, and I can see a sliver of daylight through the slit. A black toilet seat, worn through to wood in some places, is set in the middle of a rough-hewn bench. Strips of newspaper hang on a roll on the wall. I remember the privy behind our cottage in Kinvara, so the smell doesn’t shock me, though the seat is cold. What will it be like out here in a snowstorm? Like this, I suppose, only worse. When I’m finished, I open the door, pulling down my dress. “You’re pitiful thin,” Fanny says. “I’ll bet you’re hungry.” Hongry. She’s right. My stomach feels like a cavern. “A little,” I admit. Fanny’s face is creased and puckered, but her eyes are bright. I can’t tell if she’s seventy or a hundred. She’s wearing a pretty purple flowered dress with a gathered bodice, and I wonder if she made it herself. “Mrs. Byrne don’t give us much for lunch, but it’s prolly more’n you had.” She reaches into the side pocket of her dress and pulls out a small shiny apple. “I always save something for later, case I need it. She locks up the refrigerator between meals.” “No,” I say. “Oh yes she does. Says she don’t want us rooting around in there without her permission. But I usually manage to save something.” She hands me the apple. “I can’t—
Christina Baker Kline (Orphan Train)
It's Raining Sunshine The tempter came From the land That wants to reign Eat the apple Beckons the tempter You shan't lose the throne The Crown terrorized New World Blacks From Colony to Colony In every nook hole and cranny eye Like Jacob also called Israel The chosen thief that stole Esau's birthright The crown stole the birthrights of the people And call it a Sport They hunted and shoot New World Blacks Like wild rabbits in the Spring Terrorize the people to the bone! For we must have a throne! Buy them! Sell them! Breed them! Like the goods we make them! They are alone They know not anyone No one will weep for them They must make us rich forever! We are lost without them! We must have fame to our name! We are vegan cannibals We kill them But we won't eat them Feed them to our adorable wildcats and vultures Long live the throne! New World Blacks shall perish! The throne shall live and never die! All hail English Hitler!
Maisie Aletha Smikle
Jack's eyes were huge, he was nervous and excited at the idea of fighting off so many blazes. “There were that many?”  Dad nodded, a frown on his face. “Yeah, I saw some other things in there, too. In the few seconds before they poofed me, anyway. Some skeletons that had dark gray bones. I hadn’t seen those before, but there weren’t nearly as many. Only a handful. I also saw some regular skeletons. But the sheer number of blazes was just...It was impossible to count.”  Mom huffed. “Well, that is not at all what I was hoping for. What are we going to do now?”  Dad opened his shulker box and pulled out his stronger set of iron enchanted armor, and a gold helmet, and put it all on. Then he took out two tower shields, equipping one in each hand. “Well first off, I should have gone in more prepared.”  Mom snapped her fingers. “Speaking of prepared, that reminds me.” She pulled out potions from her inventory, handing everyone a few. Then gave out stacks of golden apples and cooked pork, followed by healing potions. “This should help a lot for when we go in.”  “Wait,” Dad said. “You still want to go in after what I told you is behind that portal?”  Mom opened her shulker box, also getting dressed in her enchanted iron armor. “Yes, dear. We will not let some floating fire monsters stop us from reaching our goal.”  Kate grinned. “Go Mom! I have an idea too. STOMPY!” she called over to the huge ravager.  “What are you doing?” Jack asked. He had put on his enchanted iron armor, while handing Bruce some diamond armor and diamond sword, and some golden boots, just in case. Bruce ate them up, his entire body turning the blue of diamond, and his claws growing longer and sharper and shinier, piercing through his new, golden paws.  “I think we should have Stompy charge through and open a path for us. He’s perfect for the job,” Kate said as Stompy stomped up to them. She patted his neck lovingly.  “Aren’t you worried about him getting hurt?” Mom asked.
Pixel Ate (The Accidental Minecraft Family: Book 20)
Indigenous Lives Holding Our World Together, by Brenda J. Child American Indian Stories, by Zitkala-Sa A History of My Brief Body, by Billy-Ray Belcourt The Falling Sky: Words of a Yanomami Shaman, by Davi Kopenawa and Bruce Albert Apple: Skin to the Core, by Eric Gansworth Heart Berries, by Terese Marie Mailhot The Blue Sky, by Galsan Tschinag Crazy Brave, by Joy Harjo Standoff, by Jacqueline Keeler Braiding Sweetgrass, by Robin Wall Kimmerer You Don’t Have to Say You Love Me, by Sherman Alexie Spirit Car, by Diane Wilson Two Old Women, by Velma Wallis Pipestone: My Life in an Indian Boarding School, by Adam Fortunate Eagle Split Tooth, by Tanya Tagaq Walking the Rez Road, by Jim Northrup Mamaskatch, by Darrel J. McLeod Indigenous Poetry Conflict Resolution for Holy Beings, by Joy Harjo Ghost River (Wakpá Wanági), by Trevino L. Brings Plenty The Book of Medicines, by Linda Hogan The Smoke That Settled, by Jay Thomas Bad Heart Bull The Crooked Beak of Love, by Duane Niatum Whereas, by Layli Long Soldier Little Big Bully, by Heid E. Erdrich A Half-Life of Cardio-Pulmonary Resuscitation, by Eric Gansworth NDN Coping Mechanisms, by Billy-Ray Belcourt The Invisible Musician, by Ray A. Young Bear When the Light of the World Was Subdued, Our Songs Came Through, edited by Joy Harjo New Poets of Native Nations, edited by Heid E. Erdrich The Failure of Certain Charms, by Gordon Henry Jr. Indigenous History and Nonfiction Everything You Know About Indians Is Wrong, by Paul Chaat Smith Decolonizing Methodologies, by Linda Tuhiwai Smith Through Dakota Eyes: Narrative Accounts of the Minnesota Indian War of 1862, edited by Gary Clayton Anderson and Alan R. Woodworth Being Dakota, by Amos E. Oneroad and Alanson B. Skinner Boarding School Blues, edited by Clifford E. Trafzer, Jean A. Keller, and Lorene Sisquoc Masters of Empire, by Michael A. McDonnell Like a Hurricane: The Indian Movement from Alcatraz to Wounded Knee, by Paul Chaat Smith and Robert Allen Warrior Boarding School Seasons, by Brenda J. Child They Called It Prairie Light, by K. Tsianina Lomawaima To Be a Water Protector, by Winona LaDuke Minneapolis: An Urban Biography, by Tom Weber
Louise Erdrich (The Sentence)
For males, power is the ultimate aphrodisiac, and an addictive one at that. The violent reaction of Nikkie and Yeroen to their loss of power fits the frustration-aggression hypothesis to the letter: the deeper the bitterness, the greater the anger. Males jealously guard their power, and lose all inhibition if anyone challenges it. And this hadn’t been the first time for Yeroen. The ferocity of the attack on Luit may have been due to the fact that it was the second time he had come out on top. The first time Luit gained the upper hand - marking the end of Yeroen’s ancient regime - I was perplexed by the way the established leader reacted. Normally a dignified character, Yeroen became unrecognizable. In the midst of a confrontation, he would drop out of a tree like a rotten apple, writhing on the ground, screaming pitifully, and waiting to be comforted by the rest of the group. He acted much like a juvenile ape being pushed away from his mother’s teats. And like a juvenile who during tantrums keeps an eye on mom for signs of softening, Yeroen always noted who approached him. If the group around him was big and powerful enough, and especially if it included the alpha female, he would gain instant courage. With his supporters in tow, he would rekindle the confrontation with his rival. Clearly, Yeroen’s tantrums were yet another example of deft manipulation. What fascinated me most, however, were the parallels with infantile attachment, nicely captured in expressions like “clinging to power” and “being weaned from power.” Knocking a male off his pedestal gets the same reaction as yanking the security blanket away from a baby. When Yeroen finally lost his top spot, he would often sit staring into the distance after a fight, an empty expression on his face. He was oblivious to the social activity around him and refused food for weeks. We thought he was sick, but the veterinarian found nothing wrong. Yeroen seemed a mere ghost of the impressive big shot he had been. I’ve never forgotten this image of a beaten and dejected Yeroen. When power was lost, the lights in him went out.
Frans de Waal (Our Inner Ape: A Leading Primatologist Explains Why We Are Who We Are)
She turns back once before she sweeps into the recesses of the office, her apple-seed mouth unshriveling very slightly. “It’s not that I don’t understand. Every woman has once wanted what she shouldn’t, what she can’t have. I wish…” Juniper wonders if Miss Stone was ever a little listening to her grandmother’s stories about the Maiden riding her white stag through the woods, the Mother striding into battle. If she once dreamed of wielding swords rather than slogans. Miss Stone gives her shoulders a stern little shake. “I wish we might make use of every tool in our pursuit of justice. But I’m afraid the modern woman cannot afford to be sidetracked by moonbeams and witch-tales.” Juniper smiles back as pleasantly as she knows how and Bella whispers, “yes, of course” beside her. But there’s a look in Bella’s eyes as she says it, a struck-flint spark that makes Juniper think that her sister doesn’t intend to give up her moonbeams or witch-tales at all; that maybe, she too, wants another kind of power.
Alix E. Harrow (The Once and Future Witches)
[Love Wasn’t as They Said] Love wasn’t as they said… It didn’t last forever as they claimed… It is fleeting moments only recognized By those with sight and insight… And perhaps only captured By those patiently waiting as if to see a lightning in the sky… And, like lightning perhaps, we never know Where love goes after it strikes… And perhaps the only love that lasts Is one that know when to stay and when to walk away… ** Love wasn’t synonymous with honor As they defined honor... It is often the awareness that falls upon us After betraying or letting down the loved ones… Love wasn’t holding hands forever, It is boring afternoons spent together With no words And no activities… It wasn’t lifetime sexual attraction As many claimed… It is the companionship that remains After the hormonal fires are put out, When the noises of immaturity go silent, And after the childish quarrels and squabbles stop… It is the home that remains erected Long after getting erectile dysfunction… It that appetite for life after the last egg from the last period… It is that strange feeling of elation That may come after what is mistakenly called a “midlife crisis”, To fill that frightening gap between hope and reality… ** Love a widow brushing her hair, On a bus or in a public place, Unbothered by onlookers or passersby, As she opens her shabby handbag And takes out an apple to bite on With the teeth she has left… Love is an eye surrounded with wrinkles But is finally able to see the world Sensitively, insightfully, and more realistically, Without exaggerated embellishment or distortion… ** Love is shreds of joy Interspersed with long intervals Of boredom, exhaustion, reproach, and disappointment… It’s not measured with red flowers, bears, and expensive gifts in shiny wraps, It is who remains when the glucose, blood pressure and cholesterol numbers are high… It’s those who stay after the heart catheterization and knee replacement surgeries… Love gets stronger after getting osteoporosis And may move mountains despite the rheumatism… ** Love is the few seconds when our eyes cross with strangers Who awaken in us feelings we hadn’t experienced with those living with us in years… Or perhaps it’s rubbing arms and shoulders with a passenger On a bus, in a train, or on a plane… It is that fleeting look from a passerby in the street Convey to us that they, too, have understood the game, But there’s not much they can do about it… ** Love wasn’t as they said It wasn’t as they said… It is not 1+1=2… It is sometimes three or more… At other times, it grows at point zero or lower, In solitude, in loneliness, and in seclusion… Isn’t it time, I wonder, to demolish everything falsely, unfairly, and misleadingly attributed to love? Or is it that love burns and dies Precisely when we try to capture it in our hands? [Original poem published in Arabic on October 27, 2022 at ahewar.org]
Louis Yako
[Love Wasn’t as They Said] Love wasn’t as they said… It didn’t last forever as they claimed… It is fleeting moments only recognized By those with sight and insight… And perhaps only captured By those patiently waiting as if to see a lightning in the sky… And, like lightning perhaps, we never know Where love goes after it strikes… And perhaps the only love that lasts Is one that know when to stay and when to walk away… ** Love wasn’t synonymous with honor As they defined honor... It is often the awareness that falls upon us After betraying or letting down the loved ones… Love wasn’t holding hands forever, It is boring afternoons spent together With no words And no activities… It wasn’t lifetime sexual attraction As many claimed… It is the companionship that remains After the hormonal fires are put out, When the noises of immaturity go silent, And after the childish quarrels and squabbles stop… It is the home that remains erected Long after getting erectile dysfunction… It that appetite for life after the last egg from the last period… It is that strange feeling of elation That may come after what is mistakenly called a “midlife crisis”, To fill that frightening gap between hope and reality… ** Love is a widow brushing her hair, On a bus or in a public place, Unbothered by onlookers or passersby, As she opens her shabby handbag And takes out an apple to bite on With the teeth she has left… Love is an eye surrounded with wrinkles But is finally able to see the world Sensitively, insightfully, and more realistically, Without exaggerated embellishment or distortion… ** Love is shreds of joy Interspersed with long intervals Of boredom, exhaustion, reproach, and disappointment… It’s not measured with red flowers, bears, and expensive gifts in shiny wraps, It is who remains when the glucose, blood pressure and cholesterol numbers are high… It’s those who stay after the heart catheterization and knee replacement surgeries… Love gets stronger after getting osteoporosis And may move mountains despite the rheumatism… ** Love is the few seconds when our eyes cross with strangers Who awaken in us feelings we hadn’t experienced with those living with us in years… Or perhaps it’s rubbing arms and shoulders with a passenger On a bus, in a train, or on a plane… It is that fleeting look from a passerby in the street Convey to us that they, too, have understood the game, But there’s not much they can do about it… ** Love wasn’t as they said It wasn’t as they said… It is not 1+1=2… It is sometimes three or more… At other times, it grows at point zero or lower, In solitude, in loneliness, and in seclusion… Isn’t it time, I wonder, to demolish everything falsely, unfairly, and misleadingly attributed to love? Or is it that love burns and dies Precisely when we try to capture it in our hands? [Original poem published in Arabic on October 27, 2022 at ahewar.org]
Louis Yako
Elle held her breath as Darcy frowned thoughtfully. “Okay, got it. May I ask a question?” “Absolutely.” Elle gestured for Darcy to go on. “There’s no such thing as a stupid question. There’s a definite learning curve to this.” Darcy nodded. “All right. If your Jupiter is . . . in Virgo?” Elle nodded. “Where’s your Uranus?” “My Uranus is in Capri—” Elle froze. “Wow.” Darcy’s dimples deepened as she smiled impishly. “Sorry, it was just right there. You probably get that a lot.” “From frat boys and five-year-olds, not . . .” She trailed off, gesturing up and down in Darcy’s general direction with her free hand. “People like you.” “People like me?” Darcy’s brows rose and fell. “Like me how?” People who drank fifty-six-dollar glasses of wine and wore tight little pencil skirts and Christian Louboutin heels and worked as actuaries. Insufferable know-it-alls with cunning sensibilities and kissable little moon-shaped freckles. People with eyes like burnt caramel and full lips that looked candy-apple sweet. People who . . . who . . . Elle waved the notebooks in the air. “I don’t know. Which is why I’m here. I figured, we’d drink a little wine, play twenty questions, jot down our notes, and get to know each other a little. Make this charade a little more believable, if not truthful. Or close enough to assuage my conscience.” Darcy did that thing where she stared, brown eyes studying Elle from across the living room. It was only a look and yet it made Elle feel weirdly naked. “If you think it’s silly, we can—” “No.” Darcy shook her head and stepped closer, nudging the remaining bag with a stocking-covered toe. Stockings. Fuck. Elle sunk her teeth into her bottom lip. Pantyhose were the bane of her existence—if she so much as tried to put on a pair, she’d immediately get a run—but on Darcy . . . Elle tore her eyes away and feigned interest in ripping open the cardboard pen packaging. Darcy went on, “It’s not silly. No doubt Brendon will dig for details. It’s important for us to be on the same page. Good idea.
Alexandria Bellefleur (Written in the Stars (Written in the Stars, #1))
In everyday life we know that someone who is a true lover is very different from someone who is a pretender or a playboy. We know that true love should not be motivated at all by self- interest. And such is God’s love for us. It is a love that seeks the very best for us; it is sacrificial; it never stops giving. Perhaps the closest we can come to understanding the essence and quality of God’s love for us—though it is still a faint reflection of the reality—is the way in which we love our children. We bring these helpless, fragile little things home from the hospital and we love them. They have not done anything to deserve our love, indeed they are totally incapable of doing anything for us, yet we love them. From the moment we become a parent we know that from now on, life will pretty much revolve around our child and often they will inconvenience us in ways we can only dream of! Yet, we never stop loving them—really loving them. Parents and their children are a model to help us understand the way in which our Heavenly Father God really loves each one of us. As we think about how unconditionally we love our children and begin to grasp how complete and unconditional the Father’s love for us is, we can begin to scratch the surface of His grace and understand a little of the motivation behind God’s unmerited offer of salvation and forgiveness for our sins. Despite a lot of good teaching on the subject in the Church over the years, many Christians are still mystified by grace. They fail to live in the richness of it themselves and they fail to show grace to others. Many are still trapped by a performance-based theology that thinks God’s love must be earned or deserved. They think that if they behave well and perform good works for God then He will love them more. This is so far from the truth! God cannot love us any more nor any less than He does now, and He longs for us to live in the place of grace where we understand that He gives His love to us freely. God’s love and grace are gifts for us to receive. Do we ever deserve them? No! We are totally undeserving, but we are the undeserving who are the apple of His eye. GRACE AND FORGIVENESS The title of this book Grace and Forgiveness is purposefully chosen because the issue of God’s grace is vitally intertwined with the issue of forgiveness. They are not simply two distinct aspects of our spiritual life that we have decided to place together in the same book. When we come into a real understanding of the extent of God’s grace towards us and what that means, we begin to see how vital and necessary it is that we pass that grace and love on to others. Grace becomes an irresistible force in our lives. When properly understood, the “unfairness” and “injustice” of God’s grace towards us is deeply shocking, even offensive to our human understanding, as we will see. But in the same way that God lavishly and extravagantly pours His grace out upon our lives, He is calling us to learn how to show grace to others by forgiving those who truly don’t deserve it. The great discovery of forgiveness is that, through a selfless act, we open ourselves up to a greater outpouring of the blessing of God on our lives. There are two important things that every Christian needs to realize at some point in their journey as a believer, preferably sooner rather than later! The first is that our God is very big and very powerful and there is nothing that He cannot do. The second is that He is very loving and compassionate towards us. The Bible says that “God is love”. This is not a statement about what He does, but about who He is. He is the very embodiment of perfect, flawless love. His heart for us is to see us living our spiritual lives where we are operating with the dynamics of His Kingdom, just as Jesus did. It is a Kingdom of love, filled with faith, aware of the bigness of our God; aware of His willingness to interact with us and do things for us as we act in loving obedience to Him.
John Arnott (Grace & Forgiveness)
-What is deafness? -A defect in the ear, due to which the mind does not receive any information about sounds. -But sometimes the mind simply decides to ignore sounds despite receiving data. When it is engaged in something, for example, sleeping, our minds often receive sounds and decide to ignore them, just like that, even though there is no hearing impairment. Sight, touch, taste, smell, the mind can ignore its input if it so desires. He looked directly into his eyes, and advanced towards him a little, he said in a tone of ambiguity: But what if we already have this appropriate sense, Ruslan, but our minds interpret their data at will. Or decided to ignore it completely for some reason. And what is this sense? Let's agree to call it zero sense. The sense through which we can receive the data of the original color of the apple.
Ahmad I. AlKhalel (Zero Moment: Do not be afraid, this is only a passing novel and will end (Son of Chaos Book 1))
Do you remember when you told me that you’d bought something ridiculously luxurious, and it was a mango?” he asks. “I was so fucking jealous of you. I wished that I could feel what that was like. I wanted to want something like that. I wanted to have that so badly.” I don’t have answers to any of his problems. I don’t even have solutions to mine. But this one thing? This, I can handle. “Come on,” I say. “Let’s get some mangoes.” We pull off the freeway a few miles later and follow the computer’s directions to a little grocery store. Fifteen minutes later, we’re sitting in a rest stop, cutting our mangoes to bits. “Here,” I tell him. “Trade me. Pretend you’re me. Let me tell you what it was like when I had that mango.” He shuts his eyes obligingly. “I didn’t have a lot of money,” I tell him. “And that meant one thing and one thing only—fried rice.” He smiles despite himself. “Kind of a stereotype, don’t you think?” “Whose stereotype? Rice is peasant food for more than half the world. It’s easy. It’s cheap. You can dress it up with a lot of other things. A little bit of onion, a bag of frozen carrots and peas. A carton of eggs. With enough rice, that can last you basically forever. It does for some people.” “It actually sounds good.” “If you have a decent underlying spice cabinet, you can break up the monotony a little. Fried rice with soy sauce one day. Spicy rice the next. And then curry rice. You can fool your tongue indefinitely. You can’t fool your body. You start craving.” He’s sitting on the picnic table, his eyes shut. “For me, the thing I start craving first is greens. Lettuce. Pea shoots. Anything that isn’t coming out of a bag of frozen veggies. And fruit. If you have an extra dollar or two, you buy apples and eat them in quarters, dividing them throughout the day.” I slide next to him on the table. The sun is warm around us. “But you get sick of apples, too, pretty soon. And so that’s where I want you to imagine yourself: sick to death of fried rice. No respite. No letting up. And then suddenly, one day, someone hands you a debit card and says, ‘Hey. Here’s fifteen thousand dollars.’ No, I’m not going to buy a stupid purse. I’m going to buy this.” I hold up a piece of mango to his lips. He opens his mouth and the fruit slides in. His lips close on my fingers like a kiss, and I can’t bring myself to draw away. He’s warmer than the sun, and I feel myself getting pulled in, closer and closer. “Oh, God.” He doesn’t open his eyes. “That’s so good.” I feed him another slice, golden and dripping juice. “That’s what it felt like,” I tell him. “Like there’s a deep-seated need, something in my bones, something missing. And then you take a bite and there’s an explosion of flavor, something bigger than just the taste buds screaming, yes, yes, this is what I need.” I hand him another piece of mango. He bites it in half, chews, and then takes the other half. “That’s what it felt like,” I say. “It felt like I’d been starving myself. Like I…” He opens his eyes and looks at me. “Like there was something I needed,” I say softly. “Something I’ve needed deep down. Something I’ve been denying myself because I can’t let myself want it.” My voice trails off. I’m not describing the taste of mango anymore. My whole body yearns for his. For this thing I’ve been denying myself. For physical affection. For our bodies joined. For his arms around me all night. It’s going to hurt when he walks away. But you know what? It’ll hurt more if he walks away and we leave things like this, desperate and wanting, incomplete. My voice drops. “It’s like there’s someone I’ve been denying myself. All this time.
Courtney Milan
God knows your value; He sees your potential. You may not understand everything you are going through right now. But hold your head up high, knowing that God is in control and he has a great plan and purpose for your life. Your dreams may not have turned out exactly as you’d hoped, but the bible says that God’s ways are better and higher than our ways, even when everybody else rejects you, remember, God stands before you with His arms open wide. He always accepts you. He always confirms your value. God sees your two good moves! You are His prized possession. No matter what you go through in life, no matter how many disappointments you suffer, your value in God’s eyes always remains the same. You will always be the apple of His eye. He will never give up on you, so don’t give up on yourself.” ― Joel Osteen, Your Best Life Now: 7 Steps to Living at Your Full Potential
Joel Osteen
He laced his fingers through mine beside our bodies, his thumb rubbing my flame ring knowingly. He brought the ring to his lips and whispered into it, his eyes still on mine. “I wish Gracie-Mae would let me kiss her silly.” He noticed. Noticed I whispered wishes into the ring. Noticed the little broken flame jewelry was my own candy apple.
L.J. Shen (Playing with Fire)
Anything they give me, I collect it, because I like to teach those childrens. I like the way their eyes be always so bright, their voices so sharp, when I say "A is for what?" and they say, "A is for apple, AH-AH-APPLE," even though nobody is every seeing any apple with our two naked eyes except for inside the tee-vee.
Abi Daré (The Girl with the Louding Voice)
Nono kept his bees until 1966, the year of my birth...that Spring he gave all his hives into the care of a beekeeper neighbor, whose name we no longer remember. This was near the Draznica station, on the border between Bosnia and Herzegovina. Twenty-seven years later, in a new war, an entire village would be killed in this exact place. The living descendants of Nono's bees would buzz around the open eyes and nostrils of people who would no longer shoo them away. An orchard grew just behind (his) apiary. Apples and the odd short, humble pear, up to the edge of the property. Every little piece of his land...borrowed from his son-in-law and daughter, was attended to, and its purpose and significance was clear to everyone - almost an entire human age would need to pass in order for the earth to forget him completely, to wipe from its surface his choices of what was to grow, and where.
Miljenko Jergović
So you've all been defiling the pool house all these years and no one bothered to tell me," Vansh filled the glass up again, and yes, he sounded sulky as hell at being left out. Vansh was a good five years younger than Ashna, who was the closest to him in age. Between the age gap and the fact that he had gone off to boarding school in India at sixteen, he should have been used to the feeling by now. "Eeew," all his sisters said at once. Nisha took the glass out of Vansh's hand again. "It's a good thing we let you drink when you're underage." He was twenty-six and they all knew it. "It's illegal in the state of California for children to have sex," Trisha said, ruffling Vansh's hair with complete disregard for how much he hated his hair being ruffled. It took a lot of effort to get it to look this good. "And we're the Rajes. You're not allowed to get frisky until you're thirty." "How are you allowed to be thirty-two and call it 'getting frisky'?" Vansh said, patting his hair in place. "And for the record, I could teach you a thing or two about getting frisky." Trisha made a gagging face and then smiled. "Of course, baby." She wrapped her arms around Vansh. "You could teach most of us a thing or two about most things. You're our worldly baby brother, the light of our lives." "The apple of our eyes," Nisha said, joining the hug. "Our pride and joy," Ashna said, completing the group hug. "But we are going to have to punch you if you mention sex around us again," Trisha finished up. As his sisters squeezed him and let him go, the sting of being left out of their nefarious pool house antics, and everything else they always thought he was too young for, died down.
Sonali Dev (The Emma Project (The Rajes, #4))
I love Thy kingdom, Lord, The house of Thine abode, The Church our blest Redeemer bought With His own precious blood. I love the Church, O God! Her walls before Thee stand, Dear as the apple of Thine eye And graven on Thy hand. For her my tears shall fall, For her my prayers ascend; To her my cares and toils be given Till toils and cares shall end. Beyond my highest joy I prize her heavenly ways, Her sweet communion, solemn vows, Her hymns of love and praise. Sure as Thy truth shall last, To Zion shall be given The brightest glories earth can yield, And brighter bliss of heaven.
Paul Fitzgerald Buckley (Confessions of a 21st Century Martyr)
I missed the rest of the conversation because, while the good actor was carefully cooking his sentences with criticisms spiced with kindness, another member of the group, a young man who looked Chinese, with a face like raspberry jelly, stumbled up to me. His naturally yellow complexion was complemented by bright threads of broken veins, more purple than red. He had thick hair, a receding brow, jutting cheekbones, narrow eyes whose dark pupils seemed more polished than alive, a barely visible moustache the color of dead leaves, a little salt and pepper beard that was worn out like an old carpet, a long neck with an Adam’s apple stuck in it like a huge walnut, and shoulders like a scrawny old horse which did not fit with his thick, short chest and his pot belly. He was knock-kneed and bowed legged, with kneecaps shaped like coconuts. He also borrowed Doctor Magne’s chair, blew cigarette smoke out his nose, and took his turn to tackle me. His language was less elegant than the other two; it was hard for him to speak, which you could put down to shyness. He was dull and awkward. He seemed horribly unhappy and sorry to have come over, but there he was. He had to march on—and he did so heroically!—death in his soul. “Monsieur—finally yes!... Monsieur… I don’t like to jaw about brothers… absolutely not! But I have to tell you that Desbosquets is a lot more… absolutely… oh, I’ll blurt it out… a lot more… absolutely cracked than our friend Magne. Absolutely yes!” He wanted to be frank, to open up, which he constantly regretted, because he knew that he would be clumsy and mocked; he felt ridiculous and it was killing him. But his need for some honest self-indulgence gnawed at him, and he spit out his slang and his absolutelys—‘absolutely yes!’ and ‘absolutely no!’— which made him think he was revealing the deepest depths of his soul. He continued. “Maybe they told you about me—yes! I know: bing, bang —mechanics! Absolutely yes! A hack, they must have told you…” (Aha! I thought. So it’s my colleague the poet!) “…and the worst trouble, right? That’s Leonard—yes! Ah! When I’m a little…bing, bang…mechanics! I guess—grumpy—I don’t say… but there’s not an ounce of meanness in me! Disgusting, this awful problem with talking, but the mechanics, you know—because it’s the mechanics—no way! Do you want me to tell you my name? Ah! Totally unknown, my name, but don’t want them to mangle it mechanically when quoting it to you: Oswald Norbert Nigeot. Don’t say Numskull—no!—Although my verses!... Ah! Damned mechanics!... A bonehead, a stupid bonehead, bitten by the morbid mania to write—and the slander of the old students of the Polytechnic! Oh! To write! Terrible trade for the poorly gifted like me who are… bing, bang, not mechanics! And angry at the mechanics of words. Polytechnic pigs manufacture words; so, poor hacks can’t use them. Ah! Even this is mechanics!... And drunk on it, Desbosquets too, very drunk! Obviously you see it: Cusenier, Noilly-Prat, why not Pernod? It’s awful for people like him and me! See, you know— liquids are scarce—but thanks to the guards’ hatred of Bid’homme… and thanks to old Froin, too good, don’t believe in any bad—but can you call that bad? He lives with the Heaven of…mechanics…of…bang…of derangements, no! I want arrangements, not derangements!” Mr. Nigeot seemed very proud of having successfully (?) completed such a long sentence propped up by only one “bang” and one “mechanics,” but in spite of his satisfaction, he was scared of continuing less elegantly and he got all tangled up in a run of bizarre expressions in which the hated Polytechnicians and the bings and bangs (not to mention the absolutelys) got so out of hand that I could not understand a word of what he said.
John-Antoine Nau (Enemy Force)
the original color of the apple -Ozcan: So, it is nothing. Imagine that we live in a world of matter, with no color, no taste, no smell, no touch, no sound. Our five senses cannot receive any information about it. So, we live in nothing, our minds decide what it is, and our need to communicate has created languages, terms, and common concepts. I may see and hear nothing but what you see and hear, but we have agreed on terms and concepts that unite us on them. Ozcan added: But nothing is still a thing, our five senses restrict us, perhaps if we had five additional senses to receive the data of this nothing, our minds would interpret it, and deal with it. We need additional senses to receive data that we do not know anything about. Ten senses, for example? Are they enough? What if the nature of this substance needs an extra sense yet? Well, a hundred senses? What if the right sense is not among them? In the end, we do not need a large number of senses, but rather the appropriate sense to receive the necessary data about this substance. The next question, Ruslan: What if we got this sense, and then our mind rejected the reality of matter for some reason? And decided not to interpret the data correctly? Or ignored it? As it often does with our five senses. -What is deafness? -A defect in the ear, due to which the mind does not receive any information about sounds. -But sometimes the mind simply decides to ignore sounds despite receiving data. When it is engaged in something, for example, sleeping, our minds often receive sounds and decide to ignore them, just like that, even though there is no hearing impairment. Sight, touch, taste, smell, the mind can ignore its input if it so desires. He looked directly into his eyes, and advanced towards him a little, he said in a tone of ambiguity: But what if we already have this appropriate sense, Ruslan, but our minds interpret their data at will. Or decided to ignore it completely for some reason. And what is this sense? Let’s agree to call it zero sense. The sense through which we can receive the data of the original color of the apple
Ahmad I. AlKhalel (Zero Moment: Do not be afraid, this is only a passing novel and will end (Son of Chaos Book 1))